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Glimpses of the Moon, The
PART II   PART II - CHAPTER XV
Edith Wharton
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       PART II: CHAPTER XV
       THAT hour with Strefford had altered her whole perspective.
       Instead of possible dependence, an enforced return to the old
       life of connivances and concessions, she saw before her--
       whenever she chose to take them--freedom, power and dignity.
       Dignity! It was odd what weight that word had come to have for
       her. She had dimly felt its significance, felt the need of its
       presence in her inmost soul, even in the young thoughtless days
       when she had seemed to sacrifice so little to the austere
       divinities. And since she had been Nick Lansing's wife she had
       consciously acknowledged it, had suffered and agonized when she
       fell beneath its standard. Yes: to marry Strefford would give
       her that sense of self-respect which, in such a world as theirs,
       only wealth and position could ensure. If she had not the
       mental or moral training to attain independence in any other
       way, was she to blame for seeking it on such terms?
       Of course there was always the chance that Nick would come back,
       would find life without her as intolerable as she was finding it
       without him. If that happened--ah, if that happened! Then she
       would cease to strain her eyes into the future, would seize upon
       the present moment and plunge into it to the very bottom of
       oblivion. Nothing on earth would matter then--money or freedom
       or pride, or her precious moral dignity, if only she were in
       Nick's arms again!
       But there was Nick's icy letter, there was Coral Hicks's
       insolent post-card, to show how little chance there was of such
       a solution. Susy understood that, even before the discovery of
       her transaction with Ellie Vanderlyn, Nick had secretly wearied,
       if not of his wife, at least of the life that their marriage
       compelled him to lead. His passion was not strong enough-had
       never been strong enough--to outweigh his prejudices, scruples,
       principles, or whatever one chose to call them. Susy's dignity
       might go up like tinder in the blaze of her love; but his was
       made of a less combustible substance. She had felt, in their
       last talk together, that she had forever destroyed the inner
       harmony between them.
       Well--there it was, and the fault was doubtless neither hers nor
       his, but that of the world they had grown up in, of their own
       moral contempt for it and physical dependence on it, of his
       half-talents and her half-principles, of the something in them
       both that was not stout enough to resist nor yet pliant enough
       to yield. She stared at the fact on the journey back to
       Versailles, and all that sleepless night in her room; and the
       next morning, when the housemaid came in with her breakfast
       tray, she felt the factitious energy that comes from having
       decided, however half-heartedly, on a definite course.
       She had said to herself: "If there's no letter from Nick this
       time next week I'll write to Streff--" and the week had passed,
       and there was no letter.
       It was now three weeks since he had left her, and she had had no
       word but his note from Genoa. She had concluded that,
       foreseeing the probability of her leaving Venice, he would write
       to her in care of their Paris bank. But though she had
       immediately notified the bank of her change of address no
       communication from Nick had reached her; and she smiled with a
       touch of bitterness at the difficulty he was doubtless finding
       in the composition of the promised letter. Her own scrap-
       basket, for the first days, had been heaped with the fragments
       of the letters she had begun; and she told herself that, since
       they both found it so hard to write, it was probably because
       they had nothing left to say to each other.
       Meanwhile the days at Mrs. Melrose's drifted by as they had been
       wont to drift when, under the roofs of the rich, Susy Branch had
       marked time between one episode and the next of her precarious
       existence. Her experience of such sojourns was varied enough to
       make her acutely conscious of their effect on her temporary
       hosts; and in the present case she knew that Violet was hardly
       aware of her presence. But if no more than tolerated she was at
       least not felt to be an inconvenience; when your hostess forgot
       about you it proved that at least you were not in her way.
       Violet, as usual, was perpetually on the wing, for her profound
       indolence expressed itself in a disordered activity. Nat Fulmer
       had returned to Paris; but Susy guessed that his benefactress
       was still constantly in his company, and that when Mrs. Melrose
       was whirled away in her noiseless motor it was generally toward
       the scene of some new encounter between Fulmer and the arts. On
       these occasions she sometimes offered to carry Susy to Paris,
       and they devoted several long and hectic mornings to the dress-
       makers, where Susy felt herself gradually succumbing to the
       familiar spell of heaped-up finery. It seemed impossible, as
       furs and laces and brocades were tossed aside, brought back, and
       at last carelessly selected from, that anything but the whim of
       the moment need count in deciding whether one should take all or
       none, or that any woman could be worth looking at who did not
       possess the means to make her choice regardless of cost.
