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Toilers of the Sea
book ii. mess lethierry.   II. A Certain Predilection.
Victor Hugo
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       GILLIATT had in his nature something of the uncivilised man; Mess Lethierry had the same.
       Lethierry's uncultivated nature, however, was not without certain refinements.
       He was fastidious upon the subject of women's hands. In his early years, while still a lad, passing from the stage of cabin-boy to that of sailor, he had heard the Admiral de Suffren say, "There goes a pretty girl; but what horrible great red hands." An observation from an admiral on any subject is a command, a law, an authority far above that of an oracle. The exclamation of Admiral de Suffren had rendered Lethierry fastidious and exacting in the matter of small and white hands. His own hand, a large club fist of the colour of mahogany, was like a mallet or a pair of pincers for a friendly grasp, and, tightly closed, would almost break a paving-stone.
       He had never married; he had either no inclination for matrimony, or had never found a suitable match. That, perhaps, was due to his being a stickler for hands like those of a duchess. Such hands are, indeed, somewhat rare among the fishermen's daughters at Portbail.
       It was whispered, however, that at Rochefort, on the Charente, he had, once upon a time, made the acquaintance of a certain grisette, realising his ideal. She was a pretty girl with graceful hands; but she was a vixen, and had also a habit of scratching. Woe betide any one who attacked her! yet her nails, though capable at a pinch of being turned into claws, were of a whiteness which left nothing to be desired. It was these peculiarly bewitching nails which had first enchanted and then disturbed the peace of Lethierry, who, fearing that he might one day become no longer master of his mistress, had decided not to conduct that young lady to the nuptial altar.
       Another time he met at Aurigny a country girl who pleased him. He thought of marriage, when one of the inhabitants of the place said to him, "I congratulate you; you will have for your wife a good fuel maker." Lethierry asked the meaning of this. It appeared that the country people at Aurigny have a certain custom of collecting manure from their cow-houses, which they throw against a wall, where it is left to dry and fall to the ground. Cakes of dried manure of this kind are used for fuel, and are called coipiaux. A country girl of Aurigny has no chance of getting a husband if she is not a good fuel maker; but the young ladies especial talent only inspired disgust in Lethierry.
       Besides, he had in his love matters a kind of rough country folks' philosophy. a sailor-like sort of habit of mind. Always smitten but never enslaved, he boasted of having been in his youth easily conquered by a petticoat, or rather a cotillon; for what is nowadays called a crinoline, was in his time called a cotillon-a term which, in his use of it, signifies both something more and something less than a wife.
       These rude seafaring men of the Norman Archipelago have a certain amount of shrewdness. Almost all can read and write. On Sundays, little cabin-boys may be seen in those parts, seated upon a coil of ropes, reading, with book in hand. From all time these Norman sailors have had a peculiar satirical vein, and have been famous for clever sayings. It was one of these men, the bold pilot Queripel, who said to Montgomery, when he sought refuge in Jersey after the unfortunate accident in killing Henry II at a tournament with a blow of his lance. "Tete folle a casse f阾e vide." Another one Touzeau, a sea-captain at Saint Brelade, was the author of that philosophical pun, erroneously attributed to Camus, Apres la mort, yes papes deviennent papillons, et les sires deviennent cirons."
       The mariners of the Channel are the true ancient Gauls. The islands, which in these days become rapidly more and more English-preserved for many ages their old French character. The Peasant in Sark speaks the language of Louis XIV. Forty years ago, the old classical nautical language was to be found in the mouths of the sailors of Jersey and Aurigny. When amongst them, it was possible to imagine oneself carried back to the sea life of the seventeenth century. From that speaking-trumpet which terrified Admiral Hidde, a philologist might have learnt the ancient technicalities of manoeuvring and giving orders at sea, in the very words which were roared out to his sailors by Jean Bart. The old French maritime vocabulary is now almost entirely changed, but was still in use in Jersey in 1820.
       It was with this uncouth sea dialect in his mouth that Duquesne beat De Ruyter, that Duguay Trouin defeated Wasnaer, and that Tourville in 1681 poured a broadside into the first galley which bombarded Algiers. It is now a dead language. The idiom of the sea is altogether different. Duperre would not be able to understand Suffren.
       The language of French naval signals is not less transformed; there is a long distance between the four pennants, red, white, yellow and blue, of Labourdonraye, and the eighteen flags of these days, which, hoisted two and two, three and three, or four and four, furnish, for distant communication, sixty-six thousand combinations, are never deficient, and, so to speak, foresee the unforeseen.
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book i. the history of a bad reputation.
