您的位置 : 首页 > 英文著作
Troilus and Cressida
act i   Scene 3.
William Shakespeare
下载:Troilus and Cressida.txt
本书全文检索:
       The Grecian camp. Before AGAMEMNON'S tent
       Sennet. Enter AGAMEMNON, NESTOR, ULYSSES, DIOMEDES, MENELAUS, and others
       AGAMEMNON
       Princes,
       What grief hath set these jaundies o'er your cheeks?
       The ample proposition that hope makes
       In all designs begun on earth below
       Fails in the promis'd largeness; checks and disasters
       Grow in the veins of actions highest rear'd,
       As knots, by the conflux of meeting sap,
       Infects the sound pine, and diverts his grain
       Tortive and errant from his course of growth.
       Nor, princes, is it matter new to us
       That we come short of our suppose so far
       That after seven years' siege yet Troy walls stand;
       Sith every action that hath gone before,
       Whereof we have record, trial did draw
       Bias and thwart, not answering the aim,
       And that unbodied figure of the thought
       That gave't surmised shape. Why then, you princes,
       Do you with cheeks abash'd behold our works
       And call them shames, which are, indeed, nought else
       But the protractive trials of great Jove
       To find persistive constancy in men;
       The fineness of which metal is not found
       In fortune's love? For then the bold and coward,
       The wise and fool, the artist and unread,
       The hard and soft, seem all affin'd and kin.
       But in the wind and tempest of her frown
       Distinction, with a broad and powerful fan,
       Puffing at all, winnows the light away;
       And what hath mass or matter by itself
       Lies rich in virtue and unmingled.
       NESTOR
       With due observance of thy godlike seat,
       Great Agamemnon, Nestor shall apply
       Thy latest words. In the reproof of chance
       Lies the true proof of men. The sea being smooth,
       How many shallow bauble boats dare sail
       Upon her patient breast, making their way
       With those of nobler bulk!
       But let the ruffian Boreas once enrage
       The gentle Thetis, and anon behold
       The strong-ribb'd bark through liquid mountains cut,
       Bounding between the two moist elements
       Like Perseus' horse. Where's then the saucy boat,
       Whose weak untimber'd sides but even now
       Co-rivall'd greatness? Either to harbour fled
       Or made a toast for Neptune. Even so
       Doth valour's show and valour's worth divide
       In storms of fortune; for in her ray and brightness
       The herd hath more annoyance by the breeze
       Than by the tiger; but when the splitting wind
       Makes flexible the knees of knotted oaks,
       And flies fled under shade-why, then the thing of courage
       As rous'd with rage, with rage doth sympathise,
       And with an accent tun'd in self-same key
       Retorts to chiding fortune.
       ULYSSES
       Agamemnon,
       Thou great commander, nerve and bone of Greece,
       Heart of our numbers, soul and only spirit
       In whom the tempers and the minds of all
       Should be shut up-hear what Ulysses speaks.
       Besides the applause and approbation
       The which, [To AGAMEMNON] most mighty, for thy place and sway,
       [To NESTOR] And, thou most reverend, for thy stretch'd-out life,
       I give to both your speeches- which were such
       As Agamemnon and the hand of Greece
       Should hold up high in brass; and such again
       As venerable Nestor, hatch'd in silver,
       Should with a bond of air, strong as the axle-tree
       On which heaven rides, knit all the Greekish ears
       To his experienc'd tongue-yet let it please both,
       Thou great, and wise, to hear Ulysses speak.
       AGAMEMNON
       Speak, Prince of Ithaca; and be't of less expect
       That matter needless, of importless burden,
       Divide thy lips than we are confident,
       When rank Thersites opes his mastic jaws,
       We shall hear music, wit, and oracle.
       ULYSSES
       Troy, yet upon his basis, had been down,
       And the great Hector's sword had lack'd a master,
       But for these instances:
       The specialty of rule hath been neglected;
       And look how many Grecian tents do stand
       Hollow upon this plain, so many hollow factions.
       When that the general is not like the hive,
       To whom the foragers shall all repair,
       What honey is expected? Degree being vizarded,
       Th' unworthiest shows as fairly in the mask.
       The heavens themselves, the planets, and this centre,
       Observe degree, priority, and place,
       Insisture, course, proportion, season, form,
       Office, and custom, in all line of order;
       And therefore is the glorious planet Sol
       In noble eminence enthron'd and spher'd
       Amidst the other, whose med'cinable eye
       Corrects the ill aspects of planets evil,
       And posts, like the commandment of a king,
       Sans check, to good and bad. But when the planets
       In evil mixture to disorder wander,
       What plagues and what portents, what mutiny,
       What raging of the sea, shaking of earth,
       Commotion in the winds! Frights, changes, horrors,
       Divert and crack, rend and deracinate,
       The unity and married calm of states
       Quite from their fixture! O, when degree is shak'd,
       Which is the ladder of all high designs,
       The enterprise is sick! How could communities,
       Degrees in schools, and brotherhoods in cities,
       Peaceful commerce from dividable shores,
       The primogenity and due of birth,
       Prerogative of age, crowns, sceptres, laurels,
       But by degree, stand in authentic place?
