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Les Miserables
book seventh.--the last draught from the cup   Chapter I. The Seventh Circle and the Eighth Heaven
Victor Hugo
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       The days that follow weddings are solitary. People respect the meditations of the happy pair. And also, their tardy slumbers, to some degree. The tumult of visits and congratulations only begins later on. On the morning of the 17th of February, it was a little past midday when Basque, with napkin and feather-duster under his arm, busy in setting his antechamber to rights, heard a light tap at the door. There had been no ring, which was discreet on such a day. Basque opened the door, and beheld M. Fauchelevent. He introduced him into the drawing-room, still encumbered and topsy-turvy, and which bore the air of a field of battle after the joys of the preceding evening.
       "Dame, sir," remarked Basque, "we all woke up late."
       "Is your master up?" asked Jean Valjean.
       "How is Monsieur's arm?" replied Basque.
       "Better. Is your master up?"
       "Which one? the old one or the new one?"
       "Monsieur Pontmercy."
       "Monsieur le Baron," said Basque, drawing himself up.
       A man is a Baron most of all to his servants. He counts for something with them; they are what a philosopher would call, bespattered with the title, and that flatters them. Marius, be it said in passing, a militant republican as he had proved, was now a Baron in spite of himself. A small revolution had taken place in the family in connection with this title. It was now M. Gillenormand who clung to it, and Marius who detached himself from it. But Colonel Pontmercy had written: "My son will bear my title." Marius obeyed. And then, Cosette, in whom the woman was beginning to dawn, was delighted to be a Baroness.
       "Monsieur le Baron?" repeated Basque. "I will go and see. I will tell him that M. Fauchelevent is here."
       "No. Do not tell him that it is I. Tell him that some one wishes to speak to him in private, and mention no name."
       "Ah!" ejaculated Basque.
       "I wish to surprise him."
       "Ah!" ejaculated Basque once more, emitting his second "ah!" as an explanation of the first.
       And he left the room.
       Jean Valjean remained alone.
       The drawing-room, as we have just said, was in great disorder. It seemed as though, by lending an air, one might still hear the vague noise of the wedding. On the polished floor lay all sorts of flowers which had fallen from garlands and head-dresses. The wax candles, burned to stumps, added stalactites of wax to the crystal drops of the chandeliers. Not a single piece of furniture was in its place. In the corners, three or four arm-chairs, drawn close together in a circle, had the appearance of continuing a conversation. The whole effect was cheerful. A certain grace still lingers round a dead feast. It has been a happy thing. On the chairs in disarray, among those fading flowers, beneath those extinct lights, people have thought of joy. The sun had succeeded to the chandelier, and made its way gayly into the drawing-room.
       Several minutes elapsed. Jean Valjean stood motionless on the spot where Basque had left him. He was very pale. His eyes were hollow, and so sunken in his head by sleeplessness that they nearly disappeared in their orbits. His black coat bore the weary folds of a garment that has been up all night. The elbows were whitened with the down which the friction of cloth against linen leaves behind it.
       Jean Valjean stared at the window outlined on the polished floor at his feet by the sun.
       There came a sound at the door, and he raised his eyes.
       Marius entered, his head well up, his mouth smiling, an indescribable light on his countenance, his brow expanded, his eyes triumphant. He had not slept either.
       "It is you, father!" he exclaimed, on catching sight of Jean Valjean; "that idiot of a Basque had such a mysterious air! But you have come too early. It is only half past twelve. Cosette is asleep."
       That word: "Father," said to M. Fauchelevent by Marius, signified: supreme felicity. There had always existed, as the reader knows, a lofty wall, a coldness and a constraint between them; ice which must be broken or melted. Marius had reached that point of intoxication when the wall was lowered, when the ice dissolved, and when M. Fauchelevent was to him, as to Cosette, a father.
       He continued: his words poured forth, as is the peculiarity of divine paroxysms of joy.
       "How glad I am to see you! If you only knew how we missed you yesterday! Good morning, father. How is your hand? Better, is it not?"
       And, satisfied with the favorable reply which he had made to himself, he pursued:
       "We have both been talking about you. Cosette loves you so dearly! You must not forget that you have a chamber here, We want nothing more to do with the Rue de l'Homme Arme. We will have no more of it at all. How could you go to live in a street like that, which is sickly, which is disagreeable, which is ugly, which has a barrier at one end, where one is cold, and into which one cannot enter? You are to come and install yourself here. And this very day. Or you will have to deal with Cosette. She means to lead us all by the nose, I warn you. You have your own chamber here, it is close to ours, it opens on the garden; the trouble with the clock has been attended to, the bed is made, it is all ready, you have only to take possession of it. Near your bed Cosette has placed a huge, old, easy-chair covered with Utrecht velvet and she has said to it: `Stretch out your arms to him.' A nightingale comes to the clump of acacias opposite your windows, every spring. In two months more you will have it. You will have its nest on your left and ours on your right. By night it will sing, and by day Cosette will prattle. Your chamber faces due South. Cosette will arrange your books for you, your Voyages of Captain Cook and the other,--Vancouver's and all your affairs. I believe that there is a little valise to which you are attached, I have fixed upon a corner of honor for that. You have conquered my grandfather, you suit him. We will live together. Do you play whist? you will overwhelm my grandfather with delight if you play whist. It is you who shall take Cosette to walk on the days when I am at the courts, you shall give her your arm, you know, as you used to, in the Luxembourg. We are absolutely resolved to be happy. And you shall be included in it, in our happiness, do you hear, father? Come, will you breakfast with us to-day?"
       "Sir," said Jean Valjean, "I have something to say to you. I am an ex-convict."
       The limit of shrill sounds perceptible can be overleaped, as well in the case of the mind as in that of the ear. These words: "I am an ex-convict," proceeding from the mouth of M. Fauchelevent and entering the ear of Marius overshot the possible. It seemed to him that something had just been said to him; but he did not know what. He stood with his mouth wide open.
       Then he perceived that the man who was addressing him was frightful. Wholly absorbed in his own dazzled state, he had not, up to that moment, observed the other man's terrible pallor.
       Jean Valjean untied the black cravat which supported his right arm, unrolled the linen from around his hand, bared his thumb and showed it to Marius.
       "There is nothing the matter with my hand," said he.
       Marius looked at the thumb.
       "There has not been anything the matter with it," went on Jean Valjean.
       There was, in fact, no trace of any injury.
       Jean Valjean continued:
       "It was fitting that I should be absent from your marriage. I absented myself as much as was in my power. So I invented this injury in order that I might not commit a forgery, that I might not introduce a flaw into the marriage documents, in order that I might escape from signing."
