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Les Miserables
book fifteenth.--the rue de l'homme arme   Chapter I. A Drinker is a Babbler
Victor Hugo
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       What are the convulsions of a city in comparison with the insurrections of the soul? Man is a depth still greater than the people. Jean Valjean at that very moment was the prey of a terrible upheaval. Every sort of gulf had opened again within him. He also was trembling, like Paris, on the brink of an obscure and formidable revolution. A few hours had sufficed to bring this about. His destiny and his conscience had suddenly been covered with gloom. Of him also, as well as of Paris, it might have been said: "Two principles are face to face. The white angel and the black angel are about to seize each other on the bridge of the abyss. Which of the two will hurl the other over? Who will carry the day?"
       On the evening preceding this same 5th of June, Jean Valjean, accompanied by Cosette and Toussaint had installed himself in the Rue de l'Homme Arme. A change awaited him there.
       Cosette had not quitted the Rue Plumet without making an effort at resistance. For the first time since they had lived side by side, Cosette's will and the will of Jean Valjean had proved to be distinct, and had been in opposition, at least, if they had not clashed. There had been objections on one side and inflexibility on the other. The abrupt advice: "Leave your house," hurled at Jean Valjean by a stranger, had alarmed him to the extent of rendering him peremptory. He thought that he had been traced and followed. Cosette had been obliged to give way.
       Both had arrived in the Rue de l'Homme Arme without opening their lips, and without uttering a word, each being absorbed in his own personal preoccupation; Jean Valjean so uneasy that he did not notice Cosette's sadness, Cosette so sad that she did not notice Jean Valjean's uneasiness.
       Jean Valjean had taken Toussaint with him, a thing which he had never done in his previous absences. He perceived the possibility of not returning to the Rue Plumet, and he could neither leave Toussaint behind nor confide his secret to her. Besides, he felt that she was devoted and trustworthy. Treachery between master and servant begins in curiosity. Now Toussaint, as though she had been destined to be Jean Valjean's servant, was not curious. She stammered in her peasant dialect of Barneville: "I am made so; I do my work; the rest is no affair of mine."
       In this departure from the Rue Plumet, which had been almost a flight, Jean Valjean had carried away nothing but the little embalmed valise, baptized by Cosette "the inseparable." Full trunks would have required porters, and porters are witnesses. A fiacre had been summoned to the door on the Rue de Babylone, and they had taken their departure.
       It was with difficulty that Toussaint had obtained permission to pack up a little linen and clothes and a few toilet articles. Cosette had taken only her portfolio and her blotting-book.
       Jean Valjean, with a view to augmenting the solitude and the mystery of this departure, had arranged to quit the pavilion of the Rue Plumet only at dusk, which had allowed Cosette time to write her note to Marius. They had arrived in the Rue de l'Homme Arme after night had fully fallen.
       They had gone to bed in silence.
       The lodgings in the Rue de l'Homme Arme were situated on a back court, on the second floor, and were composed of two sleeping-rooms, a dining-room and a kitchen adjoining the dining-room, with a garret where there was a folding-bed, and which fell to Toussaint's share. The dining-room was an antechamber as well, and separated the two bedrooms. The apartment was provided with all necessary utensils.
       People re-acquire confidence as foolishly as they lose it; human nature is so constituted. Hardly had Jean Valjean reached the Rue de l'Homme Arme when his anxiety was lightened and by degrees dissipated. There are soothing spots which act in some sort mechanically on the mind. An obscure street, peaceable inhabitants. Jean Valjean experienced an indescribable contagion of tranquillity in that alley of ancient Paris, which is so narrow that it is barred against carriages by a transverse beam placed on two posts, which is deaf and dumb in the midst of the clamorous city, dimly lighted at mid-day, and is, so to speak, incapable of emotions between two rows of lofty houses centuries old, which hold their peace like ancients as they are. There was a touch of stagnant oblivion in that street. Jean Valjean drew his breath once more there. How could he be found there?
       His first care was to place the inseparable beside him.
       He slept well. Night brings wisdom; we may add, night soothes. On the following morning he awoke in a mood that was almost gay. He thought the dining-room charming, though it was hideous, furnished with an old round table, a long sideboard surmounted by a slanting mirror, a dilapidated arm-chair, and several plain chairs which were encumbered with Toussaint's packages. In one of these packages Jean Valjean's uniform of a National Guard was visible through a rent.
       As for Cosette, she had had Toussaint take some broth to her room, and did not make her appearance until evening.
       About five o'clock, Toussaint, who was going and coming and busying herself with the tiny establishment, set on the table a cold chicken, which Cosette, out of deference to her father, consented to glance at.
