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BOOK ONE: Chapter III - The Mates Meet
Kirk Winfield was an amiable, if rather weak, young man with whom life,
for twenty-five years, had dealt kindly. He had perfect health, an
income more than sufficient for his needs, a profession which
interested without monopolizing him, a thoroughly contented
disposition, and the happy knack of surrounding himself with friends.
That he had to contribute to the support of the majority of these
friends might have seemed a drawback to some men. Kirk did not object
to it in the least. He had enough money to meet their needs, and, being
a sociable person who enjoyed mixing with all sorts and conditions of
men, he found the Liberty Hall regime pleasant.
He liked to be a magnet, attracting New York's Bohemian population. If
he had his preferences among the impecunious crowd who used the studio
as a chapel of ease, strolling in when it pleased them, drinking his
whisky, smoking his cigarettes, borrowing his money, and, on occasion,
his spare bedrooms and his pyjamas, he never showed it. He was fully as
pleasant to Percy Shanklyn, the elegant, perpetually resting English
actor, whom he disliked as far as he was capable of disliking any one,
as he was to Hank Jardine, the prospector, and Hank's prize-fighter
friend, Steve Dingle, both of whom he liked enormously.
It seemed to him sometimes that he had drifted into the absolutely
ideal life. He lived entirely in the present. The passage of time left
him untouched. Day followed day, week followed week, and nothing seemed
to change. He was never unhappy, never ill, never bored.
He would get up in the morning with the comfortable knowledge that the
day held no definite duties. George Pennicut would produce one of his
excellent breakfasts. The next mile-stone would be the arrival of Steve
Dingle. Five brisk rounds with Steve, a cold bath, and a rub-down took
him pleasantly on to lunch, after which it amused him to play at
painting.
There was always something to do when he wearied of that until, almost
before the day had properly begun, up came George with one of his
celebrated dinners. And then began the incursion of his friends. One by
one they would drop in, making themselves very much at home, to help
their host through till bedtime. And another day would slip into the
past.
It never occurred to Kirk that he was wasting his life. He had no
ambitions. Ambition is born of woman, and no woman that he had ever met
had ever stirred him deeply. He had never been in love, and he had come
to imagine that he was incapable of anything except a mild liking for
women. He considered himself immune, and was secretly glad of it. He
enjoyed his go-as-you-please existence too much to want to have it
upset. He belonged, in fact, to the type which, when the moment
arrives, falls in love very suddenly, very violently, and for all time.
Nothing could have convinced him of this. He was like a child lighting
matches in a powder-magazine. When the idea of marriage crossed his
mind he thrust it from him with a kind of shuddering horror. He could
not picture to himself a woman who could compensate him for the loss of
his freedom and, still less, of his friends.
His friends were men's men; he could not see them fitting into a scheme
of life that involved the perpetual presence of a hostess. Hank
Jardine, for instance. To Kirk, the great point about Hank was that he
had been everywhere, seen everything, and was, when properly stimulated
with tobacco and drink, a fountain of reminiscence. But he could not
talk unless he had his coat off and his feet up on the back of a chair.
No hostess could be expected to relish that.
Hank was a bachelor's friend; he did not belong in a married household.
The abstract wife could not be reconciled to him, and Kirk, loving Hank
like a brother, firmly dismissed the abstract wife.
He came to look upon himself as a confirmed bachelor. He had thought
out the question of marriage in all its aspects, and decided against
it. He was the strong man who knew his own mind and could not be
shaken.
Yet, on the afternoon of the day following Mrs. Lora Delane Porter's
entry into his life, Kirk sat in the studio, feeling, for the first
time in recent years, a vague discontent. He was uneasy, almost afraid.
The slight dislocation in the smooth-working machinery of his
existence, caused by the compulsory retirement of George Pennicut, had
made him thoroughly uncomfortable. With discomfort had come
introspection, and with introspection this uneasiness that was almost
fear.
A man, living alone, without money troubles to worry him, sinks
inevitably into a routine. Fatted ease is good for no one. It sucks the
soul out of a man. Kirk, as he sat smoking in the cool dusk of the
studio, was wondering, almost in a panic, whether all was well with
himself.
This mild domestic calamity had upset him so infernally. It could not
be right that so slight a change in his habits should have such an
effect upon him. George had been so little hurt--the doctor gave him a
couple of days before complete recovery--that it had not seemed worth
while to Kirk to engage a substitute. It was simpler to go out for his
meals and make his own bed. And it was the realization that this
alteration in his habits had horribly disturbed and unsettled him that
was making Kirk subject himself now to an examination of quite unusual
severity.
