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Les Miserables
book eighth.--cemeteries take that which is committed them   Chapter I. Which treats of the Manner of entering a Convent
Victor Hugo
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       It was into this house that Jean Valjean had, as Fauchelevent expressed it, "fallen from the sky."
       He had scaled the wall of the garden which formed the angle of the Rue Polonceau. That hymn of the angels which he had heard in the middle of the night, was the nuns chanting matins; that hall, of which he had caught a glimpse in the gloom, was the chapel. That phantom which he had seen stretched on the ground was the sister who was making reparation; that bell, the sound of which had so strangely surprised him, was the gardener's bell attached to the knee of Father Fauchelevent.
       Cosette once put to bed, Jean Valjean and Fauchelevent had, as we have already seen, supped on a glass of wine and a bit of cheese before a good, crackling fire; then, the only bed in the hut being occupied by Cosette, each threw himself on a truss of straw.
       Before he shut his eyes, Jean Valjean said: "I must remain here henceforth." This remark trotted through Fauchelevent's head all night long.
       To tell the truth, neither of them slept.
       Jean Valjean, feeling that he was discovered and that Javert was on his scent, understood that he and Cosette were lost if they returned to Paris. Then the new storm which had just burst upon him had stranded him in this cloister. Jean Valjean had, henceforth, but one thought,-- to remain there. Now, for an unfortunate man in his position, this convent was both the safest and the most dangerous of places; the most dangerous, because, as no men might enter there, if he were discovered, it was a flagrant offence, and Jean Valjean would find but one step intervening between the convent and prison; the safest, because, if he could manage to get himself accepted there and remain there, who would ever seek him in such a place? To dwell in an impossible place was safety.
       On his side, Fauchelevent was cudgelling his brains. He began by declaring to himself that he understood nothing of the matter. How had M. Madeleine got there, when the walls were what they were? Cloister walls are not to be stepped over. How did he get there with a child? One cannot scale a perpendicular wall with a child in one's arms. Who was that child? Where did they both come from? Since Fauchelevent had lived in the convent, he had heard nothing of M. sur M., and he knew nothing of what had taken place there. Father Madeleine had an air which discouraged questions; and besides, Fauchelevent said to himself: "One does not question a saint." M. Madeleine had preserved all his prestige in Fauchelevent's eyes. Only, from some words which Jean Valjean had let fall, the gardener thought he could draw the inference that M. Madeleine had probably become bankrupt through the hard times, and that he was pursued by his creditors; or that he had compromised himself in some political affair, and was in hiding; which last did not displease Fauchelevent, who, like many of our peasants of the North, had an old fund of Bonapartism about him. While in hiding, M. Madeleine had selected the convent as a refuge, and it was quite simple that he should wish to remain there. But the inexplicable point, to which Fauchelevent returned constantly and over which he wearied his brain, was that M. Madeleine should be there, and that he should have that little girl with him. Fauchelevent saw them, touched them, spoke to them, and still did not believe it possible. The incomprehensible had just made its entrance into Fauchelevent's hut. Fauchelevent groped about amid conjectures, and could see nothing clearly but this: "M. Madeleine saved my life." This certainty alone was sufficient and decided his course. He said to himself: "It is my turn now." He added in his conscience: "M. Madeleine did not stop to deliberate when it was a question of thrusting himself under the cart for the purpose of dragging me out." He made up his mind to save M. Madeleine.
       Nevertheless, he put many questions to himself and made himself divers replies: "After what he did for me, would I save him if he were a thief? Just the same. If he were an assassin, would I save him? Just the same. Since he is a saint, shall I save him? Just the same."
       But what a problem it was to manage to have him remain in the convent! Fauchelevent did not recoil in the face of this almost chimerical undertaking; this poor peasant of Picardy without any other ladder than his self-devotion, his good will, and a little of that old rustic cunning, on this occasion enlisted in the service of a generous enterprise, undertook to scale the difficulties of the cloister, and the steep escarpments of the rule of Saint-Benoit. Father Fauchelevent was an old man who had been an egoist all his life, and who, towards the end of his days, halt, infirm, with no interest left to him in the world, found it sweet to be grateful, and perceiving a generous action to be performed, flung himself upon it like a man, who at the moment when he is dying, should find close to his hand a glass of good wine which he had never tasted, and should swallow it with avidity. We may add, that the air which he had breathed for many years in this convent had destroyed all personality in him, and had ended by rendering a good action of some kind absolutely necessary to him.
       So he took his resolve: to devote himself to M. Madeleine.