       That done, Cosette, under the pretext of an obstinate sick headache, had bade Jean Valjean good night and had shut herself up in her chamber. Jean Valjean had eaten a wing of the chicken with a good appetite, and with his elbows on the table, having gradually recovered his serenity, had regained possession of his sense of security.
       While he was discussing this modest dinner, he had, twice or thrice, noticed in a confused way, Toussaint's stammering words as she said to him: "Monsieur, there is something going on, they are fighting in Paris." But absorbed in a throng of inward calculations, he had paid no heed to it. To tell the truth, he had not heard her. He rose and began to pace from the door to the window and from the window to the door, growing ever more serene.
       With this calm, Cosette, his sole anxiety, recurred to his thoughts. Not that he was troubled by this headache, a little nervous crisis, a young girl's fit of sulks, the cloud of a moment, there would be nothing left of it in a day or two; but he meditated on the future, and, as was his habit, he thought of it with pleasure. After all, he saw no obstacle to their happy life resuming its course. At certain hours, everything seems impossible, at others everything appears easy; Jean Valjean was in the midst of one of these good hours. They generally succeed the bad ones, as day follows night, by virtue of that law of succession and of contrast which lies at the very foundation of nature, and which superficial minds call antithesis. In this peaceful street where he had taken refuge, Jean Valjean got rid of all that had been troubling him for some time past. This very fact, that he had seen many shadows, made him begin to perceive a little azure. To have quitted the Rue Plumet without complications or incidents was one good step already accomplished. Perhaps it would be wise to go abroad, if only for a few months, and to set out for London. Well, they would go. What difference did it make to him whether he was in France or in England, provided he had Cosette beside him? Cosette was his nation. Cosette sufficed for his happiness; the idea that he, perhaps, did not suffice for Cosette's happiness, that idea which had formerly been the cause of his fever and sleeplessness, did not even present itself to his mind. He was in a state of collapse from all his past sufferings, and he was fully entered on optimism. Cosette was by his side, she seemed to be his; an optical illusion which every one has experienced. He arranged in his own mind, with all sorts of felicitous devices, his departure for England with Cosette, and he beheld his felicity reconstituted wherever he pleased, in the perspective of his revery.
       As he paced to and fro with long strides, his glance suddenly encountered something strange.
       In the inclined mirror facing him which surmounted the sideboard, he saw the four lines which follow:--
       "My dearest, alas! my father insists on our setting out immediately. We shall be this evening in the Rue de l'Homme Arme, No. 7. In a week we shall be in England. COSETTE. June 4th."
       Jean Valjean halted, perfectly haggard.
       Cosette on her arrival had placed her blotting-book on the sideboard in front of the mirror, and, utterly absorbed in her agony of grief, had forgotten it and left it there, without even observing that she had left it wide open, and open at precisely the page on which she had laid to dry the four lines which she had penned, and which she had given in charge of the young workman in the Rue Plumet. The writing had been printed off on the blotter.
       The mirror reflected the writing.
       The result was, what is called in geometry, the symmetrical image; so that the writing, reversed on the blotter, was righted in the mirror and presented its natural appearance; and Jean Valjean had beneath his eyes the letter written by Cosette to Marius on the preceding evening.
       It was simple and withering.
       Jean Valjean stepped up to the mirror. He read the four lines again, but he did not believe them. They produced on him the effect of appearing in a flash of lightning. It was a hallucination, it was impossible. It was not so.
       Little by little, his perceptions became more precise; he looked at Cosette's blotting-book, and the consciousness of the reality returned to him. He caught up the blotter and said: "It comes from there." He feverishly examined the four lines imprinted on the blotter, the reversal of the letters converted into an odd scrawl, and he saw no sense in it. Then he said to himself: "But this signifies nothing; there is nothing written here." And he drew a long breath with inexpressible relief. Who has not experienced those foolish joys in horrible instants? The soul does not surrender to despair until it has exhausted all illusions.
       He held the blotter in his hand and contemplated it in stupid delight, almost ready to laugh at the hallucination of which he had been the dupe. All at once his eyes fell upon the mirror again, and again he beheld the vision. There were the four lines outlined with inexorable clearness. This time it was no mirage. The recurrence of a vision is a reality; it was palpable, it was the writing restored in the mirror. He understood.
       Jean Valjean tottered, dropped the blotter, and fell into the old arm-chair beside the buffet, with drooping head, and glassy eyes, in utter bewilderment. He told himself that it was plain, that the light of the world had been eclipsed forever, and that Cosette had written that to some one. Then he heard his soul, which had become terrible once more, give vent to a dull roar in the gloom. Try then the effect of taking from the lion the dog which he has in his cage!
