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Hunchback of Notre Dame (Notre-Dame de Paris), The
VOLUME I - BOOK SIXTH - Chapter 4 - A Tear for a Drop of Water
Victor Hugo
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       _ These words were, so to speak, the point of union of two
       scenes, which had, up to that time, been developed in parallel
       lines at the same moment, each on its particular theatre; one,
       that which the reader has just perused, in the Rat-Hole;
       the other, which he is about to read, on the ladder of the
       pillory. The first had for witnesses only the three women
       with whom the reader has just made acquaintance; the second
       had for spectators all the public which we have seen above,
       collecting on the Place de Grève, around the pillory and the
       gibbet.
       That crowd which the four sergeants posted at nine o'clock
       in the morning at the four corners of the pillory had inspired
       with the hope of some sort of an execution, no doubt, not a
       hanging, but a whipping, a cropping of ears, something, in
       short,--that crowd had increased so rapidly that the four
       policemen, too closely besieged, had had occasion to "press"
       it, as the expression then ran, more than once, by sound blows
       of their whips, and the haunches of their horses.
       This populace, disciplined to waiting for public executions,
       did not manifest very much impatience. It amused itself
       with watching the pillory, a very simple sort of monument,
       composed of a cube of masonry about six feet high and hollow
       in the interior. A very steep staircase, of unhewn stone,
       which was called by distinction "the ladder," led to the upper
       platform, upon which was visible a horizontal wheel of solid
       oak. The victim was bound upon this wheel, on his knees,
       with his hands behind his back. A wooden shaft, which set
       in motion a capstan concealed in the interior of the little
       edifice, imparted a rotatory motion to the wheel, which always
       maintained its horizontal position, and in this manner
       presented the face of the condemned man to all quarters of
       the square in succession. This was what was called "turning"
       a criminal.
       As the reader perceives, the pillory of the Grève was far
       from presenting all the recreations of the pillory of the Halles.
       Nothing architectural, nothing monumental. No roof to the
       iron cross, no octagonal lantern, no frail, slender columns
       spreading out on the edge of the roof into capitals of acanthus
       leaves and flowers, no waterspouts of chimeras and monsters,
       on carved woodwork, no fine sculpture, deeply sunk in the stone.
       They were forced to content themselves with those four
       stretches of rubble work, backed with sandstone, and a
       wretched stone gibbet, meagre and bare, on one side.
       The entertainment would have been but a poor one for
       lovers of Gothic architecture. It is true that nothing was
       ever less curious on the score of architecture than the worthy
       gapers of the Middle Ages, and that they cared very little for
       the beauty of a pillory.
       The victim finally arrived, bound to the tail of a cart, and
       when he had been hoisted upon the platform, where he could
       be seen from all points of the Place, bound with cords and
       straps upon the wheel of the pillory, a prodigious hoot,
       mingled with laughter and acclamations, burst forth upon the
       Place. They had recognized Quasimodo.
       It was he, in fact. The change was singular. Pilloried on
       the very place where, on the day before, he had been saluted,
       acclaimed, and proclaimed Pope and Prince of Fools, in the
       cortege of the Duke of Egypt, the King of Thunes, and the
       Emperor of Galilee! One thing is certain, and that is, that
       there was not a soul in the crowd, not even himself, though
       in turn triumphant and the sufferer, who set forth this
       combination clearly in his thought. Gringoire and his
       philosophy were missing at this spectacle.
       Soon Michel Noiret, sworn trumpeter to the king, our lord,
       imposed silence on the louts, and proclaimed the sentence, in
       accordance with the order and command of monsieur the provost.
       Then he withdrew behind the cart, with his men in livery surcoats.
       Quasimodo, impassible, did not wince. All resistance had
       been rendered impossible to him by what was then called, in
       the style of the criminal chancellery, "the vehemence and
       firmness of the bonds" which means that the thongs and chains
       probably cut into his flesh; moreover, it is a tradition of jail
       and wardens, which has not been lost, and which the handcuffs
       still preciously preserve among us, a civilized, gentle, humane
       people (the galleys and the guillotine in parentheses).
