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Toilers of the Sea
book ii. the labour.   II. Preparations.
Victor Hugo
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       GILLIATT had a notion.
       Since the time of the carpenter-mason of Salbris, who in the sixteenth century, in the dark ages of science-long before Amontons had discovered the first law of electricity, or Lahire the second, or Coulomb the third-without other helper than a child, his son, with ill-fashioned tools, in the chamber of the great clock of La Charite-sur-Loire, resolved at one stroke five or six problems in statics and dynamics inextricably intervolved like the wheels in a block of carts and wagons-since the time of that grand and marvellous achievement of the poor workman, who found means, without breaking a single piece of wire, without throwing one of the teeth of the wheels out of gear to lower in one piece, by a marvellous simplification, from the second story of the clock-tower to the first, that massive monitor of the hours, made all of iron and brass, "large as the room in which the man watches at night from the tower," with its motion, its cylinders, its barrels, its drum, its hooks, and its weights, the barrel of its spring steelvared, its horizontal pendulum, the holdfasts of its escapement, its reels of large and small chains, its stone weights, one of which weighed five hundred pounds, its bells, its peals, its jacks that strike the hours-since the days, I say, of the man who accomplished this miracle, and of whom posterity knows not even the name, nothing that could be compared with the project which Gilliatt was meditating had ever been attempted.
       The ponderousness, the delicacy, the involvement of the difficulties were not less in the machinery of the Durande than in the clock of La Charite-sur-Loire.
       The untaught mechanic had his helpmate-his son; Gilliatt was alone.
       A crowd gathered together from Meung-sur-Loire, from Nevers, and even from Orleans, able at time of need to assist the mason of Salbris, and to encourage him with their friendly voices. Gilliatt had around him no voices but those of the wind, no crowd but the assemblage of waves.
       There is nothing more remarkable than the timidity of ignorance, unless it be its temerity. When ignorance becomes daring, she has sometimes a sort of compass within herself-the intuition of the truth, clearer oftentimes in a simple mind than in a learned brain.
       Ignorance invites to an attempt. It is a state of wonderment, which. with its concomitant curiosity, forms a power. Knowledge often enough disconcerts and makes overcautious. Gama, had he known what lay before him, would have recoiled before the Cape of Storms. If Columbus had been a great geographer, he might have failed to discover America.
       The second successful climber of Mont Plane was the savant Saussure, the first the goatherd Balmat.
       These instances, 1 admit, are exceptions, which detract nothing from science, which remains the rule. The ignorant man may discover, it is the learned who invent.
       The sloop was still at anchor in the creek of "The Man" rock, where the sea left it in peace. Gilliatt, as will be remembered, had arranged everything for maintaining constant communication with it. He visited the sloop and measured her beam carefully in several parts, but particularly her midship frame. Then he returned to the Durande and measured the diameter of the floor of the engine-room. This diameter, of course, without the paddles, was two feet less than the broadest part of the deck of his bark. The machinery, therefore, might be put aboard the sloop.
       But how could it be got there?
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book i. the history of a bad reputation.
   I. A Word Written on a White Page.
   II. The Bu de la Rue.
   III. For Your Wife: When You Marry.
   IV. An Unpopular Man.
   V. More Suspicious Facts about Gilliatt.
   VI. The Dutch Sloop.
   VII. A Fit Tenant for a Haunted House
   VIII. The Gild-holm-'ur Seat.
book ii. mess lethierry.
   I. A Troubled Life, but a Quiet Conscience.
   II. A Certain Predilection.
   III. Mess Lethierry's Vulnerable Part.
book iii. durande and deruchette.
   I. Prattle and Smoke.
   II. The Old Story of Utopia.
   III. Rantaine.
   IV. Continuation of the Story of Utopia.
   V. The "Devil Boat"
   VI. Lethierry's Exaltation.
   VII. The Same Godfather and the Same Patron Saint.
   VIII. "Bonnie Dundee."
   IX. The Man Who Discovered Rantaine's Character.
   X. Long Yarns.
   XI. Matrimonial Prospects.
   XII. An Anomaly in the Character of Lethierry.
   XIII. Thoughtlessness Adds a Grace to Beauty.
book iv. the bagpipe.
