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Financier, The
CHAPTER 19
Theodore Dreiser
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       _ The growth of a passion is a very peculiar thing. In highly
       organized intellectual and artistic types it is so often apt to
       begin with keen appreciation of certain qualities, modified by
       many, many mental reservations. The egoist, the intellectual,
       gives but little of himself and asks much. Nevertheless, the
       lover of life, male or female, finding himself or herself in
       sympathetic accord with such a nature, is apt to gain much.
       Cowperwood was innately and primarily an egoist and intellectual,
       though blended strongly therewith, was a humane and democratic
       spirit. We think of egoism and intellectualism as closely confined
       to the arts. Finance is an art. And it presents the operations
       of the subtlest of the intellectuals and of the egoists. Cowperwood
       was a financier. Instead of dwelling on the works of nature, its
       beauty and subtlety, to his material disadvantage, he found a happy
       mean, owing to the swiftness of his intellectual operations,
       whereby he could, intellectually and emotionally, rejoice in the
       beauty of life without interfering with his perpetual material
       and financial calculations. And when it came to women and morals,
       which involved so much relating to beauty, happiness, a sense of
       distinction and variety in living, he was but now beginning to
       suspect for himself at least that apart from maintaining organized
       society in its present form there was no basis for this one-life,
       one-love idea. How had it come about that so many people agreed
       on this single point, that it was good and necessary to marry one
       woman and cleave to her until death? He did not know. It was not
       for him to bother about the subtleties of evolution, which even
       then was being noised abroad, or to ferret out the curiosities of
       history in connection with this matter. He had no time. Suffice
       it that the vagaries of temperament and conditions with which he
       came into immediate contact proved to him that there was great
       dissatisfaction with that idea. People did not cleave to each other
       until death; and in thousands of cases where they did, they did not
       want to. Quickness of mind, subtlety of idea, fortuitousness of
       opportunity, made it possible for some people to right their
       matrimonial and social infelicities; whereas for others, because of
       dullness of wit, thickness of comprehension, poverty, and lack of
       charm, there was no escape from the slough of their despond. They
       were compelled by some devilish accident of birth or lack of force
       or resourcefulness to stew in their own juice of wretchedness, or to
       shuffle off this mortal coil--which under other circumstances had
       such glittering possibilities--via the rope, the knife, the bullet,
       or the cup of poison.
       "I would die, too," he thought to himself, one day, reading of a
       man who, confined by disease and poverty, had lived for twelve years
       alone in a back bedroom attended by an old and probably decrepit
       housekeeper. A darning-needle forced into his heart had ended his
       earthly woes. "To the devil with such a life! Why twelve years?
       Why not at the end of the second or third?"
       Again, it was so very evident, in so many ways, that force was the
       answer--great mental and physical force. Why, these giants of
       commerce and money could do as they pleased in this life, and did.
       He had already had ample local evidence of it in more than one
       direction. Worse--the little guardians of so-called law and morality,
       the newspapers, the preachers, the police, and the public moralists
       generally, so loud in their denunciation of evil in humble places,
       were cowards all when it came to corruption in high ones. They did
       not dare to utter a feeble squeak until some giant had accidentally
       fallen and they could do so without danger to themselves. Then, O
       Heavens, the palaver! What beatings of tom-toms! What mouthings of
       pharisaical moralities--platitudes! Run now, good people, for you
       may see clearly how evil is dealt with in high places! It made him
       smile. Such hypocrisy! Such cant! Still, so the world was organized,
       and it was not for him to set it right. Let it wag as it would.
       The thing for him to do was to get rich and hold his own--to build
       up a seeming of virtue and dignity which would pass muster for the
       genuine thing. Force would do that. Quickness of wit. And he had
       these. "I satisfy myself," was his motto; and it might well have
       been emblazoned upon any coat of arms which he could have contrived
       to set forth his claim to intellectual and social nobility.
       But this matter of Aileen was up for consideration and solution at
       this present moment, and because of his forceful, determined
       character he was presently not at all disturbed by the problem it
       presented. It was a problem, like some of those knotty financial
       complications which presented themselves daily; but it was not
       insoluble. What did he want to do? He couldn't leave his wife and
       fly with Aileen, that was certain. He had too many connections.
       He had too many social, and thinking of his children and parents,
       emotional as well as financial ties to bind him. Besides, he was
       not at all sure that he wanted to. He did not intend to leave his
       growing interests, and at the same time he did not intend to give
       up Aileen immediately. The unheralded manifestation of interest
       on her part was too attractive. Mrs. Cowperwood was no longer
       what she should be physically and mentally, and that in itself
       to him was sufficient to justify his present interest in this girl.
