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Marble Faun, The
VOLUME I   VOLUME I - CHAPTER XIX - THE FAUN'S TRANSFORMATION
Nathaniel Hawthorne
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       _ The door of the courtyard swung slowly, and closed itself of its own
       accord. Miriam and Donatello were now alone there. She clasped her hands,
       and looked wildly at the young man, whose form seemed to have dilated,
       and whose eyes blazed with the fierce energy that had suddenly inspired
       him. It had kindled him into a man; it had developed within him an
       intelligence which was no native characteristic of the Donatello whom we
       have heretofore known. But that simple and joyous creature was gone
       forever.
       "What have you done?" said Miriam, in a horror-stricken whisper.
       The glow of rage was still lurid on Donatello's face, and now flashed out
       again from his eyes.
       "I did what ought to be done to a traitor!" he replied. "I did what your
       eyes bade me do, when I asked them with mine, as I held the wretch over
       the precipice!"
       These last words struck Miriam like a bullet. Could it be so? Had her
       eyes provoked or assented to this deed? She had not known it. But, alas!
       looking back into the frenzy and turmoil of the scene just acted, she
       could not deny--she was not sure whether it might be so, or no--that a
       wild joy had flamed up in her heart, when she beheld her persecutor in his
       mortal peril. Was it horror?--or ecstasy? or both in one? Be the emotion
       what it might, it had blazed up more madly, when Donatello flung his
       victim off the cliff, and more and more, while his shriek went quivering
       downward. With the dead thump upon the stones below had come an
       unutterable horror.
       "And my eyes bade you do it!" repeated she.
       They both leaned over the parapet, and gazed downward as earnestly as if
       some inestimable treasure had fallen over, and were yet recoverable. On
       the pavement below was a dark mass, lying in a heap, with little or
       nothing human in its appearance, except that the hands were stretched out,
       as if they might have clutched for a moment at the small square stones.
       But there was no motion in them now. Miriam watched the heap of mortality
       while she could count a hundred, which she took pains to do. No stir;
       not a finger moved!
       "You have killed him, Donatello! He is quite dead!" said she. "Stone
       dead! Would I were so, too!"
       "Did you not mean that he should die?" sternly asked Donatello, still in
       the glow of that intelligence which passion had developed in him. "There
       was short time to weigh the matter; but he had his trial in that breath or
       two while I held him over the cliff, and his sentence in that one glance,
       when your eyes responded to mine! Say that I have slain him against your
       will,--say that he died without your whole consent,--and, in another
       breath, you shall see me lying beside him."
       "O, never!" cried Miriam. "My one, own friend! Never, never, never!"
       She turned to him,--the guilty, bloodstained, lonely woman,--she turned to
       her fellow criminal, the youth, so lately innocent, whom she had drawn
       into her doom. She pressed him close, close to her bosom, with a clinging
       embrace that brought their two hearts together, till the horror and agony
       of each was combined into one emotion, and that a kind of rapture.
       "Yes, Donatello, you speak the truth!" said she; "my heart consented to
       what you did. We two slew yonder wretch. The deed knots us together,
       for time and eternity, like the coil of a serpent!"
       They threw one other glance at the heap of death below, to assure
       themselves that it was there; so like a dream was the whole thing. Then
       they turned from that fatal precipice, and came out of the courtyard, arm
       in arm, heart in heart. Instinctively, they were heedful not to sever
       themselves so much as a pace or two from one another, for fear of the
       terror and deadly chill that would thenceforth wait for them m solitude.
       Their deed--the crime which Donatello wrought, and Miriam accepted on the
       instant--had wreathed itself, as she said, like a serpent, in inextricable
       links about both their souls, and drew them into one, by its terrible
       contractile power. It was closer than a marriage bond. So intimate, in
       those first moments, was the union, that it seemed as if their new
       sympathy annihilated all other ties, and that they were released from the
       chain of humanity; a new sphere, a special law, had been created for them
       alone. The world could not come near them; they were safe!
       When they reached the flight of steps leading downward from the Capitol,
       there was a faroff noise of singing and laughter. Swift, indeed, had been
       the rush of the crisis that was come and gone! This was still the
       merriment of the party that had so recently been their companions. They
       recognized the voices which, a little while ago, had accorded and sung in
       cadence with their own. But they were familiar voices no more; they
       sounded strangely, and, as it were, out of the depths of space; so remote
       was all that pertained to the past life of these guilty ones, in the moral
       seclusion that had suddenly extended itself around them. But how close,
       and ever closer, did the breath of the immeasurable waste, that lay
       between them and all brotherhood or sisterhood, now press them one within
       the other!
