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Hunchback of Notre Dame (Notre-Dame de Paris), The
VOLUME II - BOOK SEVENTH - Chapter 8 - The Utility of Windows which Open on the River
Victor Hugo
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       _ Claude Frollo (for we presume that the reader, more intelligent
       than Phoebus, has seen in this whole adventure no other
       surly monk than the archdeacon), Claude Frollo groped about
       for several moments in the dark lair into which the captain
       had bolted him. It was one of those nooks which architects
       sometimes reserve at the point of junction between the roof
       and the supporting wall. A vertical section of this kennel, as
       Phoebus had so justly styled it, would have made a triangle.
       Moreover, there was neither window nor air-hole, and the slope
       of the roof prevented one from standing upright. Accordingly,
       Claude crouched down in the dust, and the plaster
       which cracked beneath him; his head was on fire; rummaging
       around him with his hands, be found on the floor a bit of
       broken glass, which he pressed to his brow, and whose cool-
       ness afforded him some relief.
       What was taking place at that moment in the gloomy soul
       of the archdeacon? God and himself could alone know.
       In what order was he arranging in his mind la Esmeralda,
       Phoebus, Jacques Charmolue, his young brother so beloved, yet
       abandoned by him in the mire, his archdeacon's cassock, his
       reputation perhaps dragged to la Falourdel's, all these adventures,
       all these images? I cannot say. But it is certain that
       these ideas formed in his mind a horrible group.
       He had been waiting a quarter of an hour; it seemed to
       him that he had grown a century older. All at once be heard
       the creaking of the boards of the stairway; some one was
       ascending. The trapdoor opened once more; a light reappeared.
       There was a tolerably large crack in the worm-eaten
       door of his den; he put his face to it. In this manner
       he could see all that went on in the adjoining room. The
       cat-faced old crone was the first to emerge from the trap-door,
       lamp in hand; then Phoebus, twirling his moustache, then a
       third person, that beautiful and graceful figure, la Esmeralda.
       The priest beheld her rise from below like a dazzling
       apparition. Claude trembled, a cloud spread over his eyes,
       his pulses beat violently, everything rustled and whirled
       around him; he no longer saw nor heard anything.
       When he recovered himself, Phoebus and Esmeralda were
       alone seated on the wooden coffer beside the lamp which
       made these two youthful figures and a miserable pallet at
       the end of the attic stand out plainly before the
       archdeacon's eyes.
       Beside the pallet was a window, whose panes broken like a
       spider's web upon which rain has fallen, allowed a view, through
       its rent meshes, of a corner of the sky, and the moon lying
       far away on an eiderdown bed of soft clouds.
       The young girl was blushing, confused, palpitating. Her
       long, drooping lashes shaded her crimson cheeks. The officer,
       to whom she dared not lift her eyes, was radiant. Mechanically,
       and with a charmingly unconscious gesture, she traced
       with the tip of her finger incoherent lines on the bench, and
       watched her finger. Her foot was not visible. The little
       goat was nestling upon it.
       The captain was very gallantly clad; he had tufts of embroidery
       at his neck and wrists; a great elegance at that day.
       It was not without difficulty that Dom Claude managed to
       hear what they were saying, through the humming of the
       blood, which was boiling in his temples.
       (A conversation between lovers is a very commonplace
       affair. It is a perpetual "I love you." A musical phrase
       which is very insipid and very bald for indifferent listeners,
       when it is not ornamented with some ~fioriture~; but Claude
       was not an indifferent listener.)
       "Oh!" said the young girl, without raising her eyes, "do
       not despise me, monseigneur Phoebus. I feel that what I am
       doing is not right."
       "Despise you, my pretty child!" replied the officer with
       an air of superior and distinguished gallantry, "despise you,
       ~tête-Dieu~! and why?"
       "For having followed you!"
       "On that point, my beauty, we don't agree. I ought not to
       despise you, but to hate you."
       The young girl looked at him in affright: "Hate me! what
       have I done?"
       "For having required so much urging."
       "Alas!" said she, "'tis because I am breaking a vow. I
       shall not find my parents! The amulet will lose its virtue.
       But what matters it? What need have I of father or mother now?"
       So saying, she fixed upon the captain her great black eyes,
       moist with joy and tenderness.
       "Devil take me if I understand you!" exclaimed Phoebus.
       La Esmeralda remained silent for a moment, then a tear
       dropped from her eyes, a sigh from her lips, and she said,--
       "Oh! monseigneur, I love you."
       Such a perfume of chastity, such a charm of virtue surrounded
       the young girl, that Phoebus did not feel completely
       at his ease beside her. But this remark emboldened him:
       "You love me!" he said with rapture, and he threw his arm
       round the gypsy's waist. He had only been waiting for this
       opportunity.
       The priest saw it, and tested with the tip of his finger the
       point of a poniard which he wore concealed in his breast.
