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Les Miserables
book ninth.--supreme shadow, supreme dawn   Chapter IV. A Bottle of Ink Which Only Succeeded in Whitening
Victor Hugo
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       That same day, or to speak more accurately, that same evening, as Marius left the table, and was on the point of withdrawing to his study, having a case to look over, Basque handed him a letter saying: "The person who wrote the letter is in the antechamber."
       Cosette had taken the grandfather's arm and was strolling in the garden.
       A letter, like a man, may have an unprepossessing exterior. Coarse paper, coarsely folded--the very sight of certain missives is displeasing.
       The letter which Basque had brought was of this sort.
       Marius took it. It smelled of tobacco. Nothing evokes a memory like an odor. Marius recognized that tobacco. He looked at the superscription: "To Monsieur, Monsieur le Baron Pommerci. At his hotel." The recognition of the tobacco caused him to recognize the writing as well. It may be said that amazement has its lightning flashes.
       Marius was, as it were, illuminated by one of these flashes.
       The sense of smell, that mysterious aid to memory, had just revived a whole world within him. This was certainly the paper, the fashion of folding, the dull tint of ink; it was certainly the well-known handwriting, especially was it the same tobacco.
       The Jondrette garret rose before his mind.
       Thus, strange freak of chance! one of the two scents which he had so diligently sought, the one in connection with which he had lately again exerted so many efforts and which he supposed to be forever lost, had come and presented itself to him of its own accord.
       He eagerly broke the seal, and read:
       "Monsieur le Baron:--If the Supreme Being had given me the talents, I might have been baron Thenard, member of the Institute [academy of ciences], but I am not. I only bear the same as him, happy if this memory recommends me to the eccellence of your kindnesses. The benefit with which you will honor me will be reciprocle. I am in possession of a secret concerning an individual. This individual concerns you. I hold the secret at your disposal desiring to have the honor to be huseful to you. I will furnish you with the simple means of driving from your honorabel family that individual who has no right there, madame la baronne being of lofty birth. The sanctuary of virtue cannot cohabit longer with crime without abdicating.
       I awate in the entichamber the orders of monsieur le baron.
       "With respect."
       The letter was signed "Thenard."
       This signature was not false. It was merely a trifle abridged.
       Moreover, the rigmarole and the orthography completed the revelation. The certificate of origin was complete.
       Marius' emotion was profound. After a start of surprise, he underwent a feeling of happiness. If he could now but find that other man of whom he was in search, the man who had saved him, Marius, there would be nothing left for him to desire.
       He opened the drawer of his secretary, took out several bank-notes, put them in his pocket, closed the secretary again, and rang the bell. Basque half opened the door.
       "Show the man in," said Marius.
       Basque announced:
       "Monsieur Thenard."
       A man entered.
       A fresh surprise for Marius. The man who entered was an utter stranger to him.
       This man, who was old, moreover, had a thick nose, his chin swathed in a cravat, green spectacles with a double screen of green taffeta over his eyes, and his hair was plastered and flattened down on his brow on a level with his eyebrows like the wigs of English coachmen in "high life." His hair was gray. He was dressed in black from head to foot, in garments that were very threadbare but clean; a bunch of seals depending from his fob suggested the idea of a watch. He held in his hand an old hat! He walked in a bent attitude, and the curve in his spine augmented the profundity of his bow.
       The first thing that struck the observer was, that this personage's coat, which was too ample although carefully buttoned, had not been made for him.
       Here a short digression becomes necessary.
       There was in Paris at that epoch, in a low-lived old lodging in the Rue Beautreillis, near the Arsenal, an ingenious Jew whose profession was to change villains into honest men. Not for too long, which might have proved embarrassing for the villain. The change was on sight, for a day or two, at the rate of thirty sous a day, by means of a costume which resembled the honesty of the world in general as nearly as possible. This costumer was called "the Changer"; the pickpockets of Paris had given him this name and knew him by no other. He had a tolerably complete wardrobe. The rags with which he tricked out people were almost probable. He had specialties and categories; on each nail of his shop hung a social status, threadbare and worn; here the suit of a magistrate, there the outfit of a Cure, beyond the outfit of a banker, in one corner the costume of a retired military man, elsewhere the habiliments of a man of letters, and further on the dress of a statesman.
       This creature was the costumer of the immense drama which knavery plays in Paris. His lair was the green-room whence theft emerged, and into which roguery retreated. A tattered knave arrived at this dressing-room, deposited his thirty sous and selected, according to the part which he wished to play, the costume which suited him, and on descending the stairs once more, the knave was a somebody. On the following day, the clothes were faithfully returned, and the Changer, who trusted the thieves with everything, was never robbed. There was one inconvenience about these clothes, they "did not fit"; not having been made for those who wore them, they were too tight for one, too loose for another and did not adjust themselves to any one. Every pickpocket who exceeded or fell short of the human average was ill at his ease in the Changer's costumes. It was necessary that one should not be either too fat or too lean. The changer had foreseen only ordinary men. He had taken the measure of the species from the first rascal who came to hand, who is neither stout nor thin, neither tall nor short. Hence adaptations which were sometimes difficult and from which the Changer's clients extricated themselves as best they might. So much the worse for the exceptions! The suit of the statesman, for instance, black from head to foot, and consequently proper, would have been too large for Pitt and too small for Castelcicala. The costume of a statesman was designated as follows in the Changer's catalogue; we copy:
       "A coat of black cloth, trowsers of black wool, a silk waistcoat, boots and linen." On the margin there stood: ex-ambassador, and a note which we also copy: "In a separate box, a neatly frizzed peruke, green glasses, seals, and two small quills an inch long, wrapped in cotton." All this belonged to the statesman, the ex-ambassador. This whole costume was, if we may so express ourselves, debilitated; the seams were white, a vague button-hole yawned at one of the elbows; moreover, one of the coat buttons was missing on the breast; but this was only detail; as the hand of the statesman should always be thrust into his coat and laid upon his heart, its function was to conceal the absent button.
       If Marius had been familiar with the occult institutions of Paris, he would instantly have recognized upon the back of the visitor whom Basque had just shown in, the statesman's suit borrowed from the pick-me-down-that shop of the Changer.
       Marius' disappointment on beholding another man than the one whom he expected to see turned to the newcomer's disadvantage.
       He surveyed him from head to foot, while that personage made exaggerated bows, and demanded in a curt tone:
       "What do you want?"
       The man replied with an amiable grin of which the caressing smile of a crocodile will furnish some idea:
       "It seems to me impossible that I should not have already had the honor of seeing Monsieur le Baron in society. I think I actually did meet monsieur personally, several years ago, at the house of Madame la Princesse Bagration and in the drawing-rooms of his Lordship the Vicomte Dambray, peer of France."
       It is always a good bit of tactics in knavery to pretend to recognize some one whom one does not know.
       Marius paid attention to the manner of this man's speech. He spied on his accent and gesture, but his disappointment increased; the pronunciation was nasal and absolutely unlike the dry, shrill tone which he had expected.
