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Marble Faun, The
VOLUME I   VOLUME I - CHAPTER XI - FRAGMENTARY SENTENCES
Nathaniel Hawthorne
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       _ In the Borghese Grove, so recently uproarious with merriment and music,
       there remained only Miriam and her strange follower.
       A solitude had suddenly spread itself around them. It perhaps symbolized
       a peculiar character in the relation of these two, insulating them, and
       building up an insuperable barrier between their life-streams and other
       currents, which might seem to flow in close vicinity. For it is one of
       the chief earthly incommodities of some species of misfortune, or of a
       great crime, that it makes the actor in the one, or the sufferer of the
       other, an alien in the world, by interposing a wholly unsympathetic medium
       betwixt himself and those whom he yearns to meet.
       Owing, it may be, to this moral estrangement,--this chill remoteness of
       their position,--there have come to us but a few vague whisperings of what
       passed in Miriam's interview that afternoon with the sinister personage
       who had dogged her footsteps ever since the visit to the catacomb. In
       weaving these mystic utterances into a continuous scene, we undertake a
       task resembling in its perplexity that of gathering up and piecing
       together the fragments ora letter which has been torn and scattered to the
       winds. Many words of deep significance, many entire sentences, and those
       possibly the most important ones, have flown too far on the winged breeze
       to be recovered. If we insert our own conjectural amendments, we perhaps
       give a purport utterly at variance with the true one. Yet unless we
       attempt something in this way, there must remain an unsightly gap, and a
       lack of continuousness and dependence in our narrative; so that it would
       arrive at certain inevitable catastrophes without due warning of their
       imminence.
       Of so much we are sure, that there seemed to be a sadly mysterious
       fascination in the influence of this ill-omened person over Miriam; it was
       such as beasts and reptiles of subtle and evil nature sometimes exercise
       upon their victims. Marvellous it was to see the hopelessness with which
       being naturally of so courageous a spirit she resigned herself to the
       thraldom in which he held her. That iron chain, of which some of the
       massive links were round her feminine waist, and the others in his
       ruthless hand,--or which, perhaps, bound the pair together by a bond
       equally torturing to each,--must have been forged in some such unhallowed
       furnace as is only kindled by evil passions, and fed by evil deeds.
       Yet, let us trust, there may have been no crime in Miriam, but only one of
       those fatalities which are among the most insoluble riddles propounded to
       mortal comprehension; the fatal decree by which every crime is made to be
       the agony of many innocent persons, as well as of the single guilty one.
       It was, at any rate, but a feeble and despairing kind of remonstrance
       which she had now the energy to oppose against his persecution.
       "You follow me too closely," she said, in low, faltering accents; "you
       allow me too scanty room to draw my breath. Do you know what will be the
       end of this?" "I know well what must be the end," he replied.
       "Tell me, then," said Miriam, "that I may compare your foreboding with my
       own. Mine is a very dark one."
       "There can be but one result, and that soon," answered the model. "You
       must throw off your present mask and assume another. You must vanish out
       of the scene: quit Rome with me, and leave no trace whereby to follow you.
       It is in my power, as you well know, to compel your acquiescence in my
       bidding. You are aware of the penalty of a refusal."
       "Not that penalty with which you would terrify me," said Miriam; "another
       there may be, but not so grievous." "What is that other?" he inquired.
       "Death! simply death!" she answered. "Death," said her persecutor, "is
       not so simple and opportune a thing as you imagine. You are strong and
       warm with life. Sensitive and irritable as your spirit is, these many
       months of trouble, this latter thraldom in which I hold you, have scarcely
       made your cheek paler than I saw it in your girlhood. Miriam,--for I
       forbear to speak another name, at which these leaves would shiver above
       our heads,--Miriam, you cannot die!"
       "Might not a dagger find my heart?" said she, for the first time meeting
       his eyes. "Would not poison make an end of me? Will not the Tiber drown
       me?"
       "It might," he answered; "for I allow that you are mortal. But, Miriam,
       believe me, it is not your fate to die while there remains so much to be
       sinned and suffered in the world. We have a destiny which we must needs
       fulfil together. I, too, have struggled to escape it. I was as anxious
       as yourself to break the tie between us,--to bury the past in a fathomless
       grave,--to make it impossible that we should ever meet, until you confront
       me at the bar of Judgment! You little can imagine what steps I took to
       render all this secure; and what was the result? Our strange interview in
       the bowels of the earth convinced me of the futility of my design."
       "Ah, fatal chance!" cried Miriam, covering her face with her hands.
       "Yes, your heart trembled with horror when you recognized me," rejoined he;
       "but you did not guess that there was an equal horror in my own!"
       "Why would not the weight of earth above our heads have crumbled down upon
       us both, forcing us apart, but burying us equally?" cried Miriam, in a
       burst of vehement passion. "O, that we could have wandered in those
       dismal passages till we both perished, taking opposite paths in the
       darkness, so that when we lay down to die, our last.breaths might not
       mingle!"
