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Dawn O’Hara, The Girl Who Laughed
CHAPTER XVII - THE SHADOW OF TERROR
Edna Ferber
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       _ Two days before the date set for Von Gerhard's departure
       the book was finished, typed, re-read, packed, and sent
       away. Half an hour after it was gone all its most
       glaring faults seemed to marshall themselves before my
       mind's eye. Whole paragraphs, that had read quite
       reasonably before, now loomed ludicrous in perspective.
       I longed to snatch it back; to tidy it here, to take it
       in there, to smooth certain rough places neglected in my
       haste. For almost a year I had lived with this thing, so
       close that its faults and its virtues had become
       indistinguishable to me. Day and night, for many months,
       it had been in my mind. Of late some instinct had
       prompted me to finish it. I had worked at it far into
       the night, until I marveled that the ancient occupants of
       the surrounding rooms did not enter a combined protest
       against the clack-clacking of my typewriter keys. And
       now that it was gone I wondered, dully, if I could feel
       Von Gerhard's departure more keenly.
       No one knew of the existence of the book except
       Norah, Von Gerhard, Blackie and me. Blackie had a way of
       inquiring after its progress in hushed tones of mock awe.
       Also he delighted in getting down on hands and knees and
       guiding a yard-stick carefully about my desk with a view
       to having a fence built around it, bearing an inscription
       which would inform admiring tourists that here was the
       desk at which the brilliant author had been wont to sit
       when grinding out heart-throb stories for the humble
       Post. He took an impish delight in my struggles with
       my hero and heroine, and his inquiries after the health
       of both were of such a nature as to make any earnest
       writer person rise in wrath and slay him. I had seen
       little of Blackie of late. My spare hours had been
       devoted to the work in hand. On the day after the book
       was sent away I was conscious of a little shock as I
       strolled into Blackie's sanctum and took my accustomed
       seat beside his big desk. There was an oddly pinched
       look about Blackie's nostrils and lips, I thought. And
       the deep-set black eyes appeared deeper and blacker than
       ever in his thin little face.
       A week of unseasonable weather had come upon the
       city. June was going out in a wave of torrid heat such
       as August might have boasted. The day had seemed endless and
       intolerably close. I was feeling very limp and languid.
       Perhaps, thought I, it was the heat which had wilted
       Blackie's debonair spirits.
       "It has been a long time since we've had a talk-talk,
       Blackie. I've missed you. Also you look just a wee bit
       green around the edges. I'm thinking a vacation wouldn't
       hurt you."
       Blackie's lean brown forefinger caressed the bowl of
       his favorite pipe. His eyes, that had been gazing out
       across the roofs beyond his window, came back to me, and
       there was in them a curious and quizzical expression as
       of one who is inwardly amused.
       "I've been thinkin' about a vacation. None of your
       measly little two weeks' affairs, with one week on
       salary, and th' other without. I ain't goin' t' take my
       vacation for a while--not till fall, p'raps, or maybe
       winter. But w'en I do take it, sa-a-ay, girl, it's goin'
       t' be a real one."
       "But why wait so long?" I asked. "You need it now.
       Who ever heard of putting off a vacation until winter!"
       "Well, I dunno," mused Blackie. "I just made my
       arrangements for that time, and I hate t' muss 'em up.
       You'll say, w'en the time comes, that my plans are
       reasonable."
       There was a sharp ring from the telephone at
       Blackie's elbow. He answered it, then thrust the
       receiver into my hand. "For you," he said.
       It was Von Gerhard's voice that came to me. "I have
       something to tell you," he said. "Something most
       important. If I call for you at six we can drive out to
       the bay for supper, yes? I must talk to you."
       "You have saved my life," I called back. "It has been
       a beast of a day. You may talk as much and as
       importantly as you like, so long as I am kept cool."
       "That was Von Gerhard," said I to Blackie, and tried
       not to look uncomfortable.
       "Mm," grunted Blackie, pulling at his pipe.
       "Thoughtful, ain't he?"
       I turned at the door. "He-- he's going away day
       after to-morrow, Blackie," I explained, although no
       explanation had been asked for, "to Vienna. He expects
       to stay a year--or two--or three--"
       Blackie looked up quickly. "Goin' away, is he?