       We have just called him a poor peasant of Picardy. That description is just, but incomplete. At the point of this story which we have now reached, a little of Father Fauchelevent's physiology becomes useful. He was a peasant, but he had been a notary, which added trickery to his cunning, and penetration to his ingenuousness. Having, through various causes, failed in his business, he had descended to the calling of a carter and a laborer. But, in spite of oaths and lashings, which horses seem to require, something of the notary had lingered in him. He had some natural wit; he talked good grammar; he conversed, which is a rare thing in a village; and the other peasants said of him: "He talks almost like a gentleman with a hat." Fauchelevent belonged, in fact, to that species, which the impertinent and flippant vocabulary of the last century qualified as demi-bourgeois, demi-lout, and which the metaphors showered by the chateau upon the thatched cottage ticketed in the pigeon-hole of the plebeian: rather rustic, rather citified; pepper and salt. Fauchelevent, though sorely tried and harshly used by fate, worn out, a sort of poor, threadbare old soul, was, nevertheless, an impulsive man, and extremely spontaneous in his actions; a precious quality which prevents one from ever being wicked. His defects and his vices, for he had some, were all superficial; in short, his physiognomy was of the kind which succeeds with an observer. His aged face had none of those disagreeable wrinkles at the top of the forehead, which signify malice or stupidity.
       At daybreak, Father Fauchelevent opened his eyes, after having done an enormous deal of thinking, and beheld M. Madeleine seated on his truss of straw, and watching Cosette's slumbers. Fauchelevent sat up and said:--
       "Now that you are here, how are you going to contrive to enter?"
       This remark summed up the situation and aroused Jean Valjean from his revery.
       The two men took counsel together.
       "In the first place,"' said Fauchelevent, "you will begin by not setting foot outside of this chamber, either you or the child. One step in the garden and we are done for."
       "That is true."
       "Monsieur Madeleine," resumed Fauchelevent, "you have arrived at a very auspicious moment, I mean to say a very inauspicious moment; one of the ladies is very ill. This will prevent them from looking much in our direction. It seems that she is dying. The prayers of the forty hours are being said. The whole community is in confusion. That occupies them. The one who is on the point of departure is a saint. In fact, we are all saints here; all the difference between them and me is that they say `our cell,' and that I say `my cabin.' The prayers for the dying are to be said, and then the prayers for the dead. We shall be at peace here for to-day; but I will not answer for to-morrow."
       "Still," observed Jean Valjean, "this cottage is in the niche of the wall, it is hidden by a sort of ruin, there are trees, it is not visible from the convent."
       "And I add that the nuns never come near it."
       "Well?" said Jean Valjean.
       The interrogation mark which accentuated this "well" signified: "it seems to me that one may remain concealed here?" It was to this interrogation point that Fauchelevent responded:--
       "There are the little girls."
       "What little girls?" asked Jean Valjean.
       Just as Fauchelevent opened his mouth to explain the words which he had uttered, a bell emitted one stroke.
       "The nun is dead," said he. "There is the knell."
       And he made a sign to Jean Valjean to listen.
       The bell struck a second time.
       "It is the knell, Monsieur Madeleine. The bell will continue to strike once a minute for twenty-four hours, until the body is taken from the church.--You see, they play. At recreation hours it suffices to have a ball roll aside, to send them all hither, in spite of prohibitions, to hunt and rummage for it all about here. Those cherubs are devils."
       "Who?" asked Jean Valjean.
       "The little girls. You would be very quickly discovered. They would shriek: `Oh! a man!' There is no danger to-day. There will be no recreation hour. The day will be entirely devoted to prayers. You hear the bell. As I told you, a stroke each minute. It is the death knell."
       "I understand, Father Fauchelevent. There are pupils."
       And Jean Valjean thought to himself:--
       "Here is Cosette's education already provided."
       Fauchelevent exclaimed:--
       "Pardine! There are little girls indeed! And they would bawl around you! And they would rush off! To be a man here is to have the plague. You see how they fasten a bell to my paw as though I were a wild beast."
       Jean Valjean fell into more and more profound thought.--"This convent would be our salvation," he murmured.
       Then he raised his voice:--
       "Yes, the difficulty is to remain here."
       "No," said Fauchelevent, "the difficulty is to get out."
       Jean Valjean felt the blood rush back to his heart.
       "To get out!"
       "Yes, Monsieur Madeleine. In order to return here it is first necessary to get out."
