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Toilers of the Sea
book iii. durande and deruchette.   VIII. "Bonnie Dundee."
Victor Hugo
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       DERUCHETTE occupied the prettiest room at the Bravies. It had two windows, was furnished with various articles made of fine-grained mahogany, had a bed with four curtains, green and white, and looked out upon the garden, and beyond it towards the high hill, on which stands the Vale Castle. Gilliatt's house, the Bu de la Rue, was on the other side of this hill.
       Deruchette had her music and piano in this chamber; she accompanied herself on the instrument when singing the melody which she preferred-the melancholy Scottish air of "Bonnie Dundee". The very spirit of night breathes in this melody; but her voice was full of the freshness of dawn. The contrast was quaint and pleasing; people said "Miss Deruchette is at her piano."
       The passers-by at the foot of the hill stopped sometimes before the wall of the garden of the Bravees to listen to that sweet voice and plaintive song.
       Deruchette was the very embodiment of joy as she went to and fro in the house. She brought with her a perpetual spring. She was beautiful, but more pretty than beautiful; and still more graceful than pretty. She reminded the good old pilots, friends of Mess Lethierry, of that princess in the song which the soldiers and sailors sing, who was so beautiful-
       "Qu'elle passait pour telle dans le regiment." Mess Lethierry used to say, "She has a head of hair like a ship's cable."
       From her infancy she had been remarkable for her beauty. The learned in such matters had grave doubts about her nose, but the little one having probably determined to be pretty, had finally satisfied their requirements. She grew to girlhood without any serious loss of beauty; her nose became neither too long nor too short; and when grown up, her critics admitted her to be charming.
       She never addressed her uncle otherwise than as father.
       Lethierry allowed her to soil her fingers a little in gardening, and even in some kind of household duties: she watered her beds of pink hollyhocks, purple foxgloves, perennial phloxes, and scarlet herb bonnets. She took good advantage of the climate of Guernsey, so favourable to flowers. She had, like many other persons there, aloes in the Open ground, and, what is more difficult, she succeeded in cultivating the Nepaulese cinquefoil. Her little kitchen-garden was scientifically arranged; she was able to produce from it several kinds of rare vegetables. She sowed Dutch cauliflower and Brussels cabbages, which she thinned out in July, turnips for August, endive for September, short parsnip for the autumn, and rampious for winter. Mess Lethierry did not interfere with her in this, so long as she did not handle the spade and rake too much, or meddle with the coarser kinds of garden labour. He had provided her with two servants, one named Grace, and the other Douce, which are favourite names in Guernsey. Grace and Douce, did the hard work of the house and garden, and they had the right to have red hands.
       With regard to Mess Lethierry, his room was a little retreat with a view over the harbour, and communicating with the great lower room of the ground floor, on which was situated the door of the house, near which the various staircases met.
       His room was furnished with his hammock, his chronometer, and his pipe: there was also a table and a chair. The ceiling had been whitewashed, as well as the four walls. A fine marine map, bearing the inscription W. Faden, 5 Charing Cross, Geographer to His Majesty, and representing the Channel Islands, was nailed up at the side of the door; and on the left, stretched out and fastened with other nails, appeared one of those large cotton handkerchiefs on which are printed, in colours, the signals of all countries in the world, having at the four corners the standards of France, Russia, Spain, and the United States, and in the centre the Union Jack of England.
       Douce and Grace were two faithful creatures within certain limits. Douce was good-natured enough, and Grace was probably good-looking. Douce was unmarried. and had secretly "a gallant". In the Channel Islands the word is common, as indeed is the fact itself. The two girls regarded as servants had something of the Creole in their character, a sort of slowness in their movements, not out of keeping with the Norman spirit pervading the relations of servant and master in the Channel Islands. Grace, coquettish and good-looking, was always scanning the future with a nervous anxiety. This arose from the fact of her not only having, like Douce, "a gallant", but also as the scandal-loving averred, a sailor husband, whose return one day was a thing she dreaded. This, however, does not concern us. In a household less austere and less innocent, Douce would have continued to be the servant, but Grace would have become the soubrette. The dangerous talents of Grace were lost upon a young mistress so pure and good as Deruchette. For the rest, the intrigues of Douce and Grace were cautiously concealed. Mess Lethierry knew nothing of such matters, and no token of them had ever reached Deruchette.
       The lower room of the ground floor, a hall with a large fireplace and surrounded with benches and tables, had served in the last century as a meeting-place for a conventicle of French Protestant refugees. The sole ornament of the bare stone wall was a sheet of parchment, set in a frame of black wood, on which were represented some of the charitable deeds of the great Bossuet, Bishop of Meaux. Some poor diocesans of this famous orator, surnamed the "Eagle," persecuted by him at the time of the Revocation of the Edict of Nantes, and driven to take shelter at Guernsey, had hung this picture on the wall to preserve the remembrance of those facts. The spectator who had the patience to decipher a rude handwriting in faded ink might have learnt the following facts, which are but little known:-"29th October, 1685, Monsieur the Bishop of Meaux appeals to the king to destroy the temples of Morcef and Nanteuil."-"2nd April, 1686, Arrest of Cochard, father and son, for their religious opinions, at the request of Monsieur the Bishop of Meaux. Released: the Cochards having recanted."-"28th October, 1699, Monsieur the Bishop of Meaux sent to Mde. Pontchartrain a petition of remonstrance, pointing out that it will be necessary to place the young ladies named Chalandes and de Neuville, who are of the reformed religion, in the House of the 慛ew Catholics' at Paris."-"7th July, 1703, the king's order executed as requested by Monsieur the Bishop of Meaux, for shutting up in an asylum Baudouin and his wife, two bad Catholics of Fublaines."
