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Count of Monte Cristo, The
Chapter 113 - The Past
Alexandre Dumas
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       _ The count departed with a sad heart from the house in which
       he had left Mercedes, probably never to behold her again.
       Since the death of little Edward a great change had taken
       place in Monte Cristo. Having reached the summit of his
       vengeance by a long and tortuous path, he saw an abyss of
       doubt yawning before him. More than this, the conversation
       which had just taken place between Mercedes and himself had
       awakened so many recollections in his heart that he felt it
       necessary to combat with them. A man of the count's
       temperament could not long indulge in that melancholy which
       can exist in common minds, but which destroys superior ones.
       He thought he must have made an error in his calculations if
       he now found cause to blame himself.
       "I cannot have deceived myself," he said; "I must look upon
       the past in a false light. What!" he continued, "can I have
       been following a false path? -- can the end which I proposed
       be a mistaken end? -- can one hour have sufficed to prove to
       an architect that the work upon which he founded all his
       hopes was an impossible, if not a sacrilegious, undertaking?
       I cannot reconcile myself to this idea -- it would madden
       me. The reason why I am now dissatisfied is that I have not
       a clear appreciation of the past. The past, like the country
       through which we walk, becomes indistinct as we advance. My
       position is like that of a person wounded in a dream; he
       feels the wound, though he cannot recollect when he received
       it. Come, then, thou regenerate man, thou extravagant
       prodigal, thou awakened sleeper, thou all-powerful
       visionary, thou invincible millionaire, -- once again review
       thy past life of starvation and wretchedness, revisit the
       scenes where fate and misfortune conducted, and where
       despair received thee. Too many diamonds, too much gold and
       splendor, are now reflected by the mirror in which Monte
       Cristo seeks to behold Dantes. Hide thy diamonds, bury thy
       gold, shroud thy splendor, exchange riches for poverty,
       liberty for a prison, a living body for a corpse!" As he
       thus reasoned, Monte Cristo walked down the Rue de la
       Caisserie. It was the same through which, twenty-four years
       ago, he had been conducted by a silent and nocturnal guard;
       the houses, to-day so smiling and animated, were on that
       night dark, mute, and closed. "And yet they were the same,"
       murmured Monte Cristo, "only now it is broad daylight
       instead of night; it is the sun which brightens the place,
       and makes it appear so cheerful."
       He proceeded towards the quay by the Rue Saint-Laurent, and
       advanced to the Consigne; it was the point where he had
       embarked. A pleasure-boat with striped awning was going by.
       Monte Cristo called the owner, who immediately rowed up to
       him with the eagerness of a boatman hoping for a good fare.
       The weather was magnificent, and the excursion a treat.
       The sun, red and flaming, was sinking into the embrace of
       the welcoming ocean. The sea, smooth as crystal, was now and
       then disturbed by the leaping of fish, which were pursued by
       some unseen enemy and sought for safety in another element;
       while on the extreme verge of the horizon might be seen the
       fishermen's boats, white and graceful as the sea-gull, or
       the merchant vessels bound for Corsica or Spain.
       But notwithstanding the serene sky, the gracefully formed
       boats, and the golden light in which the whole scene was
       bathed, the Count of Monte Cristo, wrapped in his cloak,
       could think only of this terrible voyage, the details of
       which were one by one recalled to his memory. The solitary
       light burning at the Catalans; that first sight of the
       Chateau d'If, which told him whither they were leading him;
       the struggle with the gendarmes when he wished to throw
       himself overboard; his despair when he found himself
       vanquished, and the sensation when the muzzle of the carbine
       touched his forehead -- all these were brought before him in
       vivid and frightful reality. Like the streams which the heat
       of the summer has dried up, and which after the autumnal
       storms gradually begin oozing drop by drop, so did the count
       feel his heart gradually fill with the bitterness which
       formerly nearly overwhelmed Edmond Dantes. Clear sky,
       swift-flitting boats, and brilliant sunshine disappeared;
       the heavens were hung with black, and the gigantic structure
       of the Chateau d'If seemed like the phantom of a mortal
       enemy. As they reached the shore, the count instinctively
       shrunk to the extreme end of the boat, and the owner was
       obliged to call out, in his sweetest tone of voice, "Sir, we
       are at the landing."
       Monte Cristo remembered that on that very spot, on the same
       rock, he had been violently dragged by the guards, who
       forced him to ascend the slope at the points of their
       bayonets. The journey had seemed very long to Dantes, but
       Monte Cristo found it equally short. Each stroke of the oar
       seemed to awaken a new throng of ideas, which sprang up with
       the flying spray of the sea.