       "It were vain to wish it," said the model. "In all that labyrinth of
       midnight paths, we should have found one another out to live or die
       together. Our fates cross and are entangled. The threads are twisted
       into a strong cord, which is dragging us to an evil doom. Could the knots
       be severed, we might escape. But neither can your slender fingers untie
       these knots, nor my masculine force break them. We must submit!"
       "Pray for rescue, as I have," exclaimed Miriam. "Pray for deliverance
       from me, since I am your evil genius, as you mine. Dark as your life has
       been, I have known you to pray in times past!"
       At these words of Miriam, a tremor and horror appeared to seize upon her
       persecutor, insomuch that he shook and grew ashy pale before her eyes. In
       this man's memory there was something that made it awful for him to think
       of prayer; nor would any torture be more intolerable than to be reminded
       of such divine comfort and succor as await pious souls merely for the
       asking; This torment was perhaps the token of a native temperament deeply
       susceptible of religious impressions, but which had been wronged, violated,
       and debased, until, at length, it was capable only of terror from the
       sources that were intended for our purest and loftiest consolation. He
       looked so fearfully at her, and with such intense pain struggling in his
       eyes, that Miriam felt pity.
       And now, all at once, it struck her that he might be mad. It was an idea
       that had never before seriously occurred to her mind, although, as soon as
       suggested, it fitted marvellously into many circumstances that lay within
       her knowledge. But, alas! such was her evil fortune, that, whether mad
       or no, his power over her remained the same, and was likely to be used
       only the more tyrannously, if exercised by a lunatic.
       I would not give you pain," she said, soothingly; "your faith allows you
       the consolations of penance and absolution. Try what help there may be in
       these, and leave me to myself."
       "Do not think it, Miriam," said he; "we are bound together, and can never
       part again." "Why should it seem so impossible?" she rejoined. "Think
       how I had escaped from all the past! I had made for myself a new sphere,
       and found new friends, new occupations, new hopes and enjoyments. My
       heart, methinks, was almost as unburdened as if there had been no
       miserable life behind me. The human spirit does not perish of a single
       wound, nor exhaust itself in a single trial of life. Let us but keep
       asunder, and all may go well for both." "We fancied ourselves forever
       sundered," he replied. "Yet we met once, in the bowels of the earth; and,
       were we to part now, our fates would fling us together again in a desert,
       on a mountain-top, or in whatever spot seemed safest. You speak in vain,
       therefore."
       "You mistake your own will for an iron necessity," said Miriam; "otherwise,
       you might have suffered me to glide past you like a ghost, when we met
       among those ghosts of ancient days. Even now you might bid me pass as
       freely."
       "Never!" said he, with unmitigable will; "your reappearance has destroyed
       the work of years. You know the power that I have over you. Obey my
       bidding; or, within a short time, it shall be exercised: nor will I cease
       to haunt you till the moment comes."
       "Then," said Miriam more calmly," I foresee the end, and have already
       warned you of it. It will be death!"
       "Your own death, Miriam,--or mine?" he asked, looking fixedly at her.
       "Do you imagine me a murderess?" said she, shuddering; "you, at least,
       have no right to think me so!"
       "Yet," rejoined he, with a glance of dark meaning, "men have said that
       this white hand had once a crimson stain." He took her hand as he spoke,
       and held it in his own, in spite of the repugnance, amounting to nothing
       short of agony, with which she struggled to regain it. Holding it up to
       the fading light (for there was already dimness among the trees), he
       appeared to examine it closely, as if to discover the imaginary
       blood-stain with which he taunted her. He smiled as he let it go. "It
       looks very white," said he; "but I have known hands as white, which all
       the water in the ocean would not have washed clean."
       "It had no stain," retorted Miriam bitterly, "until you grasped it in your
       own."
       The wind has blown away whatever else they may have spoken.
       They went together towards the town, and, on their way, continued to make
       reference, no doubt, to some strange and dreadful history of their former
       life, belonging equally to this dark man and to the fair and youthful
       woman whom he persecuted. In their words, or in the breath that uttered
       them, there seemed to be an odor of guilt, and a scent of blood. Yet, how
       can we imagine that a stain of ensanguined crime should attach to Miriam!
       Or how, on the other hand, should spotless innocence be subjected to a
       thraldom like that which she endured from the spectre, whom she herself
       had evoked out of the darkness! Be this as it might, Miriam, we have
       reason to believe, still continued to beseech him, humbly, passionately,
       wildly, only to go his way, and leave her free to follow her own sad path.
       Thus they strayed onward through the green wilderness of the Borghese
       grounds, and soon came near the city wall, where, had Miriam raised her
       eyes, she might have seen Hilda and the sculptor leaning on the parapet.