       And after waiting until another stroke of the knell had sounded, Fauchelevent went on:--
       "You must not be found here in this fashion. Whence come you? For me, you fall from heaven, because I know you; but the nuns require one to enter by the door."
       All at once they heard a rather complicated pealing from another bell.
       "Ah!" said Fauchelevent, "they are ringing up the vocal mothers. They are going to the chapter. They always hold a chapter when any one dies. She died at daybreak. People generally do die at daybreak. But cannot you get out by the way in which you entered? Come, I do not ask for the sake of questioning you, but how did you get in?"
       Jean Valjean turned pale; the very thought of descending again into that terrible street made him shudder. You make your way out of a forest filled with tigers, and once out of it, imagine a friendly counsel that shall advise you to return thither! Jean Valjean pictured to himself the whole police force still engaged in swarming in that quarter, agents on the watch, sentinels everywhere, frightful fists extended towards his collar, Javert at the corner of the intersection of the streets perhaps.
       "Impossible!" said he. "Father Fauchelevent, say that I fell from the sky."
       "But I believe it, I believe it," retorted Fauchelevent. "You have no need to tell me that. The good God must have taken you in his hand for the purpose of getting a good look at you close to, and then dropped you. Only, he meant to place you in a man's convent; he made a mistake. Come, there goes another peal, that is to order the porter to go and inform the municipality that the dead-doctor is to come here and view a corpse. All that is the ceremony of dying. These good ladies are not at all fond of that visit. A doctor is a man who does not believe in anything. He lifts the veil. Sometimes he lifts something else too. How quickly they have had the doctor summoned this time! What is the matter? Your little one is still asleep. What is her name?"
       "Cosette."
       "She is your daughter?
       You are her grandfather, that is?"
       "Yes."
       "It will be easy enough for her to get out of here. I have my service door which opens on the courtyard. I knock. The porter opens; I have my vintage basket on my back, the child is in it, I go out. Father Fauchelevent goes out with his basket--that is perfectly natural. You will tell the child to keep very quiet. She will be under the cover. I will leave her for whatever time is required with a good old friend, a fruit-seller whom I know in the Rue Chemin-Vert, who is deaf, and who has a little bed. I will shout in the fruit-seller's ear, that she is a niece of mine, and that she is to keep her for me until to-morrow. Then the little one will re-enter with you; for I will contrive to have you re-enter. It must be done. But how will you manage to get out?"
       Jean Valjean shook his head.
       "No one must see me, the whole point lies there, Father Fauchelevent. Find some means of getting me out in a basket, under cover, like Cosette."
       Fauchelevent scratched the lobe of his ear with the middle finger of his left hand, a sign of serious embarrassment.
       A third peal created a diversion.
       "That is the dead-doctor taking his departure," said Fauchelevent. "He has taken a look and said: `She is dead, that is well.' When the doctor has signed the passport for paradise, the undertaker's company sends a coffin. If it is a mother, the mothers lay her out; if she is a sister, the sisters lay her out. After which, I nail her up. That forms a part of my gardener's duty. A gardener is a bit of a grave-digger. She is placed in a lower hall of the church which communicates with the street, and into which no man may enter save the doctor of the dead. I don't count the undertaker's men and myself as men. It is in that hall that I nail up the coffin. The undertaker's men come and get it, and whip up, coachman! that's the way one goes to heaven. They fetch a box with nothing in it, they take it away again with something in it. That's what a burial is like. De profundis."
       A horizontal ray of sunshine lightly touched the face of the sleeping Cosette, who lay with her mouth vaguely open, and had the air of an angel drinking in the light. Jean Valjean had fallen to gazing at her. He was no longer listening to Fauchelevent.
       That one is not listened to is no reason for preserving silence. The good old gardener went on tranquilly with his babble:--
       "The grave is dug in the Vaugirard cemetery. They declare that they are going to suppress that Vaugirard cemetery. It is an ancient cemetery which is outside the regulations, which has no uniform, and which is going to retire. It is a shame, for it is convenient. I have a friend there, Father Mestienne, the grave-digger. The nuns here possess one privilege, it is to be taken to that cemetery at nightfall. There is a special permission from the Prefecture on their behalf. But how many events have happened since yesterday! Mother Crucifixion is dead, and Father Madeleine--"
       "Is buried," said Jean Valjean, smiling sadly.
       Fauchelevent caught the word.
       "Goodness! if you were here for good, it would be a real burial."
       A fourth peal burst out. Fauchelevent hastily detached the belled knee-cap from its nail and buckled it on his knee again.
