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Hunchback of Notre Dame (Notre-Dame de Paris), The
VOLUME II - BOOK NINTH - Chapter 3 - Deaf
Victor Hugo
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       _ On the following morning, she perceived on awaking, that
       she had been asleep. This singular thing astonished her.
       She had been so long unaccustomed to sleep! A joyous ray
       of the rising sun entered through her window and touched
       her face. At the same time with the sun, she beheld at that
       window an object which frightened her, the unfortunate face
       of Quasimodo. She involuntarily closed her eyes again, but
       in vain; she fancied that she still saw through the rosy lids
       that gnome's mask, one-eyed and gap-toothed. Then, while
       she still kept her eyes closed, she heard a rough voice saying,
       very gently,--
       "Be not afraid. I am your friend. I came to watch you
       sleep. It does not hurt you if I come to see you sleep, does
       it? What difference does it make to you if I am here when
       your eyes are closed! Now I am going. Stay, I have placed
       myself behind the wall. You can open your eyes again."
       There was something more plaintive than these words, and
       that was the accent in which they were uttered. The gypsy,
       much touched, opened her eyes. He was, in fact, no longer
       at the window. She approached the opening, and beheld the
       poor hunchback crouching in an angle of the wall, in a sad
       and resigned attitude. She made an effort to surmount the
       repugnance with which he inspired her. "Come," she said
       to him gently. From the movement of the gypsy's lips,
       Quasimodo thought that she was driving him away; then he
       rose and retired limping, slowly, with drooping head, without
       even daring to raise to the young girl his gaze full of despair.
       "Do come," she cried, but he continued to retreat. Then
       she darted from her cell, ran to him, and grasped his arm.
       On feeling her touch him, Quasimodo trembled in every limb.
       He raised his suppliant eye, and seeing that she was leading
       him back to her quarters, his whole face beamed with joy and
       tenderness. She tried to make him enter the cell; but he
       persisted in remaining on the threshold. "No, no," said he;
       "the owl enters not the nest of the lark."
       Then she crouched down gracefully on her couch, with her
       goat asleep at her feet. Both remained motionless for several
       moments, considering in silence, she so much grace, he so
       much ugliness. Every moment she discovered some fresh
       deformity in Quasimodo. Her glance travelled from his
       knock knees to his humped back, from his humped back to
       his only eye. She could not comprehend the existence of a
       being so awkwardly fashioned. Yet there was so much sadness
       and so much gentleness spread over all this, that she
       began to become reconciled to it.
       He was the first to break the silence. "So you were telling
       me to return?"
       She made an affirmative sign of the head, and said, "Yes."
       He understood the motion of the head. "Alas!" he said,
       as though hesitating whether to finish, "I am--I am deaf."
       "Poor man!" exclaimed the Bohemian, with an expression
       of kindly pity.
       He began to smile sadly.
       "You think that that was all that I lacked, do you not?
       Yes, I am deaf, that is the way I am made. 'Tis horrible, is
       it not? You are so beautiful!"
       There lay in the accents of the wretched man so profound a
       consciousness of his misery, that she had not the strength to
       say a word. Besides, he would not have heard her. He
       went on,--
       "Never have I seen my ugliness as at the present moment.
       When I compare myself to you, I feel a very great pity for
       myself, poor unhappy monster that I am! Tell me, I must
       look to you like a beast. You, you are a ray of sunshine, a
       drop of dew, the song of a bird! I am something frightful,
       neither man nor animal, I know not what, harder, more
       trampled under foot, and more unshapely than a pebble
       stone!"
       Then he began to laugh, and that laugh was the most
       heartbreaking thing in the world. He continued,--
       "Yes, I am deaf; but you shall talk to me by gestures, by
       signs. I have a master who talks with me in that way.
       And then, I shall very soon know your wish from the movement
       of your lips, from your look."
       "Well!" she interposed with a smile, "tell me why you
       saved me."
       He watched her attentively while she was speaking.
       "I understand," he replied. "You ask me why I saved
       you. You have forgotten a wretch who tried to abduct you
       one night, a wretch to whom you rendered succor on the
       following day on their infamous pillory. A drop of water
       and a little pity,--that is more than I can repay with my life.
       You have forgotten that wretch; but he remembers it."
       She listened to him with profound tenderness. A tear
       swam in the eye of the bellringer, but did not fall. He
       seemed to make it a sort of point of honor to retain it.
       "Listen," he resumed, when he was no longer afraid that
       the tear would escape; "our towers here are very high,
       a man who should fall from them would be dead before
       touching the pavement; when it shall please you to have
       me fall, you will not have to utter even a word, a glance
       will suffice."
       Then he rose. Unhappy as was the Bohemian, this eccentric
       being still aroused some compassion in her. She made
       him a sign to remain.
       "No, no," said he; "I must not remain too long. I am not
       at my ease. It is out of pity that you do not turn away your
       eyes. I shall go to some place where I can see you without
       your seeing me: it will be better so."
       He drew from his pocket a little metal whistle.
       "Here," said he, "when you have need of me, when you
       wish me to come, when you will not feel too ranch horror at
       the sight of me, use this whistle. I can hear this sound."
