NOTHING is more threatening than a late equinox.
       The appearance of the sea presents a strange phenomenon, resulting from what may be called the arrival of the ocean winds.
       In all seasons, but particularly at the epoch of the Syzygies, at the moment when least expected, the sea sometimes becomes singularly tranquil. That vast perpetual movement ceases; a sort of drowsiness and languor overspreads it; and it seems weary and about to rest. Every rag of bunting, from the tiny streamer of the fishing-boat to the great flag of ships of war, droops against the mast. The admiral's flag, the Royal and Imperial ensigns sleep alike. Suddenly all these streamers begin to flutter gently.
       If there happen to be clouds, the moment has then come for making the formation of the cirri; if the sun is setting. for observing the red tints of the horizon; or if it be night and there is a moon, for looking attentively for the halo.
       It is then that the captain or commander of a squadron, if he happen to possess one of those storm indicators the inventor of which is unknown, notes his instrument carefully, and takes his precautions against the south wind, if the clouds have an appearance like dissolved sugar; or against the north if they exfoliate in crystallisations like brakes of brambles, or like fir woods. Then too, the poor Irish or Breton fisherman, after having consulted some mysterious gnomon engraved by the Romans or by demons upon one of those straight enigmatical stones, which are called in Brittany Menhir, and in Ireland Cruach hauls his boat up on the shore.
       Meanwhile the serenity of sky and ocean continues. The day dawns radiant, and Aurora smiles. It was this which filled the old poets and seers with religious horror; for men dared to suspect the falsity of the sun. Solem quis dicere falsum audeat?
       The sombre vision of nature's secret laws is interdicted to man by the fatal opacity of surrounding things. The most terrible and perfidious of her aspects is that which masks the convulsions of the deep.
       Some hours, and even days sometimes, pass thus. Pilots raise their telescopes here and there. The faces of old seamen have always an expression of severity left upon them by the vexation of perpetually looking out for changes.
       Suddenly a great confused murmur is heard. A sort of mysterious dialogue takes place in the air.
       Nothing unusual is seen.
       The wide expanse is tranquil.
       Yet the noises increase. The dialogue becomes more audible.
       There is something beyond the horizon.
       Something terrible. It is the wind.
       The wind; or rather that populace of Titans which we call the gale. The unseen multitude.
       India knew them as the Maroubs, Judea as the Keroubim, Greece as the Aquilones. They are the invisible winged creatures of the Infinite. Their blasts sweep over the earth.

book i. the history of a bad reputation.
   I. A Word Written on a White Page.
   II. The Bu de la Rue.
   III. For Your Wife: When You Marry.
   IV. An Unpopular Man.
   V. More Suspicious Facts about Gilliatt.
   VI. The Dutch Sloop.
   VII. A Fit Tenant for a Haunted House
   VIII. The Gild-holm-'ur Seat.
book ii. mess lethierry.
   I. A Troubled Life, but a Quiet Conscience.
   II. A Certain Predilection.
   III. Mess Lethierry's Vulnerable Part.
book iii. durande and deruchette.
   I. Prattle and Smoke.
   II. The Old Story of Utopia.
   III. Rantaine.
   IV. Continuation of the Story of Utopia.
   V. The "Devil Boat"
   VI. Lethierry's Exaltation.
   VII. The Same Godfather and the Same Patron Saint.
   VIII. "Bonnie Dundee."
   IX. The Man Who Discovered Rantaine's Character.
   X. Long Yarns.
   XI. Matrimonial Prospects.
   XII. An Anomaly in the Character of Lethierry.
   XIII. Thoughtlessness Adds a Grace to Beauty.
book iv. the bagpipe.
   I. Streaks of Fire in the Horizon.
   II. The Unknown UnfoldS Itself by Degrees.
   III. The Air "Bonnie Dundee" Finds an Echo on the Hill.
   IV. "A serenade by night may please a lady fair, But of uncle and of guardian let the troubadour beware. Unpublished Comedy
   V. A Deserved Success has Always its Detractors.
   VI. The Sloop "Cashmere" Saves a Shipwrecked Crew.
   VII. How an Idler Had the Good Fortune to be Seen by a Fisherman.
book v. the revolver.
   I. Conversations at the Jean Auberge.
   II. Clubin Observes Some One.
   III. Clubin Carries Away Something and Brings Back Nothing.
   IV. Pleinmont.
   V. The Birds'-Nesters
   VI. The Jacressade.
   VII. Nocturnal Buyers and Mysterious Sellers.
   VIII. A "Cannon" off the Red Ball and the Black.
   IX. Useful Information for Persons Who Expect or Fear the Arrival of Letters from Beyond Sea.
book vi. the drunken steersman and the sober captain.
   I. The Douvres.
   II. An Unexpected Flask of Brandy.
   III. Conversations Interrupted.
   IV. Captain Clubin Displays All His Great Qualities.
   V. Clubin Reaches the Crowning-Point of Glory.
   VI. The Interior of an Abyss Suddenly Revealed.
   VII. An Unexpected Denouement.
book vii. the danger of opening a book at random.
   I. The Pearl at the Foot of a Precipice.
   II. Much Astonishment on the Western Coast.
   III. A Quotation from the Bible.
book i. malicious gilliatt.
   I. The Place Which is Easy to Reach, but Difficult to Leave Again.
   II. A Catalogue of Disasters.
   III. Sound, but not Safe.
   IV. A Preliminary Survey.
   V. A Word Upon the Secret Co-operations of the Elements.
   VI. A Stable for the Horse.
   VII. A Chamber for the Voyager.
   VIII. Importunaeque Volucres.
   IX. The Rock, and How Gilliatt Used It.
   X. The Forge.
   XI. Discovery.
   XII. The Interior of an Edifice Under the Sea.
   XIII. What was Seen There, and What Perceived Dimly.
book ii. the labour.
   I. The Resources of One Who Has Nothing
   II. Preparations.
   III. Gilliatt's Masterpiece Comes to the Rescue of Lethierry.
   IV. Sub Re.
   V. Sub Umbra.
   VI. Gilliatt Places the Sloop in Readiness
   VII. Sudden Danger.
   VIII. Movement Rather than Progress.
   IX. A Slip Between Cup and Lip
   X. Sea-Warnings.
   XI. Murmurs in the Air.
book iii. the struggle.
   I. Extremes Meet.
   II. The Ocean Winds.
   III. The Noises Explained.
   IV. Turba Turma.
   V. Gilliatt's Alternatives.
   VI. The Combat.
book iv. pitfalls in the way.
   I. He Who is Hungry is Not Alone.
   II. The Monster.
   III. Another Kind of Sea-Combat.
   IV. Nothing is Hidden, Nothing Lost.
   V. The Fatal Difference Between Six Inches and Two Feet.
   VI. De Profundis ad Altum.
   VII. The Appeal is Heard.
book i. night and the moon.
   I. The Harbour Clock.
   II. The Harbour Bell Again.
book ii. gratitude and despotism.
   I. Joy Surrounded by Tortures.
   II. The Leathern Trunk.
book iii. the departure of the cashmere.
   I. The Havelet Near the Church.
   II. Despair Confronts Despair.
   III. The Forethought of Self-Sacrifice
   IV. "For Your Wife When You Marry."
   V. The Great Tomb.