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Much Ado About Nothing
act v   Scene 2
William Shakespeare
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       Leonato's orchard.
       [Enter Benedick and Margaret [meeting.]
       BENEDICK
       Pray thee, sweet Mistress Margaret, deserve well at my hands by
       helping me to the speech of Beatrice.
       MARGARET
       Will you then write me a sonnet in praise of my beauty?
       BENEDICK
       In so high a style, Margaret, that no man living shall come over
       it; for in most comely truth thou deservest it.
       MARGARET
       To have no man come over me? Why, shall I always keep below
       stairs?
       BENEDICK
       Thy wit is as quick as the greyhound's mouth--it catches.
       MARGARET
       And yours as blunt as the fencer's foils, which hit but hurt not.
       BENEDICK
       A most manly wit, Margaret: it will not hurt a woman.
       And so I pray thee call Beatrice. I give thee the bucklers.
       MARGARET
       Give us the swords; we have bucklers of our own.
       BENEDICK
       If you use them, Margaret, you must put in the pikes with a vice,
       and they are dangerous weapons for maids.
       MARGARET
       Well, I will call Beatrice to you, who I think hath legs.
       BENEDICK
       And therefore will come.
       [Exit Margaret.]
       [Sings] The god of love,
       That sits above
       And knows me, and knows me,
       How pitiful I deserve--
       I mean in singing; but in loving Leander the good swimmer,
       Troilus the first employer of panders, and a whole book full of
       these quondam carpet-mongers, whose names yet run smoothly in the
       even road of a blank verse--why, they were never so truly turn'd
       over and over as my poor self in love. Marry, I cannot show it in
       rhyme. I have tried. I can find out no rhyme to 'lady' but 'baby'
       --an innocent rhyme; for 'scorn,' 'horn'--a hard rhyme; for
       'school', 'fool'--a babbling rhyme: very ominous endings! No, I
       was not born under a rhyming planet, nor cannot woo in festival
       terms.
       [Enter Beatrice.]
       Sweet Beatrice, wouldst thou come when I call'd thee?
       BEATRICE
       Yea, signior, and depart when you bid me.
       BENEDICK
       O, stay but till then!
       BEATRICE
       'Then' is spoken. Fare you well now. And yet, ere I go, let me go
       with that I came for, which is, with knowing what hath pass'd
       between you and Claudio.
       BENEDICK
       Only foul words; and thereupon I will kiss thee.
       BEATRICE
       Foul words is but foul wind, and foul wind is but foul breath,
       and foul breath is noisome. Therefore I will depart unkiss'd.
       BENEDICK
       Thou hast frighted the word out of his right sense, so forcible
       is thy wit. But I must tell thee plainly, Claudio undergoes my
       challenge; and either I must shortly hear from him or I will
       subscribe him a coward. And I pray thee now tell me, for which of
       my bad parts didst thou first fall in love with me?
       BEATRICE
       For them all together, which maintain'd so politic a state of
       evil that they will not admit any good part to intermingle with
       them. But for which of my good parts did you first suffer love
       for me?
       BENEDICK
       Suffer love!--a good epithet. I do suffer love indeed, for I love
       thee against my will.
       BEATRICE
       In spite of your heart, I think. Alas, poor heart! If you spite
       it for my sake, I will spite it for yours, for I will never love
       that which my friend hates.
       BENEDICK
       Thou and I are too wise to woo peaceably.
       BEATRICE
       It appears not in this confession. There's not one wise man among
       twenty, that will praise himself.
       BENEDICK
       An old, an old instance, Beatrice, that liv'd in the time of good
       neighbours. If a man do not erect in this age his own tomb ere he
       dies, he shall live no longer in monument than the
       bell rings and the widow weeps.
       BEATRICE
       And how long is that, think you?
       BENEDICK
       Question: why, an hour in clamour and a quarter in rheum.
       Therefore is it most expedient for the wise, if Don Worm (his
       conscience) find no impediment to the contrary, to be the
       trumpet of his own virtues, as I am to myself. So much for
       praising myself, who, I myself will bear witness, is
       praiseworthy. And now tell me, how doth your cousin?
       BEATRICE
       Very ill.
       BENEDICK
       And how do you?
       BEATRICE
       Very ill too.
       BENEDICK
       Serve God, love me, and mend. There will I leave you too, for
       here comes one in haste.
       [Enter Ursula.]
       URSULA
       Madam, you must come to your uncle. Yonder's old coil at home.
       It is proved my Lady Hero hath been falsely accus'd, the Prince
       and Claudio mightily abus'd, and Don John is the author of all,
       who is fled and gone. Will you come presently?
       BEATRICE
       Will you go hear this news, signior?
       BENEDICK
       I will live in thy heart, die in thy lap, and be buried thy eyes;
       and moreover, I will go with thee to thy uncle's.
       [Exeunt.]
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Dramatis Personae
act i
   Scene 1
   Scene 2
   Scene 3
act ii
   Scene 1
   Scene 2
   Scene 3
act iii
   Scene 1
   Scene 2
   Scene 3
   Scene 4
   Scene 5
act iv
   Scene 1
   Scene 2
act v
   Scene 1
   Scene 2
   Scene 3
   Scene 4