       "This time it is for me. The Mother Prioress wants me. Good, now I am pricking myself on the tongue of my buckle. Monsieur Madeleine, don't stir from here, and wait for me. Something new has come up. If you are hungry, there is wine, bread and cheese."
       And he hastened out of the hut, crying: "Coming! coming!"
       Jean Valjean watched him hurrying across the garden as fast as his crooked leg would permit, casting a sidelong glance by the way on his melon patch.
       Less than ten minutes later, Father Fauchelevent, whose bell put the nuns in his road to flight, tapped gently at a door, and a gentle voice replied: "Forever! Forever!" that is to say: "Enter."
       The door was the one leading to the parlor reserved for seeing the gardener on business. This parlor adjoined the chapter hall. The prioress, seated on the only chair in the parlor, was waiting for Fauchelevent.
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book first--a just man
   Chapter I. M. Myriel
   Chapter II. M. Myriel becomes M. Welcome
   Chapter III. A Hard Bishopric for a Good Bishop
   Chapter IV. Works corresponding to Words
   Chapter V. Monseigneur Bienvenu made his Cassocks last too long
   Chapter VI. Who guarded his House for him
   Chapter VII. Cravatte
   Chapter VIII. Philosophy after Drinking
   Chapter IX. The Brother as depicted by the Sister
   Chapter X. The Bishop in the Presence of an Unknown Light
   Chapter XI. A Restriction
   Chapter XII. The Solitude of Monseigneur Welcome
   Chapter XIII. What he believed
   Chapter XIV. What he thought
book second.--the fall
   Chapter I. The Evening of a Day of Walking
   Chapter II. Prudence counselled to Wisdom
   Chapter III. The Heroism of Passive Obedience
   Chapter IV. Details concerning the Cheese-Dairies of Pontarlier
   Chapter V. Tranquillity
   Chapter VI. Jean Valjean
   Chapter VII. The Interior of Despair
   Chapter VIII. Billows and Shadows
   Chapter IX. New Troubles
   Chapter X. The Man aroused
   Chapter XI. What he does
   Chapter XII. The Bishop works
   Chapter XIII. Little Gervais
book third.--in the year 1817
   Chapter I. The Year 1817
   Chapter II. A Double Quartette
   Chapter III. Four and Four
   Chapter IV. Tholomyes is so Merry that he sings a Spanish Ditty
   Chapter V. At Bombardas
   Chapter VI. A Chapter in which they adore Each Other
   Chapter VII. The Wisdom of Tholomyes
   Chapter VIII. The Death of a Horse
   Chapter IX. A Merry End to Mirth
book fourth.--to confide is sometimes to deliver into a person's power
   Chapter I. One Mother meets Another Mother
   Chapter II. First Sketch of Two Unprepossessing Figures
   Chapter III. The Lark
book fifth.-- the descent
   Chapter I. The History of a Progress in Black Glass Trinkets
   Chapter II. Madeleine
   Chapter III. Sums deposited with Laffitte
   Chapter IV. M. Madeleine in Mourning
   Chapter V. Vague Flashes on the Horizon
   Chapter VI. Father Fauchelevent
   Chapter VII. Fauchelevent becomes a Gardener in Paris
   Chapter VIII. Madame Victurnien expends Thirty Francs on Morality
   Chapter IX. Madame Victurnien's Success
   Chapter X. Result of the Success
   Chapter XI. Christus nos Liberavit
   Chapter XII. M. Bamatabois's Inactivity
   Chapter XIII. The Solution of Some Questions connected with the Municipal Police
book sixth.--javert
   Chapter I. The Beginning of Repose
   Chapter II. How Jean may become Champ
book seventh.--the champmathieu affair
   Chapter I. Sister Simplice
   Chapter II. The Perspicacity of Master Scaufflaire
   Chapter III. A Tempest in a Skull
   Chapter IV. Forms assumed by Suffering during Sleep
   Chapter V. Hindrances
   Chapter VI. Sister Simplice put to the Proof
   Chapter VII. The Traveller on his Arrival takes Precautions for Departure
   Chapter VIII. An Entrance by Favor
   Chapter IX. A Place where Convictions are in Process of Formation
   Chapter X. The System of Denials
   Chapter XI. Champmathieu more and more Astonished
book eighth.--a counter-blow
   Chapter I. In what Mirror M. Madeleine contemplates his Hair
   Chapter II. Fantine Happy
   Chapter III. Javert Satisfied
   Chapter IV. Authority reasserts its Rights
   Chapter V. A Suitable Tomb
book first.--waterloo
   Chapter I. What is met with on the Way from Nivelles
   Chapter II. Hougomont
   Chapter III. The Eighteenth of June, 1815
   Chapter IV. A
   Chapter V. The Quid Obscurum of Battles
   Chapter VI. Four o'clock in the Afternoon
   Chapter VII. Napoleon in a Good Humor
   Chapter VIII. The Emperor puts a Question to the Guide Lacoste
   Chapter IX. The Unexpected
   Chapter X. The Plateau of Mont-Saint-Jean
   Chapter XI. A Bad Guide to Napoleon; a Good Guide to Bulow
   Chapter XII. The Guard
   Chapter XIII. The Catastrophe
   Chapter XIV. The Last Square
   Chapter XV. Cambronne
   Chapter XVI. Quot Libras in Duce?
