ZUELA came sometimes to take refreshment at the Jean Auberge. Clubin knew him by sight.
       For that matter Clubin was not proud. He did not disdain even to know scamps by sight. He went so far sometimes as to cultivate even a closer acquaintance with them-giving his hand in the open street, or saying good-day to them. He talked English with the smugglers, and jabbered Spanish with the contrebandistas. On this subject he had at command a number of apologetic phrases. "Good," he said, "can be extracted out of the knowledge of evil. The gamekeeper may find advantage in knowing the poacher. The good pilot may sound the depths of a pirate, who is only a sort of hidden rock. I test the quality of a scoundrel as a doctor will test a poison." There was no answering a battery of proverbs like this. Everybody gave Clubin credit for his shrewdness . People praised him for not indulging in a ridiculous delicacy. Who, then, should dare to speak scandal of him on this point? Everything he did was evidently "for the good of the service." With him all was straightforward. Nothing could stain his good fame. Crystal might more easily become sullied. This general confidence in him was the natural reward of a long life of integrity, the crowning advantage of a settled reputation. Whatever Clubin might do, or appear to do, was sure to be interpreted favourably. He had attained almost to a state of impeccability. Over and above this, "he is very wary," people said; and from a situation which in others would have given rise to suspicion, his integrity would extricate itself, with a still greater halo of reputation for ability. This reputation for ability mingled harmoniously with his fame for perfect simplicity of character. Great simplicity and great talents in conjunction are not uncommon. The compound constitutes one of the varieties of the virtuous man, and one of the most valuable. Sieur Clubin was one of those men who might be found in intimate conversation with a sharper or a thief, without suffering any diminution of respect in the minds of their neighbours.
       The Tamaulipas had completed her loading. She was ready for sea, and was preparing to sail very shortly.
       One Tuesday evening the Durande arrived at St. Malo white it was still broad daylight. Sieur Clubin, standing upon the bridge of the vessel, and superintending the manoeuvres necessary for getting her into port, perceived upon the sandy beach, near the Petit-Bey, two men, who were conversing between the rocks in a solitary spot. He observed them with his sea-glass. and recognised one of the men. It was Captain Zuela. He seemed to recognise the other also.
       This other was a person of high stature, a little gray. He wore the broad-brimmed hat and the sober clothing of the Society of Friends. He was probably a Quaker. He lowered his gaze with an air of extreme diffidence.
       On arriving at the Jean Auberge, Sieur Clubin learnt that the Tamaulipas was preparing to sail in about ten days.
       It has since become known that he obtained information on some other points.
       That night he entered the gunsmith's shop in the St. Vincent Street, and said to the master,-
       "Do you know what a revolver is?"
       "Yes," replied the gunsmith. "It is an American Weapon."
       "It is a pistol with which a man can carry on a conversation."
       "Exactly: an instrument which comprises in itself both the question and the answer."
       "And the rejoinder too."
       "Precisely, Monsieur Clubin. A rotatory clump of barrels."
       "I shall want five or six balls."
       The gunmaker twisted the corner of his lip, and made that peculiar noise with which, when accompanied by a toss of the head, Frenchmen express admiration.
       "The weapon is a good one, Monsieur Clubin."
       "I want a revolver with six barrels."
       "I have not one."
       "What! and you a gunmaker!"
       "I do not keep such articles yet. You see, it is a new thing. It is only just coming into vogue. French makers, as yet, confine themselves to the simple pistol."
       "Nonsense."
       "It has not yet become an article of commerce."
       "Nonsense, I say."
       "I have excellent pistols."
       "I want a revolver."
       "I agreed that it is more useful. Stop, Monsieur Clubin!"
       "What?"
       "I believe I know where there is one at this moment in St. Malo; to be had a bargain."
       "A revolver?"
       "Yes."
       "For sale?"
       "Yes."
       "Where is that?"
       "I believe I know; or I can find out."
       "When can you give me an answer?"
       "A bargain; but of good quality.
       "When shall I return?"
       "If I procure you a revolver, remember. it will be a good one."
       "When will you give me an answer?"
       "After your next voyage."
       "Do not mention that it is for me," said Clubin.

book i. the history of a bad reputation.
   I. A Word Written on a White Page.
   II. The Bu de la Rue.
   III. For Your Wife: When You Marry.
   IV. An Unpopular Man.
   V. More Suspicious Facts about Gilliatt.
   VI. The Dutch Sloop.
   VII. A Fit Tenant for a Haunted House
   VIII. The Gild-holm-'ur Seat.
book ii. mess lethierry.