       He was utterly routed.
       "I know neither Madame Bagration nor M. Dambray," said he. "I have never set foot in the house of either of them in my life."
       The reply was ungracious. The personage, determined to be gracious at any cost, insisted.
       "Then it must have been at Chateaubriand's that I have seen Monsieur! I know Chateaubriand very well. He is very affable. He sometimes says to me: `Thenard, my friend . . . won't you drink a glass of wine with me?'"
       Marius' brow grew more and more severe:
       "I have never had the honor of being received by M. de Chateaubriand. Let us cut it short. What do you want?"
       The man bowed lower at that harsh voice.
       "Monsieur le Baron, deign to listen to me. There is in America, in a district near Panama, a village called la Joya. That village is composed of a single house, a large, square house of three stories, built of bricks dried in the sun, each side of the square five hundred feet in length, each story retreating twelve feet back of the story below, in such a manner as to leave in front a terrace which makes the circuit of the edifice, in the centre an inner court where the provisions and munitions are kept; no windows, loopholes, no doors, ladders, ladders to mount from the ground to the first terrace, and from the first to the second, and from the second to the third, ladders to descend into the inner court, no doors to the chambers, trap-doors, no staircases to the chambers, ladders; in the evening the traps are closed, the ladders are withdrawn carbines and blunderbusses trained from the loopholes; no means of entering, a house by day, a citadel by night, eight hundred inhabitants,-- that is the village. Why so many precautions? because the country is dangerous; it is full of cannibals. Then why do people go there? because the country is marvellous; gold is found there."
       "What are you driving at?" interrupted Marius, who had passed from disappointment to impatience.
       "At this, Monsieur le Baron. I am an old and weary diplomat. Ancient civilization has thrown me on my own devices. I want to try savages."
       "Well?"
       "Monsieur le Baron, egotism is the law of the world. The proletarian peasant woman, who toils by the day, turns round when the diligence passes by, the peasant proprietress, who toils in her field, does not turn round. The dog of the poor man barks at the rich man, the dog of the rich man barks at the poor man. Each one for himself. Self-interest--that's the object of men. Gold, that's the loadstone."
       "What then? Finish."
       "I should like to go and establish myself at la Joya. There are three of us. I have my spouse and my young lady; a very beautiful girl. The journey is long and costly. I need a little money."
       "What concern is that of mine?" demanded Marius.
       The stranger stretched his neck out of his cravat, a gesture characteristic of the vulture, and replied with an augmented smile.
       "Has not Monsieur le Baron perused my letter?"
       There was some truth in this. The fact is, that the contents of the epistle had slipped Marius' mind. He had seen the writing rather than read the letter. He could hardly recall it. But a moment ago a fresh start had been given him. He had noted that detail: "my spouse and my young lady."
       He fixed a penetrating glance on the stranger. An examining judge could not have done the look better. He almost lay in wait for him.
       He confined himself to replying:
       "State the case precisely."
       The stranger inserted his two hands in both his fobs, drew himself up without straightening his dorsal column, but scrutinizing Marius in his turn, with the green gaze of his spectacles.
       "So be it, Monsieur le Baron. I will be precise. I have a secret to sell to you."
       "A secret?"
       "A secret."
       "Which concerns me?"
       "Somewhat."
       "What is the secret?"
       Marius scrutinized the man more and more as he listened to him.
       "I commence gratis," said the stranger. "You will see that I am interesting."
       "Speak."
       "Monsieur le Baron, you have in your house a thief and an assassin."
       Marius shuddered.
       "In my house? no," said he.
       The imperturbable stranger brushed his hat with his elbow and went on:
       "An assassin and a thief. Remark, Monsieur le Baron, that I do not here speak of ancient deeds, deeds of the past which have lapsed, which can be effaced by limitation before the law and by repentance before God. I speak of recent deeds, of actual facts as still unknown to justice at this hour. I continue. This man has insinuated himself into your confidence, and almost into your family under a false name. I am about to tell you his real name. And to tell it to you for nothing."
       "I am listening."
       "His name is Jean Valjean."
       "I know it."
       "I am going to tell you, equally for nothing, who he is."
       "Say on."
       "He is an ex-convict."
       "I know it."
       "You know it since I have had the honor of telling you."
       "No. I knew it before."
       Marius' cold tone, that double reply of "I know it," his laconicism, which was not favorable to dialogue, stirred up some smouldering wrath in the stranger. He launched a furious glance on the sly at Marius, which was instantly extinguished. Rapid as it was, this glance was of the kind which a man recognizes when he has once beheld it; it did not escape Marius. Certain flashes can only proceed from certain souls; the eye, that vent-hole of the thought, glows with it; spectacles hide nothing; try putting a pane of glass over hell!
       The stranger resumed with a smile:
       "I will not permit myself to contradict Monsieur le Baron. In any case, you ought to perceive that I am well informed. Now what I have to tell you is known to myself alone. This concerns the fortune of Madame la Baronne. It is an extraordinary secret. It is for sale-- I make you the first offer of it. Cheap. Twenty thousand francs."
       "I know that secret as well as the others," said Marius.
       The personage felt the necessity of lowering his price a trifle.
       "Monsieur le Baron, say ten thousand francs and I will speak."
       "I repeat to you that there is nothing which you can tell me. I know what you wish to say to me."
       A fresh flash gleamed in the man's eye. He exclaimed:
       "But I must dine to-day, nevertheless. It is an extraordinary secret, I tell you. Monsieur le Baron, I will speak. I speak. Give me twenty francs."
       Marius gazed intently at him:
       "I know your extraordinary secret, just as I knew Jean Valjean's name, just as I know your name."
       "My name?"
       "Yes."
       "That is not difficult, Monsieur le Baron. I had the honor to write to you and to tell it to you. Thenard."
       "--Dier."
       "Hey?"
       "Thenardier."
       "Who's that?"
       In danger the porcupine bristles up, the beetle feigns death, the old guard forms in a square; this man burst into laughter.
       Then he flicked a grain of dust from the sleeve of his coat with a fillip.
       Marius continued:
       "You are also Jondrette the workman, Fabantou the comedian, Genflot the poet, Don Alvares the Spaniard, and Mistress Balizard."
       "Mistress what?"
       "And you kept a pot-house at Montfermeil."
       "A pot-house! Never."
       "And I tell you that your name is Thenardier."
       "I deny it."
       "And that you are a rascal. Here."
       And Marius drew a bank-note from his pocket and flung it in his face.
       "Thanks! Pardon me! five hundred francs! Monsieur le Baron!"
       And the man, overcome, bowed, seized the note and examined it.
       "Five hundred francs!" he began again, taken aback. And he stammered in a low voice: "An honest rustler."[69]
       [69] Un fafiot serieux. Fafiot is the slang term for a bank-bill, derived from its rustling noise.
       Then brusquely:
       "Well, so be it!" he exclaimed. "Let us put ourselves at our ease."