       He had allowed himself to be led, pushed, carried, lifted,
       bound, and bound again. Nothing was to be seen upon his
       countenance but the astonishment of a savage or an idiot.
       He was known to be deaf; one might have pronounced him
       to be blind.
       They placed him on his knees on the circular plank; he
       made no resistance. They removed his shirt and doublet as
       far as his girdle; he allowed them to have their way. They
       entangled him under a fresh system of thongs and buckles;
       he allowed them to bind and buckle him. Only from time to
       time he snorted noisily, like a calf whose head is hanging and
       bumping over the edge of a butcher's cart.
       "The dolt," said Jehan Frollo of the Mill, to his friend
       Robin Poussepain (for the two students had followed the
       culprit, as was to have been expected), "he understands no
       more than a cockchafer shut up in a box!"
       There was wild laughter among the crowd when they beheld
       Quasimodo's hump, his camel's breast, his callous and hairy
       shoulders laid bare. During this gayety, a man in the livery
       of the city, short of stature and robust of mien, mounted the
       platform and placed himself near the victim. His name
       speedily circulated among the spectators. It was Master
       Pierrat Torterue, official torturer to the Châtelet.
       He began by depositing on an angle of the pillory a black
       hour-glass, the upper lobe of which was filled with red sand,
       which it allowed to glide into the lower receptacle; then he
       removed his parti-colored surtout, and there became visible,
       suspended from his right hand, a thin and tapering whip of
       long, white, shining, knotted, plaited thongs, armed with
       metal nails. With his left hand, he negligently folded back
       his shirt around his right arm, to the very armpit.
       In the meantime, Jehan Frollo, elevating his curly blonde
       head above the crowd (he had mounted upon the shoulders of
       Robin Poussepain for the purpose), shouted: "Come and
       look, gentle ladies and men! they are going to peremptorily
       flagellate Master Quasimodo, the bellringer of my brother,
       monsieur the archdeacon of Josas, a knave of oriental
       architecture, who has a back like a dome, and legs like
       twisted columns!"
       And the crowd burst into a laugh, especially the boys and
       young girls.
       At length the torturer stamped his foot. The wheel began
       to turn. Quasimodo wavered beneath his bonds. The amazement
       which was suddenly depicted upon his deformed face
       caused the bursts of laughter to redouble around him.
       All at once, at the moment when the wheel in its revolution
       presented to Master Pierrat, the humped back of Quasimodo,
       Master Pierrat raised his arm; the fine thongs whistled
       sharply through the air, like a handful of adders, and fell
       with fury upon the wretch's shoulders.
       Quasimodo leaped as though awakened with a start. He
       began to understand. He writhed in his bonds; a violent
       contraction of surprise and pain distorted the muscles of his
       face, but he uttered not a single sigh. He merely turned his
       head backward, to the right, then to the left, balancing it as a
       bull does who has been stung in the flanks by a gadfly.
       A second blow followed the first, then a third, and another
       and another, and still others. The wheel did not cease to
       turn, nor the blows to rain down.
       Soon the blood burst forth, and could be seen trickling in a
       thousand threads down the hunchback's black shoulders; and
       the slender thongs, in their rotatory motion which rent the
       air, sprinkled drops of it upon the crowd.
       Quasimodo had resumed, to all appearance, his first
       imperturbability. He had at first tried, in a quiet way and
       without much outward movement, to break his bonds. His eye had
       been seen to light up, his muscles to stiffen, his members to
       concentrate their force, and the straps to stretch. The effort
       was powerful, prodigious, desperate; but the provost's seasoned
       bonds resisted. They cracked, and that was all. Quasimodo
       fell back exhausted. Amazement gave way, on his features,
       to a sentiment of profound and bitter discouragement. He
       closed his single eye, allowed his head to droop upon his
       breast, and feigned death.