       "O friend!" cried Miriam, so putting her soul into the word that it took
       a heavy richness of meaning, and seemed never to have been spoken before,
       "O friend, are you conscious, as I am, of this companionshiP that knits
       our heart-strings together?"
       "I feel it, Miriam," said Donatello. "We draw one breath; we live one
       life!"
       "Only yesterday," continued Miriam; "nay, only a short half-hour ago, I
       shivered in an icy solitude. No friendship, no sisterhood, could come
       near enough to keep the warmth within my heart. In an instant all is
       changed! There can be no more loneliness!"
       "None, Miriam!" said Donatello.
       "None, my beautiful one!" responded Miriam, gazing in his face, which had
       taken a higher, almost an heroic aspect, from the strength of passion.
       "None, my innocent one! Surely, it is no crime that we have committed.
       One wretched and worthless life has been sacrificed to cement two other
       lives for evermore."
       "For evermore, Miriam!" said Donatello; "cemented with his blood!"
       The young man started at the word which he had himself spoken; it may be
       that it brought home, to the simplicity of his imagination, what he had
       not before dreamed of,--the ever-increasing loathsomeness of a union that
       consists in guilt. Cemented with blood, which would corrupt and grow more
       noisome forever and forever, but bind them none the less strictly for that.
       "Forget it! Cast it all behind you!" said Miriam, detecting, by her
       sympathy, the pang that was in his heart. "The deed has done its office,
       and has no existence any more."
       They flung the past behind them, as she counselled, or else distilled from
       it a fiery, intoxication, which sufficed to carry them triumphantly
       through those first moments of their doom. For guilt has its moment of
       rapture too. The foremost result of a broken law is ever an ecstatic
       sense of freedom. And thus there exhaled upward (out of their dark
       sympathy, at the base of which lay a human corpse) a bliss, or an insanity,
       which the unhappy pair imagined to be well worth the sleepy innocence
       that was forever lost to them.
       As their spirits rose to the solemn madness of the occasion, they went
       onward, not stealthily, not fearfully, but with a stately gait and aspect.
       Passion lent them (as it does to meaner shapes) its brief nobility of
       carriage. They trod through the streets of Rome, as if they, too, were
       among the majestic and guilty shadows, that, from ages long gone by, have
       haunted the blood-stained city. And, at Miriam's suggestion, they turned
       aside, for the sake of treading loftily past the old site of Pompey's
       Forum.
       "For there was a great deed done here!" she said,--"a deed of blood like
       ours! Who knows but we may meet the high and ever-sad fraternity of
       Caesar's murderers, and exchange a salutation?"
       "Are they our brethren, now?" asked Donatello.
       "Yes; all of them," said Miriam,--" and many another, whom the world
       little dreams of, has been made our brother or our sister, by what we have
       done within this hour!"
       And at the thought she shivered. Where then was the seclusion, the
       remoteness, the strange, lonesome Paradise, into which she and her one
       companion had been transported by their crime? Was there, indeed, no such
       refuge, but only a crowded thoroughfare and jostling throng of criminals?
       And was it true, that whatever hand had a blood-stain on it,--or had
       poured out poison,--or strangled a babe at its birth,--or clutched a
       grandsire's throat, he sleeping, and robbed him of his few last breaths,
       --had now the right to offer itself in fellowship with their two hands?
       Too certainly, that right existed. It is a terrible thought, that an
       individual wrong-doing melts into the great mass of human crime, and makes
       us, who dreamed only of our own little separate sin,--makes us guilty of
       the whole. And thus Miriam and her lover were not an insulated pair, but
       members of an innumerable confraternity of guilty ones, all shuddering at
       each other.
       "But not now; not yet," she murmured to herself. "To-night, at least,
       there shall be no remorse!"
       Wandering without a purpose, it so chanced that they turned into a street,
       at one extremity of which stood Hilda's tower. There was a light in her
       high chamber; a light, too, at the Virgin's shrine; and the glimmer of
       these two was the loftiest light beneath the stars. Miriam drew
       Donatello's arm, to make him stop, and while they stood at some distance
       looking at Hilda's window, they beheld her approach and throw it open.
       She leaned far forth, and extended her clasped hands towards the sky.
       "The good, pure child! She is praying, Donatello," said Miriam, with a
       kind of simple joy at witnessing the devoutness of her friend. Then her
       own sin rushed upon her, and she shouted, with the rich strength of her
       voice, "Pray for us, Hilda; we need it!"