       Marius stammered.
       "What is the meaning of this?"
       "The meaning of it is," replied Jean Valjean, "that I have been in the galleys."
       "You are driving me mad!" exclaimed Marius in terror.
       "Monsieur Pontmercy," said Jean Valjean, "I was nineteen years in the galleys. For theft. Then, I was condemned for life for theft, for a second offence. At the present moment, I have broken my ban."
       In vain did Marius recoil before the reality, refuse the fact, resist the evidence, he was forced to give way. He began to understand, and, as always happens in such cases, he understood too much. An inward shudder of hideous enlightenment flashed through him; an idea which made him quiver traversed his mind. He caught a glimpse of a wretched destiny for himself in the future.
       "Say all, say all!" he cried. "You are Cosette's father!"
       And he retreated a couple of paces with a movement of indescribable horror.
       Jean Valjean elevated his head with so much majesty of attitude that he seemed to grow even to the ceiling.
       "It is necessary that you should believe me here, sir; although our oath to others may not be received in law . . ."
       Here he paused, then, with a sort of sovereign and sepulchral authority, he added, articulating slowly, and emphasizing the syllables:
       ". . . You will believe me. I the father of Cosette! before God, no. Monsieur le Baron Pontmercy, I am a peasant of Faverolles. I earned my living by pruning trees. My name is not Fauchelevent, but Jean Valjean. I am not related to Cosette. Reassure yourself."
       Marius stammered:
       "Who will prove that to me?"
       "I. Since I tell you so."
       Marius looked at the man. He was melancholy yet tranquil. No lie could proceed from such a calm. That which is icy is sincere. The truth could be felt in that chill of the tomb.
       "I believe you," said Marius.
       Jean Valjean bent his head, as though taking note of this, and continued:
       "What am I to Cosette? A passer-by. Ten years ago, I did not know that she was in existence. I love her, it is true. One loves a child whom one has seen when very young, being old oneself. When one is old, one feels oneself a grandfather towards all little children. You may, it seems to me, suppose that I have something which resembles a heart. She was an orphan. Without either father or mother. She needed me. That is why I began to love her. Children are so weak that the first comer, even a man like me, can become their protector. I have fulfilled this duty towards Cosette. I do not think that so slight a thing can be called a good action; but if it be a good action, well, say that I have done it. Register this attenuating circumstance. To-day, Cosette passes out of my life; our two roads part. Henceforth, I can do nothing for her. She is Madame Pontmercy. Her providence has changed. And Cosette gains by the change. All is well. As for the six hundred thousand francs, you do not mention them to me, but I forestall your thought, they are a deposit. How did that deposit come into my hands? What does that matter? I restore the deposit. Nothing more can be demanded of me. I complete the restitution by announcing my true name. That concerns me. I have a reason for desiring that you should know who I am."
       And Jean Valjean looked Marius full in the face.
       All that Marius experienced was tumultuous and incoherent. Certain gusts of destiny produce these billows in our souls.
       We have all undergone moments of trouble in which everything within us is dispersed; we say the first things that occur to us, which are not always precisely those which should be said. There are sudden revelations which one cannot bear, and which intoxicate like baleful wine. Marius was stupefied by the novel situation which presented itself to him, to the point of addressing that man almost like a person who was angry with him for this avowal.
       "But why," he exclaimed, "do you tell me all this? Who forces you to do so? You could have kept your secret to yourself. You are neither denounced, nor tracked nor pursued. You have a reason for wantonly making such a revelation. Conclude. There is something more. In what connection do you make this confession? What is your motive?"
       "My motive?" replied Jean Valjean in a voice so low and dull that one would have said that he was talking to himself rather than to Marius. "From what motive, in fact, has this convict just said `I am a convict'? Well, yes! the motive is strange. It is out of honesty. Stay, the unfortunate point is that I have a thread in my heart, which keeps me fast. It is when one is old that that sort of thread is particularly solid. All life falls in ruin around one; one resists. Had I been able to tear out that thread, to break it, to undo the knot or to cut it, to go far away, I should have been safe. I had only to go away; there are diligences in the Rue Bouloy; you are happy; I am going. I have tried to break that thread, I have jerked at it, it would not break, I tore my heart with it. Then I said: `I cannot live anywhere else than here.' I must stay. Well, yes, you are right, I am a fool, why not simply remain here? You offer me a chamber in this house, Madame Pontmercy is sincerely attached to me, she said to the arm-chair: `Stretch out your arms to him,' your grandfather demands nothing better than to have me, I suit him, we shall live together, and take our meals in common, I shall give Cosette my arm . . . Madame Pontmercy, excuse me, it is a habit, we shall have but one roof, one table, one fire, the same chimney-corner in winter, the same promenade in summer, that is joy, that is happiness, that is everything. We shall live as one family. One family!"