       Well, maybe it's best, all around, girl. I see his
       name's been mentioned in all the medical papers, and the
       big magazines, and all that, lately. Gettin' t' be a big
       bug, Von Gerhard is. Sorry he's goin', though. I was
       plannin' t' consult him just before I go on my--vacation.
       But some other guy'll do. He don't approve of me, Von
       Gerhard don't."
       For some reason which I could never explain I went
       back into the room and held out both my hands to Blackie.
       His nervous brown fingers closed over them. "That
       doesn't make one bit of difference to us, does it,
       Blackie?" I said, gravely. "We're--we're not caring so
       long as we approve of one another, are we?"
       "Not a bit, girl," smiled Blackie, "not a bit."
       When the green car stopped before the Old Folks' Home
       I was in seraphic mood. I had bathed, donned clean linen
       and a Dutch-necked gown. The result was most
       soul-satisfying. My spirits rose unaccountably. Even
       the sight of Von Gerhard, looking troubled and distrait,
       did not quiet them. We darted away, out along the lake
       front, past the toll gate, to the bay road stretching its
       flawless length along the water's side. It was alive
       with swift-moving motor cars swarming like
       twentieth-century pilgrims toward the mecca of cool
       breezes and comfort. There were proud limousines;
       comfortable family cars; trim little roadsters; noisy
       runabouts. Not a hoof-beat was to be heard. It was as
       though the horseless age had indeed descended upon the
       world. There was only a hum, a rush, a roar, as car
       after car swept on.
       Summer homes nestled among the trees near the lake.
       Through the branches one caught occasional gleams of
       silvery water. The rush of cool air fanned my hot
       forehead, tousled my hair, slid down between my collar
       and the back of my neck, and I was grandly content.
       "Even though you are going to sail away, and even
       though you have the grumps, and refuse to talk, and scowl
       like a jabberwock, this is an extremely nice world. You
       can't spoil it."
       "Behute!" Von Gerhard's tone was solemn.
       "Would you be faintly interested in knowing that the
       book is finished?"
       "So? That is well. You were wearing yourself thin
       over it. It was then quickly perfected."
       "Perfected!" I groaned. "I turn cold when I think of
       it. The last chapters got away from me completely. They
       lacked the punch."
       Von Gerhard considered that a moment, as I wickedly
       had intended that he should. Then--"The punch? What is
       that then--the punch?"
       Obligingly I elucidated. "A book may be written in
       flawless style, with a plot, and a climax, and a lot of
       little side surprises. But if it lacks that peculiar and
       convincing quality poetically known as the punch, it might
       as well never have been written. It can never be a
       six-best-seller, neither will it live as a classic. You
       will never see it advertised on the book review page of
       the Saturday papers, nor will the man across the aisle in
       the street car be so absorbed in its contents that he will
       be taken past his corner."
       Von Gerhard looked troubled. "But the literary
       value? Does that not enter--"
       "I don't aim to contribute to the literary uplift,"
       I assured him. "All my life I have cherished two
       ambitions. One of them is to write a successful book,
       and the other to learn to whistle through my teeth--this
       way, you know, as the gallery gods do it. I am almost
       despairing of the whistle, but I still have hopes of the
       book."
       Whereupon Von Gerhard, after a moment's stiff
       surprise, gave vent to one of his heartwarming roars.
       "Thanks," said I. "Now tell me the important news."
       His face grew serious in an instant. "Not yet, Dawn.
       Later. Let us hear more about the book. Not so
       flippant, however, small one. The time is past when you
       can deceive me with your nonsense."
       "Surely you would not have me take myself seriously!
       That's another debt I owe my Irish forefathers. They
       could laugh--bless 'em!--in the very teeth of a potato
       crop failure. And let me tell you, that takes some sense
       of humor. The book is my potato crop. If it fails it
       will mean that I must keep on drudging, with a knot or
       two taken in my belt. But I'll squeeze a smile out of
       the corner of my mouth, somehow. And if it succeeds!
       Oh, Ernst, if it succeeds!"
       "Then, Kindchen?"
       "Then it means that I may have a little thin layer of
       jam on my bread and butter. It won't mean money--at
       least, I don't think it will. A first book never does.
