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Deliverance: A Romance of the Virginia Tobacco Fields, The
Book I- The Inheritance   Book I- The Inheritance - Chapter II. The Owner of Blake Hall
Ellen Glasgow
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       _ As they followed the descending road between flowering chestnuts,
       Blake Hall rose gradually into fuller view, its great oaks
       browned by the approaching twilight and the fading after-glow
       reflected in a single visible pane. Seen close at hand, the house
       presented a cheerful spaciousness of front--a surety of light and
       air--produced in part by the clean white, Doric columns of the
       portico and in part by the ample slope of shaven lawn studded
       with reds of brightly blooming flowers. From the smoking chimneys
       presiding over the ancient roof to the hospitable steps leading
       from the box-bordered walk below, the outward form of the
       dwelling spoke to the imaginative mind of that inner spirit which
       had moulded it into a lasting expression of a racial sentiment,
       as if the Virginia creeper covering the old brick walls had
       wreathed them in memories as tenacious as itself.
       For more than two hundred years Blake Hall had stood as the one
       great house in the county--a manifestation in brick and mortar of
       the hereditary greatness of the Blakes. To Carraway, impersonal
       as his interest was, the acknowledgment brought a sudden vague
       resentment, and for an instant he bit his lip and hung
       irresolute, as if more than half-inclined to retrace his steps. A
       slight thing decided him--the gaiety of a boy's laugh that
       floated from one of the lower rooms and swinging his stick
       briskly to add weight to his determination, he ascended the broad
       steps and lifted the old brass knocker. A moment later the door
       was opened by a large mulatto woman, in a soiled apron, who took
       his small hand-bag from him and, when he asked for Mr. Fletcher,
       led him across the great hall into the unused drawing-room.
       The shutters were closed, and as she flung them back on their
       rusty hinges the pale June twilight entered with the breath of
       mycrophylla roses. In the scented dusk Carraway stared about the
       desolate, crudely furnished room, which gave back to his troubled
       fancy the face of a pitiable, dishonoured corpse. The soul of it
       was gone forever--that peculiar spirit of place which makes every
       old house the guardian of an inner life--the keeper of a family's
       ghost. What remained was but the outer husk, the disfigured
       frame, upon which the newer imprint seemed only a passing insult.
       On the high wainscoted walls he could still trace the vacant
       dust-marked squares where the Blake portraits had once
       hung--lines that the successive scrubbings of fifteen years had
       not utterly effaced. A massive mahogany sofa, carved to represent
       a horn of plenty, had been purchased, perhaps at a general sale
       of the old furniture, with several quaint rosewood chairs and a
       rare cabinet of inlaid woods. For the rest, the later additions
       were uniformly cheap and ill-chosen--a blue plush "set," bought,
       possibly, at a village store, a walnut table with a sallow marble
       top, and several hard engravings of historic subjects.
       When the lawyer turned from a curious inspection of these works
       of art, he saw that only a curtain of flimsy chintz, stretched
       between a pair of fluted columns, separated him from the
       adjoining room, where a lamp, with lowered wick, was burning
       under a bright red shade. After a moment's hesitation he drew the
       curtain aside and entered what he took at once to be the common
       living-room of the Fletcher family.
       Here the effect was less depressing, though equally
       uninteresting--a paper novel or two on the big Bible upon the
       table combined, indeed, with a costly piano in one corner, to
       strike a note that was entirely modern. The white crocheted
       tidies on the chair-backs, elaborated with endless patience out
       of innumerable spools of darning cotton, lent a feminine touch to
       the furniture, which for an instant distracted Carraway's mental
       vision from the impending personality of Fletcher himself. He
       remembered now that there was a sister whom he had heard vaguely
       described by the women of his family as "quite too hopeless," and
       a granddaughter of whom he knew merely that she had for years
       attended an expensive school somewhere in the North. The grandson
       he recalled, after a moment, more distinctly, as a pretty,
       undeveloped boy in white pinafores, who had once accompanied
       Fletcher upon a hurried visit to the town. The gay laugh had
       awakened the incident in his mind, and he saw again the little
       cleanly clad figure perched upon his desk, nibbling bakers' buns,
       while he transacted a tedious piece of business with the vulgar
       grandfather.
       He was toying impatiently with these recollections when his
       attention was momentarily attracted by the sound of Fletcher's
       burly tones on the rear porch just beyond the open window.
       "I tell you, you've set all the niggers agin me, and I can't get
       hands to work the crops."
       "That's your lookout, of course," replied a voice, which he
       associated at once with young Blake. "I told you I'd work three
       days because I wanted the ready money; I've got it, and my time
       is my own again."