       At that word, Jean Valjean became wild. He folded his arms, glared at the floor beneath his feet as though he would have excavated an abyss therein, and his voice suddenly rose in thundering tones:
       "As one family! No. I belong to no family. I do not belong to yours. I do not belong to any family of men. In houses where people are among themselves, I am superfluous. There are families, but there is nothing of the sort for me. I am an unlucky wretch; I am left outside. Did I have a father and mother? I almost doubt it. On the day when I gave that child in marriage, all came to an end. I have seen her happy, and that she is with a man whom she loves, and that there exists here a kind old man, a household of two angels, and all joys in that house, and that it was well, I said to myself: `Enter thou not.' I could have lied, it is true, have deceived you all, and remained Monsieur Fauchelevent. So long as it was for her, I could lie; but now it would be for myself, and I must not. It was sufficient for me to hold my peace, it is true, and all would go on. You ask me what has forced me to speak? a very odd thing; my conscience. To hold my peace was very easy, however. I passed the night in trying to persuade myself to it; you questioned me, and what I have just said to you is so extraordinary that you have the right to do it; well, yes, I have passed the night in alleging reasons to myself, and I gave myself very good reasons, I have done what I could. But there are two things in which I have not succeeded; in breaking the thread that holds me fixed, riveted and sealed here by the heart, or in silencing some one who speaks softly to me when I am alone. That is why I have come hither to tell you everything this morning. Everything or nearly everything. It is useless to tell you that which concerns only myself; I keep that to myself. You know the essential points. So I have taken my mystery and have brought it to you. And I have disembowelled my secret before your eyes. It was not a resolution that was easy to take. I struggled all night long. Ah! you think that I did not tell myself that this was no Champmathieu affair, that by concealing my name I was doing no one any injury, that the name of Fauchelevent had been given to me by Fauchelevent himself, out of gratitude for a service rendered to him, and that I might assuredly keep it, and that I should be happy in that chamber which you offer me, that I should not be in any one's way, that I should be in my own little corner, and that, while you would have Cosette, I should have the idea that I was in the same house with her. Each one of us would have had his share of happiness. If I continued to be Monsieur Fauchelevent, that would arrange everything. Yes, with the exception of my soul. There was joy everywhere upon my surface, but the bottom of my soul remained black. It is not enough to be happy, one must be content. Thus I should have remained Monsieur Fauchelevent, thus I should have concealed my true visage, thus, in the presence of your expansion, I should have had an enigma, thus, in the midst of your full noonday, I should have had shadows, thus, without crying `'ware,' I should have simply introduced the galleys to your fireside, I should have taken my seat at your table with the thought that if you knew who I was, you would drive me from it, I should have allowed myself to be served by domestics who, had they known, would have said: `How horrible!' I should have touched you with my elbow, which you have a right to dislike, I should have filched your clasps of the hand! There would have existed in your house a division of respect between venerable white locks and tainted white locks; at your most intimate hours, when all hearts thought themselves open to the very bottom to all the rest, when we four were together, your grandfather, you two and myself, a stranger would have been present! I should have been side by side with you in your existence, having for my only care not to disarrange the cover of my dreadful pit. Thus, I, a dead man, should have thrust myself upon you who are living beings. I should have condemned her to myself forever. You and Cosette and I would have had all three of our heads in the green cap! Does it not make you shudder? I am only the most crushed of men; I should have been the most monstrous of men. And I should have committed that crime every day! And I should have had that face of night upon my visage every day! every day! And I should have communicated to you a share in my taint every day! every day! to you, my dearly beloved, my children, to you, my innocent creatures! Is it nothing to hold one's peace? is it a simple matter to keep silence? No, it is not simple. There is a silence which lies. And my lie, and my fraud and my indignity, and my cowardice and my treason and my crime, I should have drained drop by drop, I should have spit it out, then swallowed it again, I should have finished at midnight and have begun again at midday, and my `good morning' would have lied, and my `good night' would have lied, and I should have slept on it, I should have eaten it, with my bread, and I should have looked Cosette in the face, and I should have responded to the smile of the angel by the smile of the damned soul, and I should have been an abominable villain! Why should I do it? in order to be happy. In order to be happy. Have I the right to be happy? I stand outside of life, Sir."
       Jean Valjean paused. Marius listened. Such chains of ideas and of anguishes cannot be interrupted. Jean Valjean lowered his voice once more, but it was no longer a dull voice--it was a sinister voice.
       "You ask why I speak? I am neither denounced, nor pursued, nor tracked, you say. Yes! I am denounced! yes! I am tracked! By whom? By myself. It is I who bar the passage to myself, and I drag myself, and I push myself, and I arrest myself, and I execute myself, and when one holds oneself, one is firmly held."
       And, seizing a handful of his own coat by the nape of the neck and extending it towards Marius:
       "Do you see that fist?" he continued. "Don't you think that it holds that collar in such a wise as not to release it? Well! conscience is another grasp! If one desires to be happy, sir, one must never understand duty; for, as soon as one has comprehended it, it is implacable. One would say that it punished you for comprehending it; but no, it rewards you; for it places you in a hell, where you feel God beside you. One has no sooner lacerated his own entrails than he is at peace with himself."
       And, with a poignant accent, he added:
       "Monsieur Pontmercy, this is not common sense, I am an honest man. It is by degrading myself in your eyes that I elevate myself in my own. This has happened to me once before, but it was less painful then; it was a mere nothing. Yes, an honest man. I should not be so if, through my fault, you had continued to esteem me; now that you despise me, I am so. I have that fatality hanging over me that, not being able to ever have anything but stolen consideration, that consideration humiliates me, and crushes me inwardly, and, in order that I may respect myself, it is necessary that I should be despised. Then I straighten up again. I am a galley-slave who obeys his conscience. I know well that that is most improbable. But what would you have me do about it? it is the fact. I have entered into engagements with myself; I keep them. There are encounters which bind us, there are chances which involve us in duties. You see, Monsieur Pontmercy, various things have happened to me in the course of my life."
       Again Jean Valjean paused, swallowing his saliva with an effort, as though his words had a bitter after-taste, and then he went on:
       "When one has such a horror hanging over one, one has not the right to make others share it without their knowledge, one has not the right to make them slip over one's own precipice without their perceiving it, one has not the right to let one's red blouse drag upon them, one has no right to slyly encumber with one's misery the happiness of others. It is hideous to approach those who are healthy, and to touch them in the dark with one's ulcer. In spite of the fact that Fauchelevent lent me his name, I have no right to use it; he could give it to me, but I could not take it. A name is an _I_. You see, sir, that I have thought somewhat, I have read a little, although I am a peasant; and you see that I express myself properly. I understand things. I have procured myself an education. Well, yes, to abstract a name and to place oneself under it is dishonest. Letters of the alphabet can be filched, like a purse or a watch. To be a false signature in flesh and blood, to be a living false key, to enter the house of honest people by picking their lock, never more to look straightforward, to forever eye askance, to be infamous within the _I_, no! no! no! no! no! It is better to suffer, to bleed, to weep, to tear one's skin from the flesh with one's nails, to pass nights writhing in anguish, to devour oneself body and soul. That is why I have just told you all this. Wantonly, as you say."
       He drew a painful breath, and hurled this final word:
       "In days gone by, I stole a loaf of bread in order to live; to-day, in order to live, I will not steal a name."
       "To live!" interrupted Marius. "You do not need that name in order to live?"
       "Ah! I understand the matter," said Jean Valjean, raising and lowering his head several times in succession.
       A silence ensued. Both held their peace, each plunged in a gulf of thoughts. Marius was sitting near a table and resting the corner of his mouth on one of his fingers, which was folded back. Jean Valjean was pacing to and fro. He paused before a mirror, and remained motionless. Then, as though replying to some inward course of reasoning, he said, as he gazed at the mirror, which he did not see:
       "While, at present, I am relieved."
       He took up his march again, and walked to the other end of the drawing-room. At the moment when he turned round, he perceived that Marius was watching his walk. Then he said, with an inexpressible intonation:
       "I drag my leg a little. Now you understand why!"