       And with the agility of a monkey, flinging back his hair, tearing off his spectacles, and withdrawing from his nose by sleight of hand the two quills of which mention was recently made, and which the reader has also met with on another page of this book, he took off his face as the man takes off his hat.
       His eye lighted up; his uneven brow, with hollows in some places and bumps in others, hideously wrinkled at the top, was laid bare, his nose had become as sharp as a beak; the fierce and sagacious profile of the man of prey reappeared.
       "Monsieur le Baron is infallible," he said in a clear voice whence all nasal twang had disappeared, "I am Thenardier."
       And he straightened up his crooked back.
       Thenardier, for it was really he, was strangely surprised; he would have been troubled, had he been capable of such a thing. He had come to bring astonishment, and it was he who had received it. This humiliation had been worth five hundred francs to him, and, taking it all in all, he accepted it; but he was none the less bewildered.
       He beheld this Baron Pontmercy for the first time, and, in spite of his disguise, this Baron Pontmercy recognized him, and recognized him thoroughly. And not only was this Baron perfectly informed as to Thenardier, but he seemed well posted as to Jean Valjean. Who was this almost beardless young man, who was so glacial and so generous, who knew people's names, who knew all their names, and who opened his purse to them, who bullied rascals like a judge, and who paid them like a dupe?
       Thenardier, the reader will remember, although he had been Marius' neighbor, had never seen him, which is not unusual in Paris; he had formerly, in a vague way, heard his daughters talk of a very poor young man named Marius who lived in the house. He had written to him, without knowing him, the letter with which the reader is acquainted.
       No connection between that Marius and M. le Baron Pontmercy was possible in his mind.
       As for the name Pontmercy, it will be recalled that, on the battlefield of Waterloo, he had only heard the last two syllables, for which he always entertained the legitimate scorn which one owes to what is merely an expression of thanks.
       However, through his daughter Azelma, who had started on the scent of the married pair on the 16th of February, and through his own personal researches, he had succeeded in learning many things, and, from the depths of his own gloom, he had contrived to grasp more than one mysterious clew. He had discovered, by dint of industry, or, at least, by dint of induction, he had guessed who the man was whom he had encountered on a certain day in the Grand Sewer. From the man he had easily reached the name. He knew that Madame la Baronne Pontmercy was Cosette. But he meant to be discreet in that quarter.
       Who was Cosette? He did not know exactly himself. He did, indeed, catch an inkling of illegitimacy, the history of Fantine had always seemed to him equivocal; but what was the use of talking about that? in order to cause himself to be paid for his silence? He had, or thought he had, better wares than that for sale. And, according to all appearances, if he were to come and make to the Baron Pontmercy this revelation--and without proof: "Your wife is a bastard," the only result would be to attract the boot of the husband towards the loins of the revealer.
       From Thenardier's point of view, the conversation with Marius had not yet begun. He ought to have drawn back, to have modified his strategy, to have abandoned his position, to have changed his front; but nothing essential had been compromised as yet, and he had five hundred francs in his pocket. Moreover, he had something decisive to say, and, even against this very well-informed and well-armed Baron Pontmercy, he felt himself strong. For men of Thenardier's nature, every dialogue is a combat. In the one in which he was about to engage, what was his situation? He did not know to whom he was speaking, but he did know of what he was speaking, he made this rapid review of his inner forces, and after having said: "I am Thenardier," he waited.
       Marius had become thoughtful. So he had hold of Thenardier at last. That man whom he had so greatly desired to find was before him. He could honor Colonel Pontmercy's recommendation.
       He felt humiliated that that hero should have owned anything to this villain, and that the letter of change drawn from the depths of the tomb by his father upon him, Marius, had been protested up to that day. It also seemed to him, in the complex state of his mind towards Thenardier, that there was occasion to avenge the Colonel for the misfortune of having been saved by such a rascal. In any case, he was content. He was about to deliver the Colonel's shade from this unworthy creditor at last, and it seemed to him that he was on the point of rescuing his father's memory from the debtors' prison. By the side of this duty there was another-- to elucidate, if possible, the source of Cosette's fortune. The opportunity appeared to present itself. Perhaps Thenardier knew something. It might prove useful to see the bottom of this man.
       He commenced with this.
       Thenardier had caused the "honest rustler" to disappear in his fob, and was gazing at Marius with a gentleness that was almost tender.
       Marius broke the silence.
       "Thenardier, I have told you your name. Now, would you like to have me tell you your secret--the one that you came here to reveal to me? I have information of my own, also. You shall see that I know more about it than you do. Jean Valjean, as you have said, is an assassin and a thief. A thief, because he robbed a wealthy manufacturer, whose ruin he brought about. An assassin, because he assassinated police-agent Javert."
       "I don't understand, sir," ejaculated Thenardier.
       "I will make myself intelligible. In a certain arrondissement of the Pas de Calais, there was, in 1822, a man who had fallen out with justice, and who, under the name of M. Madeleine, had regained his status and rehabilitated himself. This man had become a just man in the full force of the term. In a trade, the manufacture of black glass goods, he made the fortune of an entire city. As far as his personal fortune was concerned he made that also, but as a secondary matter, and in some sort, by accident. He was the foster-father of the poor. He founded hospitals, opened schools, visited the sick, dowered young girls, supported widows, and adopted orphans; he was like the guardian angel of the country. He refused the cross, he was appointed Mayor. A liberated convict knew the secret of a penalty incurred by this man in former days; he denounced him, and had him arrested, and profited by the arrest to come to Paris and cause the banker Laffitte,--I have the fact from the cashier himself,--by means of a false signature, to hand over to him the sum of over half a million which belonged to M. Madeleine. This convict who robbed M. Madeleine was Jean Valjean. As for the other fact, you have nothing to tell me about it either. Jean Valjean killed the agent Javert; he shot him with a pistol. I, the person who is speaking to you, was present."
       Thenardier cast upon Marius the sovereign glance of a conquered man who lays his hand once more upon the victory, and who has just regained, in one instant, all the ground which he has lost. But the smile returned instantly. The inferior's triumph in the presence of his superior must be wheedling.
       Thenardier contented himself with saying to Marius:
       "Monsieur le Baron, we are on the wrong track."
       And he emphasized this phrase by making his bunch of seals execute an expressive whirl.
       "What!" broke forth Marius, "do you dispute that? These are facts."
       "They are chimeras. The confidence with which Monsieur le Baron honors me renders it my duty to tell him so. Truth and justice before all things. I do not like to see folks accused unjustly. Monsieur le Baron, Jean Valjean did not rob M. Madeleine and Jean Valjean did not kill Javert."
       "This is too much! How is this?"
       "For two reasons."
       "What are they? Speak."
       "This is the first: he did not rob M. Madeleine, because it is Jean Valjean himself who was M. Madeleine."
       "What tale are you telling me?"
       "And this is the second: he did not assassinate Javert, because the person who killed Javert was Javert."
