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Count of Monte Cristo, The
Chapter 107 - The Lions' Den
Alexandre Dumas
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       _ One division of La Force, in which the most dangerous and
       desperate prisoners are confined, is called the court of
       Saint-Bernard. The prisoners, in their expressive language,
       have named it the "Lions' Den," probably because the
       captives possess teeth which frequently gnaw the bars, and
       sometimes the keepers also. It is a prison within a prison;
       the walls are double the thickness of the rest. The gratings
       are every day carefully examined by jailers, whose herculean
       proportions and cold pitiless expression prove them to have
       been chosen to reign over their subjects for their superior
       activity and intelligence. The court-yard of this quarter is
       enclosed by enormous walls, over which the sun glances
       obliquely, when it deigns to penetrate into this gulf of
       moral and physical deformity. On this paved yard are to be
       seen, -- pacing to and fro from morning till night, pale,
       careworn, and haggard, like so many shadows, -- the men whom
       justice holds beneath the steel she is sharpening. There,
       crouched against the side of the wall which attracts and
       retains the most heat, they may be seen sometimes talking to
       one another, but more frequently alone, watching the door,
       which sometimes opens to call forth one from the gloomy
       assemblage, or to throw in another outcast from society.
       The court of Saint-Bernard has its own particular apartment
       for the reception of guests; it is a long rectangle, divided
       by two upright gratings placed at a distance of three feet
       from one another to prevent a visitor from shaking hands
       with or passing anything to the prisoners. It is a wretched,
       damp, nay, even horrible spot, more especially when we
       consider the agonizing conferences which have taken place
       between those iron bars. And yet, frightful though this spot
       may be, it is looked upon as a kind of paradise by the men
       whose days are numbered; it is so rare for them to leave the
       Lions' Den for any other place than the barrier
       Saint-Jacques or the galleys!
       In the court which we have attempted to describe, and from
       which a damp vapor was rising, a young man with his hands in
       his pockets, who had excited much curiosity among the
       inhabitants of the "Den," might be seen walking. The cut of
       his clothes would have made him pass for an elegant man, if
       those clothes had not been torn to shreds; still they did
       not show signs of wear, and the fine cloth, beneath the
       careful hands of the prisoner, soon recovered its gloss in
       the parts which were still perfect, for the wearer tried his
       best to make it assume the appearance of a new coat. He
       bestowed the same attention upon the cambric front of a
       shirt, which had considerably changed in color since his
       entrance into the prison, and he polished his varnished
       boots with the corner of a handkerchief embroidered with
       initials surmounted by a coronet. Some of the inmates of the
       "Lions' Den" were watching the operations of the prisoner's
       toilet with considerable interest. "See, the prince is
       pluming himself," said one of the thieves. "He's a fine
       looking fellow," said another; "if he had only a comb and
       hair-grease, he'd take the shine off the gentlemen in white
       kids."
       "His coat looks almost new, and his boots shine like a
       nigger's face. It's pleasant to have such well-dressed
       comrades; but didn't those gendarmes behave shameful? --
       must 'a been jealous, to tear such clothes!"
       "He looks like a big-bug," said another; "dresses in fine
       style. And, then, to be here so young! Oh, what larks!"
       Meanwhile the object of this hideous admiration approached
       the wicket, against which one of the keepers was leaning.
       "Come, sir," he said, "lend me twenty francs; you will soon
       be paid; you run no risks with me. Remember, I have
       relations who possess more millions than you have deniers.
       Come, I beseech you, lend me twenty francs, so that I may
       buy a dressing-gown; it is intolerable always to be in a
       coat and boots! And what a coat, sir, for a prince of the
       Cavalcanti!" The keeper turned his back, and shrugged his
       shoulders; he did not even laugh at what would have caused
       any one else to do so; he had heard so many utter the same
       things, -- indeed, he heard nothing else.
       "Come," said Andrea, "you are a man void of compassion; I'll
       have you turned out." This made the keeper turn around, and
       he burst into a loud laugh. The prisoners then approached
       and formed a circle. "I tell you that with that wretched
       sum," continued Andrea, "I could obtain a coat, and a room
       in which to receive the illustrious visitor I am daily
       expecting."
       "Of course -- of course," said the prisoners; -- "any one
       can see he's a gentleman!"
       "Well, then, lend him the twenty francs," said the keeper,
       leaning on the other shoulder; "surely you will not refuse a
       comrade!"
       "I am no comrade of these people," said the young man,
       proudly, "you have no right to insult me thus."
       The thieves looked at one another with low murmurs, and a
       storm gathered over the head of the aristocratic prisoner,
       raised less by his own words than by the manner of the
       keeper. The latter, sure of quelling the tempest when the
       waves became too violent, allowed them to rise to a certain
       pitch that he might be revenged on the importunate Andrea,
       and besides it would afford him some recreation during the
       long day. The thieves had already approached Andrea, some
       screaming, "La savate -- La savate!"* a cruel operation,
       which consists in cuffing a comrade who may have fallen into
       disgrace, not with an old shoe, but with an iron-heeled one.