   I. Streaks of Fire in the Horizon.
   II. The Unknown UnfoldS Itself by Degrees.
   III. The Air "Bonnie Dundee" Finds an Echo on the Hill.
   IV. "A serenade by night may please a lady fair, But of uncle and of guardian let the troubadour beware. Unpublished Comedy
   V. A Deserved Success has Always its Detractors.
   VI. The Sloop "Cashmere" Saves a Shipwrecked Crew.
   VII. How an Idler Had the Good Fortune to be Seen by a Fisherman.
book v. the revolver.
   I. Conversations at the Jean Auberge.
   II. Clubin Observes Some One.
   III. Clubin Carries Away Something and Brings Back Nothing.
   IV. Pleinmont.
   V. The Birds'-Nesters
   VI. The Jacressade.
   VII. Nocturnal Buyers and Mysterious Sellers.
   VIII. A "Cannon" off the Red Ball and the Black.
   IX. Useful Information for Persons Who Expect or Fear the Arrival of Letters from Beyond Sea.
book vi. the drunken steersman and the sober captain.
   I. The Douvres.
   II. An Unexpected Flask of Brandy.
   III. Conversations Interrupted.
   IV. Captain Clubin Displays All His Great Qualities.
   V. Clubin Reaches the Crowning-Point of Glory.
   VI. The Interior of an Abyss Suddenly Revealed.
   VII. An Unexpected Denouement.
book vii. the danger of opening a book at random.
   I. The Pearl at the Foot of a Precipice.
   II. Much Astonishment on the Western Coast.
   III. A Quotation from the Bible.
book i. malicious gilliatt.
   I. The Place Which is Easy to Reach, but Difficult to Leave Again.
   II. A Catalogue of Disasters.
   III. Sound, but not Safe.
   IV. A Preliminary Survey.
   V. A Word Upon the Secret Co-operations of the Elements.
   VI. A Stable for the Horse.
   VII. A Chamber for the Voyager.
   VIII. Importunaeque Volucres.
   IX. The Rock, and How Gilliatt Used It.
   X. The Forge.
   XI. Discovery.
   XII. The Interior of an Edifice Under the Sea.
   XIII. What was Seen There, and What Perceived Dimly.
book ii. the labour.
   I. The Resources of One Who Has Nothing
   II. Preparations.
   III. Gilliatt's Masterpiece Comes to the Rescue of Lethierry.
   IV. Sub Re.
   V. Sub Umbra.
   VI. Gilliatt Places the Sloop in Readiness
   VII. Sudden Danger.
   VIII. Movement Rather than Progress.
   IX. A Slip Between Cup and Lip
   X. Sea-Warnings.
   XI. Murmurs in the Air.
book iii. the struggle.
   I. Extremes Meet.
   II. The Ocean Winds.
   III. The Noises Explained.
   IV. Turba Turma.
   V. Gilliatt's Alternatives.
   VI. The Combat.
book iv. pitfalls in the way.
   I. He Who is Hungry is Not Alone.
   II. The Monster.
   III. Another Kind of Sea-Combat.
   IV. Nothing is Hidden, Nothing Lost.
   V. The Fatal Difference Between Six Inches and Two Feet.
   VI. De Profundis ad Altum.
   VII. The Appeal is Heard.
book i. night and the moon.
   I. The Harbour Clock.
   II. The Harbour Bell Again.
book ii. gratitude and despotism.
   I. Joy Surrounded by Tortures.
   II. The Leathern Trunk.
book iii. the departure of the cashmere.
   I. The Havelet Near the Church.
   II. Despair Confronts Despair.
   III. The Forethought of Self-Sacrifice
   IV. "For Your Wife When You Marry."
   V. The Great Tomb.