       But she walked in a mist of trouble, and could distinguish little beyond
       its limits. As they came within public observation, her persecutor fell
       behind, throwing off the imperious manner which he had assumed during
       their solitary interview. The Porta del Popolo swarmed with life. The
       merry-makers, who had spent the feast-day outside the walls, were now
       thronging in; a party of horsemen were entering beneath the arch; a
       travelling carriage had been drawn up just within the verge, and was
       passing through the villainous ordeal of the papal custom-house. In the
       broad piazza, too, there was a motley crowd.
       But the stream of Miriam's trouble kept its way through this flood of
       human life, and neither mingled with it nor was turned aside. With a sad
       kind of feminine ingenuity, she found a way to kneel before her tyrant
       undetected, though in full sight of all the people, still beseeching him
       for freedom, and in vain. _
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VOLUME I
   VOLUME I - CHAPTER I - MIRIAM, HILDA, KENYON, DONATELLO
   VOLUME I - CHAPTER II - THE FAUN
   VOLUME I - CHAPTER III - SUBTERRANEAN REMINISCENCES
   VOLUME I - CHAPTER IV - THE SPECTRE OF THE CATACOMB
   VOLUME I - CHAPTER V - MIRIAM'S STUDIO
   VOLUME I - CHAPTER VI - THE VIRGIN'S SHRINE
   VOLUME I - CHAPTER VII - BEATRICE
   VOLUME I - CHAPTER VIII - THE SUBURBAN VILLA
   VOLUME I - CHAPTER IX - THE FAUN AND NYMPH
   VOLUME I - CHAPTER X - THE SYLVAN DANCE
   VOLUME I - CHAPTER XI - FRAGMENTARY SENTENCES
   VOLUME I - CHAPTER XII - A STROLL ON THE PINCIAN
   VOLUME I - CHAPTER XIII - A SCULPTOR'S STUDIO
   VOLUME I - CHAPTER XIV - CLEOPATRA
   VOLUME I - CHAPTER XV - AN AESTHETIC COMPANY
   VOLUME I - CHAPTER XVI - A MOONLIGHT RAMBLE
   VOLUME I - CHAPTER XVII - MIRIAM'S TROUBLE
   VOLUME I - CHAPTER XVIII - ON THE EDGE OF A PRECIPICE
   VOLUME I - CHAPTER XIX - THE FAUN'S TRANSFORMATION
   VOLUME I - CHAPTER XX - THE BURIAL CHANT
   VOLUME I - CHAPTER XXI - THE DEAD CAPUCHIN
   VOLUME I - CHAPTER XXII -THE MEDICI GARDENS
   VOLUME I - CHAPTER XXIII - MIRIAM AND HILDA
VOLUME II
   VOLUME II - CHAPTER XXIV - THE TOWER AMONG THE APENNINES
   VOLUME II - CHAPTER XXV - SUNSHINE
   VOLUME II - CHAPTER XXVI - THE PEDIGREE OF MONTE BENI
   VOLUME II - CHAPTER XXVII - MYTHS
   VOLUME II - CHAPTER XXVIII - THE OWL TOWER
   VOLUME II - CHAPTER XXIX - ON THE BATTLEMENTS
   VOLUME II - CHAPTER XXX - DONATELLO'S BUST
   VOLUME II - CHAPTER XXXI - THE MARBLE SALOON
   VOLUME II - CHAPTER XXXII - SCENES BY THE WAY
   VOLUME II - CHAPTER XXXIII - PICTURED WINDOWS
   VOLUME II - CHAPTER XXXIV - MARKET-DAY IN PERUGIA
   VOLUME II - CHAPTER XXXV - THE BRONZE PONTIFF'S BENEDICTION
   VOLUME II - CHAPTER XXXVI - HILDA'S TOWER
   VOLUME II - CHAPTER XXXVII - THE EMPTINESS OF PICTURE GALLERIES
   VOLUME II - CHAPTER XXXVIII - ALTARS AND INCENSE
   VOLUME II - CHAPTER XXXIX - THE WORLD'S CATHEDRAL
   VOLUME II - CHAPTER XL - HILDA AND A FRIEND
   VOLUME II - CHAPTER XLI - SNOWDROPS AND MAIDENLY DELIGHTS
   VOLUME II - CHAPTER XLII - REMINISCENCES OF MIRIAM
   VOLUME II - CHAPTER XLIII - THE EXTINCTION OF A LAMP
   VOLUME II - CHAPTER XLIV - THE DESERTED SHRINE
   VOLUME II - CHAPTER XLV - THE FLIGHT OF HILDA'S DOVES
   VOLUME II - CHAPTER XLVI - A WALK ON THE CAMPAGNA
   VOLUME II - CHAPTER XLVII - THE PEASANT AND CONTADINA
   VOLUME II - CHAPTER XLVIII - A SCENE IN THE CORSO
   VOLUME II - CHAPTER XLIX - A FROLIC OF THE CARNIVAL
   VOLUME II - CHAPTER L - MIRIAM, HILDA, KENYON, DONATELLO
   CONCLUSION