       From that moment forth, he stirred no more. Nothing
       could force a movement from him. Neither his blood, which
       did not cease to flow, nor the blows which redoubled in fury,
       nor the wrath of the torturer, who grew excited himself and
       intoxicated with the execution, nor the sound of the horrible
       thongs, more sharp and whistling than the claws of scorpions.
       At length a bailiff from the Châtelet clad in black, mounted
       on a black horse, who had been stationed beside the ladder
       since the beginning of the execution, extended his ebony wand
       towards the hour-glass. The torturer stopped. The wheel
       stopped. Quasimodo's eye opened slowly.
       The scourging was finished. Two lackeys of the official
       torturer bathed the bleeding shoulders of the patient, anointed
       them with some unguent which immediately closed all the
       wounds, and threw upon his back a sort of yellow vestment,
       in cut like a chasuble. In the meanwhile, Pierrat Torterue
       allowed the thongs, red and gorged with blood, to drip upon
       the pavement.
       All was not over for Quasimodo. He had still to undergo
       that hour of pillory which Master Florian Barbedienne had so
       judiciously added to the sentence of Messire Robert d'Estouteville;
       all to the greater glory of the old physiological and psychological
       play upon words of Jean de Cumène, ~Surdus absurdus~: a deaf man
       is absurd.
       So the hour-glass was turned over once more, and they left
       the hunchback fastened to the plank, in order that justice
       might be accomplished to the very end.
       The populace, especially in the Middle Ages, is in society
       what the child is in the family. As long as it remains in its
       state of primitive ignorance, of moral and intellectual minority,
       it can be said of it as of the child,--
       'Tis the pitiless age.
       We have already shown that Quasimodo was generally
       hated, for more than one good reason, it is true. There was
       hardly a spectator in that crowd who had not or who did not
       believe that he had reason to complain of the malevolent
       hunchback of Notre-Dame. The joy at seeing him appear
       thus in the pillory had been universal; and the harsh punishment
       which he had just suffered, and the pitiful condition in
       which it had left him, far from softening the populace had
       rendered its hatred more malicious by arming it with a touch
       of mirth.
       Hence, the "public prosecution" satisfied, as the bigwigs
       of the law still express it in their jargon, the turn came of a
       thousand private vengeances. Here, as in the Grand Hall, the
       women rendered themselves particularly prominent. All
       cherished some rancor against him, some for his malice, others
       for his ugliness. The latter were the most furious.
       "Oh! mask of Antichrist!" said one.
       "Rider on a broom handle!" cried another.
       "What a fine tragic grimace," howled a third, "and who
       would make him Pope of the Fools if to-day were yesterday?"
       "'Tis well," struck in an old woman. "This is the grimace
       of the pillory. When shall we have that of the gibbet?"
       "When will you be coiffed with your big bell a hundred feet
       under ground, cursed bellringer?"
       "But 'tis the devil who rings the Angelus!"
       "Oh! the deaf man! the one-eyed creature! the hunch-
       back! the monster!"
       "A face to make a woman miscarry better than all the
       drugs and medicines!"
       And the two scholars, Jehan du Moulin, and Robin Poussepain,
       sang at the top of their lungs, the ancient refrain,--
       "~Une hart
       Pour le pendard!
       Un fagot
       Pour le magot~!"*
       * A rope for the gallows bird! A fagot for the ape.
       A thousand other insults rained down upon him, and hoots
       and imprecations, and laughter, and now and then, stones.
       Quasimodo was deaf but his sight was clear, and the public
       fury was no less energetically depicted on their visages than
       in their words. Moreover, the blows from the stones explained
       the bursts of laughter.
       At first he held his ground. But little by little that
       patience which had borne up under the lash of the torturer,
       yielded and gave way before all these stings of insects. The
       bull of the Asturias who has been but little moved by the
       attacks of the picador grows irritated with the dogs and
       banderilleras.
       He first cast around a slow glance of hatred upon the crowd.