       Strange and sad to say, at that very moment, Marius had not yet received Cosette's letter; chance had treacherously carried it to Jean Valjean before delivering it to Marius. Up to that day, Jean Valjean had not been vanquished by trial. He had been subjected to fearful proofs; no violence of bad fortune had been spared him; the ferocity of fate, armed with all vindictiveness and all social scorn, had taken him for her prey and had raged against him. He had accepted every extremity when it had been necessary; he had sacrificed his inviolability as a reformed man, had yielded up his liberty, risked his head, lost everything, suffered everything, and he had remained disinterested and stoical to such a point that he might have been thought to be absent from himself like a martyr. His conscience inured to every assault of destiny, might have appeared to be forever impregnable. Well, any one who had beheld his spiritual self would have been obliged to concede that it weakened at that moment. It was because, of all the tortures which he had undergone in the course of this long inquisition to which destiny had doomed him, this was the most terrible. Never had such pincers seized him hitherto. He felt the mysterious stirring of all his latent sensibilities. He felt the plucking at the strange chord. Alas! the supreme trial, let us say rather, the only trial, is the loss of the beloved being.
       Poor old Jean Valjean certainly did not love Cosette otherwise than as a father; but we have already remarked, above, that into this paternity the widowhood of his life had introduced all the shades of love; he loved Cosette as his daughter, and he loved her as his mother, and he loved her as his sister; and, as he had never had either a woman to love or a wife, as nature is a creditor who accepts no protest, that sentiment also, the most impossible to lose, was mingled with the rest, vague, ignorant, pure with the purity of blindness, unconscious, celestial, angelic, divine; less like a sentiment than like an instinct, less like an instinct than like an imperceptible and invisible but real attraction; and love, properly speaking, was, in his immense tenderness for Cosette, like the thread of gold in the mountain, concealed and virgin.
       Let the reader recall the situation of heart which we have already indicated. No marriage was possible between them; not even that of souls; and yet, it is certain that their destinies were wedded. With the exception of Cosette, that is to say, with the exception of a childhood, Jean Valjean had never, in the whole of his long life, known anything of that which may be loved. The passions and loves which succeed each other had not produced in him those successive green growths, tender green or dark green, which can be seen in foliage which passes through the winter and in men who pass fifty. In short, and we have insisted on it more than once, all this interior fusion, all this whole, of which the sum total was a lofty virtue, ended in rendering Jean Valjean a father to Cosette. A strange father, forged from the grandfather, the son, the brother, and the husband, that existed in Jean Valjean; a father in whom there was included even a mother; a father who loved Cosette and adored her, and who held that child as his light, his home, his family, his country, his paradise.
       Thus when he saw that the end had absolutely come, that she was escaping from him, that she was slipping from his hands, that she was gliding from him, like a cloud, like water, when he had before his eyes this crushing proof: "another is the goal of her heart, another is the wish of her life; there is a dearest one, I am no longer anything but her father, I no longer exist"; when he could no longer doubt, when he said to himself: "She is going away from me!" the grief which he felt surpassed the bounds of possibility. To have done all that he had done for the purpose of ending like this! And the very idea of being nothing! Then, as we have just said, a quiver of revolt ran through him from head to foot. He felt, even in the very roots of his hair, the immense reawakening of egotism, and the _I_ in this man's abyss howled.
       There is such a thing as the sudden giving way of the inward subsoil. A despairing certainty does not make its way into a man without thrusting aside and breaking certain profound elements which, in some cases, are the very man himself. Grief, when it attains this shape, is a headlong flight of all the forces of the conscience. These are fatal crises. Few among us emerge from them still like ourselves and firm in duty. When the limit of endurance is overstepped, the most imperturbable virtue is disconcerted. Jean Valjean took the blotter again, and convinced himself afresh; he remained bowed and as though petrified and with staring eyes, over those four unobjectionable lines; and there arose within him such a cloud that one might have thought that everything in this soul was crumbling away.
       He examined this revelation, athwart the exaggerations of revery, with an apparent and terrifying calmness, for it is a fearful thing when a man's calmness reaches the coldness of the statue.
       He measured the terrible step which his destiny had taken without his having a suspicion of the fact; he recalled his fears of the preceding summer, so foolishly dissipated; he recognized the precipice, it was still the same; only, Jean Valjean was no longer on the brink, he was at the bottom of it.
       The unprecedented and heart-rending thing about it was that he had fallen without perceiving it. All the light of his life had departed, while he still fancied that he beheld the sun.
       His instinct did not hesitate. He put together certain circumstances, certain dates, certain blushes and certain pallors on Cosette's part, and he said to himself: "It is he."
