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Essay(s) by Christopher Morley
The Perfect Reader
Christopher Morley
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       On Christmas Eve, while the Perfect Reader sits in his armchair immersed in a book--so absorbed that he has let the fire go out--I propose to slip gently down the chimney and leave this tribute in his stocking. It is not a personal tribute. I speak, on behalf of the whole fraternity of writers, this word of gratitude--and envy.
       No one who has ever done any writing, or has any ambition toward doing so, can ever be a Perfect Reader. Such a one is not disinterested. He reads, inevitably, in a professional spirit. He does not surrender himself with complete willingness of enjoyment. He reads "to see how the other fellow does it"; to note the turn of a phrase, the cadence of a paragraph; carrying on a constant subconscious comparison with his own work. He broods constantly as to whether he himself, in some happy conjuncture of quick mind and environing silence and the sudden perfect impulse, might have written something like that. He is (poor devil) confessedly selfish. On every page he is aware of his own mind running with him, tingling him with needle-pricks of conscience for the golden chapters he has never written. And so his reading is, in a way, the perfection of exquisite misery--and his writing also. When he writes, he yearns to be reading; when he reads, he yearns to be writing.
       But the Perfect Reader, for whom all fine things are written, knows no such delicate anguish. When he reads, it is without any _arriere pensee_, any twingeing consciousness of self. I like to think of one Perfect Reader of my acquaintance. He is a seafaring man, and this very evening he is in his bunk, at sea, the day's tasks completed. Over his head is a suitable electric lamp. In his mouth is a pipe with that fine wine-dark mahogany sheen that resides upon excellent briar of many years' service. He has had (though I speak only by guess) a rummer of hot toddy to celebrate the greatest of all Evenings. At his elbow is a porthole, brightly curtained with a scrap of clean chintz, and he can hear the swash of the seas along his ship's tall side. And now he is reading. I can see him reading. I know just how his mind feels! Oh, the Perfect Reader! There is not an allusion that he misses; in all those lovely printed words he sees the subtle secrets that a lesser soul would miss. He (bless his heart!) is not thinking how he himself would have written it; his clear, keen, outreaching mind is intent only to be one in spirit with the invisible and long-dead author. I tell you, if there is anywhere a return of the vanished, it is then, at such moments, over the tilted book held by the Perfect Reader.
       And how quaint it is that he should diminish himself so modestly. "Of course" (he says), "I'm only a Reader, and I don't know anything about writing----" Why, you adorable creature, _You_ are our court of final appeal, you are the one we come to, humbly, to know whether, anywhere in our miserable efforts to set out our unruly hearts in parallel lines, we have done an honest thing. What do we care for what (most of) the critics say? They (we know only too well) are not criticising _us_, but, unconsciously, themselves. They skew their own dreams into their comment, and blame us for not writing what they once wanted to. You we can trust, for you have looked at life largely and without pettifogging qualms. The parallel lines of our eager pages meet at Infinity--that is, in the infinite understanding and judgment of the Perfect Reader.
       The enjoyment of literature is a personal communion; it cannot be outwardly instilled. The utmost the critic can do is read the marriage service over the reader and the book. The union is consummated, if at all, in secret. But now and then there comes up the aisle a new Perfect Reader, and all the ghosts of literature wait for him, starry-eyed, by the altar. And as long as there are Perfect Readers, who read with passion, with glory, and then speed to tell their friends, there will always be, ever and anon, a Perfect Writer.
       And so, dear Perfect Reader, a Merry Christmas to you and a New Year of books worthy your devotion! When you revive from that book that holds you in spell, and find this little note on the cold hearth, I hope you may be pleased.
       [The end]
       Christopher Morley's essay: The Perfect Reader
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"Idolatry"
"Owd Bob"
"Peacock Pie"
1100 Words
163 Innocent Old Men
17 Heriot Row
Adventures At Lunch Time
Adventures In High Finance
Advice To Those Visiting A Baby
The American House Of Lords
The Apple That No One Ate
The Art Of Walking
As To Rumors
At The Gasthof Zum Ochsen
The Autogenesis Of A Poet
Books Of The Sea
Brown Eyes And Equinoxes
Bullied By The Birds
By The Fireplace
A Casual Of The Sea
Christmas Cards
A City Note-Book (New York)
A City Notebook (Philadelphia)
Clouds
The Club At Its Worst
The Club In Hoboken
The Club Of Abandoned Husbands
Confessions Of A "Colyumist"
Confessions Of A Smoker
Consider The Commuter
Cotswold Winds
Creed Of The Three Hours For Lunch Club
Dempsey Vs. Carpentier
A Dialogue (Between Dogs)
A Discovery
The Dog's Commandments
Don Marquis
The Downfall Of George Snipe
Fallacious Meditations On Criticism
Fellow Craftsmen
The First Commencement Address
Fixed Ideas
Frank Confessions Of A Publisher's Reader
A Friend Of Fitzgerald
Fulton Street, And Walt Whitman
Gissing (a dog's name)
Going To Philadelphia
A Good Home In The Suburbs
Greeting To American Anglers
The Haunting Beauty Of Strychnine
Hay Febrifuge
The Head Of The Firm
The Hilarity Of Hilaire
Housebroken
If Buying A Meal Were Like Buying A House
If Mr. Wilson Were The Weather Man
In Memoriam, Francis Barton Gummere
Ingo
Initiation
A Japanese Bachelor
Joyce Kilmer
The Key Ring
The Last Pipe
A Letter To A Sea Captain
A Letter To Father Time
Letters To Cynthia
Letting Out The Furnace
The Literary Pawnshop
The Little House
Magic In Salamis
Making Marathon Safe For The Urchin
The Man
A Marriage Service For Commuters
McSorley's
Meditations Of A Bookseller
A Message For Boonville
A Morning In Marathon
Moving
Mr. Conrad's New Preface
Mrs. Izaak Walton Writes A Letter To Her Mother
Musings Of John Mistletoe
My Friend
My Magnificent System
The Old Reliable
Old Thoughts For Christmas
On Doors
On Filling An Ink-Well
On Going To Bed
On Laziness
On Making Friends
On Unanswering Letters
On Visiting Bookshops
On Waiting For The Curtain To Go Up
One-Night Stands
Our Mothers
Our Tricolour Tie
The Owl Train
An Oxford Landlady
The Perfect Reader
The Permanence Of Poetry
A Poet Of Sad Vigils
A Portrait
A Preface To The Profession Of Journalism
Prefaces
A Question Of Plumage
Rhubarb
The Rudeness Of Poets
Rupert Brooke
Safety Pins
Secret Transactions Of The Three Hours For Lunch Club
Silas Orrin Howes
Sitting In The Barber's Chair
The Skipper
The Smell Of Smells
Some Inns
A Suburban Sentimentalist
The Sunny Side Of Grub Street
Surf Fishing
Syntax For Cynics, A Grammar Of The Feminine Language
Tadpoles
Tales Of Two Cities (Philadelphia & New York)
Teaching The Prince To Take Notes
Thoughts In The Subway
Thoughts On Cider
Time To Light The Furnace
The Tragedy Of Washington Square
A Tragic Smell In Marathon
Trials Of A President Traveling Abroad
Trivia
Truth
Two Days We Celebrate
Unhealthy
The Unnatural Naturalist
The Urchin At The Zoo
The Value Of Criticism
A Venture In Mysticism
Visiting Poets
Walt Whitman Miniatures
West Broadway
What Men Live By
William Mcfee
The World's Most Famous Oration