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Dawn O’Hara, The Girl Who Laughed
CHAPTER XIX - A TURN OF THE WHEEL
Edna Ferber
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       _ "You who were ever alert to befriend a man
       You who were ever the first to defend a man,
       You who had always the money to lend a man
       Down on his luck and hard up for a V,
       Sure you'll be playing a harp in beatitude
       (And a quare sight you will be in that attitude)
       Some day, where gratitude seems but a platitude,
       You'll find your latitude."
       From my desk I could see Peter standing in the doorway of
       the news editor's room. I shut my eyes for a moment.
       Then I opened them again, quickly. No, it was not a
       dream. He was there, a slender, graceful, hateful
       figure, with the inevitable cigarette in his unsteady
       fingers--the expensive-looking, gold-tipped cigarette of
       the old days. Peter was Peter. Ten years had made
       little difference. There were queer little hollow places
       in his cheeks, and under the jaw-bone, and at the base of
       the head, and a flabby, parchment-like appearance about
       the skin. That was all that made him different from the
       Peter of the old days.
       The thing had adjusted itself, as Norah had said it
       would. The situation that had filled me with loathing
       and terror the night of Peter's return had been
       transformed into quite a matter-of-fact and commonplace
       affair under Norah's deft management. And now I was back
       in harness again, and Peter was turning out brilliant
       political stuff at spasmodic intervals. He was not
       capable of any sustained effort. He never would be
       again; that was plain. He was growing restless and
       dissatisfied. He spoke of New York as though it were
       Valhalla. He said that he hadn't seen a pretty girl
       since he left Forty-second street. He laughed at
       Milwaukee's quaint German atmosphere. He sneered at our
       journalistic methods, and called the newspapers "country
       sheets," and was forever talking of the World, and the
       Herald, and the Sun, until the men at the Press Club
       fought shy of him. Norah had found quiet and comfortable
       quarters for Peter in a boarding-house near the lake, and
       just a square or two distant from my own boarding-house.
       He hated it cordially, as only the luxury-loving can hate
       a boarding-house, and threatened to leave daily.
       "Let's go back to the big town, Dawn, old girl," he
       would say. "We're buried alive in this overgrown Dutch
       village. I came here in the first place on your account.
       Now it's up to you to get me out of it. Think of what New
       York means! Think of what I've been! And I can write as
       well as ever."
       But I always shook my head. "We would not last a
       month in New York, Peter. New York has hurried on and
       left us behind. We're just two pieces of discard. We'll
       have to be content where we are."
       "Content! In this silly hole! You must be mad!"
       Then, with one of his unaccountable changes of tone and
       topic, "Dawn, let me have some money. I'm strapped. If
       I had the time I'd get out some magazine stuff. Anything
       to get a little extra coin. Tell me, how does that
       little sport you call Blackie happen to have so much
       ready cash? I've never yet struck him for a loan that he
       hasn't obliged me. I think he's sweet on you, perhaps,
       and thinks he's doing you a sort of second-hand favor."
       At times such as these all the old spirit that I had
       thought dead within me would rise up in revolt against
       this creature who was taking, from me my pride, my sense
       of honor, my friends. I never saw Von Gerhard now.
       Peter had refused outright to go to him for treatment,
       saying that he wasn't going to be poisoned by any cursed
       doctor, particularly not by one who had wanted to run away
       with his wife before his very eyes.
       Sometimes I wondered how long this could go on. I
       thought of the old days with the Nirlangers; of Alma
       Pflugel's rose-encircled cottage; of Bennie; of the
       Knapfs; of the good-natured, uncouth aborigines, and
       their many kindnesses. I saw these dear people rarely
       now. Frau Nirlanger's resignation to her unhappiness
       only made me rebel more keenly against my own.
       If only Peter could become well and strong again, I
       told myself, bitterly. If it were not for those blue
       shadows under his eyes, and the shrunken muscles, and the
       withered skin, I could leave him to live his life as he
       saw fit. But he was as dependent as a child, and as
       capricious. What was the end to be? I asked myself.
       Where was it all leading me?
       And then, in a fearful and wonderful manner, my
       question was answered.
       There came to my desk one day an envelope bearing the
       letter-head of the publishing house to which I had sent
       my story. I balanced it for a moment in my fingers,
       woman-fashion, wondering, hoping, surmising.
       "Of course they can't want it," I told myself, in
       preparation for any disappointment that was in store for
       me. "They're sending it back. This is the letter that
       will tell me so."
       And then I opened it. The words jumped out at me
       from the typewritten page. I crushed the paper in my
       hands, and rushed into Blackie's little office as I had
       been used to doing in the old days. He was at his desk,
       pipe in mouth. I shook his shoulder and flourished the
       letter wildly, and did a crazy little dance about his
       chair.
       "They want it! They like it! Not only that, they
       want another, as soon as I can get it out. Think of it!"
       Blackie removed his pipe from between his teeth and
       wiped his lips with the back of his hand. "I'm
       thinkin'," he said. "Anything t' oblige you. When
       you're through shovin' that paper into my face would you
       mind explainin' who wants what?"