       Once alone, and in the street again, the evil fumes would
       evaporate, and daylight re-enter Susy's soul; yet she felt that
       the old poison was slowly insinuating itself into her system.
       To dispel it she decided one day to look up Grace Fulmer. She
       was curious to know how the happy-go-lucky companion of Fulmer's
       evil days was bearing the weight of his prosperity, and she
       vaguely felt that it would be refreshing to see some one who had
       never been afraid of poverty.
       The airless pension sitting-room, where she waited while a
       reluctant maid-servant screamed about the house for Mrs. Fulmer,
       did not have the hoped-for effect. It was one thing for Grace
       to put up with such quarters when she shared them with Fulmer;
       but to live there while he basked in the lingering radiance of
       Versailles, or rolled from chateau to picture gallery in Mrs.
       Melrose's motor, showed a courage that Susy felt unable to
       emulate.
       "My dear! I knew you'd look me up," Grace's joyous voice ran
       down the stairway; and in another moment she was clasping Susy
       to her tumbled person.
       "Nat couldn't remember if he'd given you our address, though he
       promised me he would, the last time he was here." She held Susy
       at arms' length, beaming upon her with blinking short-sighted
       eyes: the same old dishevelled Grace, so careless of her
       neglected beauty and her squandered youth, so amused and absent-
       minded and improvident, that the boisterous air of the New
       Hampshire bungalow seemed to enter with her into the little air-
       tight salon.
       While she poured out the tale of Nat's sudden celebrity, and its
       unexpected consequences, Susy marvelled and dreamed. Was the
       secret of his triumph perhaps due to those long hard unrewarded
       years, the steadfast scorn of popularity, the indifference to
       every kind of material ease in which his wife had so gaily
       abetted him? Had it been bought at the cost of her own
       freshness and her own talent, of the children's "advantages," of
       everything except the closeness of the tie between husband and
       wife? Well--it was worth the price, no doubt; but what if, now
       that honours and prosperity had come, the tie were snapped, and
       Grace were left alone among the ruins?
       There was nothing in her tone or words to suggest such a
       possibility. Susy noticed that her ill-assorted raiment was
       costlier in quality and more professional in cut than the home-
       made garments which had draped her growing bulk at the bungalow:
       it was clear that she was trying to dress up to Nat's new
       situation. But, above all, she was rejoicing in it, filling her
       hungry lungs with the strong air of his success. It had
       evidently not occurred to her as yet that those who consent to
       share the bread of adversity may want the whole cake of
       prosperity for themselves.
       "My dear, it's too wonderful! He's told me to take as many
       concert and opera tickets as I like; he lets me take all the
       children with me. The big concerts don't begin till later; but
       of course the Opera is always going. And there are little
       things--there's music in Paris at all seasons. And later it's
       just possible we may get to Munich for a week--oh, Susy!" Her
       hands clasped, her eyes brimming, she drank the new wine of life
       almost sacramentally.
       "Do you remember, Susy, when you and Nick came to stay at the
       bungalow? Nat said you'd be horrified by our primitiveness-but
       I knew better! And I was right, wasn't I? Seeing us so happy
       made you and Nick decide to follow our example, didn't it?" She
       glowed with the remembrance. "And now, what are your plans? Is
       Nick's book nearly done? I suppose you'll have to live very
       economically till he finds a publisher. And the baby, darling-
       when is that to be? If you're coming home soon I could let you
       have a lot of the children's little old things."
       "You're always so dear, Grace. But we haven't any special plans
       as yet--not even for a baby. And I wish you'd tell me all of
       yours instead."