       Then he turned fully round towards Marius:
       "And now, sir, imagine this: I have said nothing, I have remained Monsieur Fauchelevent, I have taken my place in your house, I am one of you, I am in my chamber, I come to breakfast in the morning in slippers, in the evening all three of us go to the play, I accompany Madame Pontmercy to the Tuileries, and to the Place Royale, we are together, you think me your equal; one fine day you are there, and I am there, we are conversing, we are laughing; all at once, you hear a voice shouting this name: `Jean Valjean!' and behold, that terrible hand, the police, darts from the darkness, and abruptly tears off my mask!"
       Again he paused; Marius had sprung to his feet with a shudder. Jean Valjean resumed:
       "What do you say to that?"
       Marius' silence answered for him.
       Jean Valjean continued:
       "You see that I am right in not holding my peace. Be happy, be in heaven, be the angel of an angel, exist in the sun, be content therewith, and do not trouble yourself about the means which a poor damned wretch takes to open his breast and force his duty to come forth; you have before you, sir, a wretched man."
       Marius slowly crossed the room, and, when he was quite close to Jean Valjean, he offered the latter his hand.
       But Marius was obliged to step up and take that hand which was not offered, Jean Valjean let him have his own way, and it seemed to Marius that he pressed a hand of marble.
       "My grandfather has friends," said Marius; "I will procure your pardon."
       "It is useless," replied Jean Valjean. "I am believed to be dead, and that suffices. The dead are not subjected to surveillance. They are supposed to rot in peace. Death is the same thing as pardon."
       And, disengaging the hand which Marius held, he added, with a sort of inexorable dignity:
       "Moreover, the friend to whom I have recourse is the doing of my duty; and I need but one pardon, that of my conscience."
       At that moment, a door at the other end of the drawing-room opened gently half way, and in the opening Cosette's head appeared. They saw only her sweet face, her hair was in charming disorder, her eyelids were still swollen with sleep. She made the movement of a bird, which thrusts its head out of its nest, glanced first at her husband, then at Jean Valjean, and cried to them with a smile, so that they seemed to behold a smile at the heart of a rose:
       "I will wager that you are talking politics. How stupid that is, instead of being with me!"
       Jean Valjean shuddered.
       "Cosette! . . ." stammered Marius.
       And he paused. One would have said that they were two criminals.
       Cosette, who was radiant, continued to gaze at both of them. There was something in her eyes like gleams of paradise.
       "I have caught you in the very act," said Cosette. "Just now, I heard my father Fauchelevent through the door saying: `Conscience . . . doing my duty . . .' That is politics, indeed it is. I will not have it. People should not talk politics the very next day. It is not right."
       "You are mistaken. Cosette," said Marius, "we are talking business. We are discussing the best investment of your six hundred thousand francs . . ."
       "That is not it at all " interrupted Cosette. "I am coming. Does any body want me here?"
       And, passing resolutely through the door, she entered the drawing-room. She was dressed in a voluminous white dressing-gown, with a thousand folds and large sleeves which, starting from the neck, fell to her feet. In the golden heavens of some ancient gothic pictures, there are these charming sacks fit to clothe the angels.
       She contemplated herself from head to foot in a long mirror, then exclaimed, in an outburst of ineffable ecstasy:
       "There was once a King and a Queen. Oh! how happy I am!"
       That said, she made a curtsey to Marius and to Jean Valjean.
       "There," said she, "I am going to install myself near you in an easy-chair, we breakfast in half an hour, you shall say anything you like, I know well that men must talk, and I will be very good."
       Marius took her by the arm and said lovingly to her:
       "We are talking business."
       "By the way," said Cosette, "I have opened my window, a flock of pierrots has arrived in the garden,--Birds, not maskers. To-day is Ash-Wednesday; but not for the birds."
       "I tell you that we are talking business, go, my little Cosette, leave us alone for a moment. We are talking figures. That will bore you."
       "You have a charming cravat on this morning, Marius. You are very dandified, monseigneur. No, it will not bore me."
       "I assure you that it will bore you."
       "No. Since it is you. I shall not understand you, but I shall listen to you. When one hears the voices of those whom one loves, one does not need to understand the words that they utter. That we should be here together--that is all that I desire. I shall remain with you, bah!"
       "You are my beloved Cosette! Impossible."
       "Impossible!"
       "Yes."
       "Very good," said Cosette. "I was going to tell you some news. I could have told you that your grandfather is still asleep, that your aunt is at mass, that the chimney in my father Fauchelevent's room smokes, that Nicolette has sent for the chimney-sweep, that Toussaint and Nicolette have already quarrelled, that Nicolette makes sport of Toussaint's stammer. Well, you shall know nothing. Ah! it is impossible? you shall see, gentlemen, that I, in my turn, can say: It is impossible. Then who will be caught? I beseech you, my little Marius, let me stay here with you two."
       "I swear to you, that it is indispensable that we should be alone."
       "Well, am I anybody?"
       Jean Valjean had not uttered a single word. Cosette turned to him:
       "In the first place, father, I want you to come and embrace me. What do you mean by not saying anything instead of taking my part? who gave me such a father as that? You must perceive that my family life is very unhappy. My husband beats me. Come, embrace me instantly."
       Jean Valjean approached.
       Cosette turned toward Marius.
       "As for you, I shall make a face at you."
       Then she presented her brow to Jean Valjean.
       Jean Valjean advanced a step toward her.
       Cosette recoiled.
       "Father, you are pale. Does your arm hurt you?"
       "It is well," said Jean Valjean.
       "Did you sleep badly?"
       "No."
       "Are you sad?"
       "No."
       "Embrace me if you are well, if you sleep well, if you are content, I will not scold you."
       And again she offered him her brow.
       Jean Valjean dropped a kiss upon that brow whereon rested a celestial gleam.
       "Smile."
       Jean Valjean obeyed. It was the smile of a spectre.
       "Now, defend me against my husband."
       "Cosette! . . ." ejaculated Marius.
       "Get angry, father. Say that I must stay. You can certainly talk before me. So you think me very silly. What you say is astonishing! business, placing money in a bank a great matter truly. Men make mysteries out of nothing. I am very pretty this morning. Look at me, Marius."
       And with an adorable shrug of the shoulders, and an indescribably exquisite pout, she glanced at Marius.
       "I love you!" said Marius.
       "I adore you!" said Cosette.
       And they fell irresistibly into each other's arms.
       "Now," said Cosette, adjusting a fold of her dressing-gown, with a triumphant little grimace, "I shall stay."
       "No, not that," said Marius, in a supplicating tone. "We have to finish something."
       "Still no?"
       Marius assumed a grave tone:
       "I assure you, Cosette, that it is impossible."
       "Ah! you put on your man's voice, sir. That is well, I go. You, father, have not upheld me. Monsieur my father, monsieur my husband, you are tyrants. I shall go and tell grandpapa. If you think that I am going to return and talk platitudes to you, you are mistaken. I am proud. I shall wait for you now. You shall see, that it is you who are going to be bored without me. I am going, it is well."