       "Oh, you're so stupid! So slow! Can't you see that
       I've written a real live book, and had it accepted, and
       that I am going to write another if I have to run away
       from a whole regiment of husbands to do it properly?
       Blackie, can't you see what it means! Oh, Blackie, I
       know I'm maudlin in my joy, but forgive me. It's been so
       long since I've had the taste of it."
       "Well, take a good chew while you got th'chance an'
       don't count too high on this first book
       business. I knew a guy who wrote a book once, an' he
       planned to take a trip to Europe on it, and build a house
       when he got home, and maybe a yacht or so, if he wasn't
       too rushed. Sa-a-ay, girl, w'en he got through gettin'
       those royalties for that book they'd dwindled down to
       fresh wall paper for the dinin'-room, and a new gas stove
       for his wife, an' not enough left over to take a trolley
       trip to Oshkosh on. Don't count too high."
       "I'm not counting at all, Blackie, and you can't
       discourage me."
       "Don't want to. But I'd hate to see you come down
       with a thud." Suddenly he sat up and a grin overspread
       his thin face. "Tell you what we'll do, girlie. We'll
       celebrate. Maybe it'll be the last time. Let's pretend
       this is six months ago, and everything's serene. You get
       your bonnet. I'll get the machine. It's too hot to
       work, anyway. We'll take a spin out to somewhere that's
       cool, and we'll order cold things to eat, and cold things
       to drink, and you can talk about yourself till you're
       tired. You'll have to take it out on somebody, an' it
       might as well be me."
       Five minutes later, with my hat in my hand, I turned
       to find Peter at my elbow.
       "Want to talk to you," he said, frowning.
       "Sorry, Peter, but I can't stop. Won't it do later?"
       "No. Got an assignment? I'll go with you."
       "N-not exactly, Peter. The truth is, Blackie has
       taken pity on me and has promised to take me out for a
       spin, just to cool off. It has been so insufferably
       hot."
       Peter turned away. "Count me in on that," he said,
       over his shoulder.
       "But I can't, Peter," I cried. "It isn't my party.
       And anyway--"
       Peter turned around, and there was an ugly glow in
       his eyes and an ugly look on his face, and a little red
       ridge that I had not noticed before seemed to burn itself
       across his forehead. "And anyway, you don't want me, eh?
       Well, I'm going. I'm not going to have my wife chasing
       all over the country with strange men. Remember, you're
       not the giddy grass widdy you used to be. You can take
       me, or stay at home, understand?"
       His voice was high-pitched and quavering. Something
       in his manner struck a vague terror to my heart. "Why,
       Peter, if you care that much I shall be glad to have you
       go. So will Blackie, I am sure. Come, we'll go down
       now. He'll be waiting for us."
       Blackie's keen, clever mind grasped the situation as
       soon as he saw us together. His dark face was illumined
       by one of his rare smiles. "Coming with us, Orme? Do
       you good. Pile into the tonneau, you two, and hang on to
       your hair. I'm going to smash the law."
       Peter sauntered up to the steering-wheel. "Let me
       drive," he said. "I'm not bad at it."
       "Nix with the artless amateur," returned Blackie.
       "This ain't no demonstration car. I drive my own little
       wagon when I go riding, and I intend to until I take my
       last ride, feet first."
       Peter muttered something surly and climbed into the
       front seat next to Blackie, leaving me to occupy the
       tonneau in solitary state.
       Peter began to ask questions--dozens of them, which
       Blackie answered, patiently and fully. I could not hear
       all that they said, but I saw that Peter was urging
       Blackie to greater speed, and that Blackie was explaining
       that he must first leave the crowded streets behind.
       Suddenly Peter made a gesture in the direction of the
       wheel, and said something in a high, sharp voice.
       Blackie's answer was quick and decidedly in the negative.
       The next instant Peter Orme rose in his place and leaning
       forward and upward, grasped the wheel that was
       in Blackie's hands. The car swerved sickeningly. I
       noticed, dully, that Blackie did not go white as
       novelists say men do in moments of horror. A dull red
       flush crept to the very base of his neck. With a twist
       of his frail body he tried to throw off Peter's hands.
       I remember leaning over the back of the seat and trying
       to pull Peter back as I realized that it was a madman
       with whom we were dealing. Nothing seemed real. It was
       ridiculously like the things one sees in the moving
       picture theaters. I felt no fear.
       "Sit down, Orme!" Blackie yelled. "You'll ditch us!
       Dawn! God!--"
       We shot down a little hill. Two wheels were lifted
       from the ground. The machine was poised in the air for
       a second before it crashed into the ditch and turned over
       completely, throwing me clear, but burying Blackie and
       Peter under its weight of steel and wood and whirring
       wheels.
       I remember rising from the ground, and sinking back
       again and rising once more to run forward to where the
       car lay in the ditch, and tugging at that great frame of
       steel with crazy, futile fingers. Then I ran screaming
       down the road toward a man who was tranquilly working in
       a field nearby. _