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Essay(s) by Christopher Morley
On Making Friends
Christopher Morley
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       Considering that most friendships are made by mere hazard, how is it that men find themselves equipped and fortified with just the friends they need? We have heard of men who asserted that they would like to have more money, or more books, or more pairs of pyjamas; but we have never heard of a man saying that he did not have enough friends. For, while one can never have too many friends, yet those one has are always enough. They satisfy us completely. One has never met a man who would say, "I wish I had a friend who would combine the good humour of A, the mystical enthusiasm of B, the love of doughnuts which is such an endearing quality in C, and who would also have the habit of giving Sunday evening suppers like D, and the well-stocked cellar which is so deplorably lacking in E." No; the curious thing is that at any time and in any settled way of life a man is generally provided with friends far in excess of his desert, and also in excess of his capacity to absorb their wisdom and affectionate attentions.
       There is some pleasant secret behind this, a secret that none is wise enough to fathom. The infinite fund of disinterested humane kindliness that is adrift in the world is part of the riddle, the insoluble riddle of life that is born in our blood and tissue. It is agreeable to think that no man, save by his own gross fault, ever went through life unfriended, without companions to whom he could stammer his momentary impulses of sagacity, to whom he could turn in hours of loneliness. It is not even necessary to know a man to be his friend. One can sit at a lunch counter, observing the moods and whims of the white-coated pie-passer, and by the time you have juggled a couple of fried eggs you will have caught some grasp of his philosophy of life, seen the quick edge and tang of his humour, memorized the shrewdness of his worldly insight and been as truly stimulated as if you had spent an evening with your favourite parson.
       If there were no such thing as friendship existing to-day, it would perhaps be difficult to understand what it is like from those who have written about it. We have tried, from time to time, to read Emerson's enigmatic and rather frigid essay. It seems that Emerson must have put his cronies to a severe test before admitting them to the high-vaulted and rather draughty halls of his intellect. There are fine passages in his essay, but it is intellectualized, bloodless, heedless of the trifling oddities of human intercourse that make friendship so satisfying. He seems to insist upon a sterile ceremony of mutual self-improvement, a kind of religious ritual, a profound interchange of doctrines between soul and soul. His friends (one gathers) are to be antisepticated, all the poisons and pestilence of their faulty humours are to be drained away before they may approach the white and icy operating table of his heart. "Why insist," he says, "on rash personal relations with your friend? Why go to his house, or know his wife and family?" And yet does not the botanist like to study the flower in the soil where it grows?
       Polonius, too, is another ancient supposed to be an authority on friendship. The Polonius family must have been a thoroughly dreary one to live with; we have often thought that poor Ophelia would have gone mad anyway, even if there had been no Hamlet. Laertes preaches to Ophelia; Polonius preaches to Laertes. Laertes escaped by going abroad, but the girl had to stay at home. Hamlet saw that pithy old Polonius was a preposterous and orotund ass. Polonius's doctrine of friendship--"The friends thou hast, and their adoption tried, grapple them to thy soul with hoops of steel"--was, we trow, a necessary one in his case. It would need a hoop of steel to keep them near such a dismal old sawmonger.
       Friendships, we think, do not grow up in any such carefully tended and contemplated fashion as Messrs. Emerson and Polonius suggest. They begin haphazard. As we look back on the first time we saw our friends we find that generally our original impression was curiously astray. We have worked along beside them, have consorted with them drunk or sober, have grown to cherish their delicious absurdities, have outrageously imposed on each other's patience--and suddenly we awoke to realize what had happened. We had, without knowing it, gained a new friend. In some curious way the unseen border line had been passed. We had reached the final culmination of Anglo-Saxon regard when two men rarely look each other straight in the eyes because they are ashamed to show each other how fond they are. We had reached the fine flower and the ultimate test of comradeship--that is, when you get a letter from one of your "best friends," you know you don't need to answer it until you get ready to.
       Emerson is right in saying that friendship can't be hurried. It takes time to ripen. It needs a background of humorous, wearisome, or even tragic events shared together, a certain tract of memories shared in common, so that you know that your own life and your companion's have really moved for some time in the same channel. It needs interchange of books, meals together, discussion of one another's whims with mutual friends, to gain a proper perspective. It is set in a rich haze of half-remembered occasions, sudden glimpses, ludicrous pranks, unsuspected observations, midnight confidences when heart spoke to candid heart.
       The soul preaches humility to itself when it realizes, startled, that it has won a new friend. Knowing what a posset of contradictions we all are, it feels a symptom of shame at the thought that our friend knows all our frailties and yet thinks us worth affection. We all have cause to be shamefast indeed; for whereas we love ourselves in spite of our faults, our friends often love us even on account of our faults, the highest level to which attachment can go. And what an infinite appeal there is in their faces! How we grow to cherish those curious little fleshy cages--so oddly sculptured--which inclose the spirit within. To see those faces, bent unconsciously over their tasks--each different, each unique, each so richly and queerly expressive of the lively and perverse enigma of man, is a full education in human tolerance. Privately, one studies his own ill-modeled visnomy to see if by any chance it bespeaks the emotions he inwardly feels. We know--as Hamlet did--the vicious mole of nature in us, the o'ergrowth of some complexion that mars the purity of our secret resolutions. Yet--our friends have passed it over, have shown their willingness to take us as we are. Can we do less than hope to deserve their generous tenderness, granted before it was earned?