       The divination of despair is a sort of mysterious bow which never misses its aim. He struck Marius with his first conjecture. He did not know the name, but he found the man instantly. He distinctly perceived, in the background of the implacable conjuration of his memories, the unknown prowler of the Luxembourg, that wretched seeker of love adventures, that idler of romance, that idiot, that coward, for it is cowardly to come and make eyes at young girls who have beside them a father who loves them.
       After he had thoroughly verified the fact that this young man was at the bottom of this situation, and that everything proceeded from that quarter, he, Jean Valjean, the regenerated man, the man who had so labored over his soul, the man who had made so many efforts to resolve all life, all misery, and all unhappiness into love, looked into his own breast and there beheld a spectre, Hate.
       Great griefs contain something of dejection. They discourage one with existence. The man into whom they enter feels something within him withdraw from him. In his youth, their visits are lugubrious; later on they are sinister. Alas, if despair is a fearful thing when the blood is hot, when the hair is black, when the head is erect on the body like the flame on the torch, when the roll of destiny still retains its full thickness, when the heart, full of desirable love, still possesses beats which can be returned to it, when one has time for redress, when all women and all smiles and all the future and all the horizon are before one, when the force of life is complete, what is it in old age, when the years hasten on, growing ever paler, to that twilight hour when one begins to behold the stars of the tomb?
       While he was meditating, Toussaint entered. Jean Valjean rose and asked her:--
       "In what quarter is it? Do you know?"
       Toussaint was struck dumb, and could only answer him:--
       "What is it, sir?"
       Jean Valjean began again: "Did you not tell me that just now that there is fighting going on?"
       "Ah! yes, sir," replied Toussaint. "It is in the direction of Saint-Merry."
       There is a mechanical movement which comes to us, unconsciously, from the most profound depths of our thought. It was, no doubt, under the impulse of a movement of this sort, and of which he was hardly conscious, that Jean Valjean, five minutes later, found himself in the street.
       Bareheaded, he sat upon the stone post at the door of his house. He seemed to be listening.
       Night had come.
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book first--a just man
   Chapter I. M. Myriel
   Chapter II. M. Myriel becomes M. Welcome
   Chapter III. A Hard Bishopric for a Good Bishop
   Chapter IV. Works corresponding to Words
   Chapter V. Monseigneur Bienvenu made his Cassocks last too long
   Chapter VI. Who guarded his House for him
   Chapter VII. Cravatte
   Chapter VIII. Philosophy after Drinking
   Chapter IX. The Brother as depicted by the Sister
   Chapter X. The Bishop in the Presence of an Unknown Light
   Chapter XI. A Restriction
   Chapter XII. The Solitude of Monseigneur Welcome
   Chapter XIII. What he believed
   Chapter XIV. What he thought
book second.--the fall
   Chapter I. The Evening of a Day of Walking
   Chapter II. Prudence counselled to Wisdom
   Chapter III. The Heroism of Passive Obedience
   Chapter IV. Details concerning the Cheese-Dairies of Pontarlier
   Chapter V. Tranquillity
   Chapter VI. Jean Valjean
   Chapter VII. The Interior of Despair
   Chapter VIII. Billows and Shadows
   Chapter IX. New Troubles
   Chapter X. The Man aroused
   Chapter XI. What he does
   Chapter XII. The Bishop works
   Chapter XIII. Little Gervais
book third.--in the year 1817
   Chapter I. The Year 1817
   Chapter II. A Double Quartette
   Chapter III. Four and Four
   Chapter IV. Tholomyes is so Merry that he sings a Spanish Ditty
   Chapter V. At Bombardas
   Chapter VI. A Chapter in which they adore Each Other
   Chapter VII. The Wisdom of Tholomyes
   Chapter VIII. The Death of a Horse
   Chapter IX. A Merry End to Mirth
book fourth.--to confide is sometimes to deliver into a person's power
   Chapter I. One Mother meets Another Mother
   Chapter II. First Sketch of Two Unprepossessing Figures
   Chapter III. The Lark
book fifth.-- the descent