       "What do you mean to say?"
       "That Javert committed suicide."
       "Prove it! prove it!" cried Marius beside himself.
       Thenardier resumed, scanning his phrase after the manner of the ancient Alexandrine measure:
       "Police-agent-Ja-vert-was-found-drowned-un-der-a-boat-of-the-Pont-au-Change."
       "But prove it!"
       Thenardier drew from his pocket a large envelope of gray paper, which seemed to contain sheets folded in different sizes.
       "I have my papers," he said calmly.
       And he added:
       "Monsieur le Baron, in your interests I desired to know Jean Valjean thoroughly. I say that Jean Valjean and M. Madeleine are one and the same man, and I say that Javert had no other assassin than Javert. If I speak, it is because I have proofs. Not manuscript proofs-- writing is suspicious, handwriting is complaisant,--but printed proofs."
       As he spoke, Thenardier extracted from the envelope two copies of newspapers, yellow, faded, and strongly saturated with tobacco. One of these two newspapers, broken at every fold and falling into rags, seemed much older than the other.
       "Two facts, two proofs," remarked Thenardier. And he offered the two newspapers, unfolded, to Marius,
       The reader is acquainted with these two papers. One, the most ancient, a number of the Drapeau Blanc of the 25th of July, 1823, the text of which can be seen in the first volume, established the identity of M. Madeleine and Jean Valjean.
       The other, a Moniteur of the 15th of June, 1832, announced the suicide of Javert, adding that it appeared from a verbal report of Javert to the prefect that, having been taken prisoner in the barricade of the Rue de la Chanvrerie, he had owed his life to the magnanimity of an insurgent who, holding him under his pistol, had fired into the air, instead of blowing out his brains.
       Marius read. He had evidence, a certain date, irrefragable proof, these two newspapers had not been printed expressly for the purpose of backing up Thenardier's statements; the note printed in the Moniteur had been an administrative communication from the Prefecture of Police. Marius could not doubt.
       The information of the cashier-clerk had been false, and he himself had been deceived.
       Jean Valjean, who had suddenly grown grand, emerged from his cloud. Marius could not repress a cry of joy.
       "Well, then this unhappy wretch is an admirable man! the whole of that fortune really belonged to him! he is Madeleine, the providence of a whole countryside! he is Jean Valjean, Javert's savior! he is a hero! he is a saint!"
       "He's not a saint, and he's not a hero!" said Thenardier. "He's an assassin and a robber."
       And he added, in the tone of a man who begins to feel that he possesses some authority:
       "Let us be calm."
       Robber, assassin--those words which Marius thought had disappeared and which returned, fell upon him like an ice-cold shower-bath.
       "Again!" said he.
       "Always," ejaculated Thenardier. "Jean Valjean did not rob Madeleine, but he is a thief. He did not kill Javert, but he is a murderer."
       "Will you speak," retorted Marius, "of that miserable theft, committed forty years ago, and expiated, as your own newspapers prove, by a whole life of repentance, of self-abnegation and of virtue?"
       "I say assassination and theft, Monsieur le Baron, and I repeat that I am speaking of actual facts. What I have to reveal to you is absolutely unknown. It belongs to unpublished matter. And perhaps you will find in it the source of the fortune so skilfully presented to Madame la Baronne by Jean Valjean. I say skilfully, because, by a gift of that nature it would not be so very unskilful to slip into an honorable house whose comforts one would then share, and, at the same stroke, to conceal one's crime, and to enjoy one's theft, to bury one's name and to create for oneself a family."
       "I might interrupt you at this point," said Marius, "but go on."
       "Monsieur le Baron, I will tell you all, leaving the recompense to your generosity. This secret is worth massive gold. You will say to me: `Why do not you apply to Jean Valjean?' For a very simple reason; I know that he has stripped himself, and stripped himself in your favor, and I consider the combination ingenious; but he has no longer a son, he would show me his empty hands, and, since I am in need of some money for my trip to la Joya, I prefer you, you who have it all, to him who has nothing. I am a little fatigued, permit me to take a chair."
       Marius seated himself and motioned to him to do the same.
       Thenardier installed himself on a tufted chair, picked up his two newspapers, thrust them back into their envelope, and murmured as he pecked at the Drapeau Blanc with his nail: "It cost me a good deal of trouble to get this one."
       That done he crossed his legs and stretched himself out on the back of the chair, an attitude characteristic of people who are sure of what they are saying, then he entered upon his subject gravely, emphasizing his words:
       "Monsieur le Baron, on the 6th of June, 1832, about a year ago, on the day of the insurrection, a man was in the Grand Sewer of Paris, at the point where the sewer enters the Seine, between the Pont des Invalides and the Pont de Jena."
       Marius abruptly drew his chair closer to that of Thenardier. Thenardier noticed this movement and continued with the deliberation of an orator who holds his interlocutor and who feels his adversary palpitating under his words:
       "This man, forced to conceal himself, and for reasons, moreover, which are foreign to politics, had adopted the sewer as his domicile and had a key to it. It was, I repeat, on the 6th of June; it might have been eight o'clock in the evening. The man hears a noise in the sewer. Greatly surprised, he hides himself and lies in wait. It was the sound of footsteps, some one was walking in the dark, and coming in his direction. Strange to say, there was another man in the sewer besides himself. The grating of the outlet from the sewer was not far off. A little light which fell through it permitted him to recognize the newcomer, and to see that the man was carrying something on his back. He was walking in a bent attitude. The man who was walking in a bent attitude was an ex-convict, and what he was dragging on his shoulders was a corpse. Assassination caught in the very act, if ever there was such a thing. As for the theft, that is understood; one does not kill a man gratis. This convict was on his way to fling the body into the river. One fact is to be noticed, that before reaching the exit grating, this convict, who had come a long distance in the sewer, must, necessarily, have encountered a frightful quagmire where it seems as though he might have left the body, but the sewermen would have found the assassinated man the very next day, while at work on the quagmire, and that did not suit the assassin's plans. He had preferred to traverse that quagmire with his burden, and his exertions must have been terrible, for it is impossible to risk one's life more completely; I don't understand how he could have come out of that alive."
       Marius' chair approached still nearer. Thenardier took advantage of this to draw a long breath. He went on:
       "Monsieur le Baron, a sewer is not the Champ de Mars. One lacks everything there, even room. When two men are there, they must meet. That is what happened. The man domiciled there and the passer-by were forced to bid each other good-day, greatly to the regret of both. The passer-by said to the inhabitant:--"You see what I have on my back, I must get out, you have the key, give it to me." That convict was a man of terrible strength. There was no way of refusing. Nevertheless, the man who had the key parleyed, simply to gain time. He examined the dead man, but he could see nothing, except that the latter was young, well dressed, with the air of being rich, and all disfigured with blood. While talking, the man contrived to tear and pull off behind, without the assassin perceiving it, a bit of the assassinated man's coat. A document for conviction, you understand; a means of recovering the trace of things and of bringing home the crime to the criminal. He put this document for conviction in his pocket. After which he opened the grating, made the man go out with his embarrassment on his back, closed the grating again, and ran off, not caring to be mixed up with the remainder of the adventure and above all, not wishing to be present when the assassin threw the assassinated man into the river. Now you comprehend. The man who was carrying the corpse was Jean Valjean; the one who had the key is speaking to you at this moment; and the piece of the coat . . ."
