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Toilers of the Sea
book i. malicious gilliatt.   II. A Catalogue of Disasters.
Victor Hugo
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       THE Douvres differed in shape as well as in height.
       Upon the little Douvre, which was curved and pointed, long veins of reddish-coloured rock, of a comparatively soft kind, could be seen branching out and dividing the interior of the granite. At the edges of these red dykes were fractures, favourable to climbing. One of these fractures, situated a little above the wreck, had been so laboriously worn and scooped out by the splashing of the waves, that it had become a sort of niche, in which it would have been quite possible to place a statue. The granite of the Little Douvre was rounded at the surface, and, to the feel at least, soft like touchstone; but this feeling detracted nothing from its durability. The Little Douvre terminated in a point like a horn. The Great Douvre, polished, smooth, glossy, perpendicular, and looking as if cut out by the builder's square, was in one piece, and seemed made of black ivory. Not a hole, not a break in its smooth surface. The escarpment looked inhospitable. A convict could not have used it for escape, nor a bird for a place for its nest. On its summit there was a horizontal surface as upon "The Man Rock;" but the summit of the Great Douvre was inaccessible.
       It was possible to scale the Little Douvre, but not to remain on the summit; it would have been possible to rest on the summit of the Great Douvre, but impossible to scale it.
       Gilliatt, having rapidly surveyed the situation of affairs, returned to the barge, landed its contents upon the largest of the horizontal cornice rocks, made of the whole compact mass a sort of bale, which he rolled up in tarpaulin, fitted a sling rope to it with a hoisting block, pushed the package into a corner of the rocks where the waves could not reach it, and then clutching the Little Douvre with his hands, and holding on with his naked feet, he clambered from projection to projection, and from niche to niche, until he found himself level with the wrecked vessel high up in this air.
       Having reached the height of the paddles, he sprang upon the poop.
       The interior of the wreck presented a mournful aspect.
       Traces of a great struggle were everywhere visible. There were plainly to be seen the frightful ravages of the sea and wind. The action of the tempest resembles the violence of a band of pirates. Nothing is more like the victim of a criminal outrage than a wrecked ship violated and stripped by those then terrible accomplices, the storm-cloud, the thunder, the rain, the squall, the waves, and the breakers.
       Standing upon the dismantled deck, it was natural to dream of the presence of something like a furious stamping of the spirits of the storm. Everywhere around were the marks of their rage. The strange contortions of certain portions of the iron-work bore testimony to the terrific force of the winds. The between-decks were like the cell of a lunatic, in which everything has been broken.
       No wild beast can compare with the sea for mangling its prey. The waves are full of talons. The north wind bites, the billows devour, the waves are like hungry jaws. The ocean strikes, like a lion with its heavy paw, seizing and dismembering at the same moment.
       The ruin conspicuous in the Durande presented the peculiarity of being detailed and minute. It was a sort of horrible stripping and plucking. Much of it seemed done with design. The beholder was tempted to exclaim, "What wanton mischief!" The ripping of the planking was edged here and there artistically. This peculiarity is common with the ravages of the cyclone. To chip and tear away is the caprice of the great devastator. Its ways are like those of the professional torturer. The disasters which it causes wear a look of ingenious punishments. One might fancy it actuated by the worst passions of man. It refines in cruelty like a savage. While it is exterminating it dissects bone by bone. It torments its victim, avenges itself, and takes delight in its work. It even appears to descend to petty acts of malice.
       Cyclones are rare in our latitudes, and are, for that reason, the more dangerous, being generally unexpected. A rock in the path of a heavy wind may become the pivot of a storm. It is probable that the squall had thus rotated upon the point of the Douvres, and had turned suddenly into a waterspout on meeting the shock of the rocks, a fact which explained the casting of the vessel so high among them. When the cyclone blows, a vessel is of no more weight in the wind than a stone in a sling.
       The damage received by the Durande was like the wound of a man cut in twain. It was a divided trunk from which issued a mass of debris like the entrails of a body. Various kinds of cordage hung floating and trembling, chains swung chattering; the fibres and nerves of the vessel were there naked and exposed. What was not smashed was disjointed.
       Fragments of the sheeting resembled currycombs bristling with nails, everything bore the appearance of ruin; a handspike had become nothing but a piece of iron; a sounding-lead, nothing but a lump of metal; a dead-eye had become a mere piece of wood; a halliard, an end of rope; a strand of cord, a tangled skein; a boltrope, a thread in the hem of a sail. All around was the lamentable work of demolition. Nothing remained that was not unhooked, unnailed, cracked, wasted, warped, pierced with holes, destroyed: nothing hung together in the dreadful mass, but all was torn, dislocated, broken. There was that air of drift which characterises the scene of all struggles-from the melees of men, which are called battles, to the melees of the elements, to which we give the name of chaos. Everything was sinking and dropping away; a rolling mass of planks, panelling, ironwork, cables, and beams had been arrested just at the great fracture of the hull, whence the least additional shock must have precipitated them into the sea. What remained of her powerful frame, once so triumphant, was cracked here and there, showing through large apertures the dismal gloom within.
