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Deliverance: A Romance of the Virginia Tobacco Fields, The
Book III - The Revenge   Book III - The Revenge - Chapter VII. The Toss of a Coin
Ellen Glasgow
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       _ A fortnight passed before Will came to Christopher's again, and
       then he stole over one evening in the shadow of the twilight.
       Things were no better, he said; they were even worse than usual;
       the work in the tobacco field was simply what he couldn't stand,
       and his grandfather was growing more intolerable every day.
       Besides this, the very dullness of the life was fast driving him
       to distraction. He had smuggled a bottle of whisky from the town,
       and last night, after a hot quarrel with the old man, he had
       succeeded in drugging himself to sleep. "My nerves have gone all
       to pieces," he finished irritably, "and it's nothing on earth but
       this everlasting bickering that has done it. It's more than flesh
       and blood can be expected to put up with."
       His hand shook a little when he lighted a cigarette, and his
       face, which was burned red from wind and sun, contracted
       nervously as he talked. It was the wildness in his speech,
       however, the suppressed excitement which ran in an undercurrent
       beneath his words, that caused the other to turn sharply and
       regard him for a moment with gathered brows.
       "Well, take my advice and don't try that dodge too often,"
       remarked Christopher in a careless tone.
       "What in the deuce does it matter?" returned Will desperately.
       "It was the only quiet night I've had for three weeks: I slept
       like a log straight through until the breakfast-bell. Then I was
       late, of course, and he threatened to take an hour's time from my
       day's wages. By the way, he pays me now, you know, just as he
       does the other labourers."
       For a time he kept up his rambling complaint, but, breaking off
       abruptly at last, made some trivial excuse, and started homeward
       across the fields. Christopher, looking after him, was hardly
       surprised when he saw him branch off into the shaded lane that
       led to Sol Peterkin's.
       There followed a month when the two met only at long intervals,
       and then with a curious constraint of manner. Sometimes
       Christopher, stopping on his way to the pasture, would exchange a
       few words over the rail fence with Will, who lounged on the edge
       of his grandfather's tobacco crop; but the old intimacy had
       ceased suddenly to exist, and it was evident that a newer
       interest had distracted the boy's ardent fancy.
       It was not until August that the meaning of the change was made
       clear to Christopher, when, coming one day to a short turn in a
       little woodland road upon his land, he saw Will and Molly
       Peterkin sitting side by side on a fallen log. The girl had been
       crying, and at the sight of Christopher she gave a frightened sob
       and pulled her blue gingham sunbonnet down over her forehead; but
       Will, inspired at the instant by some ideal of chivalry, drew her
       hand through his arm and came out boldly into the road.
       "You know Molly," he said in a brave voice that was not without
       pathos, "but you don't know that she has promised to be my wife."
       Whatever the purpose of the girl's tears, she had need of them no
       longer, for with an embarrassed little laugh she flushed and
       dimpled into her pretty smile.
       "Your wife?" repeated Christopher blankly. "Why, you're no better
       than two children and deserve to be whipped. If I were in your
       place, I'd start to catching butterflies, and quit fooling."
       He passed on laughing merrily; but before the day was over he
       began to wonder seriously if Will could be really sincere in his
       intention to marry Molly Peterkin--poor, pretty Molly, whose fame
       was blown to the four corners of the county.
       By night the question had come to perplex him in earnest, and it
       was almost with relief that he heard a familiar rattle on his
       window-pane as he undressed, and, looking out, saw Will standing
       in the long grass by the porch.
       "Well, it's time you turned up," he said, when he had slipped
       cautiously down the staircase and joined him in the yard.
       "Get your lantern," returned Will, "and come on to the barn.
       There's something I must see you about at once," and while the
       other went in search of the light, he stood impatiently uprooting
       a tuft of grass as he whistled a college song in unsteady tones.
       At the end of a minute Christopher reappeared, bearing the
       lantern, which he declared was quite unnecessary because of the
       rising moon.