       Why fear anything, if only he could figure out a way to achieve it
       without harm to himself? At the same time he thought it might never
       be possible for him to figure out any practical or protective
       program for either himself or Aileen, and that made him silent and
       reflective. For by now he was intensely drawn to her, as he could
       feel--something chemic and hence dynamic was uppermost in him now
       and clamoring for expression.
       At the same time, in contemplating his wife in connection with
       all this, he had many qualms, some emotional, some financial.
       While she had yielded to his youthful enthusiasm for her after
       her husband's death, he had only since learned that she was a
       natural conservator of public morals--the cold purity of the
       snowdrift in so far as the world might see, combined at times
       with the murky mood of the wanton. And yet, as he had also
       learned, she was ashamed of the passion that at times swept and
       dominated her. This irritated Cowperwood, as it would always
       irritate any strong, acquisitive, direct-seeing temperament.
       While he had no desire to acquaint the whole world with his
       feelings, why should there be concealment between them, or at
       least mental evasion of a fact which physically she subscribed
       to? Why do one thing and think another? To be sure, she was devoted
       to him in her quiet way, not passionately (as he looked back he
       could not say that she had ever been that), but intellectually.
       Duty, as she understood it, played a great part in this. She was
       dutiful. And then what people thought, what the time-spirit
       demanded--these were the great things. Aileen, on the contrary,
       was probably not dutiful, and it was obvious that she had no
       temperamental connection with current convention. No doubt she
       had been as well instructed as many another girl, but look at her.
       She was not obeying her instructions.
       In the next three months this relationship took on a more flagrant
       form. Aileen, knowing full well what her parents would think, how
       unspeakable in the mind of the current world were the thoughts
       she was thinking, persisted, nevertheless, in so thinking and
       longing. Cowperwood, now that she had gone thus far and compromised
       herself in intention, if not in deed, took on a peculiar charm for
       her. It was not his body--great passion is never that, exactly.
       The flavor of his spirit was what attracted and compelled, like the
       glow of a flame to a moth. There was a light of romance in his
       eyes, which, however governed and controlled--was directive and
       almost all-powerful to her.
       When he touched her hand at parting, it was as though she had
       received an electric shock, and she recalled that it was very
       difficult for her to look directly into his eyes. Something akin
       to a destructive force seemed to issue from them at times. Other
       people, men particularly, found it difficult to face Cowperwood's
       glazed stare. It was as though there were another pair of eyes
       behind those they saw, watching through thin, obscuring curtains.
       You could not tell what he was thinking.
       And during the next few months she found herself coming closer
       and closer to Cowperwood. At his home one evening, seated at the
       piano, no one else being present at the moment, he leaned over and
       kissed her. There was a cold, snowy street visible through the
       interstices of the hangings of the windows, and gas-lamps flickering
       outside. He had come in early, and hearing Aileen, he came to where
       she was seated at the piano. She was wearing a rough, gray wool
       cloth dress, ornately banded with fringed Oriental embroidery in
       blue and burnt-orange, and her beauty was further enhanced by a gray
       hat planned to match her dress, with a plume of shaded orange and
       blue. On her fingers were four or five rings, far too many--an opal,
       an emerald, a ruby, and a diamond--flashing visibly as she played.
       She knew it was he, without turning. He came beside her, and she
       looked up smiling, the reverie evoked by Schubert partly vanishing--
       or melting into another mood. Suddenly he bent over and pressed
       his lips firmly to hers. His mustache thrilled her with its silky
       touch. She stopped playing and tried to catch her breath, for,
       strong as she was, it affected her breathing. Her heart was beating
       like a triphammer. She did not say, "Oh," or, "You mustn't," but
       rose and walked over to a window, where she lifted a curtain,
       pretending to look out. She felt as though she might faint, so
       intensely happy was she.
       Cowperwood followed her quickly. Slipping his arms about her
       waist, he looked at her flushed cheeks, her clear, moist eyes and
       red mouth.
       "You love me?" he whispered, stern and compelling because of his
       desire.
       "Yes! Yes! You know I do."
       He crushed her face to his, and she put up her hands and stroked
       his hair.
       A thrilling sense of possession, mastery, happiness and understanding,
       love of her and of her body, suddenly overwhelmed him.
       "I love you," he said, as though he were surprised to hear himself
       say it. "I didn't think I did, but I do. You're beautiful. I'm
       wild about you."
       "And I love you" she answered. "I can't help it. I know I shouldn't,
       but--oh--" Her hands closed tight over his ears and temples. She
       put her lips to his and dreamed into his eyes. Then she stepped
       away quickly, looking out into the street, and he walked back into
       the living-room. They were quite alone. He was debating whether
       he should risk anything further when Norah, having been in to see
       Anna next door, appeared and not long afterward Mrs. Cowperwood.
       Then Aileen and Norah left. _