       The foam from below spat its flakes contemptuously upon this broken and forlorn outcast of the sea.
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book i. the history of a bad reputation.
   I. A Word Written on a White Page.
   II. The Bu de la Rue.
   III. For Your Wife: When You Marry.
   IV. An Unpopular Man.
   V. More Suspicious Facts about Gilliatt.
   VI. The Dutch Sloop.
   VII. A Fit Tenant for a Haunted House
   VIII. The Gild-holm-'ur Seat.
book ii. mess lethierry.
   I. A Troubled Life, but a Quiet Conscience.
   II. A Certain Predilection.
   III. Mess Lethierry's Vulnerable Part.
book iii. durande and deruchette.
   I. Prattle and Smoke.
   II. The Old Story of Utopia.
   III. Rantaine.
   IV. Continuation of the Story of Utopia.
   V. The "Devil Boat"
   VI. Lethierry's Exaltation.
   VII. The Same Godfather and the Same Patron Saint.
   VIII. "Bonnie Dundee."
   IX. The Man Who Discovered Rantaine's Character.
   X. Long Yarns.
   XI. Matrimonial Prospects.
   XII. An Anomaly in the Character of Lethierry.
   XIII. Thoughtlessness Adds a Grace to Beauty.
book iv. the bagpipe.
   I. Streaks of Fire in the Horizon.
   II. The Unknown UnfoldS Itself by Degrees.
   III. The Air "Bonnie Dundee" Finds an Echo on the Hill.
   IV. "A serenade by night may please a lady fair, But of uncle and of guardian let the troubadour beware. Unpublished Comedy
   V. A Deserved Success has Always its Detractors.
   VI. The Sloop "Cashmere" Saves a Shipwrecked Crew.
   VII. How an Idler Had the Good Fortune to be Seen by a Fisherman.
book v. the revolver.
   I. Conversations at the Jean Auberge.
   II. Clubin Observes Some One.
   III. Clubin Carries Away Something and Brings Back Nothing.
   IV. Pleinmont.
   V. The Birds'-Nesters
   VI. The Jacressade.
   VII. Nocturnal Buyers and Mysterious Sellers.
   VIII. A "Cannon" off the Red Ball and the Black.
   IX. Useful Information for Persons Who Expect or Fear the Arrival of Letters from Beyond Sea.
book vi. the drunken steersman and the sober captain.
   I. The Douvres.
   II. An Unexpected Flask of Brandy.
   III. Conversations Interrupted.
   IV. Captain Clubin Displays All His Great Qualities.
   V. Clubin Reaches the Crowning-Point of Glory.
   VI. The Interior of an Abyss Suddenly Revealed.
   VII. An Unexpected Denouement.
book vii. the danger of opening a book at random.
   I. The Pearl at the Foot of a Precipice.
   II. Much Astonishment on the Western Coast.
   III. A Quotation from the Bible.
book i. malicious gilliatt.
   I. The Place Which is Easy to Reach, but Difficult to Leave Again.
   II. A Catalogue of Disasters.
   III. Sound, but not Safe.
   IV. A Preliminary Survey.
   V. A Word Upon the Secret Co-operations of the Elements.
   VI. A Stable for the Horse.
   VII. A Chamber for the Voyager.
   VIII. Importunaeque Volucres.
   IX. The Rock, and How Gilliatt Used It.
   X. The Forge.
   XI. Discovery.
   XII. The Interior of an Edifice Under the Sea.
   XIII. What was Seen There, and What Perceived Dimly.
book ii. the labour.
   I. The Resources of One Who Has Nothing
   II. Preparations.
   III. Gilliatt's Masterpiece Comes to the Rescue of Lethierry.
   IV. Sub Re.
   V. Sub Umbra.
   VI. Gilliatt Places the Sloop in Readiness
   VII. Sudden Danger.
   VIII. Movement Rather than Progress.
   IX. A Slip Between Cup and Lip
   X. Sea-Warnings.
   XI. Murmurs in the Air.
book iii. the struggle.
   I. Extremes Meet.
   II. The Ocean Winds.
   III. The Noises Explained.
   IV. Turba Turma.
   V. Gilliatt's Alternatives.
   VI. The Combat.
book iv. pitfalls in the way.
   I. He Who is Hungry is Not Alone.
   II. The Monster.
   III. Another Kind of Sea-Combat.
   IV. Nothing is Hidden, Nothing Lost.
   V. The Fatal Difference Between Six Inches and Two Feet.
   VI. De Profundis ad Altum.
   VII. The Appeal is Heard.
book i. night and the moon.
   I. The Harbour Clock.
   II. The Harbour Bell Again.
book ii. gratitude and despotism.
   I. Joy Surrounded by Tortures.
   II. The Leathern Trunk.
book iii. the departure of the cashmere.
   I. The Havelet Near the Church.
   II. Despair Confronts Despair.
   III. The Forethought of Self-Sacrifice
   IV. "For Your Wife When You Marry."
   V. The Great Tomb.