       There had been no prisoners confined in the Chateau d'If
       since the revolution of July; it was only inhabited by a
       guard, kept there for the prevention of smuggling. A
       concierge waited at the door to exhibit to visitors this
       monument of curiosity, once a scene of terror. The count
       inquired whether any of the ancient jailers were still
       there; but they had all been pensioned, or had passed on to
       some other employment. The concierge who attended him had
       only been there since 1830. He visited his own dungeon. He
       again beheld the dull light vainly endeavoring to penetrate
       the narrow opening. His eyes rested upon the spot where had
       stood his bed, since then removed, and behind the bed the
       new stones indicated where the breach made by the Abbe Faria
       had been. Monte Cristo felt his limbs tremble; he seated
       himself upon a log of wood.
       "Are there any stories connected with this prison besides
       the one relating to the poisoning of Mirabeau?" asked the
       count; "are there any traditions respecting these dismal
       abodes, -- in which it is difficult to believe men can ever
       have imprisoned their fellow-creatures?"
       "Yes, sir; indeed, the jailer Antoine told me one connected
       with this very dungeon."
       Monte Cristo shuddered; Antoine had been his jailer. He had
       almost forgotten his name and face, but at the mention of
       the name he recalled his person as he used to see it, the
       face encircled by a beard, wearing the brown jacket, the
       bunch of keys, the jingling of which he still seemed to
       hear. The count turned around, and fancied he saw him in the
       corridor, rendered still darker by the torch carried by the
       concierge. "Would you like to hear the story, sir?"
       "Yes; relate it," said Monte Cristo, pressing his hand to
       his heart to still its violent beatings; he felt afraid of
       hearing his own history.
       "This dungeon," said the concierge, "was, it appears, some
       time ago occupied by a very dangerous prisoner, the more so
       since he was full of industry. Another person was confined
       in the Chateau at the same time, but he was not wicked, he
       was only a poor mad priest."
       "Ah, indeed? -- mad!" repeated Monte Cristo; "and what was
       his mania?"
       "He offered millions to any one who would set him at
       liberty."
       Monte Cristo raised his eyes, but he could not see the
       heavens; there was a stone veil between him and the
       firmament. He thought that there had been no less thick a
       veil before the eyes of those to whom Faria offered the
       treasures. "Could the prisoners see each other?" he asked.
       "Oh, no, sir, it was expressly forbidden; but they eluded
       the vigilance of the guards, and made a passage from one
       dungeon to the other."
       "And which of them made this passage?"
       "Oh, it must have been the young man, certainly, for he was
       strong and industrious, while the abbe was aged and weak;
       besides, his mind was too vacillating to allow him to carry
       out an idea."
       "Blind fools!" murmured the count.
       "However, be that as it may, the young man made a tunnel,
       how or by what means no one knows; but he made it, and there
       is the evidence yet remaining of his work. Do you see it?"
       and the man held the torch to the wall.
       "Ah, yes; I see," said the count, in a voice hoarse from
       emotion.
       "The result was that the two men communicated with one
       another; how long they did so, nobody knows. One day the old
       man fell ill and died. Now guess what the young one did?"
       "Tell me."
       "He carried off the corpse, which he placed in his own bed
       with its face to the wall; then he entered the empty
       dungeon, closed the entrance, and slipped into the sack
       which had contained the dead body. Did you ever hear of such
       an idea?" Monte Cristo closed his eyes, and seemed again to
       experience all the sensations he had felt when the coarse
       canvas, yet moist with the cold dews of death, had touched
       his face. The jailer continued: "Now this was his project.
       He fancied that they buried the dead at the Chateau d'If,
       and imagining they would not expend much labor on the grave
       of a prisoner, he calculated on raising the earth with his
       shoulders, but unfortunately their arrangements at the
       Chateau frustrated his projects. They never buried the dead;
       they merely attached a heavy cannon-ball to the feet, and
       then threw them into the sea. This is what was done. The
       young man was thrown from the top of the rock; the corpse
       was found on the bed next day, and the whole truth was
       guessed, for the men who performed the office then mentioned
       what they had not dared to speak of before, that at the
       moment the corpse was thrown into the deep, they heard a
       shriek, which was almost immediately stifled by the water in
       which it disappeared." The count breathed with difficulty;
       the cold drops ran down his forehead, and his heart was full
       of anguish.
