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Essay(s) by Christopher Morley
A Tragic Smell In Marathon
Christopher Morley
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       Marathon, Pa., April 2.
       This is a very embarrassing time of year for us. Every morning when we get on the 8:13 train at Marathon Bill Stites or Fred Myers or Hank Harris or some other groundsel philosopher on the Cinder and Bloodshot begins to chivvy us about our garden. "Have you planted anything yet?" they say. "Have you put litmus paper in the soil to test it for lime, potash and phosphorus? Have you got a harrow?"
       That sort of thing bothers us, because our ideas of cultivation are very primitive. We did go to the newsstand at the Reading Terminal and try to buy a Litmus paper, but the agent didn't have any. He says he doesn't carry the Jersey papers. So we buried some old copies of the _Philistine_ in the garden, thinking that would strengthen up the soil a bit. This business of nourishing the soil seems grotesque. It's hard enough to feed the family, let alone throwing away good money on feeding the land. Our idea about soil is that it ought to feed itself.
       Our garden ought to be lusty enough to raise the few beans and beets and blisters we aspire to. We have been out looking at the soil. It looks fairly potent and certainly it goes a long way down. There are quite a lot of broken magnesia bottles and old shinbones scattered through it, and they ought to help along. The topsoil and the humus may be a little mixed, but we are not going to sort them out by hand.
       Our method is to go out at twilight the first Sunday in April, about the time the cutworms go to roost, and take a sharp-pointed stick. We draw lines in the ground with this stick, preferably in a pleasant geometrical pattern that will confuse the birds and other observers. It is important not to do this until twilight, so that no robins or insects can watch you. Then we go back in the house and put on our old trousers, the pair that has holes in each pocket. We fill the pockets with the seed, we want to plant and loiter slowly along the grooves we have made in the earth. The seed sifts down the trousers legs and spreads itself in the furrow far better than any mechanical drill could do it. The secret of gardening is to stick to nature's old appointed ways. Then we read a chapter of Bernard Shaw aloud, by candle light or lantern light. As soon as they hear the voice of Shaw all the vegetables dig themselves in. This saves going all along the rows with a shingle to pat down the topsoil or the humus or the magnesia bottles or whatever else is uppermost.
       Fred says that certain vegetables--kohl-rabi and colanders, we think--extract nitrogen from the air and give it back to the soil. It may be so, but what has that to do with us? If our soil can't keep itself supplied with nitrogen, that's its lookout. We don't need the nitrogen in the air. The baby isn't old enough to have warts yet.
       Hank says it's no use watering the garden from above. He says that watering from above lures the roots toward the surface and next day the hot sun kills them. The answer to that is that the rain comes from above, doesn't it? Roots have learned certain habits in the past million years and we haven't time to teach them to duck when it rains. Hank has some irrigation plan which involves sinking tomato cans in the ground and filling them with water.
       Bill says it's dangerous to put arsenic on the plants, because it may kill the cook. He says nicotine or tobacco dust is far better. The answer to that is that we never put fertilizers on our garden, anyway. If we want to kill the cook there is a more direct method, and we reserve the tobacco for ourself. No cutworm shall get a blighty one from our cherished baccy pouch.
       Fred says we ought to have a wheel-barrow; Hank swears by a mulching iron; Bill is all for cold frames. All three say that hellebore is the best thing for sucking insects. We echo the expletive, with a different application.
       You see, we have no instinct for gardening. Some fellows, like Bill Stites, have a divinely implanted zest for the propagation of chard and rhubarb and self-blanching celery and kohl-rabi; they are kohl-rabid, we might say. They know, just what to do when they see a weed; they can assassinate a weevil by just looking at it. But weevils and cabbage worms are unterrified by us. We can't tell a weed from a young onion. We never mulched anything in our life; we wouldn't know how to begin.
       But the deuce of it is, public opinion says that we must raise a garden. It is no use to hire a man to do it for us. However badly we may do it, patriotism demands that we monkey around with a garden of our own. We may get bitten by a snapping bean or routed by a rutabaga or infected by a parsnip. But with Bill and those fellows at our heels we have just got to face it. Hellebore!
       What we want to know is, How do you ever find out all these things about vegetables? We bought an ounce of tomato seeds in desperation, and now Fred says "one ounce of tomato seeds will produce 3,000 plants. You should have bought two dozen plants instead of the seed." How does he know those things? Hank says beans are very delicate and must not be handled while they are wet or they may get rusty. Again we ask, how does he know? Where do they learn these matters? Bill says that stones draw out the moisture from the soil and every stone in the garden should be removed by hand before we plant. We offered him twenty cents an hour to do it.