       Whether Hilda heard and recognized the voice we cannot tell. The window
       was immediately closed, and her form disappeared from behind the snowy
       curtain. Miriam felt this to be a token that the cry of her condemned
       spirit was shut out of heaven. _
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本书目录

VOLUME I
   VOLUME I - CHAPTER I - MIRIAM, HILDA, KENYON, DONATELLO
   VOLUME I - CHAPTER II - THE FAUN
   VOLUME I - CHAPTER III - SUBTERRANEAN REMINISCENCES
   VOLUME I - CHAPTER IV - THE SPECTRE OF THE CATACOMB
   VOLUME I - CHAPTER V - MIRIAM'S STUDIO
   VOLUME I - CHAPTER VI - THE VIRGIN'S SHRINE
   VOLUME I - CHAPTER VII - BEATRICE
   VOLUME I - CHAPTER VIII - THE SUBURBAN VILLA
   VOLUME I - CHAPTER IX - THE FAUN AND NYMPH
   VOLUME I - CHAPTER X - THE SYLVAN DANCE
   VOLUME I - CHAPTER XI - FRAGMENTARY SENTENCES
   VOLUME I - CHAPTER XII - A STROLL ON THE PINCIAN
   VOLUME I - CHAPTER XIII - A SCULPTOR'S STUDIO
   VOLUME I - CHAPTER XIV - CLEOPATRA
   VOLUME I - CHAPTER XV - AN AESTHETIC COMPANY
   VOLUME I - CHAPTER XVI - A MOONLIGHT RAMBLE
   VOLUME I - CHAPTER XVII - MIRIAM'S TROUBLE
   VOLUME I - CHAPTER XVIII - ON THE EDGE OF A PRECIPICE
   VOLUME I - CHAPTER XIX - THE FAUN'S TRANSFORMATION
   VOLUME I - CHAPTER XX - THE BURIAL CHANT
   VOLUME I - CHAPTER XXI - THE DEAD CAPUCHIN
   VOLUME I - CHAPTER XXII -THE MEDICI GARDENS
   VOLUME I - CHAPTER XXIII - MIRIAM AND HILDA
VOLUME II
   VOLUME II - CHAPTER XXIV - THE TOWER AMONG THE APENNINES
   VOLUME II - CHAPTER XXV - SUNSHINE
   VOLUME II - CHAPTER XXVI - THE PEDIGREE OF MONTE BENI
   VOLUME II - CHAPTER XXVII - MYTHS
   VOLUME II - CHAPTER XXVIII - THE OWL TOWER
   VOLUME II - CHAPTER XXIX - ON THE BATTLEMENTS
   VOLUME II - CHAPTER XXX - DONATELLO'S BUST
   VOLUME II - CHAPTER XXXI - THE MARBLE SALOON
   VOLUME II - CHAPTER XXXII - SCENES BY THE WAY
   VOLUME II - CHAPTER XXXIII - PICTURED WINDOWS
   VOLUME II - CHAPTER XXXIV - MARKET-DAY IN PERUGIA
   VOLUME II - CHAPTER XXXV - THE BRONZE PONTIFF'S BENEDICTION
   VOLUME II - CHAPTER XXXVI - HILDA'S TOWER
   VOLUME II - CHAPTER XXXVII - THE EMPTINESS OF PICTURE GALLERIES
   VOLUME II - CHAPTER XXXVIII - ALTARS AND INCENSE
   VOLUME II - CHAPTER XXXIX - THE WORLD'S CATHEDRAL
   VOLUME II - CHAPTER XL - HILDA AND A FRIEND
   VOLUME II - CHAPTER XLI - SNOWDROPS AND MAIDENLY DELIGHTS
   VOLUME II - CHAPTER XLII - REMINISCENCES OF MIRIAM
   VOLUME II - CHAPTER XLIII - THE EXTINCTION OF A LAMP
   VOLUME II - CHAPTER XLIV - THE DESERTED SHRINE
   VOLUME II - CHAPTER XLV - THE FLIGHT OF HILDA'S DOVES
   VOLUME II - CHAPTER XLVI - A WALK ON THE CAMPAGNA
   VOLUME II - CHAPTER XLVII - THE PEASANT AND CONTADINA
   VOLUME II - CHAPTER XLVIII - A SCENE IN THE CORSO
   VOLUME II - CHAPTER XLIX - A FROLIC OF THE CARNIVAL
   VOLUME II - CHAPTER L - MIRIAM, HILDA, KENYON, DONATELLO
   CONCLUSION