       Take but degree away, untune that string,
       And hark what discord follows! Each thing melts
       In mere oppugnancy: the bounded waters
       Should lift their bosoms higher than the shores,
       And make a sop of all this solid globe;
       Strength should be lord of imbecility,
       And the rude son should strike his father dead;
       Force should be right; or, rather, right and wrong-
       Between whose endless jar justice resides-
       Should lose their names, and so should justice too.
       Then everything includes itself in power,
       Power into will, will into appetite;
       And appetite, an universal wolf,
       So doubly seconded with will and power,
       Must make perforce an universal prey,
       And last eat up himself. Great Agamemnon,
       This chaos, when degree is suffocate,
       Follows the choking.
       And this neglection of degree it is
       That by a pace goes backward, with a purpose
       It hath to climb. The general's disdain'd
       By him one step below, he by the next,
       That next by him beneath; so ever step,
       Exampl'd by the first pace that is sick
       Of his superior, grows to an envious fever
       Of pale and bloodless emulation.
       And 'tis this fever that keeps Troy on foot,
       Not her own sinews. To end a tale of length,
       Troy in our weakness stands, not in her strength.
       NESTOR
       Most wisely hath Ulysses here discover'd
       The fever whereof all our power is sick.
       AGAMEMNON
       The nature of the sickness found, Ulysses,
       What is the remedy?
       ULYSSES
       The great Achilles, whom opinion crowns
       The sinew and the forehand of our host,
       Having his ear full of his airy fame,
       Grows dainty of his worth, and in his tent
       Lies mocking our designs; with him Patroclus
       Upon a lazy bed the livelong day
       Breaks scurril jests;
       And with ridiculous and awkward action-
       Which, slanderer, he imitation calls-
       He pageants us. Sometime, great Agamemnon,
       Thy topless deputation he puts on;
       And like a strutting player whose conceit
       Lies in his hamstring, and doth think it rich
       To hear the wooden dialogue and sound
       'Twixt his stretch'd footing and the scaffoldage-
       Such to-be-pitied and o'er-wrested seeming
       He acts thy greatness in; and when he speaks
       'Tis like a chime a-mending; with terms unsquar'd,
       Which, from the tongue of roaring Typhon dropp'd,
       Would seem hyperboles. At this fusty stuff
       The large Achilles, on his press'd bed lolling,
       From his deep chest laughs out a loud applause;
       Cries 'Excellent! 'tis Agamemnon just.
       Now play me Nestor; hem, and stroke thy beard,
       As he being drest to some oration.'
       That's done-as near as the extremest ends
       Of parallels, as like Vulcan and his wife;
       Yet god Achilles still cries 'Excellent!
       'Tis Nestor right. Now play him me, Patroclus,
       Arming to answer in a night alarm.'
       And then, forsooth, the faint defects of age
       Must be the scene of mirth: to cough and spit
       And, with a palsy-fumbling on his gorget,
       Shake in and out the rivet. And at this sport
       Sir Valour dies; cries 'O, enough, Patroclus;
       Or give me ribs of steel! I shall split all
       In pleasure of my spleen.' And in this fashion
       All our abilities, gifts, natures, shapes,
       Severals and generals of grace exact,
       Achievements, plots, orders, preventions,
       Excitements to the field or speech for truce,
       Success or loss, what is or is not, serves
       As stuff for these two to make paradoxes.
       NESTOR
       And in the imitation of these twain-
       Who, as Ulysses says, opinion crowns
       With an imperial voice-many are infect.
       Ajax is grown self-will'd and bears his head
       In such a rein, in full as proud a place
       As broad Achilles; keeps his tent like him;
       Makes factious feasts; rails on our state of war
       Bold as an oracle, and sets Thersites,
       A slave whose gall coins slanders like a mint,
       To match us in comparisons with dirt,
       To weaken and discredit our exposure,
       How rank soever rounded in with danger.
       ULYSSES
       They tax our policy and call it cowardice,
       Count wisdom as no member of the war,
       Forestall prescience, and esteem no act
       But that of hand. The still and mental parts
       That do contrive how many hands shall strike
       When fitness calls them on, and know, by measure
       Of their observant toil, the enemies' weight-
       Why, this hath not a finger's dignity:
       They call this bed-work, mapp'ry, closet-war;
       So that the ram that batters down the wall,
       For the great swinge and rudeness of his poise,
       They place before his hand that made the engine,
       Or those that with the fineness of their souls
       By reason guide his execution.