   Chapter I. The History of a Progress in Black Glass Trinkets
   Chapter II. Madeleine
   Chapter III. Sums deposited with Laffitte
   Chapter IV. M. Madeleine in Mourning
   Chapter V. Vague Flashes on the Horizon
   Chapter VI. Father Fauchelevent
   Chapter VII. Fauchelevent becomes a Gardener in Paris
   Chapter VIII. Madame Victurnien expends Thirty Francs on Morality
   Chapter IX. Madame Victurnien's Success
   Chapter X. Result of the Success
   Chapter XI. Christus nos Liberavit
   Chapter XII. M. Bamatabois's Inactivity
   Chapter XIII. The Solution of Some Questions connected with the Municipal Police
book sixth.--javert
   Chapter I. The Beginning of Repose
   Chapter II. How Jean may become Champ
book seventh.--the champmathieu affair
   Chapter I. Sister Simplice
   Chapter II. The Perspicacity of Master Scaufflaire
   Chapter III. A Tempest in a Skull
   Chapter IV. Forms assumed by Suffering during Sleep
   Chapter V. Hindrances
   Chapter VI. Sister Simplice put to the Proof
   Chapter VII. The Traveller on his Arrival takes Precautions for Departure
   Chapter VIII. An Entrance by Favor
   Chapter IX. A Place where Convictions are in Process of Formation
   Chapter X. The System of Denials
   Chapter XI. Champmathieu more and more Astonished
book eighth.--a counter-blow
   Chapter I. In what Mirror M. Madeleine contemplates his Hair
   Chapter II. Fantine Happy
   Chapter III. Javert Satisfied
   Chapter IV. Authority reasserts its Rights
   Chapter V. A Suitable Tomb
book first.--waterloo
   Chapter I. What is met with on the Way from Nivelles
   Chapter II. Hougomont
   Chapter III. The Eighteenth of June, 1815
   Chapter IV. A
   Chapter V. The Quid Obscurum of Battles
   Chapter VI. Four o'clock in the Afternoon
   Chapter VII. Napoleon in a Good Humor
   Chapter VIII. The Emperor puts a Question to the Guide Lacoste
   Chapter IX. The Unexpected
   Chapter X. The Plateau of Mont-Saint-Jean
   Chapter XI. A Bad Guide to Napoleon; a Good Guide to Bulow
   Chapter XII. The Guard
   Chapter XIII. The Catastrophe
   Chapter XIV. The Last Square
   Chapter XV. Cambronne
   Chapter XVI. Quot Libras in Duce?
   Chapter XVII. Is Waterloo to be considered Good?
   Chapter XVIII. A Recrudescence of Divine Right
   Chapter XIX. The Battle-Field at Night
book second.--the ship orion
   Chapter I. Number 24,601 becomes Number 9,430
   Chapter II. In which the reader will peruse Two Verses which are of the Devil's Composition possibly
   Chapter III. The Ankle-Chain must have undergone a Certain Preparatory Manipulation to be thus broken with a Blow from a Hammer
book third.--accomplishment of the promise made to the dead woman
   Chapter I. The Water Question at Montfermeil
   Chapter II. Two Complete Portraits
   Chapter III. Men must have Wine, and Horses must have Water
   Chapter IV. Entrance on the Scene of a Doll
   Chapter V. The Little One All Alone
   Chapter VI. Which possibly proves Boulatruelle's Intelligence
   Chapter VII. Cosette Side by Side with the Stranger in the Dark
   Chapter VIII. The Unpleasantness of receiving into One's House a Poor Man who may be a Rich Man
   Chapter IX. Thenardier at his Manoeuvres
   Chapter X. He who seeks to better himself may render his Situation Worse
   Chapter XI. Number 9,430 reappears, and Cosette wins it in the Lottery
book fourth.--the gorbeau hovel
   Chapter I. Master Gorbeau
   Chapter II. A Nest for Owl and a Warbler
   Chapter III. Two Misfortunes make One Piece of Good Fortune
   Chapter IV. The Remarks of the Principal Tenant
   Chapter V. A Five-Franc Piece falls on the Ground and produces a Tumult
book fifth.--for a black hunt, a mute pack
   Chapter I. The Zigzags of Strategy
   Chapter II. It is Lucky that the Pont d'Austerlitz bears Carriages
   Chapter III. To Wit, the Plan of Paris in 1727
   Chapter IV. The Gropings of Flight
   Chapter V. Which would be Impossible with Gas Lanterns
   Chapter VI. The Beginning of an Enigma
   Chapter VII. Continuation of the Enigma
   Chapter VIII. The Enigma becomes Doubly Mysterious
   Chapter IX. The Man with the Bell
   Chapter X. Which explains how Javert got on the Scent
book sixth.--le petit-picpus
   Chapter I. Number 62 Rue Petit-Picpus
   Chapter II. The Obedience of Martin Verga
   Chapter III. Austerities
   Chapter IV. Gayeties