       "Oh, but I must talk indoors," responded Will; "the night makes
       me creepy--it always did."
       "So there is something to say, and it's no nonsense? Are the
       skies about to fall, or has your grandfather got a grip on his
       temper?"
       "Pshaw! It's not that. Wait till we get inside." And when they
       had entered the barn, he turned and carefully closed the door,
       after flashing the light over the trampled straw in the dusky
       corners. In the shed outside a new-born calf bleated plaintively,
       and at the sound he started and broke into an apologetic laugh.
       "You thought I was joking to-day," he said suddenly.
       Christopher nodded.
       "So I presumed," he answered, wondering if drink or love or both
       together had produced so extreme an agitation.
       "Well, I wasn't," declared Will, and, placing the lantern on the
       floor, he raised his head to meet the other's look. "I was as
       dead in earnest as I am this minute--and if it's the last word I
       ever speak, I mean to marry Molly Peterkin."
       His excitable nerves were plainly on the rack of some strong
       emotion, and as he met the blank amazement in Christopher's face
       he turned away with a gesture of angry reproach.
       "Then you're a fool," said Christopher, with a shrug of his
       shoulders.
       Will quivered as if the words struck him like a whip.
       "Because she's Sol Peterkin's daughter?" he burst out.
       Christopher smiled.
       "It's not her father, but her character, that I was thinking of,"
       he answered, and the next instant fell back in sheer surprise,
       for Will, flinging himself recklessly upon him, struck him
       squarely in the mouth.
       As they fell breathlessly apart Christopher was conscious that
       for the first time in his life he felt something like respect for
       Will Fletcher--or at least for that expression of courageous
       passion which in the vivid moments of men's lives appears to
       raise the strong and the weak alike above the ordinary level of
       their surroundings. For a second he stood swallowing down the
       anger which the blow aroused in him--an anger as purely physical
       as the mounting of the hot blood to his cheek--then he looked
       straight into the other's face and spoke in a pleasant voice.
       "I beg your pardon; it was all my fault," he said.
       "I knew you'd see it," answered Will, appeased at once by the
       confession, "and I counted on you to help us; that's why I came."
       "To help you?" repeated Christopher, a little startled.
       "Well, we've got to be married, you know--there's simply nothing
       else to do. All this confounded talk about Molly has come near
       killing her, and the poor child is afraid to look anybody in the
       face. She's so innocent, you know, that half the time she doesn't
       understand what their lies are all about."
       "Good God!" said Christopher beneath his breath.
       "And besides, what use is there in waiting?" urged Will. "Grandpa
       won't be any better fifty years from now than he is to-day, and
       by that time we'd be old and gray-haired. This life is more than
       I can stand, anyway, and it makes mighty little difference
       whether it ends one way or another. Just so I have Molly I don't
       care much what happens. "
       "But you can't marry--it's simply out of the question. Why,
       you're not yet twenty."
       "Oh, we can't marry here, of course, but we're going on to
       Washington to-morrow--all our plans are made, and that's why I
       came to see you. I want to borrow your horses to take us to the
       crossroads at midnight. "
       Seizing him by the shoulder, Christopher shook him roughly in a
       powerful grasp.
       "Wake up," he said impatiently; "you are either drunk or asleep,
       and you're going headlong to the devil. If you do this thing
       you'll be ashamed of it in two weeks." Then he released him,
       laughing as he watched him totter and regain his balance. "But if
       you're bent on being an ass, then, for heaven's sake, go and be
       one," he added irritably.
       A shiver passed through Will, and he stuttered an instant before
       he could form his words.
       "She told me you'd say that," he replied. "She told me you'd
       always hated her."
       "Hate her? Nonsense! She isn't worth it. I'd as soon hate a white
       kitten. As far as that goes, I've nothing against the girl, and I
       don't doubt she'd be a much better wife than most men deserve.
