I can not imagine any pleasant job so full of pangs, or any painful job so full of pleasures, as the task of conducting a newspaper column.
The colyumist, when he begins his job, is disheartened because nobody notices it. He soon outgrows this, and is disheartened because too many people notice it, and he imagines that all see the paltriness of it as plainly as he does. There is nothing so amazing to him as to find that any one really enjoys his "stuff." Poor soul, he remembers how he groaned over it at his desk. He remembers the hours he sat with lack-lustre eye and addled brain, brooding at the sluttish typewriter. He remembers the flush of shame that tingled him as he walked sadly homeward, thinking of some atrocious inanity he had sent upstairs to the composing-room. It is a job that engenders a healthy humility.
I had always wanted to have a try at writing a column. Heaven help me, I think I had an idea that I was born for the job. I may as well be candid. There was a time when I seriously thought of inserting the following ad in a Philadelphia newspaper. I find a memorandum of it in my scrap-book:
HUMORIST: Young and untamed, lineal descendent of Eugene Field, Frank Stockton, and Francois Rabelais, desires to run a column in a Philadelphia newspaper. A guaranteed circulation-getter.
Said Humorist can also supply excellent veins of philosophy, poetry, satire, uplift, glad material and indiscriminate musings. Remarkable opportunity for any newspaper desiring a really unusual editorial feature. Address HUMORIST, etc. So besotted was I, I would have paid to have this printed if I had not been counselled by an older and wiser head.
I instance this to show that the colyumist is likely to begin his job with the conception that it is to be a perpetual uproar of mirth and high spirits. This lasts about a week. He then learns, in secret, to take it rather seriously. He has to deal with the most elusive and grotesque material he knows--his own mind; and the unhappy creature, everlastingly probing himself in the hope of discovering what is so rare in minds (a thought), is likely to end in a ferment of bitterness. The happiest times in life are when one can just live along and enjoy things as they happen. If you have to be endlessly speculating, watching, and making mental notes, your brain-gears soon get a hot box. The original of all paragraphers--Ecclesiastes--came very near ending as a complete cynic; though in what F. P. A. would call his "lastline," he managed to wriggle into a more hopeful mood.
The first valuable discovery that the colyumist is likely to make is that all minds are very much the same. The doctors tell us that all patent medicines are built on a stock formula--a sedative, a purge, and a bitter. If you are to make steady column-topers out of your readers, your daily dose must, as far as possible, average up to that same prescription. If you employ the purge all the time, or the sedative, or the acid, your clients will soon ask for something with another label.
Don Marquis once wrote an admirable little poem called "A Colyumist's Prayer." Mr. Marquis, who is the king of all colyumists, realizes that there is what one may call a religious side in colyumizing. It is hard to get the colyumist to admit this, for he fears spoofing worse than the devil; but it is eminently true. If I were the owner of a newspaper, I think I would have painted up on the wall of the local room the following words from Isaiah, the best of all watchwords for all who write:
Woe unto them that call evil good, and good evil; that put darkness for light, and light for darkness; that put bitter for sweet, and sweet for bitter! The most painful privilege of the colyumist's job is the number of people who drop in to see him, usually when he is imprecating his way toward the hour of going to press. This is all a part of the great and salutary human instinct against work. When people see a man toiling, they have an irresistible impulse to crowd round and stop him. They seem to imagine that he has been put there on purpose to help them solve their problems, to find a job for their friend from Harrisburg, or to tell them how to find a publisher for their poems. Unhappily, their victim being merely human, is likely to grow a bit snappish under infliction. Yet now and then he gets a glimpse into a human vexation so sincere, so honest, and so moving that he turns away from the typewriter with a sigh. He wonders how one dare approach the chronicling of this muddled panorama with anything but humility and despair. Frank Harris once said of Oscar Wilde: "If England insists on treating her criminals like this, she doesn't deserve to have any." Similarly, if the public insists on bringing its woes to its colyumists, it doesn't deserve to have any colyumists. Then the battered jester turns again to his machine and ticks off something like this:
We have heard of ladies who have been tempted beyond their strength. We have also seen some who have been strengthened beyond their temptation. Of course there are good days, too. (This is not one of them.) Days when the whole course of the news seems planned for the benefit of the chaffish and irreverent commentator. When Governor Hobby of Texas issues a call for the state cavalry. When one of your clients drops in, in the goodness of his heart, to give you his own definition of a pessimist--a pessimist, he says, is a man who wears both belt and suspenders. When a big jewellery firm in the city puts out a large ad--
Bailey, Banks & Biddle Company
Watches for Women
Of Superior Design and Perfection
of Movement
all that one needs to do to that is to write over it the caption
SO DO WE ALL
and pass on to the next paragraph.