   Chapter V. Distractions
   Chapter VI. The Little Convent
   Chapter VII. Some Silhouettes of this Darkness
   Chapter VIII. Post Corda Lapides
   Chapter IX. A Century under a Guimpe
   Chapter X. Origin of the Perpetual Adoration
   Chapter XI. End of the Petit-Picpus
book seventh.--parenthesis
   Chapter I. The Convent as an Abstract Idea
   Chapter II. The Convent as an Historical Fact
   Chapter III. On What Conditions One can respect the Past
   Chapter IV. The Convent from the Point of View of Principles
   Chapter V. Prayer
   Chapter VI. The Absolute Goodness of Prayer
   Chapter VII. Precautions to be observed in Blame
   Chapter VIII. Faith, Law
book eighth.--cemeteries take that which is committed them
   Chapter I. Which treats of the Manner of entering a Convent
   Chapter II. Fauchelevent in the Presence of a Difficulty
   Chapter III. Mother Innocente
   Chapter IV. In which Jean Valjean has quite the Air of having read Austin Castillejo
   Chapter V. It is not Necessary to be Drunk in order to be Immortal
   Chapter VI. Between Four Planks
   Chapter VII. In which will be found the Origin of the Saying: Don't lose the Card
   Chapter VIII. A Successful Interrogatory
   Chapter IX. Cloistered
book first.--paris studied in its atom
   Chapter I. Parvulus
   Chapter II. Some of his Particular Characteristics
   Chapter III. He is Agreeable
   Chapter IV. He may be of Use
   Chapter V. His Frontiers
   Chapter VI. A Bit of History
   Chapter VII. The Gamin should have his Place in the Classifications of India
   Chapter VIII. In which the Reader will find a Charming Saying of the Last King
   Chapter IX. The Old Soul of Gaul
   Chapter X. Ecce Paris, ecce Homo
   Chapter XI. To Scoff, to Reign
   Chapter XII. The Future Latent in the People
   Chapter XIII. Little Gavroche
book second.--the great bourgeois
   Chapter I. Ninety Years and Thirty-two Teeth
   Chapter II. Like Master, Like House
   Chapter III. Luc-Esprit
   Chapter IV. A Centenarian Aspirant
   Chapter V. Basque and Nicolette
   Chapter VI. In which Magnon and her Two Children are seen
   Chapter VII. Rule: Receive No One except in the Evening
   Chapter VIII. Two do not make a Pair
book third.--the grandfather and the grandson
   Chapter I. An Ancient Salon
   Chapter II. One of the Red Spectres of that Epoch
   Chapter III. Requiescant
   Chapter IV. End of the Brigand
   Chapter V. The Utility of going to Mass, in order to become a Revolutionist
   Chapter VI. The Consequences of having met a Warden
   Chapter VII. Some Petticoat
   Chapter VIII. Marble against Granite
book fourth.--the friends of the abc
   Chapter I. A Group which barely missed becoming Historic
   Chapter II. Blondeau's Funeral Oration by Bossuet
   Chapter III. Marius' Astonishments
   Chapter IV. The Back Room of the Cafe Musain
   Chapter V. Enlargement of Horizon
   Chapter VI. Res Angusta
book fifth.--the excellence of misfortune
   Chapter I. Marius Indigent
   Chapter II. Marius Poor
   Chapter III. Marius Grown Up
   Chapter IV. M. Mabeuf
   Chapter V. Poverty a Good Neighbor for Misery
   Chapter VI. The Substitute
book sixth.--the conjunction of two stars
   Chapter I. The Sobriquet; Mode of Formation of Family Names
   Chapter II. Lux Facta Est
   Chapter III. Effect of the Spring
   Chapter IV. Beginning of a Great Malady
   Chapter V. Divers Claps of Thunder fall on Ma'am Bougon
   Chapter VI. Taken Prisoner
   Chapter VII. Adventures of the Letter U delivered over to Conjectures
   Chapter VIII. The Veterans themselves can be Happy
   Chapter IX. Eclipse
book seventh.--patron minette
   Chapter I. Mines and Miners
   Chapter II. The Lowest Depths
   Chapter III. Babet, Gueulemer, Claquesous, and Montparnasse
   Chapter IV. Composition of the Troupe
book eighth.--the wicked poor man
   Chapter I. Marius, while seeking a Girl in a Bonnet encounters a Man in a Cap
   Chapter II. Treasure Trove
   Chapter III. Quadrifrons
   Chapter IV. A Rose in Misery
   Chapter V. A Providential Peep-Hole
   Chapter VI. The Wild Man in his Lair
   Chapter VII. Strategy and Tactics
   Chapter VIII. The Ray of Light in the Hovel
   Chapter IX. Jondrette comes near Weeping
   Chapter X. Tariff of Licensed Cabs, Two Francs an Hour
   Chapter XI. Offers of Service from Misery to Wretchedness
   Chapter XII. The Use made of M. Leblanc's Five-Franc Piece