       I'm not prating about virtue, mind you; I'm only urging common
       sense. You're too young and too big a fool to marry anybody."
       "Well, you disapprove of her, at any rate--you're against her,
       and that's why I haven't talked about her before. She's the most
       beautiful creature alive, I tell you, and I wouldn't give her up
       if to keep her meant I'd be a beggar."
       "It will mean that, most likely."
       Turning away, Will drew a small flask from his pocket and,
       unscrewing the stopper, raised the bottle to his lips. "I'd go
       mad but for this," he said; "that's why I've carried it about
       with me for the last week. It's the only thing that drives away
       this horrible depression."
       As he drank, Christopher regarded him curiously, noting that the
       whisky lent animation to his face and an unnatural luster to his
       eyes. The sunburn on his forehead appeared to deepen all at once,
       and there was a bright red flush across his cheeks.
       "You won't take my advice," said Christopher at last, "but I
       can't help telling you that unless you're raving mad you'd better
       drop the whole affair as soon as possible."
       "Not now--not now, " protested Will gaily, consumed by an
       artificial energy. "Don't preach to me while the taste of a drink
       is still in my mouth, for there's no heart so strong as the one
       whisky puts into a man. When I feel my courage oozing from my
       fingers I can reinforce it in less time than it takes to sneak
       away."
       Growing boisterous, he assumed a ridiculous swagger, and broke
       into a fragment of a college song. Until morning he would not
       probably become himself again, and, knowing this, Christopher
       desisted helplessly from his efforts at persuasion.
       "You will lend me the horses?" asked Will, keeping closely to his
       point.
       "Are you steady enough?"
       "Of course--of course, " he stretched out his hands and moved a
       pace or two away; "and besides, Dolly drives like old Nick."
       "Well, I'll see," said Christopher, and going to the window, he
       flung back the rude shutter and looked out into the August night.
       The warm air touched his face like a fragrant breath, and from
       the darkness a big white moth flew over his shoulder to where the
       lantern burned dimly on the floor.
       "I may take them?" urged Will again, pulling him by the sleeve.
       At the words Christopher turned and walked slowly back across the
       barn.
       "Yes, I'll lend them to you," he answered, without meeting the
       other's eyes.
       "You're a jolly good chap; I always knew it, " cried Will
       heartily. "I'll take them out at midnight, when there's a good
       moon, and get Jerry Green to drive them back to-morrow. Hurrah!
       It's the best night's work you ever did!"
       He went out hurriedly, still singing his college song, and
       Christopher, without moving from his place, stood watching the
       big white moth that circled dizzily about the lantern. At the
       instant he regretted that Will had appealed to him--regretted
       even that he had promised him the horses. He wished it had all
       come about without his knowledge--that Fletcher's punishment and
       Will's ruin had been wrought less directly by his own
       intervention. Next he told himself that he would have stopped
       this thing had it been possible, and then with the thought he
       became clearly aware that it was still in his power to prevent
       the marriage. He had but to walk across the fields to Fletcher's
       door, and before sunrise the foolish pair would be safely home
       again. Will would probably be sent off to recover, and Molly
       would go back to making butter and to flirting with Fred Turner.
       On the other hand, let the marriage but take place--let him keep
       silent until the morning--and the revenge of which he had dreamed
       since childhood would be accomplished at a single stroke. Bill
       Fletcher's many sins would find him out in a night.
       The big moth, fluttering aimlessly from the lantern, flew
       suddenly in his face, and the touch startled him from his
       abstraction. With a laugh he shook the responsibility from his
       shoulders, and then, as he hesitated again for a breath, the
       racial instinct arose, as usual, to decide the issue.
       Taking a dime from his pocket, he tossed it lightly in the air
       and waited for it to fall.
       "Heads for me, tails for Fletcher."
