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Toilers of the Sea
book iv. pitfalls in the way.   VII. The Appeal is Heard.
Victor Hugo
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       SOME hours passed.
       The sun rose in an unclouded sky.
       Its first ray shone upon a motionless form upon the Great Douvre. It was Gilliatt.
       He was still outstretched upon the rock.
       He was naked, cold, and stiff; but he did not shiver. His closed eyelids were wan. It would have been difficult for a beholder to say whether the form before him was not a corpse.
       The sun seemed to look upon him.
       If he were not dead, he was already so near death that the slightest cold wind would have sufficed to extinguish life.
       The wind began to breathe, warm and animating: it was the opening breath of May.
       Meanwhile the sun ascended in the deep blue sky; its rays, less horizontal, flushed the sky. Its light became warmth. It enveloped the slumbering form.
       Gilliatt moved not. If he breathed, it was only that feeble respiration which could scarcely tarnish the surface of a mirror.
       The sun continued its ascent, its rays striking less and less obliquely upon the naked man. The gentle breeze which had been merely tepid became hot.
       The rigid and naked body remained still without movement; but the skin seemed less livid.
       The sun, approaching the zenith, shone almost perpendicularly upon the plateau of the Douvres. A flood of light descended from the heavens; the vast reflection from the glassy sea increased its splendour; the rock itself imbibed the rays and warmed the sleeper.
       A sigh raised his breast.
       He lived.
       The sun continued its gentle offices. The wind, which was already the breath of summer and of noon, approached him like loving lips that breathed upon him softly.
       Gilliatt moved.
       The peaceful calm upon the sea was perfect. Its murmur was like the droning of the nurse beside the sleeping infant. The rock seemed cradled in the waves.
       The sea-birds, who knew that form, fluttered above it; not with their old wild astonishment, but with a sort of fraternal tenderness. They uttered plaintive cries: they seemed to be calling to him. A seamew, who no doubt knew him, was tame enough to come near him. It began to caw as if speaking to him. The sleeper seemed not to hear. The bird hopped upon his shoulder, and pecked his lip softly.
       Gilliatt opened his eyes.
       The birds dispersed, chattering wildly.
       Gilliatt arose, stretched himself like a roused lion, ran to the edge of the platform, and looked down into the space between the two Douvres.
       The sloop was there, intact; the stoppage had held out; the sea had probably disturbed it but little.
       All was saved.
       He was no longer weary. His powers had returned. His swoon had ended in a deep sleep.
       He descended and bailed out the sloop, emptied the hold, raised the leakage above the water-line, dressed himself, ate, drank some water, and was joyful.
       The gap in the side of his vessel, examined in broad daylight, proved to require more labour than he had thought. It was a serious fracture. The entire day was not too much for its repair.
       At daybreak on the morrow, after removing the barrier and reopening the entrance to the defile, dressed in the tattered clothing which had served to stop the leak, having about him Clubin's girdle and the seventy-five thousand francs, standing erect in the sloop, now repaired, by the side of the machinery which he had rescued, with a favourable breeze and a good sea, Gilliatt pushed off from the Douvres.
       He put the sloop's head for Guernsey.
       At the moment of his departure from the rocks, any one who had been there might have heard him singing, in an undertone, the air of "Bonnie Dundee "
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book i. the history of a bad reputation.
   I. A Word Written on a White Page.
   II. The Bu de la Rue.
   III. For Your Wife: When You Marry.
   IV. An Unpopular Man.
   V. More Suspicious Facts about Gilliatt.
   VI. The Dutch Sloop.
   VII. A Fit Tenant for a Haunted House
   VIII. The Gild-holm-'ur Seat.
book ii. mess lethierry.
   I. A Troubled Life, but a Quiet Conscience.
   II. A Certain Predilection.
   III. Mess Lethierry's Vulnerable Part.
book iii. durande and deruchette.