   Chapter XIII. Solus cum Solo, in Loco Remoto, non cogitabuntur orare Pater Noster
   Chapter XIV. In which a Police Agent bestows Two Fistfuls on a Lawyer
   Chapter XV. Jondrette makes his Purchases
   Chapter XVI. In which will be found the Words to an English Air which was in Fashion in 1832
   Chapter XVII. The Use made of Marius' Five-Franc Piece
   Chapter XVIII. Marius' Two Chairs form a Vis-a-Vis
   Chapter XIX. Occupying One's Self with Obscure Depths
   Chapter XX. The Trap
   Chapter XXI. One should always begin by arresting the Victims
   Chapter XXII. The Little One who was crying in Volume Two
book first.--a few pages of history
   Chapter I. Well Cut
   Chapter II. Badly Sewed
   Chapter III. Louis Philippe
   Chapter IV. Cracks beneath the Foundation
   Chapter V. Facts whence History springs and which History ignores
   Chapter VI. Enjolras and his Lieutenants
book second.--eponine
   Chapter I. The Lark's Meadow
   Chapter II. Embryonic Formation of Crimes in the Incubation of Prisons
   Chapter III. Apparition to Father Mabeuf
   Chapter IV. An Apparition to Marius
book third.--the house in the rue plumet
   Chapter I. The House with a Secret
   Chapter II. Jean Valjean as a National Guard
   Chapter III. Foliis ac Frondibus
   Chapter IV. Change of Gate
   Chapter V. The Rose perceives that it is an Engine of War
   Chapter VI. The Battle Begun
   Chapter VII. To One Sadness oppose a Sadness and a Half
   Chapter VIII. The Chain-Gang
book fourth.--succor from below may turn out to be succor from on high
   Chapter I. A Wound without, Healing within
   Chapter II. Mother Plutarque finds no Difficulty in explaining a Phenomenon
book fifth.--the end of which does not resemble the beginning
   Chapter I. Solitude and Barracks Combined
   Chapter II. Cosette's Apprehensions
   Chapter III. Enriched with Commentaries by Toussaint
   Chapter IV. A Heart beneath a Stone
   Chapter V. Cosette after the Letter
   Chapter VI. Old People are made to go out opportunely
book sixth.--little gavroche
   Chapter I. The Malicious Playfulness of the Wind
   Chapter II. In which Little Gavroche extracts Profit from Napoleon the Great
   Chapter III. The Vicissitudes of Flight
book seventh.--slang
   Chapter I. Origin
   Chapter II. Roots
   Chapter III. Slang which weeps and Slang which laughs
   Chapter IV. The Two Duties: To Watch and to Hope
book eighth.--enchantments and desolations
   Chapter I. Full Light
   Chapter II. The Bewilderment of Perfect Happiness
   Chapter III. The Beginning of Shadow
   Chapter IV. A Cab runs in English and barks in Slang
   Chapter V. Things of the Night
   Chapter VI. Marius becomes Practical once more to the Extent of Giving Cosette his Address
   Chapter VII. The Old Heart and the Young Heart in the Presence of Each Other
book ninth.--whither are they going?
   Chapter I. Jean Valjean
   Chapter II. Marius
   Chapter III. M. Mabeuf
book tenth.--the 5th of june, 1832
   Chapter I. The Surface of the Question
   Chapter II. The Root of the Matter
   Chapter III. A Burial; an Occasion to be born again
   Chapter IV. The Ebullitions of Former Days
   Chapter V. Originality of Paris
book eleventh.--the atom fraternizes with the hurricane
   Chapter I. Some Explanations with Regard to the Origin of Gavroche's Poetry. The Influence of an Academician on this Poetry
   Chapter II. Gavroche on the March
   Chapter III. Just Indignation of a Hair-dresser
   Chapter IV. The Child is amazed at the Old Man
   Chapter V. The Old Man
   Chapter VI. Recruits
book twelfth.--corinthe
   Chapter I. History of Corinthe from its Foundation
   Chapter II. Preliminary Gayeties
   Chapter III. Night begins to descend upon Grantaire
   Chapter IV. An Attempt to console the Widow Hucheloup
   Chapter V. Preparations
   Chapter VI. Waiting
   Chapter VII. The Man recruited in the Rue des Billettes
   Chapter VIII. Many Interrogation Points with Regard to a Certain Le Cabuc, whose Name may not have been Le Cabuc
book thirteenth.--marius enters the shadow
   Chapter I. From the Rue Plumet to the Quartier Saint-Denis
   Chapter II. An Owl's View of Paris
   Chapter III. The Extreme Edge
book fourteenth.--the grandeurs of despair
   Chapter I. The Flag: Act First
   Chapter II. The Flag: Act Second