       The coin spun for an instant in the gloom above him and then
       dropped noiselessly to the floor. When he lifted the lantern and
       bent over it he saw that the head lay uppermost. _
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LIST OF CHARACTERS
Book I- The Inheritance
   Book I- The Inheritance - Chapter I. The Man in the Field
   Book I- The Inheritance - Chapter II. The Owner of Blake Hall
   Book I- The Inheritance - Chapter III. Showing That a Little Culture Entails Great Care
   Book I- The Inheritance - Chapter IV. Of Human Nature in the Raw State
   Book I- The Inheritance - Chapter V. The Wreck of the Blakes
   Book I- The Inheritance - Chapter VI. Carraway Plays Courtier
   Book I- The Inheritance - Chapter VII. In Which a Stand Is Made
   Book I- The Inheritance - Chapter VIII. Treats of a Passion That Is Not Love
   Book I- The Inheritance - Chapter IX. Cynthia
   Book I- The Inheritance - Chapter X. Sentimental and Otherwise
Book II - The Temptation
   Book II - The Temptation - Chapter I. The Romance That Might Have Been
   Book II - The Temptation - Chapter II. The Romance That Was
   Book II - The Temptation - Chapter III. Fletcher's Move and Christopher's Counterstroke
   Book II - The Temptation - Chapter IV. A Gallant Deed That Leads to Evil
   Book II - The Temptation - Chapter V. The Glimpse of a Bride
   Book II - The Temptation - Chapter VI. Shows Fletcher in a New Light
   Book II - The Temptation - Chapter VII. In Which Hero and Villain Appear as One
   Book II - The Temptation - Chapter VIII. Between the Devil and the Deep Sea
   Book II - The Temptation - Chapter IX. As the Twig Is Bent
   Book II - The Temptation - Chapter X. Powers of Darkness
Book III - The Revenge
   Book III - The Revenge - Chapter I. In Which Tobacco Is Hero
   Book III - The Revenge - Chapter II. Between Christopher and Will
   Book III - The Revenge - Chapter III. Mrs. Blake Speaks Her Mind on Several Matters
   Book III - The Revenge - Chapter IV. In Which Christopher Hesitates
   Book III - The Revenge - Chapter V. The Happiness of Tucker
   Book III - The Revenge - Chapter VI. The Wages of Folly
   Book III - The Revenge - Chapter VII. The Toss of a Coin
   Book III - The Revenge - Chapter VIII. In Which Christopher Triumphs
Book IV - The Awakening
   Book IV - The Awakening - Chapter I. The Unforeseen
   Book IV - The Awakening - Chapter II. Maria Returns to the Hall
   Book IV - The Awakening - Chapter III. The Day Afterward
   Book IV - The Awakening - Chapter IV. The Meeting in the Night
   Book IV - The Awakening - Chapter V. Maria Stands on Christopher's Ground
   Book IV - The Awakening - Chapter VI. The Growing Light
   Book IV - The Awakening - Chapter VII. In which Carraway Speaks the Truth to Maria
   Book IV - The Awakening - Chapter VIII. Between Maria and Christopher
   Book IV - The Awakening - Chapter IX. Christopher Faces Himself
   Book IV - The Awakening - Chapter X. By the Poplar Spring
Book V - The Ancient Law
   Book V - The Ancient Law - Chapter I. Christopher Seeks an Escape
   Book V - The Ancient Law - Chapter II. The Measure of Maria
   Book V - The Ancient Law - Chapter III. Will's Ruin
   Book V - The Ancient Law - Chapter IV. In Which Mrs. Blake's Eyes are Opened
   Book V - The Ancient Law - Chapter V. Christopher Plants by Moonlight
   Book V - The Ancient Law - Chapter VI. Treats of the Tragedy Which Wears a Comic Mask
   Book V - The Ancient Law - Chapter VII. Will Faces Desperation and Stands at Bay
   Book V - The Ancient Law - Chapter VIII. How Christopher Comes into His Revenge
   Book V - The Ancient Law - Chapter IX. The Fulfilling of the Law
   Book V - The Ancient Law - Chapter X. The Wheel of Life