       At the end of the hall, near the door of Mess Lethierry's room, was a little corner with a wooden partition, which had been the Huguenot's sanctum, and had become, thanks to its row of rails and a small hole to pass paper or money through, the steamboat office-that is to say, the office of the Durande, kept by Mess Lethierry in person. Upon the old oaken reading-desk, where once rested the Holy Bible, lay a great ledger with its alternate pages headed Dr. and Cr.
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book i. the history of a bad reputation.
   I. A Word Written on a White Page.
   II. The Bu de la Rue.
   III. For Your Wife: When You Marry.
   IV. An Unpopular Man.
   V. More Suspicious Facts about Gilliatt.
   VI. The Dutch Sloop.
   VII. A Fit Tenant for a Haunted House
   VIII. The Gild-holm-'ur Seat.
book ii. mess lethierry.
   I. A Troubled Life, but a Quiet Conscience.
   II. A Certain Predilection.
   III. Mess Lethierry's Vulnerable Part.
book iii. durande and deruchette.
   I. Prattle and Smoke.
   II. The Old Story of Utopia.
   III. Rantaine.
   IV. Continuation of the Story of Utopia.
   V. The "Devil Boat"
   VI. Lethierry's Exaltation.
   VII. The Same Godfather and the Same Patron Saint.
   VIII. "Bonnie Dundee."
   IX. The Man Who Discovered Rantaine's Character.
   X. Long Yarns.
   XI. Matrimonial Prospects.
   XII. An Anomaly in the Character of Lethierry.
   XIII. Thoughtlessness Adds a Grace to Beauty.
book iv. the bagpipe.
   I. Streaks of Fire in the Horizon.
   II. The Unknown UnfoldS Itself by Degrees.
   III. The Air "Bonnie Dundee" Finds an Echo on the Hill.
   IV. "A serenade by night may please a lady fair, But of uncle and of guardian let the troubadour beware. Unpublished Comedy
   V. A Deserved Success has Always its Detractors.
   VI. The Sloop "Cashmere" Saves a Shipwrecked Crew.
   VII. How an Idler Had the Good Fortune to be Seen by a Fisherman.
book v. the revolver.
   I. Conversations at the Jean Auberge.
   II. Clubin Observes Some One.
   III. Clubin Carries Away Something and Brings Back Nothing.
   IV. Pleinmont.
   V. The Birds'-Nesters
   VI. The Jacressade.
   VII. Nocturnal Buyers and Mysterious Sellers.
   VIII. A "Cannon" off the Red Ball and the Black.
   IX. Useful Information for Persons Who Expect or Fear the Arrival of Letters from Beyond Sea.
book vi. the drunken steersman and the sober captain.
   I. The Douvres.
   II. An Unexpected Flask of Brandy.
   III. Conversations Interrupted.
   IV. Captain Clubin Displays All His Great Qualities.
   V. Clubin Reaches the Crowning-Point of Glory.
   VI. The Interior of an Abyss Suddenly Revealed.
   VII. An Unexpected Denouement.
book vii. the danger of opening a book at random.
   I. The Pearl at the Foot of a Precipice.
   II. Much Astonishment on the Western Coast.
   III. A Quotation from the Bible.
book i. malicious gilliatt.
   I. The Place Which is Easy to Reach, but Difficult to Leave Again.
   II. A Catalogue of Disasters.
   III. Sound, but not Safe.
   IV. A Preliminary Survey.
   V. A Word Upon the Secret Co-operations of the Elements.
   VI. A Stable for the Horse.
   VII. A Chamber for the Voyager.
   VIII. Importunaeque Volucres.
   IX. The Rock, and How Gilliatt Used It.
   X. The Forge.
   XI. Discovery.
   XII. The Interior of an Edifice Under the Sea.
   XIII. What was Seen There, and What Perceived Dimly.
book ii. the labour.
   I. The Resources of One Who Has Nothing
   II. Preparations.
   III. Gilliatt's Masterpiece Comes to the Rescue of Lethierry.
   IV. Sub Re.
   V. Sub Umbra.
   VI. Gilliatt Places the Sloop in Readiness
   VII. Sudden Danger.
   VIII. Movement Rather than Progress.
   IX. A Slip Between Cup and Lip
   X. Sea-Warnings.
   XI. Murmurs in the Air.
book iii. the struggle.
   I. Extremes Meet.
   II. The Ocean Winds.
   III. The Noises Explained.
   IV. Turba Turma.
   V. Gilliatt's Alternatives.
   VI. The Combat.
book iv. pitfalls in the way.
   I. He Who is Hungry is Not Alone.
   II. The Monster.
   III. Another Kind of Sea-Combat.
   IV. Nothing is Hidden, Nothing Lost.
   V. The Fatal Difference Between Six Inches and Two Feet.
   VI. De Profundis ad Altum.
   VII. The Appeal is Heard.
book i. night and the moon.
   I. The Harbour Clock.
   II. The Harbour Bell Again.
book ii. gratitude and despotism.
   I. Joy Surrounded by Tortures.
   II. The Leathern Trunk.
book iii. the departure of the cashmere.
   I. The Havelet Near the Church.
   II. Despair Confronts Despair.
   III. The Forethought of Self-Sacrifice
   IV. "For Your Wife When You Marry."
   V. The Great Tomb.