       "No," he muttered, "the doubt I felt was but the
       commencement of forgetfulness; but here the wound reopens,
       and the heart again thirsts for vengeance. And the
       prisoner," he continued aloud, "was he ever heard of
       afterwards?"
       "Oh, no; of course not. You can understand that one of two
       things must have happened; he must either have fallen flat,
       in which case the blow, from a height of ninety feet, must
       have killed him instantly, or he must have fallen upright,
       and then the weight would have dragged him to the bottom,
       where he remained -- poor fellow!"
       "Then you pity him?" said the count.
       "Ma foi, yes; though he was in his own element."
       "What do you mean?"
       "The report was that he had been a naval officer, who had
       been confined for plotting with the Bonapartists."
       "Great is truth," muttered the count, "fire cannot burn, nor
       water drown it! Thus the poor sailor lives in the
       recollection of those who narrate his history; his terrible
       story is recited in the chimney-corner, and a shudder is
       felt at the description of his transit through the air to be
       swallowed by the deep." Then, the count added aloud, "Was
       his name ever known?"
       "Oh, yes; but only as No. 34."
       "Oh, Villefort, Villefort," murmured the count, "this scene
       must often have haunted thy sleepless hours!"
       "Do you wish to see anything more, sir?" said the concierge.
       "Yes, especially if you will show me the poor abbe's room."
       "Ah -- No. 27."
       "Yes; No. 27." repeated the count, who seemed to hear the
       voice of the abbe answering him in those very words through
       the wall when asked his name.
       "Come, sir."
       "Wait," said Monte Cristo, "I wish to take one final glance
       around this room."
       "This is fortunate," said the guide; "I have forgotten the
       other key."
       "Go and fetch it."
       "I will leave you the torch, sir."
       "No, take it away; I can see in the dark."
       "Why, you are like No. 34. They said he was so accustomed to
       darkness that he could see a pin in the darkest corner of
       his dungeon."
       "He spent fourteen years to arrive at that," muttered the
       count.
       The guide carried away the torch. The count had spoken
       correctly. Scarcely had a few seconds elapsed, ere he saw
       everything as distinctly as by daylight. Then he looked
       around him, and really recognized his dungeon.
       "Yes," he said, "there is the stone upon which I used to
       sit; there is the impression made by my shoulders on the
       wall; there is the mark of my blood made when one day I
       dashed my head against the wall. Oh, those figures, how well
       I remember them! I made them one day to calculate the age of
       my father, that I might know whether I should find him still
       living, and that of Mercedes, to know if I should find her
       still free. After finishing that calculation, I had a
       minute's hope. I did not reckon upon hunger and infidelity!"
       and a bitter laugh escaped the count. He saw in fancy the
       burial of his father, and the marriage of Mercedes. On the
       other side of the dungeon he perceived an inscription, the
       white letters of which were still visible on the green wall.
       "`O God,'" he read, "`preserve my memory!' Oh, yes," he
       cried, "that was my only prayer at last; I no longer begged
       for liberty, but memory; I dreaded to become mad and
       forgetful. O God, thou hast preserved my memory; I thank
       thee, I thank thee!" At this moment the light of the torch
       was reflected on the wall; the guide was coming; Monte
       Cristo went to meet him.
       "Follow me, sir;" and without ascending the stairs the guide
       conducted him by a subterraneous passage to another
       entrance. There, again, Monte Cristo was assailed by a
       multitude of thoughts. The first thing that met his eye was
       the meridian, drawn by the abbe on the wall, by which he
       calculated the time; then he saw the remains of the bed on
       which the poor prisoner had died. The sight of this, instead
       of exciting the anguish experienced by the count in the
       dungeon, filled his heart with a soft and grateful
       sentiment, and tears fell from his eyes.
       "This is where the mad abbe was kept, sir, and that is where
       the young man entered; "and the guide pointed to the
       opening, which had remained unclosed. "From the appearance
       of the stone," he continued, "a learned gentleman discovered
       that the prisoners might have communicated together for ten
       years. Poor things! Those must have been ten weary years."
       Dantes took some louis from his pocket, and gave them to the
       man who had twice unconsciously pitied him. The guide took
       them, thinking them merely a few pieces of little value; but
       the light of the torch revealed their true worth. "Sir," he
       said, "you have made a mistake; you have given me gold."
       "I know it." The concierge looked upon the count with
       surprise. "Sir," he cried, scarcely able to believe his good
       fortune -- "sir, I cannot understand your generosity!"