He hated softness. Physically, he kept himself always in perfect
condition. Had he become spiritually flabby? Certainly this unexpected
call on his energies would appear to have found him unprepared. It
spoiled his whole day, knowing, when he got out of bed in the morning,
that he must hunt about and find his food instead of sitting still and
having it brought to him. It frightened him to think how set he had
become.
Forty-eight hours ago he would have scorned the suggestion that he
coddled himself. He would have produced as evidence to the contrary his
cold baths, his exercises, his bouts with Steve Dingle. To-day he felt
less confidence. For all his baths and boxing, the fact remained that
he had become, at the age of twenty-six, such a slave to habit that a
very trifling deviation from settled routine had been enough to poison
life for him.
Bachelors have these black moments, and it is then that the abstract
wife comes into her own. To Kirk, brooding in the dusk, the figure of
the abstract wife seemed to grow less formidable, the fact that she
might not get on with Hank Jardine of less importance.
The revolutionary thought that life was rather a bore, and would become
more and more of a bore as the years went on, unless he had some one to
share it with, crept into his mind and stayed there.
He shivered. These were unpleasant thoughts, and in his hour of clear
vision he knew whence they came. They were entirely due to the
knowledge that, instead of sitting comfortably at home, he would be
compelled in a few short hours to go out and get dinner at some
restaurant. To such a pass had he come in the twenty-sixth year of his
life.
Once the gods have marked a bachelor down, they give him few chances of
escape. It was when Kirk's mood was at its blackest, and the figure of
the abstract wife had ceased to be a menace and become a shining angel
of salvation, that Lora Delane Porter, with Ruth Bannister at her side,
rang the studio bell.
Kirk went to the door. He hoped it was a tradesman; he feared it was a
friend. In his present state of mind he had no use for friends. When he
found himself confronting Mrs. Porter he became momentarily incapable
of speech. It had not entered his mind that she would pay him a second
visit. Possibly it was joy that rendered him dumb.
"Good afternoon, Mr. Winfield," said Mrs. Porter. "I have come to
inquire after the man Pennicut. Ruth, this is Mr. Winfield. Mr.
Winfield, my niece, Miss Bannister."
And Kirk perceived for the first time that his visitor was not alone.
In the shadow behind her a girl was standing. He stood aside to let
Mrs. Porter pass, and Ruth came into the light.
If there are degrees in speechlessness, Kirk's aphasia became doubled
and trebled at the sight of her. It seemed to him that he went all to
pieces, as if he had received a violent blow. Curious physical changes
were taking place in him. His legs, which only that morning he had
looked upon as eminently muscular, he now discovered to be composed of
some curiously unstable jelly.
He also perceived--a fact which he had never before suspected--that he
had heart-disease. His lungs, too, were in poor condition; he found it
practically impossible to breathe. The violent trembling fit which
assailed him he attributed to general organic weakness.
He gaped at Ruth.
Ruth, outwardly, remained unaffected by the meeting, but inwardly she
was feeling precisely the same sensation of smallness which had come to
Mrs. Porter on her first meeting with Kirk. If this sensation had been
novel to Mrs. Porter, it was even stranger to Ruth.
To think humbly of herself was an experience that seldom happened to
her. She was perfectly aware that her beauty was remarkable even in a
city of beautiful women, and it was rarely that she permitted her
knowledge of that fact to escape her. Her beauty, to her, was a natural
phenomenon, impossible to overlook. The realization of it did not
obtrude itself into her mind, it simply existed subconsciously.
Yet for an instant it ceased to exist. She was staggered by a sense of
inferiority.
It lasted but a pin-point of time, this riotous upheaval of her nature.
She recovered herself so swiftly that Kirk, busy with his own emotions,
had no suspicion of it.
A moment later he, too, was himself again. He was conscious of feeling
curiously uplifted and thrilled, as if the world had suddenly become
charged with ozone and electricity, and for some reason he felt capable
of great feats of muscle and energy; but the aphasia had left him, and
he addressed himself with a clear brain to the task of entertaining his
visitors.
"George is better to-day," he reported.
"He never was bad," said Mrs. Porter succinctly.
"He doesn't think so."
"Possibly not. He is hopelessly weak-minded."