       And she left the room.
       Two seconds later, the door opened once more, her fresh and rosy head was again thrust between the two leaves, and she cried to them:
       "I am very angry indeed."
       The door closed again, and the shadows descended once more.
       It was as though a ray of sunlight should have suddenly traversed the night, without itself being conscious of it.
       Marius made sure that the door was securely closed.
       "Poor Cosette!" he murmured, "when she finds out . . ."
       At that word Jean Valjean trembled in every limb. He fixed on Marius a bewildered eye.
       "Cosette! oh yes, it is true, you are going to tell Cosette about this. That is right. Stay, I had not thought of that. One has the strength for one thing, but not for another. Sir, I conjure you, I entreat now, sir, give me your most sacred word of honor, that you will not tell her. Is it not enough that you should know it? I have been able to say it myself without being forced to it, I could have told it to the universe, to the whole world,--it was all one to me. But she, she does not know what it is, it would terrify her. What, a convict! we should be obliged to explain matters to her, to say to her: `He is a man who has been in the galleys.' She saw the chain-gang pass by one day. Oh! My God!" . . . He dropped into an arm-chair and hid his face in his hands.
       His grief was not audible, but from the quivering of his shoulders it was evident that he was weeping. Silent tears, terrible tears.
       There is something of suffocation in the sob. He was seized with a sort of convulsion, he threw himself against the back of the chair as though to gain breath, letting his arms fall, and allowing Marius to see his face inundated with tears, and Marius heard him murmur, so low that his voice seemed to issue from fathomless depths:
       "Oh! would that I could die!"
       "Be at your ease," said Marius, "I will keep your secret for myself alone." x And, less touched, perhaps, than he ought to have been, but forced, for the last hour, to familiarize himself with something as unexpected as it was dreadful, gradually beholding the convict superposed before his very eyes, upon M. Fauchelevent, overcome, little by little, by that lugubrious reality, and led, by the natural inclination of the situation, to recognize the space which had just been placed between that man and himself, Marius added:
       "It is impossible that I should not speak a word to you with regard to the deposit which you have so faithfully and honestly remitted. That is an act of probity. It is just that some recompense should be bestowed on you. Fix the sum yourself, it shall be counted out to you. Do not fear to set it very high."
       "I thank you, sir," replied Jean Valjean, gently.
       He remained in thought for a moment, mechanically passing the tip of his fore-finger across his thumb-nail, then he lifted up his voice:
       "All is nearly over. But one last thing remains for me . . ."
       "What is it?"
       Jean Valjean struggled with what seemed a last hesitation, and, without voice, without breath, he stammered rather than said:
       "Now that you know, do you think, sir, you, who are the master, that I ought not to see Cosette any more?"
       "I think that would be better," replied Marius coldly.
       "I shall never see her more," murmured Jean Valjean. And he directed his steps towards the door.
       He laid his hand on the knob, the latch yielded, the door opened. Jean Valjean pushed it open far enough to pass through, stood motionless for a second, then closed the door again and turned to Marius.
       He was no longer pale, he was livid. There were no longer any tears in his eyes, but only a sort of tragic flame. His voice had regained a strange composure.
       "Stay, sir," he said. "If you will allow it, I will come to see her. I assure you that I desire it greatly. If I had not cared to see Cosette, I should not have made to you the confession that I have made, I should have gone away; but, as I desired to remain in the place where Cosette is, and to continue to see her, I had to tell you about it honestly. You follow my reasoning, do you not? it is a matter easily understood. You see, I have had her with me for more than nine years. We lived first in that hut on the boulevard, then in the convent, then near the Luxembourg. That was where you saw her for the first time. You remember her blue plush hat. Then we went to the Quartier des Invalides, where there was a railing on a garden, the Rue Plumet. I lived in a little back court-yard, whence I could hear her piano. That was my life. We never left each other. That lasted for nine years and some months. I was like her own father, and she was my child. I do not know whether you understand, Monsieur Pontmercy, but to go away now, never to see her again, never to speak to her again, to no longer have anything, would be hard. If you do not disapprove of it, I will come to see Cosette from time to time. I will not come often. I will not remain long. You shall give orders that I am to be received in the little waiting-room. On the ground floor. I could enter perfectly well by the back door, but that might create surprise perhaps, and it would be better, I think, for me to enter by the usual door. Truly, sir, I should like to see a little more of Cosette. As rarely as you please. Put yourself in my place, I have nothing left but that. And then, we must be cautious. If I no longer come at all, it would produce a bad effect, it would be considered singular. What I can do, by the way, is to come in the afternoon, when night is beginning to fall."
       "You shall come every evening," said Marius, "and Cosette will be waiting for you."
       "You are kind, sir," said Jean Valjean.
       Marius saluted Jean Valjean, happiness escorted despair to the door, and these two men parted.