       "Oh, it is very simple, my good fellow; I have been a
       sailor, and your story touched me more than it would
       others."
       "Then, sir, since you are so liberal, I ought to offer you
       something."
       "What have you to offer to me, my friend? Shells?
       Straw-work? Thank you!"
       "No, sir, neither of those; something connected with this
       story."
       "Really? What is it?"
       "Listen," said the guide; "I said to myself, `Something is
       always left in a cell inhabited by one prisoner for fifteen
       years,' so I began to sound the wall."
       "Ah," cried Monte Cristo, remembering the abbe's two
       hiding-places.
       "After some search, I found that the floor gave a hollow
       sound near the head of the bed, and at the hearth."
       "Yes," said the count, "yes."
       "I raised the stones, and found" --
       "A rope-ladder and some tools?"
       "How do you know that?" asked the guide in astonishment.
       "I do not know -- I only guess it, because that sort of
       thing is generally found in prisoners' cells."
       "Yes, sir, a rope-ladder and tools."
       "And have you them yet?"
       "No, sir; I sold them to visitors, who considered them great
       curiosities; but I have still something left."
       "What is it?" asked the count, impatiently.
       "A sort of book, written upon strips of cloth."
       "Go and fetch it, my good fellow; and if it be what I hope,
       you will do well."
       "I will run for it, sir;" and the guide went out. Then the
       count knelt down by the side of the bed, which death had
       converted into an altar. "Oh, second father," he exclaimed,
       "thou who hast given me liberty, knowledge, riches; thou
       who, like beings of a superior order to ourselves, couldst
       understand the science of good and evil; if in the depths of
       the tomb there still remain something within us which can
       respond to the voice of those who are left on earth; if
       after death the soul ever revisit the places where we have
       lived and suffered, -- then, noble heart, sublime soul, then
       I conjure thee by the paternal love thou didst bear me, by
       the filial obedience I vowed to thee, grant me some sign,
       some revelation! Remove from me the remains of doubt, which,
       if it change not to conviction, must become remorse!" The
       count bowed his head, and clasped his hands together.
       "Here, sir," said a voice behind him.
       Monte Cristo shuddered, and arose. The concierge held out
       the strips of cloth upon which the Abbe Faria had spread the
       riches of his mind. The manuscript was the great work by the
       Abbe Faria upon the kingdoms of Italy. The count seized it
       hastily, his eyes immediately fell upon the epigraph, and he
       read, "`Thou shalt tear out the dragons' teeth, and shall
       trample the lions under foot, saith the Lord.'"
       "Ah," he exclaimed, "here is my answer. Thanks, father,
       thanks." And feeling in his pocket, he took thence a small
       pocket-book, which contained ten bank-notes, each of 1,000
       francs.
       "Here," he said, "take this pocket-book."
       "Do you give it to me?"
       "Yes; but only on condition that you will not open it till I
       am gone;" and placing in his breast the treasure he had just
       found, which was more valuable to him than the richest
       jewel, he rushed out of the corridor, and reaching his boat,
       cried, "To Marseilles!" Then, as he departed, he fixed his
       eyes upon the gloomy prison. "Woe," he cried, "to those who
       confined me in that wretched prison; and woe to those who
       forgot that I was there!" As he repassed the Catalans, the
       count turned around and burying his head in his cloak
       murmured the name of a woman. The victory was complete;
       twice he had overcome his doubts. The name he pronounced, in
       a voice of tenderness, amounting almost to love, was that of
       Haidee.
       On landing, the count turned towards the cemetery, where he
       felt sure of finding Morrel. He, too, ten years ago, had
       piously sought out a tomb, and sought it vainly. He, who
       returned to France with millions, had been unable to find
       the grave of his father, who had perished from hunger.
       Morrel had indeed placed a cross over the spot, but it had
       fallen down and the grave-digger had burnt it, as he did all
       the old wood in the churchyard. The worthy merchant had been
       more fortunate. Dying in the arms of his children, he had
       been by them laid by the side of his wife, who had preceded
       him in eternity by two years. Two large slabs of marble, on
       which were inscribed their names, were placed on either side
       of a little enclosure, railed in, and shaded by four
       cypress-trees. Morrel was leaning against one of these,
       mechanically fixing his eyes on the graves. His grief was so
       profound that he was nearly unconscious. "Maximilian," said
       the count, "you should not look on the graves, but there;"
       and he pointed upwards.
       "The dead are everywhere," said Morrel; "did you not
       yourself tell me so as we left Paris?"