       Mrs. Fulmer asked nothing better: Susy perceived that, so far,
       the greater part of her European experience had consisted in
       talking about what it was to be. "Well, you see, Nat is so
       taken up all day with sight-seeing and galleries and meeting
       important people that he hasn't had time to go about with us;
       and as so few theatres are open, and there's so little music,
       I've taken the opportunity to catch up with my mending. Junie
       helps me with it now--she's our eldest, you remember? She's
       grown into a big girl since you saw her. And later, perhaps,
       we're to travel. And the most wonderful thing of all--next to
       Nat's recognition, I mean--is not having to contrive and skimp,
       and give up something every single minute. Just think--Nat has
       even made special arrangements here in the pension, so that the
       children all have second helpings to everything. And when I go
       up to bed I can think of my music, instead of lying awake
       calculating and wondering how I can make things come out at the
       end of the month. Oh, Susy, that's simply heaven!"
       Susy's heart contracted. She had come to her friend to be
       taught again the lesson of indifference to material things, and
       instead she was hearing from Grace Fulmer's lips the long-
       repressed avowal of their tyranny. After all, that battle with
       poverty on the New Hampshire hillside had not been the easy
       smiling business that Grace and Nat had made it appear. And yet
       ... and yet ....
       Susy stood up abruptly, and straightened the expensive hat which
       hung irresponsibly over Grace's left ear.
       "What's wrong with it? Junie helped me choose it, and she
       generally knows," Mrs. Fulmer wailed with helpless hands.
       "It's the way you wear it, dearest--and the bow is rather top-
       heavy. Let me have it a minute, please." Susy lifted the hat
       from her friend's head and began to manipulate its trimming.
       "This is the way Maria Guy or Suzanne would do it .... And now
       go on about Nat ...."
       She listened musingly while Grace poured forth the tale of her
       husband's triumph, of the notices in the papers, the demand for
       his work, the fine ladies' battles over their priority in
       discovering him, and the multiplied orders that had resulted
       from their rivalry.
       "Of course they're simply furious with each other-Mrs. Melrose
       and Mrs. Gillow especially--because each one pretends to have
       been the first to notice his 'Spring Snow-Storm,' and in reality
       it wasn't either of them, but only poor Bill Haslett, an art-
       critic we've known for years, who chanced on the picture, and
       rushed off to tell a dealer who was looking for a new painter to
       push." Grace suddenly raised her soft myopic eyes to Susy's
       face. "But, do you know, the funny thing is that I believe Nat
       is beginning to forget this, and to believe that it was Mrs.
       Melrose who stopped short in front of his picture on the opening
       day, and screamed out: 'This is genius!' It seems funny he
       should care so much, when I've always known he had genius-and
       he has known it too. But they're all so kind to him; and Mrs.
       Melrose especially. And I suppose it makes a thing sound new to
       hear it said in a new voice."
       Susy looked at her meditatively. "And how should you feel if
       Nat liked too much to hear Mrs. Melrose say it? Too much, I
       mean, to care any longer what you felt or thought?"
       Her friend's worn face flushed quickly, and then paled: Susy
       almost repented the question. But Mrs. Fulmer met it with a
       tranquil dignity. "You haven't been married long enough, dear,
       to understand ... how people like Nat and me feel about such
       things ... or how trifling they seem, in the balance ... the
       balance of one's memories."
       Susy stood up again, and flung her arms about her friend. "Oh,
       Grace," she laughed with wet eyes, "how can you be as wise as
       that, and yet not have sense enough to buy a decent hat?" She
       gave Mrs. Fulmer a quick embrace and hurried away. She had
       learned her lesson after all; but it was not exactly the one she
       had come to seek.
       The week she had allowed herself had passed, and still there was
       no word from Nick. She allowed herself yet another day, and
       that too went by without a letter. She then decided on a step
       from which her pride had hitherto recoiled; she would call at
       the bank and ask for Nick's address. She called, embarrassed
       and hesitating; and was told, after enquiries in the post-office
       department, that Mr. Nicholas Lansing had given no address since
       that of the Palazzo Vanderlyn, three months previously. She
       went back to Versailles that afternoon with the definite
       intention of writing to Strefford unless the next morning's post
       brought a letter.