   I. Prattle and Smoke.
   II. The Old Story of Utopia.
   III. Rantaine.
   IV. Continuation of the Story of Utopia.
   V. The "Devil Boat"
   VI. Lethierry's Exaltation.
   VII. The Same Godfather and the Same Patron Saint.
   VIII. "Bonnie Dundee."
   IX. The Man Who Discovered Rantaine's Character.
   X. Long Yarns.
   XI. Matrimonial Prospects.
   XII. An Anomaly in the Character of Lethierry.
   XIII. Thoughtlessness Adds a Grace to Beauty.
book iv. the bagpipe.
   I. Streaks of Fire in the Horizon.
   II. The Unknown UnfoldS Itself by Degrees.
   III. The Air "Bonnie Dundee" Finds an Echo on the Hill.
   IV. "A serenade by night may please a lady fair, But of uncle and of guardian let the troubadour beware. Unpublished Comedy
   V. A Deserved Success has Always its Detractors.
   VI. The Sloop "Cashmere" Saves a Shipwrecked Crew.
   VII. How an Idler Had the Good Fortune to be Seen by a Fisherman.
book v. the revolver.
   I. Conversations at the Jean Auberge.
   II. Clubin Observes Some One.
   III. Clubin Carries Away Something and Brings Back Nothing.
   IV. Pleinmont.
   V. The Birds'-Nesters
   VI. The Jacressade.
   VII. Nocturnal Buyers and Mysterious Sellers.
   VIII. A "Cannon" off the Red Ball and the Black.
   IX. Useful Information for Persons Who Expect or Fear the Arrival of Letters from Beyond Sea.
book vi. the drunken steersman and the sober captain.
   I. The Douvres.
   II. An Unexpected Flask of Brandy.
   III. Conversations Interrupted.
   IV. Captain Clubin Displays All His Great Qualities.
   V. Clubin Reaches the Crowning-Point of Glory.
   VI. The Interior of an Abyss Suddenly Revealed.
   VII. An Unexpected Denouement.
book vii. the danger of opening a book at random.
   I. The Pearl at the Foot of a Precipice.
   II. Much Astonishment on the Western Coast.
   III. A Quotation from the Bible.
book i. malicious gilliatt.
   I. The Place Which is Easy to Reach, but Difficult to Leave Again.
   II. A Catalogue of Disasters.
   III. Sound, but not Safe.
   IV. A Preliminary Survey.
   V. A Word Upon the Secret Co-operations of the Elements.
   VI. A Stable for the Horse.
   VII. A Chamber for the Voyager.
   VIII. Importunaeque Volucres.
   IX. The Rock, and How Gilliatt Used It.
   X. The Forge.
   XI. Discovery.
   XII. The Interior of an Edifice Under the Sea.
   XIII. What was Seen There, and What Perceived Dimly.
book ii. the labour.
   I. The Resources of One Who Has Nothing
   II. Preparations.
   III. Gilliatt's Masterpiece Comes to the Rescue of Lethierry.
   IV. Sub Re.
   V. Sub Umbra.
   VI. Gilliatt Places the Sloop in Readiness
   VII. Sudden Danger.
   VIII. Movement Rather than Progress.
   IX. A Slip Between Cup and Lip
   X. Sea-Warnings.
   XI. Murmurs in the Air.
book iii. the struggle.
   I. Extremes Meet.
   II. The Ocean Winds.
   III. The Noises Explained.
   IV. Turba Turma.
   V. Gilliatt's Alternatives.
   VI. The Combat.
book iv. pitfalls in the way.
   I. He Who is Hungry is Not Alone.
   II. The Monster.
   III. Another Kind of Sea-Combat.
   IV. Nothing is Hidden, Nothing Lost.
   V. The Fatal Difference Between Six Inches and Two Feet.
   VI. De Profundis ad Altum.
   VII. The Appeal is Heard.
book i. night and the moon.
   I. The Harbour Clock.
   II. The Harbour Bell Again.
book ii. gratitude and despotism.
   I. Joy Surrounded by Tortures.
   II. The Leathern Trunk.
book iii. the departure of the cashmere.
   I. The Havelet Near the Church.
   II. Despair Confronts Despair.
   III. The Forethought of Self-Sacrifice
   IV. "For Your Wife When You Marry."
   V. The Great Tomb.