       Thenardier completed his phrase by drawing from his pocket, and holding, on a level with his eyes, nipped between his two thumbs and his two forefingers, a strip of torn black cloth, all covered with dark spots.
       Marius had sprung to his feet, pale, hardly able to draw his breath, with his eyes riveted on the fragment of black cloth, and, without uttering a word, without taking his eyes from that fragment, he retreated to the wall and fumbled with his right hand along the wall for a key which was in the lock of a cupboard near the chimney.
       He found the key, opened the cupboard, plunged his arm into it without looking, and without his frightened gaze quitting the rag which Thenardier still held outspread.
       But Thenardier continued:
       "Monsieur le Baron, I have the strongest of reasons for believing that the assassinated young man was an opulent stranger lured into a trap by Jean Valjean, and the bearer of an enormous sum of money."
       "The young man was myself, and here is the coat!" cried Marius, and he flung upon the floor an old black coat all covered with blood.
       Then, snatching the fragment from the hands of Thenardier, he crouched down over the coat, and laid the torn morsel against the tattered skirt. The rent fitted exactly, and the strip completed the coat.
       Thenardier was petrified.
       This is what he thought: "I'm struck all of a heap."
       Marius rose to his feet trembling, despairing, radiant.
       He fumbled in his pocket and stalked furiously to Thenardier, presenting to him and almost thrusting in his face his fist filled with bank-notes for five hundred and a thousand francs.
       "You are an infamous wretch! you are a liar, a calumniator, a villain. You came to accuse that man, you have only justified him; you wanted to ruin him, you have only succeeded in glorifying him. And it is you who are the thief! And it is you who are the assassin! I saw you, Thenardier Jondrette, in that lair on the Rue de l'Hopital. I know enough about you to send you to the galleys and even further if I choose. Here are a thousand francs, bully that you are!"
       And he flung a thousand franc note at Thenardier.
       "Ah! Jondrette Thenardier, vile rascal! Let this serve you as a lesson, you dealer in second-hand secrets, merchant of mysteries, rummager of the shadows, wretch! Take these five hundred francs and get out of here! Waterloo protects you."
       "Waterloo!" growled Thenardier, pocketing the five hundred francs along with the thousand.
       "Yes, assassin! You there saved the life of a Colonel. . ."
       "Of a General," said Thenardier, elevating his head.
       "Of a Colonel!" repeated Marius in a rage. "I wouldn't give a ha'penny for a general. And you come here to commit infamies! I tell you that you have committed all crimes. Go! disappear! Only be happy, that is all that I desire. Ah! monster! here are three thousand francs more. Take them. You will depart to-morrow, for America, with your daughter; for your wife is dead, you abominable liar. I shall watch over your departure, you ruffian, and at that moment I will count out to you twenty thousand francs. Go get yourself hung elsewhere!"
       "Monsieur le Baron!" replied Thenardier, bowing to the very earth, "eternal gratitude." And Thenardier left the room, understanding nothing, stupefied and delighted with this sweet crushing beneath sacks of gold, and with that thunder which had burst forth over his head in bank-bills.
       Struck by lightning he was, but he was also content; and he would have been greatly angered had he had a lightning rod to ward off such lightning as that.
       Let us finish with this man at once.
       Two days after the events which we are at this moment narrating, he set out, thanks to Marius' care, for America under a false name, with his daughter Azelma, furnished with a draft on New York for twenty thousand francs.
       The moral wretchedness of Thenardier, the bourgeois who had missed his vocation, was irremediable. He was in America what he had been in Europe. Contact with an evil man sometimes suffices to corrupt a good action and to cause evil things to spring from it. With Marius' money, Thenardier set up as a slave-dealer.
       As soon as Thenardier had left the house, Marius rushed to the garden, where Cosette was still walking.
       "Cosette! Cosette!" he cried. "Come! come quick! Let us go. Basque, a carriage! Cosette, come. Ah! My God! It was he who saved my life! Let us not lose a minute! Put on your shawl."
       Cosette thought him mad and obeyed.
       He could not breathe, he laid his hand on his heart to restrain its throbbing. He paced back and forth with huge strides, he embraced Cosette:
       "Ah! Cosette! I am an unhappy wretch!" said he.
       Marius was bewildered. He began to catch a glimpse in Jean Valjean of some indescribably lofty and melancholy figure. An unheard-of virtue, supreme and sweet, humble in its immensity, appeared to him. The convict was transfigured into Christ.
       Marius was dazzled by this prodigy. He did not know precisely what he beheld, but it was grand.
       In an instant, a hackney-carriage stood in front of the door.
       Marius helped Cosette in and darted in himself.
       "Driver," said he, "Rue de l'Homme Arme, Number 7."
       The carriage drove off.
       "Ah! what happiness!" ejaculated Cosette. "Rue de l'Homme Arme, I did not dare to speak to you of that. We are going to see M. Jean."
       "Thy father! Cosette, thy father more than ever. Cosette, I guess it. You told me that you had never received the letter that I sent you by Gavroche. It must have fallen into his hands. Cosette, he went to the barricade to save me. As it is a necessity with him to be an angel, he saved others also; he saved Javert. He rescued me from that gulf to give me to you. He carried me on his back through that frightful sewer. Ah! I am a monster of ingratitude. Cosette, after having been your providence, he became mine. Just imagine, there was a terrible quagmire enough to drown one a hundred times over, to drown one in mire. Cosette! he made me traverse it. I was unconscious; I saw nothing, I heard nothing, I could know nothing of my own adventure. We are going to bring him back, to take him with us, whether he is willing or not, he shall never leave us again. If only he is at home! Provided only that we can find him, I will pass the rest of my life in venerating him. Yes, that is how it should be, do you see, Cosette? Gavroche must have delivered my letter to him. All is explained. You understand."
       Cosette did not understand a word.
       "You are right," she said to him.
       Meanwhile the carriage rolled on.