       NESTOR
       Let this be granted, and Achilles' horse
       Makes many Thetis' sons.
       [Tucket]
       AGAMEMNON
       What trumpet? Look, Menelaus.
       MENELAUS
       From Troy.
       Enter AENEAS
       AGAMEMNON
       What would you fore our tent?
       AENEAS
       Is this great Agamemnon's tent, I pray you?
       AGAMEMNON
       Even this.
       AENEAS
       May one that is a herald and a prince
       Do a fair message to his kingly eyes?
       AGAMEMNON
       With surety stronger than Achilles' an
       Fore all the Greekish heads, which with one voice
       Call Agamemnon head and general.
       AENEAS
       Fair leave and large security. How may
       A stranger to those most imperial looks
       Know them from eyes of other mortals?
       AGAMEMNON
       How?
       AENEAS
       Ay;
       I ask, that I might waken reverence,
       And bid the cheek be ready with a blush
       Modest as Morning when she coldly eyes
       The youthful Phoebus.
       Which is that god in office, guiding men?
       Which is the high and mighty Agamemnon?
       AGAMEMNON
       This Troyan scorns us, or the men of Troy
       Are ceremonious courtiers.
       AENEAS
       Courtiers as free, as debonair, unarm'd,
       As bending angels; that's their fame in peace.
       But when they would seem soldiers, they have galls,
       Good arms, strong joints, true swords; and, Jove's accord,
       Nothing so full of heart. But peace, Aeneas,
       Peace, Troyan; lay thy finger on thy lips.
       The worthiness of praise distains his worth,
       If that the prais'd himself bring the praise forth;
       But what the repining enemy commends,
       That breath fame blows; that praise, sole pure, transcends.
       AGAMEMNON
       Sir, you of Troy, call you yourself Aeneas?
       AENEAS
       Ay, Greek, that is my name.
       AGAMEMNON
       What's your affair, I pray you?
       AENEAS
       Sir, pardon; 'tis for Agamemnon's ears.
       AGAMEMNON
       He hears nought privately that comes from Troy.
       AENEAS
       Nor I from Troy come not to whisper with him;
       I bring a trumpet to awake his ear,
       To set his sense on the attentive bent,
       And then to speak.
       AGAMEMNON
       Speak frankly as the wind;
       It is not Agamemnon's sleeping hour.
       That thou shalt know, Troyan, he is awake,
       He tells thee so himself.
       AENEAS
       Trumpet, blow loud,
       Send thy brass voice through all these lazy tents;
       And every Greek of mettle, let him know
       What Troy means fairly shall be spoke aloud.
       [Sound trumpet]
       We have, great Agamemnon, here in Troy
       A prince called Hector-Priam is his father-
       Who in this dull and long-continued truce
       Is resty grown; he bade me take a trumpet
       And to this purpose speak: Kings, princes, lords!
       If there be one among the fair'st of Greece
       That holds his honour higher than his ease,
       That seeks his praise more than he fears his peril,
       That knows his valour and knows not his fear,
       That loves his mistress more than in confession
       With truant vows to her own lips he loves,
       And dare avow her beauty and her worth
       In other arms than hers-to him this challenge.
       Hector, in view of Troyans and of Greeks,
       Shall make it good or do his best to do it:
       He hath a lady wiser, fairer, truer,
       Than ever Greek did couple in his arms;
       And will to-morrow with his trumpet call
       Mid-way between your tents and walls of Troy
       To rouse a Grecian that is true in love.
       If any come, Hector shall honour him;
       If none, he'll say in Troy, when he retires,
       The Grecian dames are sunburnt and not worth
       The splinter of a lance. Even so much.
       AGAMEMNON
       This shall be told our lovers, Lord Aeneas.
       If none of them have soul in such a kind,
       We left them all at home. But we are soldiers;
       And may that soldier a mere recreant prove
       That means not, hath not, or is not in love.
       If then one is, or hath, or means to be,
       That one meets Hector; if none else, I am he.
       NESTOR
       Tell him of Nestor, one that was a man
       When Hector's grandsire suck'd. He is old now;
       But if there be not in our Grecian mould
       One noble man that hath one spark of fire
       To answer for his love, tell him from me
       I'll hide my silver beard in a gold beaver,
       And in my vantbrace put this wither'd brawn,
       And, meeting him, will tell him that my lady
       Was fairer than his grandame, and as chaste
       As may be in the world. His youth in flood,
       I'll prove this truth with my three drops of blood.