       The next morning brought nothing from Nick, but a scribbled
       message from Mrs. Melrose: would Susy, as soon as possible,
       come into her room for a word, Susy jumped up, hurried through
       her bath, and knocked at her hostess's door. In the immense low
       bed that faced the rich umbrage of the park Mrs. Melrose lay
       smoking cigarettes and glancing over her letters. She looked up
       with her vague smile, and said dreamily: "Susy darling, have
       you any particular plans--for the next few months, I mean?"
       Susy coloured: she knew the intonation of old, and fancied she
       understood what it implied.
       "Plans, dearest? Any number ... I'm tearing myself away the day
       after to-morrow ... to the Gillows' moor, very probably," she
       hastened to announce.
       Instead of the relief she had expected to read on Mrs. Melrose's
       dramatic countenance she discovered there the blankest
       disappointment.
       "Oh, really? That's too bad. Is it absolutely settled--?"
       "As far as I'm concerned," said Susy crisply.
       The other sighed. "I'm too sorry. You see, dear, I'd meant to
       ask you to stay on here quietly and look after the Fulmer
       children. Fulmer and I are going to Spain next week--I want to
       be with him when he makes his studies, receives his first
       impressions; such a marvellous experience, to be there when he
       and Velasquez meet!" She broke off, lost in prospective
       ecstasy. "And, you see, as Grace Fulmer insists on coming with
       us--"
       "Ah, I see."
       "Well, there are the five children--such a problem," sighed the
       benefactress. "If you were at a loose end, you know, dear,
       while Nick's away with his friends, I could really make it worth
       your while ...."
       "So awfully good of you, Violet; only I'm not, as it happens."
       Oh the relief of being able to say that, gaily, firmly and even
       truthfully! Take charge of the Fulmer children, indeed! Susy
       remembered how Nick and she had fled from them that autumn
       afternoon in New Hampshire. The offer gave her a salutary
       glimpse of the way in which, as the years passed, and she lost
       her freshness and novelty, she would more and more be used as a
       convenience, a stop-gap, writer of notes, runner of errands,
       nursery governess or companion. She called to mind several
       elderly women of her acquaintance, pensioners of her own group,
       who still wore its livery, struck its attitudes and chattered
       its jargon, but had long since been ruthlessly relegated to
       these slave-ant offices. Never in the world would she join
       their numbers.
       Mrs. Melrose's face fell, and she looked at Susy with the
       plaintive bewilderment of the wielder of millions to whom
       everything that cannot be bought is imperceptible.
       "But I can't see why you can't change your plans," she murmured
       with a soft persistency.
       "Ah, well, you know"--Susy paused on a slow inward smile--
       "they're not mine only, as it happens."
       Mrs. Melrose's brow clouded. The unforeseen complication of
       Mrs. Fulmer's presence on the journey had evidently tried her
       nerves, and this new obstacle to her arrangements shook her
       faith in the divine order of things.
       "Your plans are not yours only? But surely you won't let Ursula
       Gillow dictate to you? ... There's my jade pendant; the one you
       said you liked the other day .... The Fulmers won't go with me,
       you understand, unless they're satisfied about the children; the
       whole plan will fall through. Susy darling, you were always too
       unselfish; I hate to see you sacrificed to Ursula."
       Susy's smile lingered. Time was when she might have been glad
       to add the jade pendant to the collection already enriched by
       Ellie Vanderlyn's sapphires; more recently, she would have
       resented the offer as an insult to her newly-found principles.
       But already the mere fact that she might henceforth, if she
       chose, be utterly out of reach of such bribes, enabled her to
       look down on them with tolerance. Oh, the blessed moral freedom
       that wealth conferred! She recalled Mrs. Fulmer's
       uncontrollable cry: "The most wonderful thing of all is not
       having to contrive and skimp, and give up something every single
       minute!" Yes; it was only on such terms that one could call
       one's soul one's own. The sense of it gave Susy the grace to
       answer amicably: "If I could possibly help you out, Violet, I
       shouldn't want a present to persuade me. And, as you say,
       there's no reason why I should sacrifice myself to Ursula--or to
       anybody else. Only, as it happens"--she paused and took the
       plunge--"I'm going to England because I've promised to see a
       friend." That night she wrote to Strefford.
       Content of PART II: CHAPTER XV [Edith Wharton's novel: The Glimpses of the Moon]
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