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book first--a just man
   Chapter I. M. Myriel
   Chapter II. M. Myriel becomes M. Welcome
   Chapter III. A Hard Bishopric for a Good Bishop
   Chapter IV. Works corresponding to Words
   Chapter V. Monseigneur Bienvenu made his Cassocks last too long
   Chapter VI. Who guarded his House for him
   Chapter VII. Cravatte
   Chapter VIII. Philosophy after Drinking
   Chapter IX. The Brother as depicted by the Sister
   Chapter X. The Bishop in the Presence of an Unknown Light
   Chapter XI. A Restriction
   Chapter XII. The Solitude of Monseigneur Welcome
   Chapter XIII. What he believed
   Chapter XIV. What he thought
book second.--the fall
   Chapter I. The Evening of a Day of Walking
   Chapter II. Prudence counselled to Wisdom
   Chapter III. The Heroism of Passive Obedience
   Chapter IV. Details concerning the Cheese-Dairies of Pontarlier
   Chapter V. Tranquillity
   Chapter VI. Jean Valjean
   Chapter VII. The Interior of Despair
   Chapter VIII. Billows and Shadows
   Chapter IX. New Troubles
   Chapter X. The Man aroused
   Chapter XI. What he does
   Chapter XII. The Bishop works
   Chapter XIII. Little Gervais
book third.--in the year 1817
   Chapter I. The Year 1817
   Chapter II. A Double Quartette
   Chapter III. Four and Four
   Chapter IV. Tholomyes is so Merry that he sings a Spanish Ditty
   Chapter V. At Bombardas
   Chapter VI. A Chapter in which they adore Each Other
   Chapter VII. The Wisdom of Tholomyes
   Chapter VIII. The Death of a Horse
   Chapter IX. A Merry End to Mirth
book fourth.--to confide is sometimes to deliver into a person's power
   Chapter I. One Mother meets Another Mother
   Chapter II. First Sketch of Two Unprepossessing Figures
   Chapter III. The Lark
book fifth.-- the descent
   Chapter I. The History of a Progress in Black Glass Trinkets
   Chapter II. Madeleine
   Chapter III. Sums deposited with Laffitte
   Chapter IV. M. Madeleine in Mourning
   Chapter V. Vague Flashes on the Horizon
   Chapter VI. Father Fauchelevent
   Chapter VII. Fauchelevent becomes a Gardener in Paris
   Chapter VIII. Madame Victurnien expends Thirty Francs on Morality
   Chapter IX. Madame Victurnien's Success
   Chapter X. Result of the Success
   Chapter XI. Christus nos Liberavit
   Chapter XII. M. Bamatabois's Inactivity
   Chapter XIII. The Solution of Some Questions connected with the Municipal Police
book sixth.--javert
   Chapter I. The Beginning of Repose
   Chapter II. How Jean may become Champ
book seventh.--the champmathieu affair
   Chapter I. Sister Simplice
   Chapter II. The Perspicacity of Master Scaufflaire
   Chapter III. A Tempest in a Skull
   Chapter IV. Forms assumed by Suffering during Sleep
   Chapter V. Hindrances
   Chapter VI. Sister Simplice put to the Proof
   Chapter VII. The Traveller on his Arrival takes Precautions for Departure
   Chapter VIII. An Entrance by Favor
   Chapter IX. A Place where Convictions are in Process of Formation
   Chapter X. The System of Denials
   Chapter XI. Champmathieu more and more Astonished
book eighth.--a counter-blow
   Chapter I. In what Mirror M. Madeleine contemplates his Hair
   Chapter II. Fantine Happy
   Chapter III. Javert Satisfied
   Chapter IV. Authority reasserts its Rights
   Chapter V. A Suitable Tomb
book first.--waterloo
   Chapter I. What is met with on the Way from Nivelles
   Chapter II. Hougomont
   Chapter III. The Eighteenth of June, 1815
   Chapter IV. A
   Chapter V. The Quid Obscurum of Battles
   Chapter VI. Four o'clock in the Afternoon
   Chapter VII. Napoleon in a Good Humor
   Chapter VIII. The Emperor puts a Question to the Guide Lacoste
   Chapter IX. The Unexpected
   Chapter X. The Plateau of Mont-Saint-Jean
   Chapter XI. A Bad Guide to Napoleon; a Good Guide to Bulow
   Chapter XII. The Guard
   Chapter XIII. The Catastrophe
   Chapter XIV. The Last Square
   Chapter XV. Cambronne
   Chapter XVI. Quot Libras in Duce?
   Chapter XVII. Is Waterloo to be considered Good?
   Chapter XVIII. A Recrudescence of Divine Right
   Chapter XIX. The Battle-Field at Night
book second.--the ship orion
   Chapter I. Number 24,601 becomes Number 9,430
   Chapter II. In which the reader will peruse Two Verses which are of the Devil's Composition possibly
   Chapter III. The Ankle-Chain must have undergone a Certain Preparatory Manipulation to be thus broken with a Blow from a Hammer
book third.--accomplishment of the promise made to the dead woman
   Chapter I. The Water Question at Montfermeil
   Chapter II. Two Complete Portraits
   Chapter III. Men must have Wine, and Horses must have Water
   Chapter IV. Entrance on the Scene of a Doll
   Chapter V. The Little One All Alone
   Chapter VI. Which possibly proves Boulatruelle's Intelligence
   Chapter VII. Cosette Side by Side with the Stranger in the Dark
   Chapter VIII. The Unpleasantness of receiving into One's House a Poor Man who may be a Rich Man
   Chapter IX. Thenardier at his Manoeuvres
   Chapter X. He who seeks to better himself may render his Situation Worse
   Chapter XI. Number 9,430 reappears, and Cosette wins it in the Lottery
book fourth.--the gorbeau hovel
   Chapter I. Master Gorbeau
   Chapter II. A Nest for Owl and a Warbler
   Chapter III. Two Misfortunes make One Piece of Good Fortune
   Chapter IV. The Remarks of the Principal Tenant
   Chapter V. A Five-Franc Piece falls on the Ground and produces a Tumult
book fifth.--for a black hunt, a mute pack
   Chapter I. The Zigzags of Strategy
   Chapter II. It is Lucky that the Pont d'Austerlitz bears Carriages
   Chapter III. To Wit, the Plan of Paris in 1727
   Chapter IV. The Gropings of Flight
   Chapter V. Which would be Impossible with Gas Lanterns
   Chapter VI. The Beginning of an Enigma
   Chapter VII. Continuation of the Enigma
   Chapter VIII. The Enigma becomes Doubly Mysterious
   Chapter IX. The Man with the Bell
   Chapter X. Which explains how Javert got on the Scent
book sixth.--le petit-picpus
   Chapter I. Number 62 Rue Petit-Picpus
   Chapter II. The Obedience of Martin Verga
   Chapter III. Austerities
   Chapter IV. Gayeties
   Chapter V. Distractions
   Chapter VI. The Little Convent
   Chapter VII. Some Silhouettes of this Darkness
   Chapter VIII. Post Corda Lapides
   Chapter IX. A Century under a Guimpe
   Chapter X. Origin of the Perpetual Adoration
   Chapter XI. End of the Petit-Picpus
book seventh.--parenthesis
   Chapter I. The Convent as an Abstract Idea
   Chapter II. The Convent as an Historical Fact
   Chapter III. On What Conditions One can respect the Past
   Chapter IV. The Convent from the Point of View of Principles
   Chapter V. Prayer