       But bound as he was, his glance was powerless to drive away
       those flies which were stinging his wound. Then he moved in
       his bonds, and his furious exertions made the ancient wheel of
       the pillory shriek on its axle. All this only increased the
       derision and hooting.
       Then the wretched man, unable to break his collar, like that
       of a chained wild beast, became tranquil once more; only at
       intervals a sigh of rage heaved the hollows of his chest.
       There was neither shame nor redness on his face. He was
       too far from the state of society, and too near the state of
       nature to know what shame was. Moreover, with such a degree
       of deformity, is infamy a thing that can be felt? But
       wrath, hatred, despair, slowly lowered over that hideous visage
       a cloud which grew ever more and more sombre, ever more and
       more charged with electricity, which burst forth in a thousand
       lightning flashes from the eye of the cyclops.
       Nevertheless, that cloud cleared away for a moment, at the
       passage of a mule which traversed the crowd, bearing a priest.
       As far away as he could see that mule and that priest, the poor
       victim's visage grew gentler. The fury which had contracted
       it was followed by a strange smile full of ineffable sweetness,
       gentleness, and tenderness. In proportion as the priest
       approached, that smile became more clear, more distinct, more
       radiant. It was like the arrival of a Saviour, which the
       unhappy man was greeting. But as soon as the mule was near
       enough to the pillory to allow of its rider recognizing the
       victim, the priest dropped his eyes, beat a hasty retreat, spurred
       on rigorously, as though in haste to rid himself of humiliating
       appeals, and not at all desirous of being saluted and recognized
       by a poor fellow in such a predicament.
       This priest was Archdeacon Dom Claude Frollo.
       The cloud descended more blackly than ever upon Quasimodo's brow.
       The smile was still mingled with it for a time, but was bitter,
       discouraged, profoundly sad.
       Time passed on. He had been there at least an hour and a
       half, lacerated, maltreated, mocked incessantly, and almost stoned.
       All at once he moved again in his chains with redoubled
       despair, which made the whole framework that bore him tremble,
       and, breaking the silence which he had obstinately preserved
       hitherto, he cried in a hoarse and furious voice, which
       resembled a bark rather than a human cry, and which was
       drowned in the noise of the hoots--"Drink!"
       This exclamation of distress, far from exciting compassion,
       only added amusement to the good Parisian populace who
       surrounded the ladder, and who, it must be confessed, taken in
       the mass and as a multitude, was then no less cruel and brutal
       than that horrible tribe of robbers among whom we have
       already conducted the reader, and which was simply the lower
       stratum of the populace. Not a voice was raised around the
       unhappy victim, except to jeer at his thirst. It is certain
       that at that moment he was more grotesque and repulsive
       than pitiable, with his face purple and dripping, his eye wild,
       his mouth foaming with rage and pain, and his tongue lolling
       half out. It must also be stated that if a charitable soul of a
       bourgeois or ~bourgeoise~, in the rabble, had attempted to carry
       a glass of water to that wretched creature in torment, there
       reigned around the infamous steps of the pillory such a prejudice
       of shame and ignominy, that it would have sufficed to repulse
       the good Samaritan.
       At the expiration of a few moments, Quasimodo cast a desperate
       glance upon the crowd, and repeated in a voice still
       more heartrending: "Drink!"
       And all began to laugh.
       "Drink this!" cried Robin Poussepain, throwing in his
       face a sponge which had been soaked in the gutter. "There,
       you deaf villain, I'm your debtor."
       A woman hurled a stone at his head,--
       "That will teach you to wake us up at night with your peal
       of a dammed soul."
       "He, good, my son!" howled a cripple, making an effort to
       reach him with his crutch, "will you cast any more spells on
       us from the top of the towers of Notre-Dame?"
       "Here's a drinking cup!" chimed in a man, flinging a
       broken jug at his breast. "'Twas you that made my wife,
       simply because she passed near you, give birth to a child with
       two heads!"
       "And my cat bring forth a kitten with six paws!" yelped
       an old crone, launching a brick at him.
       "Drink!" repeated Quasimodo panting, and for the third
       time.