   Chapter XVII. Is Waterloo to be considered Good?
   Chapter XVIII. A Recrudescence of Divine Right
   Chapter XIX. The Battle-Field at Night
book second.--the ship orion
   Chapter I. Number 24,601 becomes Number 9,430
   Chapter II. In which the reader will peruse Two Verses which are of the Devil's Composition possibly
   Chapter III. The Ankle-Chain must have undergone a Certain Preparatory Manipulation to be thus broken with a Blow from a Hammer
book third.--accomplishment of the promise made to the dead woman
   Chapter I. The Water Question at Montfermeil
   Chapter II. Two Complete Portraits
   Chapter III. Men must have Wine, and Horses must have Water
   Chapter IV. Entrance on the Scene of a Doll
   Chapter V. The Little One All Alone
   Chapter VI. Which possibly proves Boulatruelle's Intelligence
   Chapter VII. Cosette Side by Side with the Stranger in the Dark
   Chapter VIII. The Unpleasantness of receiving into One's House a Poor Man who may be a Rich Man
   Chapter IX. Thenardier at his Manoeuvres
   Chapter X. He who seeks to better himself may render his Situation Worse
   Chapter XI. Number 9,430 reappears, and Cosette wins it in the Lottery
book fourth.--the gorbeau hovel
   Chapter I. Master Gorbeau
   Chapter II. A Nest for Owl and a Warbler
   Chapter III. Two Misfortunes make One Piece of Good Fortune
   Chapter IV. The Remarks of the Principal Tenant
   Chapter V. A Five-Franc Piece falls on the Ground and produces a Tumult
book fifth.--for a black hunt, a mute pack
   Chapter I. The Zigzags of Strategy
   Chapter II. It is Lucky that the Pont d'Austerlitz bears Carriages
   Chapter III. To Wit, the Plan of Paris in 1727
   Chapter IV. The Gropings of Flight
   Chapter V. Which would be Impossible with Gas Lanterns
   Chapter VI. The Beginning of an Enigma
   Chapter VII. Continuation of the Enigma
   Chapter VIII. The Enigma becomes Doubly Mysterious
   Chapter IX. The Man with the Bell
   Chapter X. Which explains how Javert got on the Scent
book sixth.--le petit-picpus
   Chapter I. Number 62 Rue Petit-Picpus
   Chapter II. The Obedience of Martin Verga
   Chapter III. Austerities
   Chapter IV. Gayeties
   Chapter V. Distractions
   Chapter VI. The Little Convent
   Chapter VII. Some Silhouettes of this Darkness
   Chapter VIII. Post Corda Lapides
   Chapter IX. A Century under a Guimpe
   Chapter X. Origin of the Perpetual Adoration
   Chapter XI. End of the Petit-Picpus
book seventh.--parenthesis
   Chapter I. The Convent as an Abstract Idea
   Chapter II. The Convent as an Historical Fact
   Chapter III. On What Conditions One can respect the Past
   Chapter IV. The Convent from the Point of View of Principles
   Chapter V. Prayer
   Chapter VI. The Absolute Goodness of Prayer
   Chapter VII. Precautions to be observed in Blame
   Chapter VIII. Faith, Law
book eighth.--cemeteries take that which is committed them
   Chapter I. Which treats of the Manner of entering a Convent
   Chapter II. Fauchelevent in the Presence of a Difficulty
   Chapter III. Mother Innocente
   Chapter IV. In which Jean Valjean has quite the Air of having read Austin Castillejo
   Chapter V. It is not Necessary to be Drunk in order to be Immortal
   Chapter VI. Between Four Planks
   Chapter VII. In which will be found the Origin of the Saying: Don't lose the Card
   Chapter VIII. A Successful Interrogatory
   Chapter IX. Cloistered
book first.--paris studied in its atom
   Chapter I. Parvulus
   Chapter II. Some of his Particular Characteristics
   Chapter III. He is Agreeable
   Chapter IV. He may be of Use
   Chapter V. His Frontiers
   Chapter VI. A Bit of History
   Chapter VII. The Gamin should have his Place in the Classifications of India
   Chapter VIII. In which the Reader will find a Charming Saying of the Last King