       "But I say my tobacco's got to get into the ground this
       week--it's too big for the plant-bed a'ready, and with three days
       of this sun the earth'll be dried as hard as a rock."
       "There's no doubt of it, I think."
       "And it's all your blamed fault," burst out the other angrily;
       "you've gone and turned them all agin me--white and black alike.
       Why, it's as much as I can do to get a stroke of honest labour in
       this nigger-ridden country."
       Christopher laughed shortly.
       "There is no use blaming the Negroes," he said, and his
       pronunciation of the single word would have stamped him in
       Virginia as of a different class from Fletcher; "they're usually
       ready enough to work if you treat them decently."
       "Treat them!" began Fletcher, and Carraway was about to fling
       open the shutters, when light steps passed quickly along the hall
       and he heard the rustle of a woman's silk dress against the
       wainscoting.
       "There's a stranger to see you, grandfather," called a girl's
       even voice from the house; "finish paying off the hands and come
       in at once."
       "Well, of all the impudence!" exclaimed the young man, with a
       saving dash of humour. Then, without so much as a parting word,
       he ran quickly down the steps and started rapidly in the
       direction of the darkening road, while the silk dress rustled
       upon the porch and at the garden gate as the latch was lifted.
       "Go in, grandfather!" called the girl's voice from the garden, to
       which Fletcher responded as decisively.
       "For Heaven's sake, let me manage my own affairs, Maria. You seem
       to have inherited your poor mother's pesky habit of meddling."
       "Well, I told you a gentleman was waiting," returned the girl
       stubbornly. "You didn't let us know he was coming, either, and
       Lindy says there isn't a thing fit to eat for supper."
       Fletcher snorted, and then, before entering the house, stopped to
       haggle with an old Negro woman for a pair of spring chickens
       hanging dejectedly from her outstretched hand, their feet tied
       together with a strip of faded calico.
       "How much you gwine gimme fer dese, marster?" she inquired
       anxiously, deftly twirling them about until they swung with heads
       aloft.
       Rising to the huckster's instinct, Fletcher poked the offerings
       suspiciously beneath their flapping wings.
       "Thirty cents for the pair--not a copper more," he responded
       promptly; "they're as poor as Job's turkey, both of 'em."
       "Lawdy, marster, you know better'n dat."
       "They're skin and bones, I tell you; feel 'em yourself. Well,
       take it or leave it, thirty cents is all I'll give."
       "Go 'way f'om yere, suh; dese yer chickings ain' no po' w'ite
       trash--dey's been riz on de bes' er de lan', dey is--en de aigs
       dey wuz hatched right dar in de middle er de baid whar me en my
       ole man en de chillun sleep. De hull time dat black hen wuz
       a-settin', Cephus he was bleeged ter lay right spang on de bar'
       flo' caze we'uz afeared de aigs 'ould addle. Lawd! Lawd! dey wuz
       plum three weeks a-hatchin', en de weather des freeze thoo en
       thoo. Cephus he's been crippled up wid de rheumatics ever sence.
       Go 'way f'om yer, marster. I warn't bo'n yestiddy. Thirty cents!"
       "Not a copper more, I tell you. Let me go, my good woman; I can't
       stand here all night."
       "Des a minute, marster. Dese yer chickings ain' never sot dey
       feet on de yearth, caze dey's been riz right in de cabin, en
       dey's done et dar vittles outer de same plate wid me en Cephus.
       Ef'n dey spy a chice bit er bacon on de een er de knife hit 'uz
       moughty likely ter fin' hits way down dir throat instid er down
       me en Cephus'."
       "Let me go, I say--I don't want your blamed chickens; take 'em
       home again."
       "Hi! marster, I'se Mehitable. You ain't fergot how peart I use
       ter wuk w'en you wuz over me in ole marster's day. You know you
       ain' fergot Mehitable, suh. Ain't you recollect de time ole
       marster gimme a dollar wid his own han' caze I foun' de biggest
       wum in de hull 'baccy patch? Lawd! dey wuz times, sho's you bo'n.
       I kin see ole marster now es plain es ef twuz yestiddy, so big en
       shiny like satin, wid his skin des es tight es a watermillion's."
       "Shut up, confound you!" cut in Fletcher sharply.
       "If you don't stop your chatter I'll set the dogs on you. Shut
       up, I say!"
       He strode into the house, slamming the heavy door behind him, and
       a moment afterward Carraway heard him scolding brutally at the
       servants across the hall.
       The old Negress had gone muttering from the porch with her unsold
       chickens, when the door softly opened again, and the girl, who
       had entered through the front with her basket of flowers, came
       out into the growing moonlight.
       "Wait a moment, Aunt Mehitable," she said. "I want to speak to
       you."