       Others proposed the "anguille," another kind of recreation,
       in which a handkerchief is filled with sand, pebbles, and
       two-sous pieces, when they have them, which the wretches
       beat like a flail over the head and shoulders of the unhappy
       sufferer. "Let us horsewhip the fine gentleman!" said
       others.
       * Savate: an old shoe.
       But Andrea, turning towards them, winked his eyes, rolled
       his tongue around his cheeks, and smacked his lips in a
       manner equivalent to a hundred words among the bandits when
       forced to be silent. It was a Masonic sign Caderousse had
       taught him. He was immediately recognized as one of them;
       the handkerchief was thrown down, and the iron-heeled shoe
       replaced on the foot of the wretch to whom it belonged. Some
       voices were heard to say that the gentleman was right; that
       he intended to be civil, in his way, and that they would set
       the example of liberty of conscience, -- and the mob
       retired. The keeper was so stupefied at this scene that he
       took Andrea by the hands and began examining his person,
       attributing the sudden submission of the inmates of the
       Lions' Den to something more substantial than mere
       fascination. Andrea made no resistance, although he
       protested against it. Suddenly a voice was heard at the
       wicket. "Benedetto!" exclaimed an inspector. The keeper
       relaxed his hold. "I am called," said Andrea. "To the
       visitors' room!" said the same voice.
       "You see some one pays me a visit. Ah, my dear sir, you will
       see whether a Cavalcanti is to be treated like a common
       person!" And Andrea, gliding through the court like a black
       shadow, rushed out through the wicket, leaving his comrades,
       and even the keeper, lost in wonder. Certainly a call to the
       visitors' room had scarcely astonished Andrea less than
       themselves, for the wily youth, instead of making use of his
       privilege of waiting to be claimed on his entry into La
       Force, had maintained a rigid silence. "Everything," he
       said, "proves me to be under the protection of some powerful
       person, -- this sudden fortune, the facility with which I
       have overcome all obstacles, an unexpected family and an
       illustrious name awarded to me, gold showered down upon me,
       and the most splendid alliances about to be entered into. An
       unhappy lapse of fortune and the absence of my protector
       have cast me down, certainly, but not forever. The hand
       which has retreated for a while will be again stretched
       forth to save me at the very moment when I shall think
       myself sinking into the abyss. Why should I risk an
       imprudent step? It might alienate my protector. He has two
       means of extricating me from this dilemma, -- the one by a
       mysterious escape, managed through bribery; the other by
       buying off my judges with gold. I will say and do nothing
       until I am convinced that he has quite abandoned me, and
       then" --
       Andrea had formed a plan which was tolerably clever. The
       unfortunate youth was intrepid in the attack, and rude in
       the defence. He had borne with the public prison, and with
       privations of all sorts; still, by degrees nature, or rather
       custom, had prevailed, and he suffered from being naked,
       dirty, and hungry. It was at this moment of discomfort that
       the inspector's voice called him to the visiting-room.
       Andrea felt his heart leap with joy. It was too soon for a
       visit from the examining magistrate, and too late for one
       from the director of the prison, or the doctor; it must,
       then, be the visitor he hoped for. Behind the grating of the
       room into which Andrea had been led, he saw, while his eyes
       dilated with surprise, the dark and intelligent face of M.
       Bertuccio, who was also gazing with sad astonishment upon
       the iron bars, the bolted doors, and the shadow which moved
       behind the other grating.
       "Ah," said Andrea, deeply affected.
       "Good morning, Benedetto," said Bertuccio, with his deep,
       hollow voice.
       "You -- you?" said the young man, looking fearfully around
       him.
       "Do you not recognize me, unhappy child?"
       "Silence, -- be silent!" said Andrea, who knew the delicate
       sense of hearing possessed by the walls; "for heaven's sake,
       do not speak so loud!"
       "You wish to speak with me alone, do you not?" said
       Bertuccio.
       "Oh, yes."
       "That is well." And Bertuccio, feeling in his pocket, signed
       to a keeper whom he saw through the window of the wicket.
       "Read?" he said.
       "What is that?" asked Andrea.
       "An order to conduct you to a room, and to leave you there
       to talk to me."
       "Oh," cried Andrea, leaping with joy. Then he mentally
       added, -- "Still my unknown protector! I am not forgotten.
       They wish for secrecy, since we are to converse in a private
       room. I understand, Bertuccio has been sent by my
       protector."