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book first--a just man
   Chapter I. M. Myriel
   Chapter II. M. Myriel becomes M. Welcome
   Chapter III. A Hard Bishopric for a Good Bishop
   Chapter IV. Works corresponding to Words
   Chapter V. Monseigneur Bienvenu made his Cassocks last too long
   Chapter VI. Who guarded his House for him
   Chapter VII. Cravatte
   Chapter VIII. Philosophy after Drinking
   Chapter IX. The Brother as depicted by the Sister
   Chapter X. The Bishop in the Presence of an Unknown Light
   Chapter XI. A Restriction
   Chapter XII. The Solitude of Monseigneur Welcome
   Chapter XIII. What he believed
   Chapter XIV. What he thought
book second.--the fall
   Chapter I. The Evening of a Day of Walking
   Chapter II. Prudence counselled to Wisdom
   Chapter III. The Heroism of Passive Obedience
   Chapter IV. Details concerning the Cheese-Dairies of Pontarlier
   Chapter V. Tranquillity
   Chapter VI. Jean Valjean
   Chapter VII. The Interior of Despair
   Chapter VIII. Billows and Shadows
   Chapter IX. New Troubles
   Chapter X. The Man aroused
   Chapter XI. What he does
   Chapter XII. The Bishop works
   Chapter XIII. Little Gervais
book third.--in the year 1817
   Chapter I. The Year 1817
   Chapter II. A Double Quartette
   Chapter III. Four and Four
   Chapter IV. Tholomyes is so Merry that he sings a Spanish Ditty
   Chapter V. At Bombardas
   Chapter VI. A Chapter in which they adore Each Other
   Chapter VII. The Wisdom of Tholomyes
   Chapter VIII. The Death of a Horse
   Chapter IX. A Merry End to Mirth
book fourth.--to confide is sometimes to deliver into a person's power
   Chapter I. One Mother meets Another Mother
   Chapter II. First Sketch of Two Unprepossessing Figures
   Chapter III. The Lark
book fifth.-- the descent
   Chapter I. The History of a Progress in Black Glass Trinkets
   Chapter II. Madeleine
   Chapter III. Sums deposited with Laffitte
   Chapter IV. M. Madeleine in Mourning
   Chapter V. Vague Flashes on the Horizon
   Chapter VI. Father Fauchelevent
   Chapter VII. Fauchelevent becomes a Gardener in Paris
   Chapter VIII. Madame Victurnien expends Thirty Francs on Morality
   Chapter IX. Madame Victurnien's Success
   Chapter X. Result of the Success
   Chapter XI. Christus nos Liberavit
   Chapter XII. M. Bamatabois's Inactivity
   Chapter XIII. The Solution of Some Questions connected with the Municipal Police
book sixth.--javert
   Chapter I. The Beginning of Repose
   Chapter II. How Jean may become Champ
book seventh.--the champmathieu affair
   Chapter I. Sister Simplice
   Chapter II. The Perspicacity of Master Scaufflaire
   Chapter III. A Tempest in a Skull
   Chapter IV. Forms assumed by Suffering during Sleep
   Chapter V. Hindrances
   Chapter VI. Sister Simplice put to the Proof
   Chapter VII. The Traveller on his Arrival takes Precautions for Departure
   Chapter VIII. An Entrance by Favor
   Chapter IX. A Place where Convictions are in Process of Formation
   Chapter X. The System of Denials
   Chapter XI. Champmathieu more and more Astonished
book eighth.--a counter-blow
   Chapter I. In what Mirror M. Madeleine contemplates his Hair
   Chapter II. Fantine Happy
   Chapter III. Javert Satisfied
   Chapter IV. Authority reasserts its Rights
   Chapter V. A Suitable Tomb
book first.--waterloo
   Chapter I. What is met with on the Way from Nivelles
   Chapter II. Hougomont
   Chapter III. The Eighteenth of June, 1815
   Chapter IV. A
   Chapter V. The Quid Obscurum of Battles
   Chapter VI. Four o'clock in the Afternoon
   Chapter VII. Napoleon in a Good Humor
   Chapter VIII. The Emperor puts a Question to the Guide Lacoste
   Chapter IX. The Unexpected
   Chapter X. The Plateau of Mont-Saint-Jean
   Chapter XI. A Bad Guide to Napoleon; a Good Guide to Bulow
   Chapter XII. The Guard
   Chapter XIII. The Catastrophe
   Chapter XIV. The Last Square
   Chapter XV. Cambronne
   Chapter XVI. Quot Libras in Duce?
   Chapter XVII. Is Waterloo to be considered Good?
   Chapter XVIII. A Recrudescence of Divine Right
   Chapter XIX. The Battle-Field at Night
book second.--the ship orion
   Chapter I. Number 24,601 becomes Number 9,430
   Chapter II. In which the reader will peruse Two Verses which are of the Devil's Composition possibly
   Chapter III. The Ankle-Chain must have undergone a Certain Preparatory Manipulation to be thus broken with a Blow from a Hammer
book third.--accomplishment of the promise made to the dead woman
   Chapter I. The Water Question at Montfermeil
   Chapter II. Two Complete Portraits
   Chapter III. Men must have Wine, and Horses must have Water
   Chapter IV. Entrance on the Scene of a Doll
   Chapter V. The Little One All Alone
   Chapter VI. Which possibly proves Boulatruelle's Intelligence
   Chapter VII. Cosette Side by Side with the Stranger in the Dark
   Chapter VIII. The Unpleasantness of receiving into One's House a Poor Man who may be a Rich Man
   Chapter IX. Thenardier at his Manoeuvres
   Chapter X. He who seeks to better himself may render his Situation Worse
   Chapter XI. Number 9,430 reappears, and Cosette wins it in the Lottery
book fourth.--the gorbeau hovel
   Chapter I. Master Gorbeau
   Chapter II. A Nest for Owl and a Warbler
   Chapter III. Two Misfortunes make One Piece of Good Fortune
   Chapter IV. The Remarks of the Principal Tenant
   Chapter V. A Five-Franc Piece falls on the Ground and produces a Tumult
book fifth.--for a black hunt, a mute pack
   Chapter I. The Zigzags of Strategy
   Chapter II. It is Lucky that the Pont d'Austerlitz bears Carriages
   Chapter III. To Wit, the Plan of Paris in 1727
   Chapter IV. The Gropings of Flight
   Chapter V. Which would be Impossible with Gas Lanterns
   Chapter VI. The Beginning of an Enigma
   Chapter VII. Continuation of the Enigma
   Chapter VIII. The Enigma becomes Doubly Mysterious
   Chapter IX. The Man with the Bell
   Chapter X. Which explains how Javert got on the Scent
book sixth.--le petit-picpus
   Chapter I. Number 62 Rue Petit-Picpus
   Chapter II. The Obedience of Martin Verga
   Chapter III. Austerities
   Chapter IV. Gayeties
   Chapter V. Distractions
   Chapter VI. The Little Convent
   Chapter VII. Some Silhouettes of this Darkness
   Chapter VIII. Post Corda Lapides
   Chapter IX. A Century under a Guimpe
   Chapter X. Origin of the Perpetual Adoration
   Chapter XI. End of the Petit-Picpus
book seventh.--parenthesis
   Chapter I. The Convent as an Abstract Idea
   Chapter II. The Convent as an Historical Fact
   Chapter III. On What Conditions One can respect the Past
   Chapter IV. The Convent from the Point of View of Principles
   Chapter V. Prayer