       AENEAS
       Now heavens forfend such scarcity of youth!
       ULYSSES
       Amen.
       AGAMEMNON
       Fair Lord Aeneas, let me touch your hand;
       To our pavilion shall I lead you, first.
       Achilles shall have word of this intent;
       So shall each lord of Greece, from tent to tent.
       Yourself shall feast with us before you go,
       And find the welcome of a noble foe.
       Exeunt all but ULYSSES and NESTOR
       ULYSSES
       Nestor!
       NESTOR
       What says Ulysses?
       ULYSSES
       I have a young conception in my brain;
       Be you my time to bring it to some shape.
       NESTOR
       What is't?
       ULYSSES
       This 'tis:
       Blunt wedges rive hard knots. The seeded pride
       That hath to this maturity blown up
       In rank Achilles must or now be cropp'd
       Or, shedding, breed a nursery of like evil
       To overbulk us all.
       NESTOR
       Well, and how?
       ULYSSES
       This challenge that the gallant Hector sends,
       However it is spread in general name,
       Relates in purpose only to Achilles.
       NESTOR
       True. The purpose is perspicuous even as substance
       Whose grossness little characters sum up;
       And, in the publication, make no strain
       But that Achilles, were his brain as barren
       As banks of Libya-though, Apollo knows,
       'Tis dry enough-will with great speed of judgment,
       Ay, with celerity, find Hector's purpose
       Pointing on him.
       ULYSSES
       And wake him to the answer, think you?
       NESTOR
       Why, 'tis most meet. Who may you else oppose
       That can from Hector bring those honours off,
       If not Achilles? Though 't be a sportful combat,
       Yet in this trial much opinion dwells;
       For here the Troyans taste our dear'st repute
       With their fin'st palate; and trust to me, Ulysses,
       Our imputation shall be oddly pois'd
       In this vile action; for the success,
       Although particular, shall give a scantling
       Of good or bad unto the general;
       And in such indexes, although small pricks
       To their subsequent volumes, there is seen
       The baby figure of the giant mas
       Of things to come at large. It is suppos'd
       He that meets Hector issues from our choice;
       And choice, being mutual act of all our souls,
       Makes merit her election, and doth boil,
       As 'twere from forth us all, a man distill'd
       Out of our virtues; who miscarrying,
       What heart receives from hence a conquering part,
       To steel a strong opinion to themselves?
       Which entertain'd, limbs are his instruments,
       In no less working than are swords and bows
       Directive by the limbs.
       ULYSSES
       Give pardon to my speech.
       Therefore 'tis meet Achilles meet not Hector.
       Let us, like merchants, show our foulest wares
       And think perchance they'll sell; if not, the lustre
       Of the better yet to show shall show the better,
       By showing the worst first. Do not consent
       That ever Hector and Achilles meet;
       For both our honour and our shame in this
       Are dogg'd with two strange followers.
       NESTOR
       I see them not with my old eyes. What are they?
       ULYSSES
       What glory our Achilles shares from Hector,
       Were he not proud, we all should wear with him;
       But he already is too insolent;
       And it were better parch in Afric sun
       Than in the pride and salt scorn of his eyes,
       Should he scape Hector fair. If he were foil'd,
       Why, then we do our main opinion crush
       In taint of our best man. No, make a lott'ry;
       And, by device, let blockish Ajax draw
       The sort to fight with Hector. Among ourselves
       Give him allowance for the better man;
       For that will physic the great Myrmidon,
       Who broils in loud applause, and make him fall
       His crest, that prouder than blue Iris bends.
       If the dull brainless Ajax come safe off,
       We'll dress him up in voices; if he fail,
       Yet go we under our opinion still
       That we have better men. But, hit or miss,
       Our project's life this shape of sense assumes-
       Ajax employ'd plucks down Achilles' plumes.
       NESTOR
       Now, Ulysses, I begin to relish thy advice;
       And I will give a taste thereof forthwith
       To Agamemnon. Go we to him straight.
       Two curs shall tame each other: pride alone
       Must tarre the mastiffs on, as 'twere their bone.
       Exeunt
用户中心

本站图书检索

本书目录

Dramatis Personae
Prologue
act i
   Scene 1.
   Scene 2.
   Scene 3.
act ii
   Scene 1.
   Scene 2.
   Scene 3.
act iii
   Scene 1.
   Scene 2.
   Scene 3.
act iv
   Scene 1.
   Scene 2.
   Scene 3.
   Scene 4.
   Scene 5.
act v
   Scene 1.
   Scene 2.
   Scene 3.
   Scene 4.
   Scene 5.
   Scene 6.
   Scene 7.
   Scene 8.
   Scene 9.
   Scene 10.