THE "Devil Boat" prospered. Mess Lethierry began to look forward to the time when he should be called "Monsieur." At Guernsey, people do not become "monsieurs" at one bound. Between the plain man and the gentleman there is quite a scale to climb. To begin with, we have the simple name, plain "Peter," let us suppose; the second step is "Neighbour Peter"; the third, "Father Peter"; the fourth, "Sieur Peter"; the fifth, "Mess Peter"; and then we reach the summit in "Monsieur Peter".
       This scale ascending thus from the ground is carried to still greater heights. All the upper classes of England join on and continue it. Here are the various steps, becoming more and more glorious. Above the Monsieur, or "Mr." there is the "Esquire"; above the squire, the knight; above the knight, still rising, we have the baronet, the Scotch laird, the baron, the viscount, the earl (called count in France, and jarl in Norway), the marquis, the duke, the prince of the blood royal, and the king; so, by degrees, we ascend from the people to the middle class, from the middle class to the baronetage from the baronetage to the peerage, from the peerage to royalty
       Thanks to his successful ingenuity, thanks to steam, and his engines, and the "Devil Boat," Mess Lethierry was fast becoming an important personage. When building his vessel he had been compelled to borrow money. He had become indebted at Breme, he had become indebted at St Malo; but every year he diminished his obligations.
       He had, moreover, purchased on credit, at the very entrance to the port of St. Sampson, a pretty stone-built house, entirely new, situate between the sea and a garden. On the corner of this house was inscribed the name of the "Bravees". Its front formed a part of the wall of the port itself. and it was remarkable for a double row of windows: on the north, alongside a little enclosure filled with flowers, and on the south commanding a view of the ocean. It had thus two facades, one open to the tempest and the sea, the other looking into a garden filled with roses.
       These two frontages seemed made for the two inmates of the house-Mess Lethierry and Deruchette.
       The "Bravees" was popular at St. Sampson, for Mess Lethierry had at length become a popular man. This popularity was due partly to his good nature, his devotedness, and his courage; partly to the number of lives he had saved; and a great deal to his success, and to the fact that he had awarded to St. Sampson the honour of being the port of the departure and arrival of the new steamboat. Having made the discovery that the "Devil Boat" was decidedly a success St. Peter's, the capital, desired to obtain it for that port, but Lethierry held fast to St. Sampson. It was his native town. "It was there that I was first pitched into the water," he used to say; hence his great local popularity. His position as a small landed proprietor paying land-tax made him what they call in Guernsey an unhabitant. He was chosen douzenier. The poor sailor had mounted five out of six steps of the Guernsey social scale; he had attained the dignity of "Mess"; he was rapidly approaching the Monsieur; and who could predict whether he might not even rise higher than that? Who could say that they might not one day find in the almanack of Guernsey, under the heading of "Nobility and Gentry," the astonishing and superb inscription -Lethierry, Esq.?
       But Mess Lethierry had nothing of vanity in his nature, or he had no sense of it; or if he had, disdained it: to know that he was useful was his greater pleasure; to be popular touched him less than being necessary; he had, as we have already said, only two objects of delight, and consequently only two ambitions: the Durande and Deruchette
       However this may have been, he had embarked in the lottery of the sea, and had gained the chief prize.
       This chief prize was the Durande steaming away in all her pride.

book i. the history of a bad reputation.
   I. A Word Written on a White Page.
   II. The Bu de la Rue.
   III. For Your Wife: When You Marry.
   IV. An Unpopular Man.
   V. More Suspicious Facts about Gilliatt.
   VI. The Dutch Sloop.
   VII. A Fit Tenant for a Haunted House
   VIII. The Gild-holm-'ur Seat.
book ii. mess lethierry.
   I. A Troubled Life, but a Quiet Conscience.
   II. A Certain Predilection.
   III. Mess Lethierry's Vulnerable Part.
book iii. durande and deruchette.