       But it will mean a future. It will mean that I will have
       something solid to stand on. It will be a real
       beginning--a breathing spell--time in which to accomplish
       something really worth while--independence--freedom from
       this tread-mill--"
       "Stop!" cried Von Gerhard, sharply. Then, as I
       stared in surprise--"I do ask your pardon. I was again
       rude, nicht wahr? But in me there is a queer vein of
       German superstition that disapproves of air castles.
       Sich einbilden, we call it."
       The lights of the bay pavilion twinkled just ahead.
       The green car poked its nose up the path between rows of
       empty machines. At last it drew up, panting, before a
       vacant space between an imposing, scarlet touring car and
       a smart, cream-colored runabout. We left it there and
       walked up the light-flooded path.
       Inside the great, barn-like structure that did duty
       as pavilion glasses clinked, chairs scraped on the wooden
       floor; a burst of music followed a sharp fusillade of
       applause. Through the open doorway could be seen a
       company of Tyrolese singers in picturesque costumes of
       scarlet and green and black. The scene was very noisy,
       and very bright, and very German.
       "Not in there, eh?" said Von Gerhard, as though
       divining my wish. "It is too brightly lighted, and too
       noisy. We will find a table out here under the trees,
       where the music is softened by the distance, and our eyes
       are not offended by the ugliness of the singers. But
       inexcusably ugly they are, these Tyrolese women."
       We found a table within the glow of the pavilion's
       lights, but still so near the lake that we could hear the
       water lapping the shore. A cadaverous, sandy-haired
       waiter brought things to eat, and we made brave efforts
       to appear hungry and hearty, but my high spirits were
       ebbing fast, and Von Gerhard was frankly distraught.
       One of the women singers appeared suddenly in the doorway
       of the pavilion, then stole down the steps, and disappeared
       in the shadow of the trees beyond our table. The voices of
       the singers ceased abruptly. There was a moment's hushed
       silence. Then, from the shadow of the trees came a woman's
       voice, clear, strong, flexible, flooding the night with the
       bird-like trill of the mountain yodel. The sound rose
       and fell, and swelled and soared. A silence. Then, in
       a great burst of melody the chorus of voices within the
       pavilion answered the call. Again a silence. Again the
       wonder of the woman's voice flooded the stillness, ending
       in a note higher, clearer, sweeter than any that had gone
       before. Then the little Tyrolese, her moment of glory
       ended, sped into the light of the noisy pavilion again.
       When I turned to Von Gerhard my eyes were wet. "I
       shall have that to remember, when you are gone."
       Von Gerhard beckoned the hovering waiter. "Take
       these things away. And you need not return." He placed
       something in the man's palm--something that caused a
       sudden whisking away of empty dishes, and many obsequious
       bows.
       Von Gerhard's face was turned away from me, toward
       the beauty of the lake and sky. Now, as the last flirt
       of the waiter's apron vanished around the corner he
       turned his head slowly, and I saw that in his eyes which
       made me catch my breath with apprehension.
       "What is it?" I cried. "Norah? Max? The children?"
       He shook his head. "They are well, so far, as I
       know. I--perhaps first I should tell you--although this
       is not the thing which I have to say to you--"
       "Yes?" I urged him on, impatiently. I had never seen
       him like this.
       "I do not sail this week. I shall not be with Gluck
       in Vienna this year. I shall stay here."
       "Here! Why? Surely--"
       "Because I shall be needed here, Dawn. Because I
       cannot leave you now. You will need--some one--a
       friend--"
       I stared at him with eyes that were wide with terror,
       waiting for I knew not what.
       "Need--some one--for--what? I stammered. "Why should
       you--"
       In the kindly shadow of the trees Von Gerhard's hands
       took my icy ones, and held them in a close clasp of
       encouragement.
       "Norah is coming to be with you--"
       "Norah! Why? Tell me at once! At once!"
       "Because Peter Orme has been sent home--cured," said
       he.
       The lights of the pavilion fell away, and advanced,
       and swung about in a great sickening circle. I shut my
       eyes. The lights still swung before my eyes. Von
       Gerhard leaned toward me with a word of alarm. I clung
       to his hands with all my strength.