       The keeper spoke for a moment with an official, then opened
       the iron gates and conducted Andrea to a room on the first
       floor. The room was whitewashed, as is the custom in
       prisons, but it looked quite brilliant to a prisoner, though
       a stove, a bed, a chair, and a table formed the whole of its
       sumptuous furniture. Bertuccio sat down upon the chair,
       Andrea threw himself upon the bed; the keeper retired.
       "Now," said the steward, "what have you to tell me?"
       "And you?" said Andrea.
       "You speak first."
       "Oh, no. You must have much to tell me, since you have come
       to seek me."
       "Well, be it so. You have continued your course of villany;
       you have robbed -- you have assassinated."
       "Well, I should say! If you had me taken to a private room
       only to tell me this, you might have saved yourself the
       trouble. I know all these things. But there are some with
       which, on the contrary, I am not acquainted. Let us talk of
       those, if you please. Who sent you?"
       "Come, come, you are going on quickly, M. Benedetto!"
       "Yes, and to the point. Let us dispense with useless words.
       Who sends you?"
       "No one."
       "How did you know I was in prison?"
       "I recognized you, some time since, as the insolent dandy
       who so gracefully mounted his horse in the Champs Elysees."
       "Oh, the Champs Elysees? Ah, yes; we burn, as they say at
       the game of pincette. The Champs Elysees? Come, let us talk
       a little about my father."
       "Who, then, am I?"
       "You, sir? -- you are my adopted father. But it was not you,
       I presume, who placed at my disposal 100,000 francs, which I
       spent in four or five months; it was not you who
       manufactured an Italian gentleman for my father; it was not
       you who introduced me into the world, and had me invited to
       a certain dinner at Auteuil, which I fancy I am eating at
       this moment, in company with the most distinguished people
       in Paris -- amongst the rest with a certain procureur, whose
       acquaintance I did very wrong not to cultivate, for he would
       have been very useful to me just now; -- it was not you, in
       fact, who bailed me for one or two millions, when the fatal
       discovery of my little secret took place. Come, speak, my
       worthy Corsican, speak!"
       "What do you wish me to say?"
       "I will help you. You were speaking of the Champs Elysees
       just now, worthy foster-father."
       "Well?"
       "Well, in the Champs Elysees there resides a very rich
       gentleman."
       "At whose house you robbed and murdered, did you not?"
       "I believe I did."
       "The Count of Monte Cristo?"
       "'Tis you who have named him, as M. Racine says. Well, am I
       to rush into his arms, and strain him to my heart, crying,
       `My father, my father!' like Monsieur Pixerecourt."*
       "Do not let us jest," gravely replied Bertuccio, "and dare
       not to utter that name again as you have pronounced it."
       * Guilbert de Pixerecourt, French dramatist (1775-1844).
       "Bah," said Andrea, a little overcome, by the solemnity of
       Bertuccio's manner, "why not?"
       "Because the person who bears it is too highly favored by
       heaven to be the father of such a wretch as you."
       "Oh, these are fine words."
       "And there will be fine doings, if you do not take care."
       "Menaces -- I do not fear them. I will say" --
       "Do you think you are engaged with a pygmy like yourself?"
       said Bertuccio, in so calm a tone, and with so steadfast a
       look, that Andrea was moved to the very soul. "Do you think
       you have to do with galley-slaves, or novices in the world?
       Benedetto, you are fallen into terrible hands; they are
       ready to open for you -- make use of them. Do not play with
       the thunderbolt they have laid aside for a moment, but which
       they can take up again instantly, if you attempt to
       intercept their movements."
       "My father -- I will know who my father is," said the
       obstinate youth; "I will perish if I must, but I will know
       it. What does scandal signify to me? What possessions, what
       reputation, what `pull,' as Beauchamp says, -- have I? You
       great people always lose something by scandal,
       notwithstanding your millions. Come, who is my father?"
       "I came to tell you."
       "Ah," cried Benedetto, his eyes sparkling with joy. Just
       then the door opened, and the jailer, addressing himself to
       Bertuccio, said, -- "Excuse me, sir, but the examining
       magistrate is waiting for the prisoner."
       "And so closes our interview," said Andrea to the worthy
       steward; "I wish the troublesome fellow were at the devil!"
       "I will return to-morrow," said Bertuccio.
       "Good! Gendarmes, I am at your service. Ah, sir, do leave a
       few crowns for me at the gate that I may have some things I
       am in need of!"
       "It shall be done," replied Bertuccio. Andrea extended his
       hand; Bertuccio kept his own in his pocket, and merely
       jingled a few pieces of money. "That's what I mean," said
       Andrea, endeavoring to smile, quite overcome by the strange
       tranquillity of Bertuccio. "Can I be deceived?" he murmured,
       as he stepped into the oblong and grated vehicle which they
       call "the salad basket." "Never mind, we shall see!
       To-morrow, then!" he added, turning towards Bertuccio.