       Aunt Mehitable turned slowly, putting a feeble hand to her dazed
       eyes. "You ain' ole miss come back agin, is you, honey?" she
       questioned doubtfully.
       "I don't know who your old miss was," replied the girl, "but I am
       not she, whoever she may have been. I am Maria Fletcher. You
       don't remember me--yet you used to bake me ash-cakes when I was a
       little girl."
       The old woman shook her head. "You ain' Marse Fletcher's chile?"
       "His granddaughter--but I must go in to supper. Here is the money
       for your chickens--grandpa was only joking; you know he loves to
       joke. Take the chickens to the hen-house and get something hot to
       eat in the kitchen before you start out again."
       She ran hurriedly up the steps and entered the hall just as
       Fletcher was shaking hands with his guest. _
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LIST OF CHARACTERS
Book I- The Inheritance
   Book I- The Inheritance - Chapter I. The Man in the Field
   Book I- The Inheritance - Chapter II. The Owner of Blake Hall
   Book I- The Inheritance - Chapter III. Showing That a Little Culture Entails Great Care
   Book I- The Inheritance - Chapter IV. Of Human Nature in the Raw State
   Book I- The Inheritance - Chapter V. The Wreck of the Blakes
   Book I- The Inheritance - Chapter VI. Carraway Plays Courtier
   Book I- The Inheritance - Chapter VII. In Which a Stand Is Made
   Book I- The Inheritance - Chapter VIII. Treats of a Passion That Is Not Love
   Book I- The Inheritance - Chapter IX. Cynthia
   Book I- The Inheritance - Chapter X. Sentimental and Otherwise
Book II - The Temptation
   Book II - The Temptation - Chapter I. The Romance That Might Have Been
   Book II - The Temptation - Chapter II. The Romance That Was
   Book II - The Temptation - Chapter III. Fletcher's Move and Christopher's Counterstroke
   Book II - The Temptation - Chapter IV. A Gallant Deed That Leads to Evil
   Book II - The Temptation - Chapter V. The Glimpse of a Bride
   Book II - The Temptation - Chapter VI. Shows Fletcher in a New Light
   Book II - The Temptation - Chapter VII. In Which Hero and Villain Appear as One
   Book II - The Temptation - Chapter VIII. Between the Devil and the Deep Sea
   Book II - The Temptation - Chapter IX. As the Twig Is Bent
   Book II - The Temptation - Chapter X. Powers of Darkness
Book III - The Revenge
   Book III - The Revenge - Chapter I. In Which Tobacco Is Hero
   Book III - The Revenge - Chapter II. Between Christopher and Will
   Book III - The Revenge - Chapter III. Mrs. Blake Speaks Her Mind on Several Matters
   Book III - The Revenge - Chapter IV. In Which Christopher Hesitates
   Book III - The Revenge - Chapter V. The Happiness of Tucker
   Book III - The Revenge - Chapter VI. The Wages of Folly
   Book III - The Revenge - Chapter VII. The Toss of a Coin
   Book III - The Revenge - Chapter VIII. In Which Christopher Triumphs
Book IV - The Awakening
   Book IV - The Awakening - Chapter I. The Unforeseen
   Book IV - The Awakening - Chapter II. Maria Returns to the Hall
   Book IV - The Awakening - Chapter III. The Day Afterward
   Book IV - The Awakening - Chapter IV. The Meeting in the Night
   Book IV - The Awakening - Chapter V. Maria Stands on Christopher's Ground
   Book IV - The Awakening - Chapter VI. The Growing Light
   Book IV - The Awakening - Chapter VII. In which Carraway Speaks the Truth to Maria
   Book IV - The Awakening - Chapter VIII. Between Maria and Christopher
   Book IV - The Awakening - Chapter IX. Christopher Faces Himself
   Book IV - The Awakening - Chapter X. By the Poplar Spring
Book V - The Ancient Law
   Book V - The Ancient Law - Chapter I. Christopher Seeks an Escape
   Book V - The Ancient Law - Chapter II. The Measure of Maria
   Book V - The Ancient Law - Chapter III. Will's Ruin
   Book V - The Ancient Law - Chapter IV. In Which Mrs. Blake's Eyes are Opened
   Book V - The Ancient Law - Chapter V. Christopher Plants by Moonlight
   Book V - The Ancient Law - Chapter VI. Treats of the Tragedy Which Wears a Comic Mask
   Book V - The Ancient Law - Chapter VII. Will Faces Desperation and Stands at Bay
   Book V - The Ancient Law - Chapter VIII. How Christopher Comes into His Revenge
   Book V - The Ancient Law - Chapter IX. The Fulfilling of the Law
   Book V - The Ancient Law - Chapter X. The Wheel of Life