       "Maximilian," said the count, "you asked me during the
       journey to allow you to remain some days at Marseilles. Do
       you still wish to do so?"
       "I have no wishes, count; only I fancy I could pass the time
       less painfully here than anywhere else."
       "So much the better, for I must leave you; but I carry your
       word with me, do I not?"
       "Ah, count, I shall forget it."
       "No, you will not forget it, because you are a man of honor,
       Morrel, because you have taken an oath, and are about to do
       so again."
       "Oh, count, have pity upon me. I am so unhappy."
       "I have known a man much more unfortunate than you, Morrel."
       "Impossible!"
       "Alas," said Monte Cristo, "it is the infirmity of our
       nature always to believe ourselves much more unhappy than
       those who groan by our sides!"
       "What can be more wretched than the man who has lost all he
       loved and desired in the world?"
       "Listen, Morrel, and pay attention to what I am about to
       tell you. I knew a man who like you had fixed all his hopes
       of happiness upon a woman. He was young, he had an old
       father whom he loved, a betrothed bride whom he adored. He
       was about to marry her, when one of the caprices of fate, --
       which would almost make us doubt the goodness of providence,
       if that providence did not afterwards reveal itself by
       proving that all is but a means of conducting to an end, --
       one of those caprices deprived him of his mistress, of the
       future of which he had dreamed (for in his blindness he
       forgot he could only read the present), and cast him into a
       dungeon."
       "Ah," said Morrel, "one quits a dungeon in a week, a month,
       or a year."
       "He remained there fourteen years, Morrel," said the count,
       placing his hand on the young man's shoulder. Maximilian
       shuddered.
       "Fourteen years!" he muttered -- "Fourteen years!" repeated
       the count. "During that time he had many moments of despair.
       He also, Morrel, like you, considered himself the unhappiest
       of men."
       "Well?" asked Morrel.
       "Well, at the height of his despair God assisted him through
       human means. At first, perhaps, he did not recognize the
       infinite mercy of the Lord, but at last he took patience and
       waited. One day he miraculously left the prison,
       transformed, rich, powerful. His first cry was for his
       father; but that father was dead."
       "My father, too, is dead," said Morrel.
       "Yes; but your father died in your arms, happy, respected,
       rich, and full of years; his father died poor, despairing,
       almost doubtful of providence; and when his son sought his
       grave ten years afterwards, his tomb had disappeared, and no
       one could say, `There sleeps the father you so well loved.'"
       "Oh!" exclaimed Morrel.
       "He was, then, a more unhappy son than you, Morrel, for he
       could not even find his father's grave."
       "But then he had the woman he loved still remaining?"
       "You are deceived, Morrel, that woman" --
       "She was dead?"
       "Worse than that, she was faithless, and had married one of
       the persecutors of her betrothed. You see, then, Morrel,
       that he was a more unhappy lover than you."
       "And has he found consolation?"
       "He has at least found peace."
       "And does he ever expect to be happy?"
       "He hopes so, Maximilian." The young man's head fell on his
       breast.
       "You have my promise," he said, after a minute's pause,
       extending his hand to Monte Cristo. "Only remember" --
       "On the 5th of October, Morrel, I shall expect you at the
       Island of Monte Cristo. On the 4th a yacht will wait for you
       in the port of Bastia, it will be called the Eurus. You will
       give your name to the captain, who will bring you to me. It
       is understood -- is it not?"
       "But, count, do you remember that the 5th of October" --
       "Child," replied the count, "not to know the value of a
       man's word! I have told you twenty times that if you wish to
       die on that day, I will assist you. Morrel, farewell!"
       "Do you leave me?"
       "Yes; I have business in Italy. I leave you alone with your
       misfortunes, and with hope, Maximilian."
       "When do you leave?"
       "Immediately; the steamer waits, and in an hour I shall be
       far from you. Will you accompany me to the harbor,
       Maximilian?"