       He laid the whistle on the floor and fled. _
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本书目录

Preface
Volume 1 - Book 1 - Chapter 1. The Grand Hall
Volume 1 - Book 1 - Chapter 2. Pierre Gringoire
Volume 1 - Book 1 - Chapter 3. Monsieur The Cardinal
Volume 1 - Book 1 - Chapter 4. Master Jacques Coppenole
Volume 1 - Book 1 - Chapter 5. Quasimodo
Volume 1 - Book 1 - Chapter 6. Esmeralda
Volume 1 - Book 2 - Chapter 1. From Charybdis To Scylla
Volume 1 - Book 2 - Chapter 2. The Place De Gr& - 232;ve
Volume 1 - Book 2 - Chapter 3. Kisses For Blows
Volume 1 - Book 2 - Chapter 4. The Inconveniences Of Following A Pretty Woman
Volume 1 - Book 2 - Chapter 5. Result Of The Dangers
Volume 1 - Book 2 - Chapter 6. The Broken Jug
Volume 1 - Book 2 - Chapter 7. A Bridal Night
VOLUME I - BOOK THIRD - Chapter 1 - Notre-Dame
VOLUME I - BOOK THIRD - Chapter 2 - A Bird's-eye View of Paris
VOLUME I - BOOK FOURTH - Chapter 1 - Good Souls
VOLUME I - BOOK FOURTH - Chapter 2 - Claude Frollo
VOLUME I - BOOK FOURTH - Chapter 3 - Immanis Pecoris Custos, Immanior Ipse
VOLUME I - BOOR FOURTH - Chapter 4 - The Dog and his Master
VOLUME I - BOOK FOURTH - Chapter 5 - More about Claude Frollo
VOLUME I - BOOK FOURTH - Chapter 6 - Unpopularity
VOLUME I - BOOK FIFTH - Chapter 1 - Abbas Beati Martini
VOLUME I - BOOK FIFTH - Chapter 2 - This will Kill That
VOLUME I - BOOK SIXTH - Chapter 1 - An Impartial Glance at the Ancient Magistracy
VOLUME I - BOOK SIXTH - Chapter 2 - The Rat-hole
VOLUME I - BOOK SIXTH - Chapter 3 - History of a Leavened Cake of Maize
VOLUME I - BOOK SIXTH - Chapter 4 - A Tear for a Drop of Water
VOLUME I - BOOK SIXTH - Chapter 5 - End of the Story of the Cake
VOLUME II - BOOK SEVENTH - Chapter 1 - The Danger of Confiding One's Secret to a Goat
VOLUME II - BOOK SEVENTH - Chapter 2 - A Priest and a Philosopher are two Different Things
VOLUME II - BOOK SEVENTH - Chapter 3 - The Bells
VOLUME II - BOOK SEVENTH - Chapter 4 - ~ANArKH~
VOLUME II - BOOK SEVENTH - Chapter 5 - The Two Men Clothed in Black
VOLUME II - BOOK SEVENTH - Chapter 6 - The Effect which Seven Oaths in the Open Air can Produce
VOLUME II - BOOK SEVENTH - Chapter 7 - The Mysterious Monk
VOLUME II - BOOK SEVENTH - Chapter 8 - The Utility of Windows which Open on the River
VOLUME II - BOOK EIGHTH - Chapter 1 - The Crown Changed into a Dry Leaf
VOLUME II - BOOK EIGHTH - Chapter 2 - Continuation of the Crown which was Changed into a Dry Leaf
VOLUME II - BOOK EIGHTH - Chapter 3 - End of the Crown which was Changed into a Dry Leaf
VOLUME II - BOOK EIGHTH - Chapter 4 - ~Lasciate Ogni Speranza~--Leave all hope behind, ye who Enter here
VOLUME II - BOOK EIGHTH - Chapter 5 - The Mother
VOLUME II - BOOK EIGHTH - Chapter 6 - Three Human Hearts differently Constructed
VOLUME II - BOOK NINTH - Chapter 1 - Delirium
VOLUME II - BOOK NINTH - Chapter 2 - Hunchbacked, One Eyed, Lame
VOLUME II - BOOK NINTH - Chapter 3 - Deaf
VOLUME II - BOOK NINTH - Chapter 4 - Earthenware and Crystal
VOLUME II - BOOK NINTH - Chapter 5 - The Key to the Red Door
VOLUME II - BOOK NINTH - Chapter 6 - Continuation of the Key to the Red Door
VOLUME II - BOOK TENTH - Chapter 1 - Gringoire has Many Good Ideas in Succession.--Rue des Bernardins
VOLUME II - BOOK TENTH - Chapter 2 - Turn Vagabond
VOLUME II - BOOK TENTH - Chapter 3 - Long Live Mirth
VOLUME II - BOOK TENTH - Chapter 4 - An Awkward Friend
VOLUME II - BOOK TENTH - Chapter 5 - The Retreat in which Monsieur Louis of France says his Prayers
VOLUME II - BOOK TENTH - Chapter 6 - Little Sword in Pocket
VOLUME II - BOOK TENTH - Chapter 7 - Chateaupers to the Rescue
VOLUME II - BOOK ELEVENTH - Chapter 1 - The Little Shoe
VOLUME II - BOOK ELEVENTH - Chapter 2 - The Beautiful Creature Clad in White
VOLUME II - BOOK ELEVENTH - Chapter 3 - The Marriage of Pinnbus
VOLUME II - BOOK ELEVENTH - Chapter 4 - The Marriage of Quasimodo