   Chapter IX. The Old Soul of Gaul
   Chapter X. Ecce Paris, ecce Homo
   Chapter XI. To Scoff, to Reign
   Chapter XII. The Future Latent in the People
   Chapter XIII. Little Gavroche
book second.--the great bourgeois
   Chapter I. Ninety Years and Thirty-two Teeth
   Chapter II. Like Master, Like House
   Chapter III. Luc-Esprit
   Chapter IV. A Centenarian Aspirant
   Chapter V. Basque and Nicolette
   Chapter VI. In which Magnon and her Two Children are seen
   Chapter VII. Rule: Receive No One except in the Evening
   Chapter VIII. Two do not make a Pair
book third.--the grandfather and the grandson
   Chapter I. An Ancient Salon
   Chapter II. One of the Red Spectres of that Epoch
   Chapter III. Requiescant
   Chapter IV. End of the Brigand
   Chapter V. The Utility of going to Mass, in order to become a Revolutionist
   Chapter VI. The Consequences of having met a Warden
   Chapter VII. Some Petticoat
   Chapter VIII. Marble against Granite
book fourth.--the friends of the abc
   Chapter I. A Group which barely missed becoming Historic
   Chapter II. Blondeau's Funeral Oration by Bossuet
   Chapter III. Marius' Astonishments
   Chapter IV. The Back Room of the Cafe Musain
   Chapter V. Enlargement of Horizon
   Chapter VI. Res Angusta
book fifth.--the excellence of misfortune
   Chapter I. Marius Indigent
   Chapter II. Marius Poor
   Chapter III. Marius Grown Up
   Chapter IV. M. Mabeuf
   Chapter V. Poverty a Good Neighbor for Misery
   Chapter VI. The Substitute
book sixth.--the conjunction of two stars
   Chapter I. The Sobriquet; Mode of Formation of Family Names
   Chapter II. Lux Facta Est
   Chapter III. Effect of the Spring
   Chapter IV. Beginning of a Great Malady
   Chapter V. Divers Claps of Thunder fall on Ma'am Bougon
   Chapter VI. Taken Prisoner
   Chapter VII. Adventures of the Letter U delivered over to Conjectures
   Chapter VIII. The Veterans themselves can be Happy
   Chapter IX. Eclipse
book seventh.--patron minette
   Chapter I. Mines and Miners
   Chapter II. The Lowest Depths
   Chapter III. Babet, Gueulemer, Claquesous, and Montparnasse
   Chapter IV. Composition of the Troupe
book eighth.--the wicked poor man
   Chapter I. Marius, while seeking a Girl in a Bonnet encounters a Man in a Cap
   Chapter II. Treasure Trove
   Chapter III. Quadrifrons
   Chapter IV. A Rose in Misery
   Chapter V. A Providential Peep-Hole
   Chapter VI. The Wild Man in his Lair
   Chapter VII. Strategy and Tactics
   Chapter VIII. The Ray of Light in the Hovel
   Chapter IX. Jondrette comes near Weeping
   Chapter X. Tariff of Licensed Cabs, Two Francs an Hour
   Chapter XI. Offers of Service from Misery to Wretchedness
   Chapter XII. The Use made of M. Leblanc's Five-Franc Piece
   Chapter XIII. Solus cum Solo, in Loco Remoto, non cogitabuntur orare Pater Noster
   Chapter XIV. In which a Police Agent bestows Two Fistfuls on a Lawyer
   Chapter XV. Jondrette makes his Purchases
   Chapter XVI. In which will be found the Words to an English Air which was in Fashion in 1832
   Chapter XVII. The Use made of Marius' Five-Franc Piece
   Chapter XVIII. Marius' Two Chairs form a Vis-a-Vis
   Chapter XIX. Occupying One's Self with Obscure Depths
   Chapter XX. The Trap
   Chapter XXI. One should always begin by arresting the Victims
   Chapter XXII. The Little One who was crying in Volume Two
book first.--a few pages of history
   Chapter I. Well Cut
   Chapter II. Badly Sewed
   Chapter III. Louis Philippe
   Chapter IV. Cracks beneath the Foundation
   Chapter V. Facts whence History springs and which History ignores
   Chapter VI. Enjolras and his Lieutenants
book second.--eponine
   Chapter I. The Lark's Meadow
   Chapter II. Embryonic Formation of Crimes in the Incubation of Prisons
   Chapter III. Apparition to Father Mabeuf