   I. Prattle and Smoke.
   II. The Old Story of Utopia.
   III. Rantaine.
   IV. Continuation of the Story of Utopia.
   V. The "Devil Boat"
   VI. Lethierry's Exaltation.
   VII. The Same Godfather and the Same Patron Saint.
   VIII. "Bonnie Dundee."
   IX. The Man Who Discovered Rantaine's Character.
   X. Long Yarns.
   XI. Matrimonial Prospects.
   XII. An Anomaly in the Character of Lethierry.
   XIII. Thoughtlessness Adds a Grace to Beauty.
book iv. the bagpipe.
   I. Streaks of Fire in the Horizon.
   II. The Unknown UnfoldS Itself by Degrees.
   III. The Air "Bonnie Dundee" Finds an Echo on the Hill.
   IV. "A serenade by night may please a lady fair, But of uncle and of guardian let the troubadour beware. Unpublished Comedy
   V. A Deserved Success has Always its Detractors.
   VI. The Sloop "Cashmere" Saves a Shipwrecked Crew.
   VII. How an Idler Had the Good Fortune to be Seen by a Fisherman.
book v. the revolver.
   I. Conversations at the Jean Auberge.
   II. Clubin Observes Some One.
   III. Clubin Carries Away Something and Brings Back Nothing.
   IV. Pleinmont.
   V. The Birds'-Nesters
   VI. The Jacressade.
   VII. Nocturnal Buyers and Mysterious Sellers.
   VIII. A "Cannon" off the Red Ball and the Black.
   IX. Useful Information for Persons Who Expect or Fear the Arrival of Letters from Beyond Sea.
book vi. the drunken steersman and the sober captain.
   I. The Douvres.
   II. An Unexpected Flask of Brandy.
   III. Conversations Interrupted.
   IV. Captain Clubin Displays All His Great Qualities.
   V. Clubin Reaches the Crowning-Point of Glory.
   VI. The Interior of an Abyss Suddenly Revealed.
   VII. An Unexpected Denouement.
book vii. the danger of opening a book at random.
   I. The Pearl at the Foot of a Precipice.
   II. Much Astonishment on the Western Coast.
   III. A Quotation from the Bible.
book i. malicious gilliatt.
   I. The Place Which is Easy to Reach, but Difficult to Leave Again.
   II. A Catalogue of Disasters.
   III. Sound, but not Safe.
   IV. A Preliminary Survey.
   V. A Word Upon the Secret Co-operations of the Elements.
   VI. A Stable for the Horse.
   VII. A Chamber for the Voyager.
   VIII. Importunaeque Volucres.
   IX. The Rock, and How Gilliatt Used It.
   X. The Forge.
   XI. Discovery.
   XII. The Interior of an Edifice Under the Sea.
   XIII. What was Seen There, and What Perceived Dimly.
book ii. the labour.
   I. The Resources of One Who Has Nothing
   II. Preparations.
   III. Gilliatt's Masterpiece Comes to the Rescue of Lethierry.
   IV. Sub Re.
   V. Sub Umbra.
   VI. Gilliatt Places the Sloop in Readiness
   VII. Sudden Danger.
   VIII. Movement Rather than Progress.
   IX. A Slip Between Cup and Lip
   X. Sea-Warnings.
   XI. Murmurs in the Air.
book iii. the struggle.
   I. Extremes Meet.
   II. The Ocean Winds.
   III. The Noises Explained.
   IV. Turba Turma.
   V. Gilliatt's Alternatives.
   VI. The Combat.
book iv. pitfalls in the way.
   I. He Who is Hungry is Not Alone.
   II. The Monster.
   III. Another Kind of Sea-Combat.
   IV. Nothing is Hidden, Nothing Lost.
   V. The Fatal Difference Between Six Inches and Two Feet.
   VI. De Profundis ad Altum.
   VII. The Appeal is Heard.
book i. night and the moon.
   I. The Harbour Clock.
   II. The Harbour Bell Again.
book ii. gratitude and despotism.
   I. Joy Surrounded by Tortures.
   II. The Leathern Trunk.
book iii. the departure of the cashmere.
   I. The Havelet Near the Church.
   II. Despair Confronts Despair.
   III. The Forethought of Self-Sacrifice
   IV. "For Your Wife When You Marry."
   V. The Great Tomb.