       "No!" I said, and the savage voice was not my own.
       "No! No! No! It isn't true! It isn't--Oh, it's some
       joke, isn't it? Tell me, it's--it's something funny,
       isn't it? And after a bit we'll laugh--we'll laugh--of
       course--see! I am smiling already--"
       "Dawn--dear one--it is true. God knows I wish that
       I could be happy to know it. The hospital authorities
       pronounce him cured. He has been quite sane for weeks."
       "You knew it--how long?"
       "You know that Max has attended to all communications
       from the doctors there. A few weeks ago they wrote that
       Orme had shown evidences of recovery. He spoke of you,
       of the people he had known in New York, of his work on the
       paper, all quite rationally and calmly. But they must
       first be sure. Max went to New York a week ago. Peter
       was gone. The hospital authorities were frightened and
       apologetic. Peter had walked away quite coolly one day.
       He had gone into the city, borrowed money of some old
       newspaper cronies, and vanished. He may be there still.
       He may be--"
       "Here! Ernst! Take me home! O God; I can't do it!
       I can't! I ought to be happy, but I'm not. I ought to
       be thankful, but I'm not, I'm not! The horror of having
       him there was great enough, but it was nothing compared
       to the horror of having him here. I used to dream that
       he was well again, and that he was searching for me, and
       the dreadful realness of it used to waken me, and I would
       find myself shivering with terror. Once I dreamed that
       I looked up from my desk to find him standing in the
       doorway, smiling that mirthless smile of his, and I heard
       him say, in his mocking way: `Hello, Dawn my love;
       looking wonderfully well. Grass widowhood agrees with
       you, eh?'"
       "Dawn, you must not laugh like that. Come, we will
       go. You are shivering! Don't, dear, don't. See, you
       have Norah, and Max,and me to help you. We will put him
       on his feet. Physically he is not what he should be. I can
       do much for him."
       "You!" I cried, and the humor of it was too exquisite
       for laughter.
       "For that I gave up Vienna," said Von Gerhard,
       simply. "You, too, must do your share."
       "My share! I have done my share. He was in the
       gutter, and he was dragging me with him. When his
       insanity came upon him I thanked God for it, and
       struggled up again. Even Norah never knew what that
       struggle was. Whatever I am, I am in spite of him. I
       tell you I could hug my widow's weeds. Ten years ago he
       showed me how horrible and unclean a thing can be made of
       this beautiful life. I was a despairing, cowering girl
       of twenty then--I am a woman now, happy in her work, her
       friends; growing broader and saner in thought, quicker to
       appreciate the finer things in life. And now--what?"
       They were dashing off a rollicking folk-song indoors.
       When it was finished there came a burst of laughter and
       the sharp spat of applauding hands, and shouts of
       approbation. The sounds seemed seared upon my brain. I
       rose and ran down the path toward the waiting machine.
       There in the darkness I buried my shamed face in my hands
       and prayed for the tears that would not come.
       It seemed hours before I heard Von Gerhard's firm,
       quick tread upon the gravel path. He moved about the
       machine, adjusting this and that, then took his place at
       the wheel without a word. We glided out upon the smooth
       white road. All the loveliness of the night seemed to
       have vanished. Only the ugly, distorted shadows
       remained. The terror of uncertainty gripped me. I could
       not endure the sight of Von Gerhard's stern, set face.
       I grasped his arm suddenly so that the machine veered and
       darted across the road. With a mighty wrench Von Gerhard
       righted it. He stopped the machine at the road-side.
       "Careful, Kindchen," he said, gravely.
       "Ernst," I said, and my breath came quickly,
       chokingly, as though I had been running fast, "Ernst, I
       can't do it. I'm not big enough. I can't. I hate him,
       I tell you, I hate him! My life is my own. I've made it
       what it is, in the face of a hundred temptations; in
       spite of a hundred pitfalls. I can't lay it down again
       for Peter Orme to trample. Ernst, if you love me, take
       me away now. To Vienna--anywhere--only don't ask me to
       take up my life with him again. I can't--I can't--"
       "Love you?" repeated Ernst, slowly, "yes. Too well--"
       "Too well--"
       "Yes, too well for that, Gott sei dank, small one.
       Too well for that." _