   I. A Troubled Life, but a Quiet Conscience.
   II. A Certain Predilection.
   III. Mess Lethierry's Vulnerable Part.
book iii. durande and deruchette.
   I. Prattle and Smoke.
   II. The Old Story of Utopia.
   III. Rantaine.
   IV. Continuation of the Story of Utopia.
   V. The "Devil Boat"
   VI. Lethierry's Exaltation.
   VII. The Same Godfather and the Same Patron Saint.
   VIII. "Bonnie Dundee."
   IX. The Man Who Discovered Rantaine's Character.
   X. Long Yarns.
   XI. Matrimonial Prospects.
   XII. An Anomaly in the Character of Lethierry.
   XIII. Thoughtlessness Adds a Grace to Beauty.
book iv. the bagpipe.
   I. Streaks of Fire in the Horizon.
   II. The Unknown UnfoldS Itself by Degrees.
   III. The Air "Bonnie Dundee" Finds an Echo on the Hill.
   IV. "A serenade by night may please a lady fair, But of uncle and of guardian let the troubadour beware. Unpublished Comedy
   V. A Deserved Success has Always its Detractors.
   VI. The Sloop "Cashmere" Saves a Shipwrecked Crew.
   VII. How an Idler Had the Good Fortune to be Seen by a Fisherman.
book v. the revolver.
   I. Conversations at the Jean Auberge.
   II. Clubin Observes Some One.
   III. Clubin Carries Away Something and Brings Back Nothing.
   IV. Pleinmont.
   V. The Birds'-Nesters
   VI. The Jacressade.
   VII. Nocturnal Buyers and Mysterious Sellers.
   VIII. A "Cannon" off the Red Ball and the Black.
   IX. Useful Information for Persons Who Expect or Fear the Arrival of Letters from Beyond Sea.
book vi. the drunken steersman and the sober captain.
   I. The Douvres.
   II. An Unexpected Flask of Brandy.
   III. Conversations Interrupted.
   IV. Captain Clubin Displays All His Great Qualities.
   V. Clubin Reaches the Crowning-Point of Glory.
   VI. The Interior of an Abyss Suddenly Revealed.
   VII. An Unexpected Denouement.
book vii. the danger of opening a book at random.
   I. The Pearl at the Foot of a Precipice.
   II. Much Astonishment on the Western Coast.
   III. A Quotation from the Bible.
book i. malicious gilliatt.
   I. The Place Which is Easy to Reach, but Difficult to Leave Again.
   II. A Catalogue of Disasters.
   III. Sound, but not Safe.
   IV. A Preliminary Survey.
   V. A Word Upon the Secret Co-operations of the Elements.
   VI. A Stable for the Horse.
   VII. A Chamber for the Voyager.
   VIII. Importunaeque Volucres.
   IX. The Rock, and How Gilliatt Used It.
   X. The Forge.
   XI. Discovery.
   XII. The Interior of an Edifice Under the Sea.
   XIII. What was Seen There, and What Perceived Dimly.
book ii. the labour.
   I. The Resources of One Who Has Nothing
   II. Preparations.
   III. Gilliatt's Masterpiece Comes to the Rescue of Lethierry.
   IV. Sub Re.
   V. Sub Umbra.
   VI. Gilliatt Places the Sloop in Readiness
   VII. Sudden Danger.
   VIII. Movement Rather than Progress.
   IX. A Slip Between Cup and Lip
   X. Sea-Warnings.
   XI. Murmurs in the Air.
book iii. the struggle.
   I. Extremes Meet.
   II. The Ocean Winds.
   III. The Noises Explained.
   IV. Turba Turma.
   V. Gilliatt's Alternatives.
   VI. The Combat.
book iv. pitfalls in the way.
   I. He Who is Hungry is Not Alone.
   II. The Monster.
   III. Another Kind of Sea-Combat.
   IV. Nothing is Hidden, Nothing Lost.
   V. The Fatal Difference Between Six Inches and Two Feet.
   VI. De Profundis ad Altum.
   VII. The Appeal is Heard.
book i. night and the moon.
   I. The Harbour Clock.
   II. The Harbour Bell Again.
book ii. gratitude and despotism.
   I. Joy Surrounded by Tortures.
   II. The Leathern Trunk.
book iii. the departure of the cashmere.
   I. The Havelet Near the Church.
   II. Despair Confronts Despair.
   III. The Forethought of Self-Sacrifice
   IV. "For Your Wife When You Marry."
   V. The Great Tomb.