   Chapter IV. An Apparition to Marius
book third.--the house in the rue plumet
   Chapter I. The House with a Secret
   Chapter II. Jean Valjean as a National Guard
   Chapter III. Foliis ac Frondibus
   Chapter IV. Change of Gate
   Chapter V. The Rose perceives that it is an Engine of War
   Chapter VI. The Battle Begun
   Chapter VII. To One Sadness oppose a Sadness and a Half
   Chapter VIII. The Chain-Gang
book fourth.--succor from below may turn out to be succor from on high
   Chapter I. A Wound without, Healing within
   Chapter II. Mother Plutarque finds no Difficulty in explaining a Phenomenon
book fifth.--the end of which does not resemble the beginning
   Chapter I. Solitude and Barracks Combined
   Chapter II. Cosette's Apprehensions
   Chapter III. Enriched with Commentaries by Toussaint
   Chapter IV. A Heart beneath a Stone
   Chapter V. Cosette after the Letter
   Chapter VI. Old People are made to go out opportunely
book sixth.--little gavroche
   Chapter I. The Malicious Playfulness of the Wind
   Chapter II. In which Little Gavroche extracts Profit from Napoleon the Great
   Chapter III. The Vicissitudes of Flight
book seventh.--slang
   Chapter I. Origin
   Chapter II. Roots
   Chapter III. Slang which weeps and Slang which laughs
   Chapter IV. The Two Duties: To Watch and to Hope
book eighth.--enchantments and desolations
   Chapter I. Full Light
   Chapter II. The Bewilderment of Perfect Happiness
   Chapter III. The Beginning of Shadow
   Chapter IV. A Cab runs in English and barks in Slang
   Chapter V. Things of the Night
   Chapter VI. Marius becomes Practical once more to the Extent of Giving Cosette his Address
   Chapter VII. The Old Heart and the Young Heart in the Presence of Each Other
book ninth.--whither are they going?
   Chapter I. Jean Valjean
   Chapter II. Marius
   Chapter III. M. Mabeuf
book tenth.--the 5th of june, 1832
   Chapter I. The Surface of the Question
   Chapter II. The Root of the Matter
   Chapter III. A Burial; an Occasion to be born again
   Chapter IV. The Ebullitions of Former Days
   Chapter V. Originality of Paris
book eleventh.--the atom fraternizes with the hurricane
   Chapter I. Some Explanations with Regard to the Origin of Gavroche's Poetry. The Influence of an Academician on this Poetry
   Chapter II. Gavroche on the March
   Chapter III. Just Indignation of a Hair-dresser
   Chapter IV. The Child is amazed at the Old Man
   Chapter V. The Old Man
   Chapter VI. Recruits
book twelfth.--corinthe
   Chapter I. History of Corinthe from its Foundation
   Chapter II. Preliminary Gayeties
   Chapter III. Night begins to descend upon Grantaire
   Chapter IV. An Attempt to console the Widow Hucheloup
   Chapter V. Preparations
   Chapter VI. Waiting
   Chapter VII. The Man recruited in the Rue des Billettes
   Chapter VIII. Many Interrogation Points with Regard to a Certain Le Cabuc, whose Name may not have been Le Cabuc
book thirteenth.--marius enters the shadow
   Chapter I. From the Rue Plumet to the Quartier Saint-Denis
   Chapter II. An Owl's View of Paris
   Chapter III. The Extreme Edge
book fourteenth.--the grandeurs of despair
   Chapter I. The Flag: Act First
   Chapter II. The Flag: Act Second
   Chapter III. Gavroche would have done better to accept Enjolras' Carbine
   Chapter IV. The Barrel of Powder
   Chapter V. End of the Verses of Jean Prouvaire
   Chapter VI. The Agony of Death after the Agony of Life
   Chapter VII. Gavroche as a Profound Calculator of Distances
book fifteenth.--the rue de l'homme arme
   Chapter I. A Drinker is a Babbler
   Chapter II. The Street Urchin an Enemy of Light
   Chapter III. While Cosette and Toussaint are Asleep
   Chapter IV. Gavroche's Excess of Zeal
book first.--the war between four walls
