Idler No. 31. Saturday, November 18, 1758.
Many moralists have remarked, that pride has of all human vices the widest dominion, appears in the greatest multiplicity of forms, and lies hid under the greatest variety of disguises; of disguises, which, like the moon's _veil of brightness_, are both its _lustre and its shade_, and betray it to others, though they hide it from ourselves.
It is not my intention to degrade pride from this pre-eminence of mischief; yet I know not whether idleness may not maintain a very doubtful and obstinate competition.
There are some that profess idleness in its full dignity, who call themselves the _Idle_, as Busiris in the play calls himself the _Proud_; who boast that they do nothing, and thank their stars that they have nothing to do; who sleep every night till they can sleep no longer, and rise only that exercise may enable them to sleep again; who prolong the reign of darkness by double curtains, and never see the sun but to _tell him how they hate his beams_; whose whole labour is to vary the posture of indolence, and whose day differs from their night, but as a couch or chair differs from a bed.
These are the true and open votaries of idleness, for whom she weaves the garlands of poppies, and into whose cup she pours the waters of oblivion; who exist in a state of unruffled stupidity, forgetting and forgotten; who have long ceased to live, and at whose death the survivors can only say, that they have ceased to breathe.
But idleness predominates in many lives where it is not suspected; for, being a vice which terminates in itself, it may be enjoyed without injury to others; and it is therefore not watched like fraud, which endangers property; or like pride, which naturally seeks its gratifications in another's inferiority. Idleness is a silent and peaceful quality, that neither raises envy by ostentation, nor hatred by opposition; and therefore nobody is busy to censure or detect it.
As pride sometimes is hid under humility, idleness is often covered by turbulence and hurry. He that neglects his known duty and real employment, naturally endeavours to crowd his mind with something that may bar out the remembrance of his own folly, and does any thing but what he ought to do with eager diligence, that he may keep himself in his own favour.
Some are always in a state of preparation, occupied in previous measures, forming plans, accumulating materials, and providing for the main affair. These are certainly under the secret power of idleness. Nothing is to be expected from the workman whose tools are for ever to be sought. I was once told by a great master, that no man ever excelled in painting, who was eminently curious about pencils and colours.
There are others to whom idleness dictates another expedient, by which life may be passed unprofitably away without the tediousness of many vacant hours. The art is, to fill the day with petty business, to have always something in hand which may raise curiosity, but not solicitude, and keep the mind in a state of action, but not of labour.
This art has for many years been practised by my old friend Sober with wonderful success. Sober is a man of strong desires and quick imagination, so exactly balanced by the love of ease, that they can seldom stimulate him to any difficult undertaking; they have, however, so much power, that they will not suffer him to lie quite at rest; and though they do not make him sufficiently useful to others, they make him at least weary of himself.
Mr. Sober's chief pleasure is conversation; there is no end of his talk or his attention; to speak or to hear is equally pleasing; for he still fancies that he is teaching or learning something, and is free for the time from his own reproaches.
But there is one time at night when he must go home, that his friends may sleep; and another time in the morning, when all the world agrees to shut out interruption. These are the moments of which poor Sober trembles at the thought. But the misery of these tiresome intervals he has many means of alleviating. He has persuaded himself that the manual arts are undeservedly overlooked; he has observed in many trades the effects of close thought, and just ratiocination. From speculation he proceeded to practice, and supplied himself with the tools of a carpenter, with which he mended his coal-box very successfully, and which he still continues to employ, as he finds occasion.
He has attempted at other times the crafts of the shoemaker, tinman, plumber, and potter; in all these arts he has failed, and resolves to qualify himself for them by better information. But his daily amusement is chymistry. He has a small furnace, which he employs in distillation, and which has long been the solace of his life. He draws oils and waters, and essences and spirits, which he knows to be of no use; sits and counts the drops, as they come from his retort, and forgets that, whilst a drop is falling, a moment flies away.
Poor Sober! I have often teased him with reproof, and he has often promised reformation; for no man is so much open to conviction as the Idler, but there is none on whom it operates so little. What will be the effect of this paper I know not; perhaps, he will read it and laugh, and light the fire in his furnace; but my hope is, that he will quit his trifles, and betake himself to rational and useful diligence [1].
[1] In Mr. Sober, we may recognise traits of Dr. Johnson's own character. No. 67 of the Idler is another portrait of him.
[The end]
Samuel Johnson's essay: Idler No. 31