   Chapter VI. The Absolute Goodness of Prayer
   Chapter VII. Precautions to be observed in Blame
   Chapter VIII. Faith, Law
book eighth.--cemeteries take that which is committed them
   Chapter I. Which treats of the Manner of entering a Convent
   Chapter II. Fauchelevent in the Presence of a Difficulty
   Chapter III. Mother Innocente
   Chapter IV. In which Jean Valjean has quite the Air of having read Austin Castillejo
   Chapter V. It is not Necessary to be Drunk in order to be Immortal
   Chapter VI. Between Four Planks
   Chapter VII. In which will be found the Origin of the Saying: Don't lose the Card
   Chapter VIII. A Successful Interrogatory
   Chapter IX. Cloistered
book first.--paris studied in its atom
   Chapter I. Parvulus
   Chapter II. Some of his Particular Characteristics
   Chapter III. He is Agreeable
   Chapter IV. He may be of Use
   Chapter V. His Frontiers
   Chapter VI. A Bit of History
   Chapter VII. The Gamin should have his Place in the Classifications of India
   Chapter VIII. In which the Reader will find a Charming Saying of the Last King
   Chapter IX. The Old Soul of Gaul
   Chapter X. Ecce Paris, ecce Homo
   Chapter XI. To Scoff, to Reign
   Chapter XII. The Future Latent in the People
   Chapter XIII. Little Gavroche
book second.--the great bourgeois
   Chapter I. Ninety Years and Thirty-two Teeth
   Chapter II. Like Master, Like House
   Chapter III. Luc-Esprit
   Chapter IV. A Centenarian Aspirant
   Chapter V. Basque and Nicolette
   Chapter VI. In which Magnon and her Two Children are seen
   Chapter VII. Rule: Receive No One except in the Evening
   Chapter VIII. Two do not make a Pair
book third.--the grandfather and the grandson
   Chapter I. An Ancient Salon
   Chapter II. One of the Red Spectres of that Epoch
   Chapter III. Requiescant
   Chapter IV. End of the Brigand
   Chapter V. The Utility of going to Mass, in order to become a Revolutionist
   Chapter VI. The Consequences of having met a Warden
   Chapter VII. Some Petticoat
   Chapter VIII. Marble against Granite
book fourth.--the friends of the abc
   Chapter I. A Group which barely missed becoming Historic
   Chapter II. Blondeau's Funeral Oration by Bossuet
   Chapter III. Marius' Astonishments
   Chapter IV. The Back Room of the Cafe Musain
   Chapter V. Enlargement of Horizon
   Chapter VI. Res Angusta
book fifth.--the excellence of misfortune
   Chapter I. Marius Indigent
   Chapter II. Marius Poor
   Chapter III. Marius Grown Up
   Chapter IV. M. Mabeuf
   Chapter V. Poverty a Good Neighbor for Misery
   Chapter VI. The Substitute
book sixth.--the conjunction of two stars
   Chapter I. The Sobriquet; Mode of Formation of Family Names
   Chapter II. Lux Facta Est
   Chapter III. Effect of the Spring
   Chapter IV. Beginning of a Great Malady
   Chapter V. Divers Claps of Thunder fall on Ma'am Bougon
   Chapter VI. Taken Prisoner
   Chapter VII. Adventures of the Letter U delivered over to Conjectures
   Chapter VIII. The Veterans themselves can be Happy
   Chapter IX. Eclipse
book seventh.--patron minette
   Chapter I. Mines and Miners
   Chapter II. The Lowest Depths
   Chapter III. Babet, Gueulemer, Claquesous, and Montparnasse
   Chapter IV. Composition of the Troupe
book eighth.--the wicked poor man
   Chapter I. Marius, while seeking a Girl in a Bonnet encounters a Man in a Cap
   Chapter II. Treasure Trove
   Chapter III. Quadrifrons
   Chapter IV. A Rose in Misery
   Chapter V. A Providential Peep-Hole
   Chapter VI. The Wild Man in his Lair
   Chapter VII. Strategy and Tactics
   Chapter VIII. The Ray of Light in the Hovel
   Chapter IX. Jondrette comes near Weeping
   Chapter X. Tariff of Licensed Cabs, Two Francs an Hour
   Chapter XI. Offers of Service from Misery to Wretchedness
   Chapter XII. The Use made of M. Leblanc's Five-Franc Piece
   Chapter XIII. Solus cum Solo, in Loco Remoto, non cogitabuntur orare Pater Noster
   Chapter XIV. In which a Police Agent bestows Two Fistfuls on a Lawyer
   Chapter XV. Jondrette makes his Purchases
   Chapter XVI. In which will be found the Words to an English Air which was in Fashion in 1832
   Chapter XVII. The Use made of Marius' Five-Franc Piece
   Chapter XVIII. Marius' Two Chairs form a Vis-a-Vis
   Chapter XIX. Occupying One's Self with Obscure Depths
   Chapter XX. The Trap
   Chapter XXI. One should always begin by arresting the Victims
   Chapter XXII. The Little One who was crying in Volume Two
book first.--a few pages of history
   Chapter I. Well Cut
   Chapter II. Badly Sewed
   Chapter III. Louis Philippe
   Chapter IV. Cracks beneath the Foundation
   Chapter V. Facts whence History springs and which History ignores
   Chapter VI. Enjolras and his Lieutenants
book second.--eponine
   Chapter I. The Lark's Meadow
   Chapter II. Embryonic Formation of Crimes in the Incubation of Prisons
   Chapter III. Apparition to Father Mabeuf
   Chapter IV. An Apparition to Marius
book third.--the house in the rue plumet
   Chapter I. The House with a Secret
   Chapter II. Jean Valjean as a National Guard
   Chapter III. Foliis ac Frondibus
   Chapter IV. Change of Gate
   Chapter V. The Rose perceives that it is an Engine of War
   Chapter VI. The Battle Begun
   Chapter VII. To One Sadness oppose a Sadness and a Half
   Chapter VIII. The Chain-Gang
book fourth.--succor from below may turn out to be succor from on high
   Chapter I. A Wound without, Healing within
   Chapter II. Mother Plutarque finds no Difficulty in explaining a Phenomenon
book fifth.--the end of which does not resemble the beginning
   Chapter I. Solitude and Barracks Combined
   Chapter II. Cosette's Apprehensions
   Chapter III. Enriched with Commentaries by Toussaint
   Chapter IV. A Heart beneath a Stone
   Chapter V. Cosette after the Letter
   Chapter VI. Old People are made to go out opportunely
book sixth.--little gavroche
   Chapter I. The Malicious Playfulness of the Wind
   Chapter II. In which Little Gavroche extracts Profit from Napoleon the Great
   Chapter III. The Vicissitudes of Flight
book seventh.--slang
   Chapter I. Origin
   Chapter II. Roots
   Chapter III. Slang which weeps and Slang which laughs
   Chapter IV. The Two Duties: To Watch and to Hope
book eighth.--enchantments and desolations
   Chapter I. Full Light
   Chapter II. The Bewilderment of Perfect Happiness
   Chapter III. The Beginning of Shadow
   Chapter IV. A Cab runs in English and barks in Slang
   Chapter V. Things of the Night
   Chapter VI. Marius becomes Practical once more to the Extent of Giving Cosette his Address
   Chapter VII. The Old Heart and the Young Heart in the Presence of Each Other
book ninth.--whither are they going?