   Chapter I. The Charybdis of the Faubourg Saint-Antoine and the Scylla of the Faubourg du Temple
   Chapter II. What Is to Be Done in the Abyss if One Does Not Converse
   Chapter III. Light and Shadow
   Chapter IV. Minus Five, Plus One
   Chapter V. The Horizon Which One Beholds from the Summit of a Barricade
   Chapter VI. Marius Haggard, Javert Laconic
   Chapter VII. The Situation Becomes Aggravated
   Chapter VIII. The Artillery-men Compel People to Take Them Seriously
   Chapter IX. Employment of the Old Talents of a Poacher and That Infallible Marksmanship Which Influenced the Condemnation of 1796
   Chapter X. Dawn
   Chapter XI. The Shot Which Misses Nothing and Kills No One
   Chapter XII. Disorder a Partisan of Order
   Chapter XIII. Passing Gleams
   Chapter XIV. Wherein Will Appear the Name of Enjolras' Mistress
   Chapter XV. Gavroche Outside
   Chapter XVI. How from a Brother One Becomes a Father
   Chapter XVII. Mortuus Pater Filium Moriturum Expectat
   Chapter XVIII. The Vulture Becomes Prey
   Chapter XIX. Jean Valjean Takes His Revenge
   Chapter XX. The Dead Are in the Right and the Living Are Not in the Wrong
   Chapter XXI. The Heroes
   Chapter XXII. Foot to Foot
   Chapter XXIII. Orestes Fasting and Pylades Drunk
   Chapter XXIV. Prisoner
book second.--the intestine of the leviathan
   Chapter I. The Land Impoverished by the Sea
   Chapter II. Ancient History of the Sewer
   Chapter III. Bruneseau
   Chapter IV
   Chapter V. Present Progress
   Chapter VI. Future Progress
book third.--mud but the soul
   Chapter I. The Sewer and Its Surprises
   Chapter II. Explanation
   Chapter III. The "Spun" Man
   Chapter IV. He Also Bears His Cross
   Chapter V. In the Case of Sand, as in That of Woman, There Is a Fineness Which Is Treacherous
   Chapter VI. The Fontis
   Chapter VII. One Sometimes Runs Aground When One Fancies That One Is Disembarking
   Chapter VIII. The Torn Coat-Tail
   Chapter IX. Marius Produces on Some One Who Is a Judge of the Matter, the Effect of Being Dead
   Chapter X. Return of the Son Who Was Prodigal of His Life
   Chapter XI. Concussion in the Absolute
   Chapter XII. The Grandfather
book fourth.--javert derailed
   Chapter I
book fifth.--grandson and grandfather
   Chapter I. In Which the Tree with the Zinc Plaster Appears Again
   Chapter II. Marius, Emerging from Civil War, Makes Ready for Domestic War
   Chapter III. Marius Attacked
   Chapter IV. Mademoiselle Gillenormand Ends by No Longer Thinking It a Bad Thing That M. Fauchelevent Should Have Entered With Something Under His Arm
   Chapter V. Deposit Your Money in a Forest Rather than with a Notary
   Chapter VI. The Two Old Men Do Everything, Each One After His Own Fashion, to Render Cosette Happy
   Chapter VII. The Effects of Dreams Mingled with Happiness
   Chapter VIII. Two Men Impossible to Find
book sixth.--the sleepless night
   Chapter I. The 16th of February, 1833
   Chapter II. Jean Valjean Still Wears His Arm in a Sling
   Chapter III. The Inseparable
   Chapter IV. The Immortal Liver
book seventh.--the last draught from the cup
   Chapter I. The Seventh Circle and the Eighth Heaven
   Chapter II. The Obscurities Which a Revelation Can Contain
book eighth.--fading away of the twilight
   Chapter I. The Lower Chamber
   Chapter II. Another Step Backwards
   Chapter III. They Recall the Garden of the Rue Plumet
   Chapter IV. Attraction and Extinction
book ninth.--supreme shadow, supreme dawn
   Chapter I. Pity for the Unhappy, but Indulgence for the Happy
   Chapter II. Last Flickerings of a Lamp Without Oil
   Chapter III. A Pen Is Heavy to the Man Who Lifted the Fauchelevent's Cart
   Chapter IV. A Bottle of Ink Which Only Succeeded in Whitening
   Chapter V. A Night Behind Which There Is Day
   Chapter VI. The Grass Covers and the Rain Effaces