       "I am entirely yours, count." Morrel accompanied the count
       to the harbor. The white steam was ascending like a plume of
       feathers from the black chimney. The steamer soon
       disappeared, and in an hour afterwards, as the count had
       said, was scarcely distinguishable in the horizon amidst the
       fogs of the night. _
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本书目录

Chapter 1 Marseilles - The Arrival
Chapter 2 - Father and Son
Chapter 3 - The Catalans
Chapter 4 - Conspiracy
Chapter 5 - The Marriage-Feast
Chapter 6 - The Deputy Procureur du Roi
Chapter 7 - The Examination
Chapter 8 - The Chateau D'If
Chapter 9 - The Evening of the Betrothal
Chapter 10 - The King's Closet at the Tuileries
Chapter 11 - The Corsican Ogre
Chapter 12 - Father and Son
Chapter 13 - The Hundred Days
Chapter 14 - The Two Prisoners
Chapter 15 - Number 34 and Number 27
Chapter 16 - A Learned Italian
Chapter 17 - The Abbe's Chamber
Chapter 18 - The Treasure
Chapter 19 - The Third Attack
Chapter 20 - The Cemetery of the Chateau D'If
Chapter 21 - The Island of Tiboulen
Chapter 22 - The Smugglers
Chapter 23 - The Island of Monte Cristo
Chapter 24 - The Secret Cave
Chapter 25 - The Unknown
Chapter 26 - The Pont du Gard Inn
Chapter 27 - The Story
Chapter 28 - The Prison Register
Chapter 29 - The House of Morrel & Son
Chapter 30 - The Fifth of September
Chapter 31 - Italy: Sinbad the Sailor
Chapter 32 - The Waking
Chapter 33 - Roman Bandits
Chapter 34 - The Colosseum
Chapter 35 - La Mazzolata
Chapter 36 - The Carnival at Rome
Chapter 37 - The Catacombs of Saint Sebastian
Chapter 38 - The Compact
Chapter 39 - The Guests
Chapter 40 - The Breakfast
Chapter 41 - The Presentation
Chapter 42 - Monsieur Bertuccio
Chapter 43 - The House at Auteuil
Chapter 44 - The Vendetta
Chapter 45 - The Rain of Blood
Chapter 46 - Unlimited Credit
Chapter 47 - The Dappled Grays
Chapter 48 - Ideology
Chapter 49 - Haidee
Chapter 50 - The Morrel Family
Chapter 51 - Pyramus and Thisbe
Chapter 52 - Toxicology
Chapter 53 - Robert le Diable
Chapter 54 - A Flurry in Stocks
Chapter 55 - Major Cavalcanti
Chapter 56 - Andrea Cavalcanti
Chapter 57 - In the Lucerne Patch
Chapter 58 - M Noirtier de Villefort
Chapter 59 - The Will
Chapter 60 - The Telegraph
Chapter 61 - How a Gardener may get rid of the Dormice that eat His Peaches
Chapter 62 - Ghosts
Chapter 63 - The Dinner
Chapter 64 - The Beggar
Chapter 65 - A Conjugal Scene
Chapter 66 - Matrimonial Projects
Chapter 67 - At the Office of the King's Attorney
Chapter 68 - A Summer Ball
Chapter 69 - The Inquiry
Chapter 70 - The Ball
Chapter 71 - Bread and Salt
Chapter 72 - Madame de Saint-Meran
Chapter 73 - The Promise
Chapter 74 - The Villefort Family Vault
Chapter 75 - A Signed Statement
Chapter 76 - Progress of Cavalcanti the Younger
Chapter 77 - Haidee
Chapter 78 - We hear From Yanina
Chapter 79 - The Lemonade
Chapter 80 - The Accusation
Chapter 81 - The Room of the Retired Baker
Chapter 82 - The Burglary
Chapter 83 - The Hand of God
Chapter 84 - Beauchamp
Chapter 85 - The Journey
Chapter 86 - The Trial
Chapter 87 - The Challenge
Chapter 88 - The Insult
Chapter 89 - A Nocturnal Interview
Chapter 90 - The Meeting
Chapter 91 - Mother and Son
Chapter 92 - The Suicide
Chapter 93 - Valentine
Chapter 94 - Maximilian's Avowal
Chapter 95 - Father and Daughter
Chapter 96 - The Contract
Chapter 97 - The Departure for Belgium
Chapter 98 - The Bell and Bottle Tavern
Chapter 99 - The Law
Chapter 100 - The Apparition
Chapter 101 - Locusta
Chapter 102 - Valentine
Chapter 103 - Maximilian
Chapter 104 - Danglars Signature
Chapter 105 - The Cemetery of Pere-la-Chaise
Chapter 106 - Dividing the Proceeds
Chapter 107 - The Lions' Den
Chapter 108 - The Judge
Chapter 109 - The Assizes
Chapter 110 - The Indictment
Chapter 111 - Expiation
Chapter 112 - The Departure
Chapter 113 - The Past
Chapter 114 - Peppino
Chapter 115 - Luigi Vampa's Bill of Fare
Chapter 116 - The Pardon
Chapter 117 - The Fifth of October