       The problem of education, said R. L. S., is two-fold--"first to know, then to utter." Every man knows what friendship means, but few can utter that complete frankness of communion, based upon full comprehension of mutual weakness, enlivened by a happy understanding of honourable intentions generously shared. When we first met our friends we met with bandaged eyes. We did not know what journeys they had been on, what winding roads their spirits had travelled, what ingenious shifts they had devised to circumvent the walls and barriers of the world. We know these now, for some of them they have told us; others we have guessed. We have watched them when they little dreamed it; just as they (we suppose) have done with us. Every gesture and method of their daily movement have become part of our enjoyment of life. Not until a time comes for saying good-bye will we ever know how much we would like to have said. At those times one has to fall back on shrewder tongues. You remember Hilaire Belloc:
       From quiet homes and first beginning
       Out to the undiscovered ends,
       There's nothing worth the wear of winning
       But laughter, and the love of friends.
       [The end]
       Christopher Morley's essay: On Making Friends
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"Idolatry"
"Owd Bob"
"Peacock Pie"
1100 Words
163 Innocent Old Men
17 Heriot Row
Adventures At Lunch Time
Adventures In High Finance
Advice To Those Visiting A Baby
The American House Of Lords
The Apple That No One Ate
The Art Of Walking
As To Rumors
At The Gasthof Zum Ochsen
The Autogenesis Of A Poet
Books Of The Sea
Brown Eyes And Equinoxes
Bullied By The Birds
By The Fireplace
A Casual Of The Sea
Christmas Cards
A City Note-Book (New York)
A City Notebook (Philadelphia)
Clouds
The Club At Its Worst
The Club In Hoboken
The Club Of Abandoned Husbands
Confessions Of A "Colyumist"
Confessions Of A Smoker
Consider The Commuter
Cotswold Winds
Creed Of The Three Hours For Lunch Club
Dempsey Vs. Carpentier
A Dialogue (Between Dogs)
A Discovery
The Dog's Commandments
Don Marquis
The Downfall Of George Snipe
Fallacious Meditations On Criticism
Fellow Craftsmen
The First Commencement Address
Fixed Ideas
Frank Confessions Of A Publisher's Reader
A Friend Of Fitzgerald
Fulton Street, And Walt Whitman
Gissing (a dog's name)
Going To Philadelphia
A Good Home In The Suburbs
Greeting To American Anglers
The Haunting Beauty Of Strychnine
Hay Febrifuge
The Head Of The Firm
The Hilarity Of Hilaire
Housebroken
If Buying A Meal Were Like Buying A House
If Mr. Wilson Were The Weather Man
In Memoriam, Francis Barton Gummere
Ingo
Initiation
A Japanese Bachelor
Joyce Kilmer
The Key Ring
The Last Pipe
A Letter To A Sea Captain
A Letter To Father Time
Letters To Cynthia
Letting Out The Furnace
The Literary Pawnshop
The Little House
Magic In Salamis
Making Marathon Safe For The Urchin
The Man
A Marriage Service For Commuters
McSorley's
Meditations Of A Bookseller
A Message For Boonville
A Morning In Marathon
Moving
Mr. Conrad's New Preface
Mrs. Izaak Walton Writes A Letter To Her Mother
Musings Of John Mistletoe
My Friend
My Magnificent System
The Old Reliable
Old Thoughts For Christmas
On Doors
On Filling An Ink-Well
On Going To Bed
On Laziness
On Making Friends
On Unanswering Letters
On Visiting Bookshops
On Waiting For The Curtain To Go Up
One-Night Stands
Our Mothers
Our Tricolour Tie
The Owl Train
An Oxford Landlady
The Perfect Reader
The Permanence Of Poetry
A Poet Of Sad Vigils
A Portrait
A Preface To The Profession Of Journalism
Prefaces
A Question Of Plumage
Rhubarb
The Rudeness Of Poets
Rupert Brooke
Safety Pins
Secret Transactions Of The Three Hours For Lunch Club
Silas Orrin Howes
Sitting In The Barber's Chair
The Skipper
The Smell Of Smells
Some Inns
A Suburban Sentimentalist
The Sunny Side Of Grub Street
Surf Fishing
Syntax For Cynics, A Grammar Of The Feminine Language
Tadpoles
Tales Of Two Cities (Philadelphia & New York)
Teaching The Prince To Take Notes
Thoughts In The Subway
Thoughts On Cider
Time To Light The Furnace
The Tragedy Of Washington Square
A Tragic Smell In Marathon
Trials Of A President Traveling Abroad
Trivia
Truth
Two Days We Celebrate
Unhealthy
The Unnatural Naturalist
The Urchin At The Zoo
The Value Of Criticism
A Venture In Mysticism
Visiting Poets
Walt Whitman Miniatures
West Broadway
What Men Live By
William Mcfee
The World's Most Famous Oration