   Chapter III. Gavroche would have done better to accept Enjolras' Carbine
   Chapter IV. The Barrel of Powder
   Chapter V. End of the Verses of Jean Prouvaire
   Chapter VI. The Agony of Death after the Agony of Life
   Chapter VII. Gavroche as a Profound Calculator of Distances
book fifteenth.--the rue de l'homme arme
   Chapter I. A Drinker is a Babbler
   Chapter II. The Street Urchin an Enemy of Light
   Chapter III. While Cosette and Toussaint are Asleep
   Chapter IV. Gavroche's Excess of Zeal
book first.--the war between four walls
   Chapter I. The Charybdis of the Faubourg Saint-Antoine and the Scylla of the Faubourg du Temple
   Chapter II. What Is to Be Done in the Abyss if One Does Not Converse
   Chapter III. Light and Shadow
   Chapter IV. Minus Five, Plus One
   Chapter V. The Horizon Which One Beholds from the Summit of a Barricade
   Chapter VI. Marius Haggard, Javert Laconic
   Chapter VII. The Situation Becomes Aggravated
   Chapter VIII. The Artillery-men Compel People to Take Them Seriously
   Chapter IX. Employment of the Old Talents of a Poacher and That Infallible Marksmanship Which Influenced the Condemnation of 1796
   Chapter X. Dawn
   Chapter XI. The Shot Which Misses Nothing and Kills No One
   Chapter XII. Disorder a Partisan of Order
   Chapter XIII. Passing Gleams
   Chapter XIV. Wherein Will Appear the Name of Enjolras' Mistress
   Chapter XV. Gavroche Outside
   Chapter XVI. How from a Brother One Becomes a Father
   Chapter XVII. Mortuus Pater Filium Moriturum Expectat
   Chapter XVIII. The Vulture Becomes Prey
   Chapter XIX. Jean Valjean Takes His Revenge
   Chapter XX. The Dead Are in the Right and the Living Are Not in the Wrong
   Chapter XXI. The Heroes
   Chapter XXII. Foot to Foot
   Chapter XXIII. Orestes Fasting and Pylades Drunk
   Chapter XXIV. Prisoner
book second.--the intestine of the leviathan
   Chapter I. The Land Impoverished by the Sea
   Chapter II. Ancient History of the Sewer
   Chapter III. Bruneseau
   Chapter IV
   Chapter V. Present Progress
   Chapter VI. Future Progress
book third.--mud but the soul
   Chapter I. The Sewer and Its Surprises
   Chapter II. Explanation
   Chapter III. The "Spun" Man
   Chapter IV. He Also Bears His Cross
   Chapter V. In the Case of Sand, as in That of Woman, There Is a Fineness Which Is Treacherous
   Chapter VI. The Fontis
   Chapter VII. One Sometimes Runs Aground When One Fancies That One Is Disembarking
   Chapter VIII. The Torn Coat-Tail
   Chapter IX. Marius Produces on Some One Who Is a Judge of the Matter, the Effect of Being Dead
   Chapter X. Return of the Son Who Was Prodigal of His Life
   Chapter XI. Concussion in the Absolute
   Chapter XII. The Grandfather
book fourth.--javert derailed
   Chapter I
book fifth.--grandson and grandfather
   Chapter I. In Which the Tree with the Zinc Plaster Appears Again
   Chapter II. Marius, Emerging from Civil War, Makes Ready for Domestic War
   Chapter III. Marius Attacked
   Chapter IV. Mademoiselle Gillenormand Ends by No Longer Thinking It a Bad Thing That M. Fauchelevent Should Have Entered With Something Under His Arm
   Chapter V. Deposit Your Money in a Forest Rather than with a Notary
   Chapter VI. The Two Old Men Do Everything, Each One After His Own Fashion, to Render Cosette Happy
   Chapter VII. The Effects of Dreams Mingled with Happiness
   Chapter VIII. Two Men Impossible to Find
book sixth.--the sleepless night
   Chapter I. The 16th of February, 1833
   Chapter II. Jean Valjean Still Wears His Arm in a Sling
   Chapter III. The Inseparable
   Chapter IV. The Immortal Liver
book seventh.--the last draught from the cup
   Chapter I. The Seventh Circle and the Eighth Heaven
   Chapter II. The Obscurities Which a Revelation Can Contain
book eighth.--fading away of the twilight
   Chapter I. The Lower Chamber
   Chapter II. Another Step Backwards
   Chapter III. They Recall the Garden of the Rue Plumet
   Chapter IV. Attraction and Extinction
book ninth.--supreme shadow, supreme dawn
   Chapter I. Pity for the Unhappy, but Indulgence for the Happy
   Chapter II. Last Flickerings of a Lamp Without Oil
   Chapter III. A Pen Is Heavy to the Man Who Lifted the Fauchelevent's Cart
   Chapter IV. A Bottle of Ink Which Only Succeeded in Whitening
   Chapter V. A Night Behind Which There Is Day
   Chapter VI. The Grass Covers and the Rain Effaces