       At that moment he beheld the crowd give way. A young
       girl, fantastically dressed, emerged from the throng. She
       was accompanied by a little white goat with gilded horns, and
       carried a tambourine in her hand.
       Quasimodo's eyes sparkled. It was the gypsy whom he had
       attempted to carry off on the preceding night, a misdeed for
       which he was dimly conscious that he was being punished at
       that very moment; which was not in the least the case, since
       he was being chastised only for the misfortune of being deaf,
       and of having been judged by a deaf man. He doubted not
       that she had come to wreak her vengeance also, and to deal
       her blow like the rest.
       He beheld her, in fact, mount the ladder rapidly. Wrath
       and spite suffocate him. He would have liked to make the
       pillory crumble into ruins, and if the lightning of his eye
       could have dealt death, the gypsy would have been reduced
       to powder before she reached the platform.
       She approached, without uttering a syllable, the victim
       who writhed in a vain effort to escape her, and detaching a
       gourd from her girdle, she raised it gently to the parched lips
       of the miserable man.
       Then, from that eye which had been, up to that moment, so
       dry and burning, a big tear was seen to fall, and roll slowly
       down that deformed visage so long contracted with despair.
       It was the first, in all probability, that the unfortunate man
       had ever shed.
       Meanwhile, be had forgotten to drink. The gypsy made
       her little pout, from impatience, and pressed the spout to the
       tusked month of Quasimodo, with a smile.
       He drank with deep draughts. His thirst was burning.
       When he had finished, the wretch protruded his black lips,
       no doubt, with the object of kissing the beautiful hand which
       had just succoured him. But the young girl, who was, perhaps,
       somewhat distrustful, and who remembered the violent attempt
       of the night, withdrew her hand with the frightened gesture
       of a child who is afraid of being bitten by a beast.
       Then the poor deaf man fixed on her a look full of reproach
       and inexpressible sadness.
       It would have been a touching spectacle anywhere,--this
       beautiful, fresh, pure, and charming girl, who was at the
       same time so weak, thus hastening to the relief of so much
       misery, deformity, and malevolence. On the pillory, the
       spectacle was sublime.
       The very populace were captivated by it, and began to clap
       their hands, crying,--
       "Noel! Noel!"
       It was at that moment that the recluse caught sight, from
       the window of her bole, of the gypsy on the pillory, and
       hurled at her her sinister imprecation,--
       "Accursed be thou, daughter of Egypt! Accursed! accursed!" _
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本书目录

Preface
Volume 1 - Book 1 - Chapter 1. The Grand Hall
Volume 1 - Book 1 - Chapter 2. Pierre Gringoire
Volume 1 - Book 1 - Chapter 3. Monsieur The Cardinal
Volume 1 - Book 1 - Chapter 4. Master Jacques Coppenole
Volume 1 - Book 1 - Chapter 5. Quasimodo
Volume 1 - Book 1 - Chapter 6. Esmeralda
Volume 1 - Book 2 - Chapter 1. From Charybdis To Scylla