The more a colyumist is out on the streets, making himself the reporter of the moods and oddities of men, the better his stuff will be. It seems to me that his job ought to be good training for a novelist, as it teaches him a habit of human sensitiveness. He becomes filled with an extraordinary curiosity about the motives and purposes of the people he sees. The other afternoon I was very much struck by the unconscious pathos of a little, gentle-eyed old man who was standing on Chestnut Street studying a pocket notebook. His umbrella leaned against a shop-window, on the sill of which he had laid a carefully rolled-up newspaper. By his feet was a neat leather brief-case, plumply filled with contents not discernible. There he stood (a sort of unsuccessful Cyrus Curtis), very diminutive, his gray hair rather long abaft his neck, his yellowish straw hat (with curly brim) tilted backward as though in perplexity, his timid and absorbed blue eyes poring over his memorandum-book which was full of pencilled notes. He had a slightly unkempt, brief beard and whiskers, his cheek-bones pinkish, his linen a little frayed. There was something strangely pathetic about him, and I would have given much to have been able to speak to him. I halted at a window farther down the street and studied him; then returned to pass him again, and watched him patiently. He stood quite absorbed, and was still there when I went on.
That is just one of the thousands of vivid little pictures one sees on the city streets day by day. To catch some hint of the meaning of all this, to present a few scrawled notes of the amazing interest and colour of the city's life, this is the colyumist's task as I see it. It is a task not a whit less worthy, less painful, or less baffling than that of the most conscientious novelist. And it is carried on in surroundings of extraordinary stimulation and difficulty. It is heart-racking to struggle day by day, amid incessant interruption and melee, to snatch out of the hurly-burly some shreds of humour or pathos or (dare one say?) beauty, and phrase them intelligibly.
But it is fun. One never buys a package of tobacco, crosses a city square, enters a trolley car or studies a shop-window without trying, in a baffled, hopeless way, to peer through the frontage of the experience, to find some glimmer of the thoughts, emotions, and meanings behind. And in the long run such a habit of inquiry must bear fruit in understanding and sympathy. Joseph Conrad (who seems, by the way, to be more read by newspaper men than any other writer) put very nobly the pinnacle of all scribblers' dreams when he said that human affairs deserve the tribute of "a sigh which is not a sob, a smile which is not a grin."
So much, with apology, for the ideals of the colyumist, if he be permitted to speak truth without fear of mockery. Of course in the actual process and travail of his job you will find him far different. You may know him by a sunken, brooding eye; clothing marred by much tobacco, and a chafed and tetchy humour toward the hour of five P. M. Having bitterly schooled himself to see men as paragraphs walking, he finds that his most august musings have a habit of stewing themselves down to some ferocious or jocular three-line comment. He may yearn desperately to compose a really thrilling poem that will speak his passionate soul; to churn up from the typewriter some lyric that will rock with blue seas and frantic hearts; he finds himself allaying the frenzy with some jovial sneer at Henry Ford or a yell about the High Cost of Living. Poor soul, he is like one condemned to harangue the vast, idiotic world through a keyhole, whence his anguish issues thin and faint. Yet who will say that all his labour is wholly vain? Perhaps some day the government will crown a Colyumist Laureate, some majestic sage with ancient patient blue eyes and a snowy beard nobly stained with nicotine, whose utterances will be heeded with shuddering respect. All minor colyumists will wear robes and sandals; they will be an order of scoffing friars; people will run to them on crowded streets to lay before them the sorrows and absurdities of men. And in that day
The meanest paragraph that blows will give
Thoughts that do often lie too deep for sneers.
[The end]
Christopher Morley's essay: Confessions Of A "Colyumist"