       The most tragic odor in the world hangs over Marathon these days; the smell of freshly spaded earth. It is extolled by the poets and all those happy sons of the pavement who know nothing about it. But here are we, who hardly know a loam from a lentil, breaking our back over seed catalogues. Public opinion may compel us to raise vegetables, but we are going to go about it our own way. If the stones are going to act like werewolves and suck the moisture from our soil, let them do so. We don't believe in thwarting nature. Maybe it will be a very wet summer and we shall have the laugh on Bill, who has carted away all his stones.
       And we should just like to see Bill Stites write a poem. We bet it wouldn't look as much like a poem as our beans look like beans. And as for Hank and Fred, they wouldn't even know how to begin to plant a poem!
       [The end]
       Christopher Morley's essay: A Tragic Smell In Marathon
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"Idolatry"
"Owd Bob"
"Peacock Pie"
1100 Words
163 Innocent Old Men
17 Heriot Row
Adventures At Lunch Time
Adventures In High Finance
Advice To Those Visiting A Baby
The American House Of Lords
The Apple That No One Ate
The Art Of Walking
As To Rumors
At The Gasthof Zum Ochsen
The Autogenesis Of A Poet
Books Of The Sea
Brown Eyes And Equinoxes
Bullied By The Birds
By The Fireplace
A Casual Of The Sea
Christmas Cards
A City Note-Book (New York)
A City Notebook (Philadelphia)
Clouds
The Club At Its Worst
The Club In Hoboken
The Club Of Abandoned Husbands
Confessions Of A "Colyumist"
Confessions Of A Smoker
Consider The Commuter
Cotswold Winds
Creed Of The Three Hours For Lunch Club
Dempsey Vs. Carpentier
A Dialogue (Between Dogs)
A Discovery
The Dog's Commandments
Don Marquis
The Downfall Of George Snipe
Fallacious Meditations On Criticism
Fellow Craftsmen
The First Commencement Address
Fixed Ideas
Frank Confessions Of A Publisher's Reader
A Friend Of Fitzgerald
Fulton Street, And Walt Whitman
Gissing (a dog's name)
Going To Philadelphia
A Good Home In The Suburbs
Greeting To American Anglers
The Haunting Beauty Of Strychnine
Hay Febrifuge
The Head Of The Firm
The Hilarity Of Hilaire
Housebroken
If Buying A Meal Were Like Buying A House
If Mr. Wilson Were The Weather Man
In Memoriam, Francis Barton Gummere
Ingo
Initiation
A Japanese Bachelor
Joyce Kilmer
The Key Ring
The Last Pipe
A Letter To A Sea Captain
A Letter To Father Time
Letters To Cynthia
Letting Out The Furnace
The Literary Pawnshop
The Little House
Magic In Salamis
Making Marathon Safe For The Urchin
The Man
A Marriage Service For Commuters
McSorley's
Meditations Of A Bookseller
A Message For Boonville
A Morning In Marathon
Moving
Mr. Conrad's New Preface
Mrs. Izaak Walton Writes A Letter To Her Mother
Musings Of John Mistletoe
My Friend
My Magnificent System
The Old Reliable
Old Thoughts For Christmas
On Doors
On Filling An Ink-Well
On Going To Bed
On Laziness
On Making Friends
On Unanswering Letters
On Visiting Bookshops
On Waiting For The Curtain To Go Up
One-Night Stands
Our Mothers
Our Tricolour Tie
The Owl Train
An Oxford Landlady
The Perfect Reader
The Permanence Of Poetry
A Poet Of Sad Vigils
A Portrait
A Preface To The Profession Of Journalism
Prefaces
A Question Of Plumage
Rhubarb
The Rudeness Of Poets
Rupert Brooke
Safety Pins
Secret Transactions Of The Three Hours For Lunch Club
Silas Orrin Howes
Sitting In The Barber's Chair
The Skipper
The Smell Of Smells
Some Inns
A Suburban Sentimentalist
The Sunny Side Of Grub Street
Surf Fishing
Syntax For Cynics, A Grammar Of The Feminine Language
Tadpoles
Tales Of Two Cities (Philadelphia & New York)
Teaching The Prince To Take Notes
Thoughts In The Subway
Thoughts On Cider
Time To Light The Furnace
The Tragedy Of Washington Square
A Tragic Smell In Marathon
Trials Of A President Traveling Abroad
Trivia
Truth
Two Days We Celebrate
Unhealthy
The Unnatural Naturalist
The Urchin At The Zoo
The Value Of Criticism
A Venture In Mysticism
Visiting Poets
Walt Whitman Miniatures
West Broadway
What Men Live By
William Mcfee
The World's Most Famous Oration