Volume 1 - Book 2 - Chapter 2. The Place De Gr& - 232;ve
Volume 1 - Book 2 - Chapter 3. Kisses For Blows
Volume 1 - Book 2 - Chapter 4. The Inconveniences Of Following A Pretty Woman
Volume 1 - Book 2 - Chapter 5. Result Of The Dangers
Volume 1 - Book 2 - Chapter 6. The Broken Jug
Volume 1 - Book 2 - Chapter 7. A Bridal Night
VOLUME I - BOOK THIRD - Chapter 1 - Notre-Dame
VOLUME I - BOOK THIRD - Chapter 2 - A Bird's-eye View of Paris
VOLUME I - BOOK FOURTH - Chapter 1 - Good Souls
VOLUME I - BOOK FOURTH - Chapter 2 - Claude Frollo
VOLUME I - BOOK FOURTH - Chapter 3 - Immanis Pecoris Custos, Immanior Ipse
VOLUME I - BOOR FOURTH - Chapter 4 - The Dog and his Master
VOLUME I - BOOK FOURTH - Chapter 5 - More about Claude Frollo
VOLUME I - BOOK FOURTH - Chapter 6 - Unpopularity
VOLUME I - BOOK FIFTH - Chapter 1 - Abbas Beati Martini
VOLUME I - BOOK FIFTH - Chapter 2 - This will Kill That
VOLUME I - BOOK SIXTH - Chapter 1 - An Impartial Glance at the Ancient Magistracy
VOLUME I - BOOK SIXTH - Chapter 2 - The Rat-hole
VOLUME I - BOOK SIXTH - Chapter 3 - History of a Leavened Cake of Maize
VOLUME I - BOOK SIXTH - Chapter 4 - A Tear for a Drop of Water
VOLUME I - BOOK SIXTH - Chapter 5 - End of the Story of the Cake
VOLUME II - BOOK SEVENTH - Chapter 1 - The Danger of Confiding One's Secret to a Goat
VOLUME II - BOOK SEVENTH - Chapter 2 - A Priest and a Philosopher are two Different Things
VOLUME II - BOOK SEVENTH - Chapter 3 - The Bells
VOLUME II - BOOK SEVENTH - Chapter 4 - ~ANArKH~
VOLUME II - BOOK SEVENTH - Chapter 5 - The Two Men Clothed in Black
VOLUME II - BOOK SEVENTH - Chapter 6 - The Effect which Seven Oaths in the Open Air can Produce
VOLUME II - BOOK SEVENTH - Chapter 7 - The Mysterious Monk
VOLUME II - BOOK SEVENTH - Chapter 8 - The Utility of Windows which Open on the River
VOLUME II - BOOK EIGHTH - Chapter 1 - The Crown Changed into a Dry Leaf
VOLUME II - BOOK EIGHTH - Chapter 2 - Continuation of the Crown which was Changed into a Dry Leaf
VOLUME II - BOOK EIGHTH - Chapter 3 - End of the Crown which was Changed into a Dry Leaf
VOLUME II - BOOK EIGHTH - Chapter 4 - ~Lasciate Ogni Speranza~--Leave all hope behind, ye who Enter here
VOLUME II - BOOK EIGHTH - Chapter 5 - The Mother
VOLUME II - BOOK EIGHTH - Chapter 6 - Three Human Hearts differently Constructed
VOLUME II - BOOK NINTH - Chapter 1 - Delirium
VOLUME II - BOOK NINTH - Chapter 2 - Hunchbacked, One Eyed, Lame
VOLUME II - BOOK NINTH - Chapter 3 - Deaf
VOLUME II - BOOK NINTH - Chapter 4 - Earthenware and Crystal
VOLUME II - BOOK NINTH - Chapter 5 - The Key to the Red Door
VOLUME II - BOOK NINTH - Chapter 6 - Continuation of the Key to the Red Door
VOLUME II - BOOK TENTH - Chapter 1 - Gringoire has Many Good Ideas in Succession.--Rue des Bernardins
VOLUME II - BOOK TENTH - Chapter 2 - Turn Vagabond
VOLUME II - BOOK TENTH - Chapter 3 - Long Live Mirth
VOLUME II - BOOK TENTH - Chapter 4 - An Awkward Friend
VOLUME II - BOOK TENTH - Chapter 5 - The Retreat in which Monsieur Louis of France says his Prayers
VOLUME II - BOOK TENTH - Chapter 6 - Little Sword in Pocket
VOLUME II - BOOK TENTH - Chapter 7 - Chateaupers to the Rescue
VOLUME II - BOOK ELEVENTH - Chapter 1 - The Little Shoe
VOLUME II - BOOK ELEVENTH - Chapter 2 - The Beautiful Creature Clad in White
VOLUME II - BOOK ELEVENTH - Chapter 3 - The Marriage of Pinnbus
VOLUME II - BOOK ELEVENTH - Chapter 4 - The Marriage of Quasimodo