   Chapter VI. The Absolute Goodness of Prayer
   Chapter VII. Precautions to be observed in Blame
   Chapter VIII. Faith, Law
book eighth.--cemeteries take that which is committed them
   Chapter I. Which treats of the Manner of entering a Convent
   Chapter II. Fauchelevent in the Presence of a Difficulty
   Chapter III. Mother Innocente
   Chapter IV. In which Jean Valjean has quite the Air of having read Austin Castillejo
   Chapter V. It is not Necessary to be Drunk in order to be Immortal
   Chapter VI. Between Four Planks
   Chapter VII. In which will be found the Origin of the Saying: Don't lose the Card
   Chapter VIII. A Successful Interrogatory
   Chapter IX. Cloistered
book first.--paris studied in its atom
   Chapter I. Parvulus
   Chapter II. Some of his Particular Characteristics
   Chapter III. He is Agreeable
   Chapter IV. He may be of Use
   Chapter V. His Frontiers
   Chapter VI. A Bit of History
   Chapter VII. The Gamin should have his Place in the Classifications of India
   Chapter VIII. In which the Reader will find a Charming Saying of the Last King
   Chapter IX. The Old Soul of Gaul
   Chapter X. Ecce Paris, ecce Homo
   Chapter XI. To Scoff, to Reign
   Chapter XII. The Future Latent in the People
   Chapter XIII. Little Gavroche
book second.--the great bourgeois
   Chapter I. Ninety Years and Thirty-two Teeth
   Chapter II. Like Master, Like House
   Chapter III. Luc-Esprit
   Chapter IV. A Centenarian Aspirant
   Chapter V. Basque and Nicolette
   Chapter VI. In which Magnon and her Two Children are seen
   Chapter VII. Rule: Receive No One except in the Evening
   Chapter VIII. Two do not make a Pair
book third.--the grandfather and the grandson
   Chapter I. An Ancient Salon
   Chapter II. One of the Red Spectres of that Epoch
   Chapter III. Requiescant
   Chapter IV. End of the Brigand
   Chapter V. The Utility of going to Mass, in order to become a Revolutionist
   Chapter VI. The Consequences of having met a Warden
   Chapter VII. Some Petticoat
   Chapter VIII. Marble against Granite
book fourth.--the friends of the abc
   Chapter I. A Group which barely missed becoming Historic
   Chapter II. Blondeau's Funeral Oration by Bossuet
   Chapter III. Marius' Astonishments
   Chapter IV. The Back Room of the Cafe Musain
   Chapter V. Enlargement of Horizon
   Chapter VI. Res Angusta
book fifth.--the excellence of misfortune
   Chapter I. Marius Indigent
   Chapter II. Marius Poor
   Chapter III. Marius Grown Up
   Chapter IV. M. Mabeuf
   Chapter V. Poverty a Good Neighbor for Misery
   Chapter VI. The Substitute
book sixth.--the conjunction of two stars
   Chapter I. The Sobriquet; Mode of Formation of Family Names
   Chapter II. Lux Facta Est
   Chapter III. Effect of the Spring
   Chapter IV. Beginning of a Great Malady
   Chapter V. Divers Claps of Thunder fall on Ma'am Bougon
   Chapter VI. Taken Prisoner
   Chapter VII. Adventures of the Letter U delivered over to Conjectures
   Chapter VIII. The Veterans themselves can be Happy
   Chapter IX. Eclipse
book seventh.--patron minette
   Chapter I. Mines and Miners
   Chapter II. The Lowest Depths
   Chapter III. Babet, Gueulemer, Claquesous, and Montparnasse
   Chapter IV. Composition of the Troupe
book eighth.--the wicked poor man
   Chapter I. Marius, while seeking a Girl in a Bonnet encounters a Man in a Cap
   Chapter II. Treasure Trove
   Chapter III. Quadrifrons
   Chapter IV. A Rose in Misery
   Chapter V. A Providential Peep-Hole
   Chapter VI. The Wild Man in his Lair
   Chapter VII. Strategy and Tactics
   Chapter VIII. The Ray of Light in the Hovel
   Chapter IX. Jondrette comes near Weeping
   Chapter X. Tariff of Licensed Cabs, Two Francs an Hour
   Chapter XI. Offers of Service from Misery to Wretchedness
   Chapter XII. The Use made of M. Leblanc's Five-Franc Piece
   Chapter XIII. Solus cum Solo, in Loco Remoto, non cogitabuntur orare Pater Noster
   Chapter XIV. In which a Police Agent bestows Two Fistfuls on a Lawyer
   Chapter XV. Jondrette makes his Purchases
   Chapter XVI. In which will be found the Words to an English Air which was in Fashion in 1832
   Chapter XVII. The Use made of Marius' Five-Franc Piece
   Chapter XVIII. Marius' Two Chairs form a Vis-a-Vis
   Chapter XIX. Occupying One's Self with Obscure Depths
   Chapter XX. The Trap
   Chapter XXI. One should always begin by arresting the Victims
   Chapter XXII. The Little One who was crying in Volume Two
book first.--a few pages of history
   Chapter I. Well Cut
   Chapter II. Badly Sewed
   Chapter III. Louis Philippe
   Chapter IV. Cracks beneath the Foundation
   Chapter V. Facts whence History springs and which History ignores
   Chapter VI. Enjolras and his Lieutenants
book second.--eponine
   Chapter I. The Lark's Meadow
   Chapter II. Embryonic Formation of Crimes in the Incubation of Prisons
   Chapter III. Apparition to Father Mabeuf
   Chapter IV. An Apparition to Marius
book third.--the house in the rue plumet
   Chapter I. The House with a Secret
   Chapter II. Jean Valjean as a National Guard
   Chapter III. Foliis ac Frondibus
   Chapter IV. Change of Gate
   Chapter V. The Rose perceives that it is an Engine of War
   Chapter VI. The Battle Begun
   Chapter VII. To One Sadness oppose a Sadness and a Half
   Chapter VIII. The Chain-Gang
book fourth.--succor from below may turn out to be succor from on high
   Chapter I. A Wound without, Healing within
   Chapter II. Mother Plutarque finds no Difficulty in explaining a Phenomenon
book fifth.--the end of which does not resemble the beginning
   Chapter I. Solitude and Barracks Combined
   Chapter II. Cosette's Apprehensions
   Chapter III. Enriched with Commentaries by Toussaint
   Chapter IV. A Heart beneath a Stone
   Chapter V. Cosette after the Letter
   Chapter VI. Old People are made to go out opportunely
book sixth.--little gavroche
   Chapter I. The Malicious Playfulness of the Wind
   Chapter II. In which Little Gavroche extracts Profit from Napoleon the Great
   Chapter III. The Vicissitudes of Flight
book seventh.--slang
   Chapter I. Origin
   Chapter II. Roots
   Chapter III. Slang which weeps and Slang which laughs
   Chapter IV. The Two Duties: To Watch and to Hope
book eighth.--enchantments and desolations
   Chapter I. Full Light
   Chapter II. The Bewilderment of Perfect Happiness
   Chapter III. The Beginning of Shadow
   Chapter IV. A Cab runs in English and barks in Slang
   Chapter V. Things of the Night
   Chapter VI. Marius becomes Practical once more to the Extent of Giving Cosette his Address
   Chapter VII. The Old Heart and the Young Heart in the Presence of Each Other
book ninth.--whither are they going?