Ruth laughed. Kirk thrilled at the sound.
"Poor George!" she observed.
"Don't waste your sympathy, my dear," said Mrs. Porter. "That he is
injured at all is his own fault. For years he has allowed himself to
become gross and flabby, with the result that the collision did damage
which it would not have done to a man in hard condition. You, Mr.
Winfield," she added, turning abruptly to Kirk, "would scarcely have
felt it. But then you," went on Mrs. Porter, "are in good condition.
Cold baths!"
"I beg your pardon?"
"Do you take cold baths?"
"I do."
"Do you do Swedish exercises?"
"I go through a series of evolutions every morning, with the utmost
loathing. I started them as a boy, and they have become a habit like
dram-drinking. I would leave them off if I could, but I can't."
"Do nothing of the kind. They are invaluable."
"But undignified."
"Let me feel your biceps, Mr. Winfield," said Mrs. Porter. She nodded
approvingly. "Like iron." She poised a finger and ran a meditative
glance over his form. Kirk eyed her apprehensively. The finger darted
forward and struck home in the region of the third waistcoat button.
"Wonderful!" she exclaimed. "Ruth!"
"Yes, aunt."
"Prod Mr. Winfield where my finger is pointing. He is extraordinarily
muscular."
"I say, really!" protested Kirk. He was a modest young man, and this
exploration of his more intimate anatomy by the finger-tips of the girl
he loved was not to be contemplated.
"Just as you please," said Mrs. Porter. "If I were a man of your
physique, I should be proud of it."
"Wouldn't you like to go up and see George?" asked Kirk. It was hard on
George, but it was imperative that this woman be removed somehow.
"Very well. I have brought him a little book to read, which will do him
good. It is called 'Elementary Rules for the Preservation of the
Body'."
"He has learned one of them, all right, since yesterday," said Kirk.
"Not to walk about in front of automobiles."
"The rules I refer to are mainly concerned with diet and wholesome
exercise," explained Mrs. Porter. "Careful attention to them may yet
save him. His case is not hopeless. Ruth, let Mr. Winfield show you his
pictures. They are poor in many respects, but not entirely without
merit."
Ruth, meanwhile, had been sitting on the couch, listening to the
conversation without really hearing it. She was in a dreamy, contented
mood. She found herself curiously soothed by the atmosphere of the
studio, with its shaded lights and its atmosphere of peace. That was
the keynote of the place, peace.
From outside came the rumble of an elevated train, subdued and
softened, like faintly heard thunder. Somebody passed the window,
whistling. A barrier seemed to separate her from these noises of the
city. New York was very far away.
"I believe I could be wonderfully happy in a place like this," she
thought.
She became suddenly aware, in the midst of her meditations, of eyes
watching her intently. She looked up and met Kirk's.
She could read the message in them as clearly as if he had spoken it,
and she was conscious of a little thrill of annoyance at the thought of
all the tiresome formalities which must be gone through before he could
speak it. They seemed absurd.
It was all so simple. He wanted her; she wanted him. She had known it
from the moment of their meeting. The man had found his woman, the
woman her man. Nature had settled the whole affair in an instant. And
now civilization, propriety, etiquette, whatever one cared to call it,
must needs step in with the rules and regulations and precedents.
The goal was there, clear in sight, but it must be reached by the
winding road appointed. She, being a woman and, by virtue of her sex,
primeval, scorned the road, and would have ignored it. But she knew
men, and especially, at that moment as their eyes met, she knew Kirk;
and she understood that to him the road was a thing that could not be
ignored. The mere idea of doing so would seem grotesque and impossible,
probably even shocking, to him. Men were odd, formal creatures, slaves
to precedent.
He must have time, it was the prerogative of the male; time to reveal
himself to her, to strut before her, to go through the solemn comedy of
proving to her, by the exhibition of his virtues and the careful
suppression of his defects, what had been clear to her from the first
instant, that here was her mate, the man nature had set apart for her.
He would begin by putting on a new suit of clothes and having his hair
cut.
She smiled. It was silly and tiresome, but it was funny.
"Will you show me your pictures, Mr. Winfield?" she asked.
"If you'd really care to see them. I'm afraid they're pretty bad."
"Exhibit A. Modesty," thought Ruth.
The journey had begun.
Content of BOOK ONE: Chapter III - The Mates Meet [P G Wodehouse's novel: The Coming of Bill]
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