   Chapter I. Jean Valjean
   Chapter II. Marius
   Chapter III. M. Mabeuf
book tenth.--the 5th of june, 1832
   Chapter I. The Surface of the Question
   Chapter II. The Root of the Matter
   Chapter III. A Burial; an Occasion to be born again
   Chapter IV. The Ebullitions of Former Days
   Chapter V. Originality of Paris
book eleventh.--the atom fraternizes with the hurricane
   Chapter I. Some Explanations with Regard to the Origin of Gavroche's Poetry. The Influence of an Academician on this Poetry
   Chapter II. Gavroche on the March
   Chapter III. Just Indignation of a Hair-dresser
   Chapter IV. The Child is amazed at the Old Man
   Chapter V. The Old Man
   Chapter VI. Recruits
book twelfth.--corinthe
   Chapter I. History of Corinthe from its Foundation
   Chapter II. Preliminary Gayeties
   Chapter III. Night begins to descend upon Grantaire
   Chapter IV. An Attempt to console the Widow Hucheloup
   Chapter V. Preparations
   Chapter VI. Waiting
   Chapter VII. The Man recruited in the Rue des Billettes
   Chapter VIII. Many Interrogation Points with Regard to a Certain Le Cabuc, whose Name may not have been Le Cabuc
book thirteenth.--marius enters the shadow
   Chapter I. From the Rue Plumet to the Quartier Saint-Denis
   Chapter II. An Owl's View of Paris
   Chapter III. The Extreme Edge
book fourteenth.--the grandeurs of despair
   Chapter I. The Flag: Act First
   Chapter II. The Flag: Act Second
   Chapter III. Gavroche would have done better to accept Enjolras' Carbine
   Chapter IV. The Barrel of Powder
   Chapter V. End of the Verses of Jean Prouvaire
   Chapter VI. The Agony of Death after the Agony of Life
   Chapter VII. Gavroche as a Profound Calculator of Distances
book fifteenth.--the rue de l'homme arme
   Chapter I. A Drinker is a Babbler
   Chapter II. The Street Urchin an Enemy of Light
   Chapter III. While Cosette and Toussaint are Asleep
   Chapter IV. Gavroche's Excess of Zeal
book first.--the war between four walls
   Chapter I. The Charybdis of the Faubourg Saint-Antoine and the Scylla of the Faubourg du Temple
   Chapter II. What Is to Be Done in the Abyss if One Does Not Converse
   Chapter III. Light and Shadow
   Chapter IV. Minus Five, Plus One
   Chapter V. The Horizon Which One Beholds from the Summit of a Barricade
   Chapter VI. Marius Haggard, Javert Laconic
   Chapter VII. The Situation Becomes Aggravated
   Chapter VIII. The Artillery-men Compel People to Take Them Seriously
   Chapter IX. Employment of the Old Talents of a Poacher and That Infallible Marksmanship Which Influenced the Condemnation of 1796
   Chapter X. Dawn
   Chapter XI. The Shot Which Misses Nothing and Kills No One
   Chapter XII. Disorder a Partisan of Order
   Chapter XIII. Passing Gleams
   Chapter XIV. Wherein Will Appear the Name of Enjolras' Mistress
   Chapter XV. Gavroche Outside
   Chapter XVI. How from a Brother One Becomes a Father
   Chapter XVII. Mortuus Pater Filium Moriturum Expectat
   Chapter XVIII. The Vulture Becomes Prey
   Chapter XIX. Jean Valjean Takes His Revenge
   Chapter XX. The Dead Are in the Right and the Living Are Not in the Wrong
   Chapter XXI. The Heroes
   Chapter XXII. Foot to Foot
   Chapter XXIII. Orestes Fasting and Pylades Drunk
   Chapter XXIV. Prisoner
book second.--the intestine of the leviathan
   Chapter I. The Land Impoverished by the Sea
   Chapter II. Ancient History of the Sewer
   Chapter III. Bruneseau
   Chapter IV
   Chapter V. Present Progress
   Chapter VI. Future Progress
book third.--mud but the soul
   Chapter I. The Sewer and Its Surprises
   Chapter II. Explanation
   Chapter III. The "Spun" Man
   Chapter IV. He Also Bears His Cross
   Chapter V. In the Case of Sand, as in That of Woman, There Is a Fineness Which Is Treacherous
   Chapter VI. The Fontis
   Chapter VII. One Sometimes Runs Aground When One Fancies That One Is Disembarking
   Chapter VIII. The Torn Coat-Tail
   Chapter IX. Marius Produces on Some One Who Is a Judge of the Matter, the Effect of Being Dead
   Chapter X. Return of the Son Who Was Prodigal of His Life
   Chapter XI. Concussion in the Absolute
   Chapter XII. The Grandfather
book fourth.--javert derailed
   Chapter I
book fifth.--grandson and grandfather
   Chapter I. In Which the Tree with the Zinc Plaster Appears Again
   Chapter II. Marius, Emerging from Civil War, Makes Ready for Domestic War
   Chapter III. Marius Attacked
   Chapter IV. Mademoiselle Gillenormand Ends by No Longer Thinking It a Bad Thing That M. Fauchelevent Should Have Entered With Something Under His Arm
   Chapter V. Deposit Your Money in a Forest Rather than with a Notary
   Chapter VI. The Two Old Men Do Everything, Each One After His Own Fashion, to Render Cosette Happy
   Chapter VII. The Effects of Dreams Mingled with Happiness
   Chapter VIII. Two Men Impossible to Find
book sixth.--the sleepless night
   Chapter I. The 16th of February, 1833
   Chapter II. Jean Valjean Still Wears His Arm in a Sling
   Chapter III. The Inseparable
   Chapter IV. The Immortal Liver
book seventh.--the last draught from the cup
   Chapter I. The Seventh Circle and the Eighth Heaven
   Chapter II. The Obscurities Which a Revelation Can Contain
book eighth.--fading away of the twilight
   Chapter I. The Lower Chamber
   Chapter II. Another Step Backwards
   Chapter III. They Recall the Garden of the Rue Plumet
   Chapter IV. Attraction and Extinction
book ninth.--supreme shadow, supreme dawn
   Chapter I. Pity for the Unhappy, but Indulgence for the Happy
   Chapter II. Last Flickerings of a Lamp Without Oil
   Chapter III. A Pen Is Heavy to the Man Who Lifted the Fauchelevent's Cart
   Chapter IV. A Bottle of Ink Which Only Succeeded in Whitening
   Chapter V. A Night Behind Which There Is Day
   Chapter VI. The Grass Covers and the Rain Effaces