   Chapter I. Jean Valjean
   Chapter II. Marius
   Chapter III. M. Mabeuf
book tenth.--the 5th of june, 1832
   Chapter I. The Surface of the Question
   Chapter II. The Root of the Matter
   Chapter III. A Burial; an Occasion to be born again
   Chapter IV. The Ebullitions of Former Days
   Chapter V. Originality of Paris
book eleventh.--the atom fraternizes with the hurricane
   Chapter I. Some Explanations with Regard to the Origin of Gavroche's Poetry. The Influence of an Academician on this Poetry
   Chapter II. Gavroche on the March
   Chapter III. Just Indignation of a Hair-dresser
   Chapter IV. The Child is amazed at the Old Man
   Chapter V. The Old Man
   Chapter VI. Recruits
book twelfth.--corinthe
   Chapter I. History of Corinthe from its Foundation
   Chapter II. Preliminary Gayeties
   Chapter III. Night begins to descend upon Grantaire
   Chapter IV. An Attempt to console the Widow Hucheloup
   Chapter V. Preparations
   Chapter VI. Waiting
   Chapter VII. The Man recruited in the Rue des Billettes
   Chapter VIII. Many Interrogation Points with Regard to a Certain Le Cabuc, whose Name may not have been Le Cabuc
book thirteenth.--marius enters the shadow
   Chapter I. From the Rue Plumet to the Quartier Saint-Denis
   Chapter II. An Owl's View of Paris
   Chapter III. The Extreme Edge
book fourteenth.--the grandeurs of despair
   Chapter I. The Flag: Act First
   Chapter II. The Flag: Act Second
   Chapter III. Gavroche would have done better to accept Enjolras' Carbine
   Chapter IV. The Barrel of Powder
   Chapter V. End of the Verses of Jean Prouvaire
   Chapter VI. The Agony of Death after the Agony of Life
   Chapter VII. Gavroche as a Profound Calculator of Distances
book fifteenth.--the rue de l'homme arme
   Chapter I. A Drinker is a Babbler
   Chapter II. The Street Urchin an Enemy of Light
   Chapter III. While Cosette and Toussaint are Asleep
   Chapter IV. Gavroche's Excess of Zeal
book first.--the war between four walls
   Chapter I. The Charybdis of the Faubourg Saint-Antoine and the Scylla of the Faubourg du Temple
   Chapter II. What Is to Be Done in the Abyss if One Does Not Converse
   Chapter III. Light and Shadow
   Chapter IV. Minus Five, Plus One
   Chapter V. The Horizon Which One Beholds from the Summit of a Barricade
   Chapter VI. Marius Haggard, Javert Laconic
   Chapter VII. The Situation Becomes Aggravated
   Chapter VIII. The Artillery-men Compel People to Take Them Seriously
   Chapter IX. Employment of the Old Talents of a Poacher and That Infallible Marksmanship Which Influenced the Condemnation of 1796
   Chapter X. Dawn
   Chapter XI. The Shot Which Misses Nothing and Kills No One
   Chapter XII. Disorder a Partisan of Order
   Chapter XIII. Passing Gleams
   Chapter XIV. Wherein Will Appear the Name of Enjolras' Mistress
   Chapter XV. Gavroche Outside
   Chapter XVI. How from a Brother One Becomes a Father
   Chapter XVII. Mortuus Pater Filium Moriturum Expectat
   Chapter XVIII. The Vulture Becomes Prey
   Chapter XIX. Jean Valjean Takes His Revenge
   Chapter XX. The Dead Are in the Right and the Living Are Not in the Wrong
   Chapter XXI. The Heroes
   Chapter XXII. Foot to Foot
   Chapter XXIII. Orestes Fasting and Pylades Drunk
   Chapter XXIV. Prisoner
book second.--the intestine of the leviathan
   Chapter I. The Land Impoverished by the Sea
   Chapter II. Ancient History of the Sewer
   Chapter III. Bruneseau
   Chapter IV
   Chapter V. Present Progress
   Chapter VI. Future Progress
book third.--mud but the soul
   Chapter I. The Sewer and Its Surprises
   Chapter II. Explanation
   Chapter III. The "Spun" Man
   Chapter IV. He Also Bears His Cross
   Chapter V. In the Case of Sand, as in That of Woman, There Is a Fineness Which Is Treacherous
   Chapter VI. The Fontis
   Chapter VII. One Sometimes Runs Aground When One Fancies That One Is Disembarking
   Chapter VIII. The Torn Coat-Tail
   Chapter IX. Marius Produces on Some One Who Is a Judge of the Matter, the Effect of Being Dead
   Chapter X. Return of the Son Who Was Prodigal of His Life
   Chapter XI. Concussion in the Absolute
   Chapter XII. The Grandfather
book fourth.--javert derailed
   Chapter I
book fifth.--grandson and grandfather
   Chapter I. In Which the Tree with the Zinc Plaster Appears Again
   Chapter II. Marius, Emerging from Civil War, Makes Ready for Domestic War
   Chapter III. Marius Attacked
   Chapter IV. Mademoiselle Gillenormand Ends by No Longer Thinking It a Bad Thing That M. Fauchelevent Should Have Entered With Something Under His Arm
   Chapter V. Deposit Your Money in a Forest Rather than with a Notary
   Chapter VI. The Two Old Men Do Everything, Each One After His Own Fashion, to Render Cosette Happy
   Chapter VII. The Effects of Dreams Mingled with Happiness
   Chapter VIII. Two Men Impossible to Find
book sixth.--the sleepless night
   Chapter I. The 16th of February, 1833
   Chapter II. Jean Valjean Still Wears His Arm in a Sling
   Chapter III. The Inseparable
   Chapter IV. The Immortal Liver
book seventh.--the last draught from the cup
   Chapter I. The Seventh Circle and the Eighth Heaven
   Chapter II. The Obscurities Which a Revelation Can Contain
book eighth.--fading away of the twilight
   Chapter I. The Lower Chamber
   Chapter II. Another Step Backwards
   Chapter III. They Recall the Garden of the Rue Plumet
   Chapter IV. Attraction and Extinction
book ninth.--supreme shadow, supreme dawn
   Chapter I. Pity for the Unhappy, but Indulgence for the Happy
   Chapter II. Last Flickerings of a Lamp Without Oil
   Chapter III. A Pen Is Heavy to the Man Who Lifted the Fauchelevent's Cart
   Chapter IV. A Bottle of Ink Which Only Succeeded in Whitening
   Chapter V. A Night Behind Which There Is Day
   Chapter VI. The Grass Covers and the Rain Effaces