       "To-morrow!" replied the steward. _
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本书目录

Chapter 1 Marseilles - The Arrival
Chapter 2 - Father and Son
Chapter 3 - The Catalans
Chapter 4 - Conspiracy
Chapter 5 - The Marriage-Feast
Chapter 6 - The Deputy Procureur du Roi
Chapter 7 - The Examination
Chapter 8 - The Chateau D'If
Chapter 9 - The Evening of the Betrothal
Chapter 10 - The King's Closet at the Tuileries
Chapter 11 - The Corsican Ogre
Chapter 12 - Father and Son
Chapter 13 - The Hundred Days
Chapter 14 - The Two Prisoners
Chapter 15 - Number 34 and Number 27
Chapter 16 - A Learned Italian
Chapter 17 - The Abbe's Chamber
Chapter 18 - The Treasure
Chapter 19 - The Third Attack
Chapter 20 - The Cemetery of the Chateau D'If
Chapter 21 - The Island of Tiboulen
Chapter 22 - The Smugglers
Chapter 23 - The Island of Monte Cristo
Chapter 24 - The Secret Cave
Chapter 25 - The Unknown
Chapter 26 - The Pont du Gard Inn
Chapter 27 - The Story
Chapter 28 - The Prison Register
Chapter 29 - The House of Morrel & Son
Chapter 30 - The Fifth of September
Chapter 31 - Italy: Sinbad the Sailor
Chapter 32 - The Waking
Chapter 33 - Roman Bandits
Chapter 34 - The Colosseum
Chapter 35 - La Mazzolata
Chapter 36 - The Carnival at Rome
Chapter 37 - The Catacombs of Saint Sebastian
Chapter 38 - The Compact
Chapter 39 - The Guests
Chapter 40 - The Breakfast
Chapter 41 - The Presentation
Chapter 42 - Monsieur Bertuccio
Chapter 43 - The House at Auteuil
Chapter 44 - The Vendetta
Chapter 45 - The Rain of Blood
Chapter 46 - Unlimited Credit
Chapter 47 - The Dappled Grays
Chapter 48 - Ideology
Chapter 49 - Haidee
Chapter 50 - The Morrel Family
Chapter 51 - Pyramus and Thisbe
Chapter 52 - Toxicology
Chapter 53 - Robert le Diable
Chapter 54 - A Flurry in Stocks
Chapter 55 - Major Cavalcanti
Chapter 56 - Andrea Cavalcanti
Chapter 57 - In the Lucerne Patch
Chapter 58 - M Noirtier de Villefort
Chapter 59 - The Will
Chapter 60 - The Telegraph
Chapter 61 - How a Gardener may get rid of the Dormice that eat His Peaches
Chapter 62 - Ghosts
Chapter 63 - The Dinner
Chapter 64 - The Beggar
Chapter 65 - A Conjugal Scene
Chapter 66 - Matrimonial Projects
Chapter 67 - At the Office of the King's Attorney
Chapter 68 - A Summer Ball
Chapter 69 - The Inquiry
Chapter 70 - The Ball
Chapter 71 - Bread and Salt
Chapter 72 - Madame de Saint-Meran
Chapter 73 - The Promise
Chapter 74 - The Villefort Family Vault
Chapter 75 - A Signed Statement
Chapter 76 - Progress of Cavalcanti the Younger
Chapter 77 - Haidee
Chapter 78 - We hear From Yanina
Chapter 79 - The Lemonade
Chapter 80 - The Accusation
Chapter 81 - The Room of the Retired Baker
Chapter 82 - The Burglary
Chapter 83 - The Hand of God
Chapter 84 - Beauchamp
Chapter 85 - The Journey
Chapter 86 - The Trial
Chapter 87 - The Challenge
Chapter 88 - The Insult
Chapter 89 - A Nocturnal Interview
Chapter 90 - The Meeting
Chapter 91 - Mother and Son
Chapter 92 - The Suicide
Chapter 93 - Valentine
Chapter 94 - Maximilian's Avowal
Chapter 95 - Father and Daughter
Chapter 96 - The Contract
Chapter 97 - The Departure for Belgium
Chapter 98 - The Bell and Bottle Tavern
Chapter 99 - The Law
Chapter 100 - The Apparition
Chapter 101 - Locusta
Chapter 102 - Valentine
Chapter 103 - Maximilian
Chapter 104 - Danglars Signature
Chapter 105 - The Cemetery of Pere-la-Chaise
Chapter 106 - Dividing the Proceeds
Chapter 107 - The Lions' Den
Chapter 108 - The Judge
Chapter 109 - The Assizes
Chapter 110 - The Indictment
Chapter 111 - Expiation
Chapter 112 - The Departure
Chapter 113 - The Past
Chapter 114 - Peppino
Chapter 115 - Luigi Vampa's Bill of Fare
Chapter 116 - The Pardon
Chapter 117 - The Fifth of October