   I. A Word Written on a White Page.
   II. The Bu de la Rue.
   III. For Your Wife: When You Marry.
   IV. An Unpopular Man.
   V. More Suspicious Facts about Gilliatt.
   VI. The Dutch Sloop.
   VII. A Fit Tenant for a Haunted House
   VIII. The Gild-holm-'ur Seat.
book ii. mess lethierry.
   I. A Troubled Life, but a Quiet Conscience.
   II. A Certain Predilection.
   III. Mess Lethierry's Vulnerable Part.
book iii. durande and deruchette.
   I. Prattle and Smoke.
   II. The Old Story of Utopia.
   III. Rantaine.
   IV. Continuation of the Story of Utopia.
   V. The "Devil Boat"
   VI. Lethierry's Exaltation.
   VII. The Same Godfather and the Same Patron Saint.
   VIII. "Bonnie Dundee."
   IX. The Man Who Discovered Rantaine's Character.
   X. Long Yarns.
   XI. Matrimonial Prospects.
   XII. An Anomaly in the Character of Lethierry.
   XIII. Thoughtlessness Adds a Grace to Beauty.
book iv. the bagpipe.
   I. Streaks of Fire in the Horizon.
   II. The Unknown UnfoldS Itself by Degrees.
   III. The Air "Bonnie Dundee" Finds an Echo on the Hill.
   IV. "A serenade by night may please a lady fair, But of uncle and of guardian let the troubadour beware. Unpublished Comedy
   V. A Deserved Success has Always its Detractors.
   VI. The Sloop "Cashmere" Saves a Shipwrecked Crew.
   VII. How an Idler Had the Good Fortune to be Seen by a Fisherman.
book v. the revolver.
   I. Conversations at the Jean Auberge.
   II. Clubin Observes Some One.
   III. Clubin Carries Away Something and Brings Back Nothing.
   IV. Pleinmont.
   V. The Birds'-Nesters
   VI. The Jacressade.
   VII. Nocturnal Buyers and Mysterious Sellers.
   VIII. A "Cannon" off the Red Ball and the Black.
   IX. Useful Information for Persons Who Expect or Fear the Arrival of Letters from Beyond Sea.
book vi. the drunken steersman and the sober captain.
   I. The Douvres.
   II. An Unexpected Flask of Brandy.
   III. Conversations Interrupted.
   IV. Captain Clubin Displays All His Great Qualities.
   V. Clubin Reaches the Crowning-Point of Glory.
   VI. The Interior of an Abyss Suddenly Revealed.
   VII. An Unexpected Denouement.
book vii. the danger of opening a book at random.
   I. The Pearl at the Foot of a Precipice.
   II. Much Astonishment on the Western Coast.
   III. A Quotation from the Bible.
book i. malicious gilliatt.
   I. The Place Which is Easy to Reach, but Difficult to Leave Again.
   II. A Catalogue of Disasters.
   III. Sound, but not Safe.
   IV. A Preliminary Survey.
   V. A Word Upon the Secret Co-operations of the Elements.
   VI. A Stable for the Horse.
   VII. A Chamber for the Voyager.
   VIII. Importunaeque Volucres.
   IX. The Rock, and How Gilliatt Used It.
   X. The Forge.
   XI. Discovery.
   XII. The Interior of an Edifice Under the Sea.
   XIII. What was Seen There, and What Perceived Dimly.
book ii. the labour.
   I. The Resources of One Who Has Nothing
   II. Preparations.
   III. Gilliatt's Masterpiece Comes to the Rescue of Lethierry.
   IV. Sub Re.
   V. Sub Umbra.
   VI. Gilliatt Places the Sloop in Readiness
   VII. Sudden Danger.
   VIII. Movement Rather than Progress.
   IX. A Slip Between Cup and Lip
   X. Sea-Warnings.
   XI. Murmurs in the Air.
book iii. the struggle.
   I. Extremes Meet.
   II. The Ocean Winds.
   III. The Noises Explained.
   IV. Turba Turma.
   V. Gilliatt's Alternatives.
   VI. The Combat.
book iv. pitfalls in the way.
   I. He Who is Hungry is Not Alone.
   II. The Monster.
   III. Another Kind of Sea-Combat.
   IV. Nothing is Hidden, Nothing Lost.
   V. The Fatal Difference Between Six Inches and Two Feet.
   VI. De Profundis ad Altum.
   VII. The Appeal is Heard.
book i. night and the moon.
   I. The Harbour Clock.
   II. The Harbour Bell Again.
book ii. gratitude and despotism.
   I. Joy Surrounded by Tortures.
   II. The Leathern Trunk.
book iii. the departure of the cashmere.
   I. The Havelet Near the Church.
   II. Despair Confronts Despair.
   III. The Forethought of Self-Sacrifice
   IV. "For Your Wife When You Marry."
   V. The Great Tomb.