       "Phoebus," continued the Bohemian, gently releasing her
       waist from the captain's tenacious hands, "You are good, you
       are generous, you are handsome; you saved me, me who am
       only a poor child lost in Bohemia. I had long been dreaming
       of an officer who should save my life. 'Twas of you that I
       was dreaming, before I knew you, my Phoebus; the officer of
       my dream had a beautiful uniform like yours, a grand look, a
       sword; your name is Phoebus; 'tis a beautiful name. I love
       your name; I love your sword. Draw your sword, Phoebus,
       that I may see it."
       "Child!" said the captain, and he unsheathed his sword
       with a smile.
       The gypsy looked at the hilt, the blade; examined the
       cipher on the guard with adorable curiosity, and kissed the
       sword, saying,--
       You are the sword of a brave man. I love my captain."
       Phoebus again profited by the opportunity to impress upon
       her beautiful bent neck a kiss which made the young girl
       straighten herself up as scarlet as a poppy. The priest
       gnashed his teeth over it in the dark.
       "Phoebus," resumed the gypsy, "let me talk to you. Pray
       walk a little, that I may see you at full height, and that I
       may hear your spurs jingle. How handsome you are!"
       The captain rose to please her, chiding her with a smile of
       satisfaction,--
       "What a child you are! By the way, my charmer, have you seen
       me in my archer's ceremonial doublet?"
       "Alas! no," she replied.
       "It is very handsome!"
       Phoebus returned and seated himself beside her, but much
       closer than before.
       "Listen, my dear--"
       The gypsy gave him several little taps with her pretty
       hand on his mouth, with a childish mirth and grace and gayety.
       "No, no, I will not listen to you. Do you love me? I want
       you to tell me whether you love me."
       "Do I love thee, angel of my life!" exclaimed the captain,
       half kneeling. "My body, my blood, my soul, all are thine;
       all are for thee. I love thee, and I have never loved any one
       but thee."
       The captain had repeated this phrase so many times, in
       many similar conjunctures, that he delivered it all in one
       breath, without committing a single mistake. At this passionate
       declaration, the gypsy raised to the dirty ceiling which
       served for the skies a glance full of angelic happiness.
       "Oh!" she murmured, "this is the moment when one should die!"
       Phoebus found "the moment" favorable for robbing her of
       another kiss, which went to torture the unhappy archdeacon
       in his nook. "Die!" exclaimed the amorous captain, "What
       are you saying, my lovely angel? 'Tis a time for living, or
       Jupiter is only a scamp! Die at the beginning of so sweet a
       thing! ~Corne-de-boeuf~, what a jest! It is not that. Listen,
       my dear Similar, Esmenarda--Pardon! you have so prodigiously
       Saracen a name that I never can get it straight. 'Tis a thicket
       which stops me short."
       "Good heavens!" said the poor girl, "and I thought my
       name pretty because of its singularity! But since it displeases
       you, I would that I were called Goton."
       "Ah! do not weep for such a trifle, my graceful maid!
       'tis a name to which one must get accustomed, that is all.
       When I once know it by heart, all will go smoothly. Listen
       then, my dear Similar; I adore you passionately. I love you
       so that 'tis simply miraculous. I know a girl who is
       bursting with rage over it--"
       The jealous girl interrupted him: "Who?"
       "What matters that to us?" said Phoebus; "do you love me?"
       "Oh!"--said she.
       "Well! that is all. You shall see how I love you also.
       May the great devil Neptunus spear me if I do not make you
       the happiest woman in the world. We will have a pretty
       little house somewhere. I will make my archers parade
       before your windows. They are all mounted, and set at
       defiance those of Captain Mignon. There are ~voulgiers,
       cranequiniers~ and hand ~couleveiniers~*. I will take you to
       the great sights of the Parisians at the storehouse of Rully.
       Eighty thousand armed men, thirty thousand white harnesses, short
       coats or coats of mail; the sixty-seven banners of the trades;
       the standards of the parliaments, of the chamber of accounts,
       of the treasury of the generals, of the aides of the mint; a
       devilish fine array, in short! I will conduct you to see the
       lions of the Hôtel du Roi, which are wild beasts. All women
       love that."
       * Varieties of the crossbow.
       For several moments the young girl, absorbed in her charming
       thoughts, was dreaming to the sound of his voice, without
       listening to the sense of his words.
       "Oh! how happy you will be!" continued the captain, and
       at the same time he gently unbuckled the gypsy's girdle.
       "What are you doing?" she said quickly. This "act of
       violence" had roused her from her revery.
       "Nothing," replied Phoebus, "I was only saying that you
       must abandon all this garb of folly, and the street corner
       when you are with me."
       "When I am with you, Phoebus!" said the young girl tenderly.
       She became pensive and silent once more.
       The captain, emboldened by her gentleness, clasped her
       waist without resistance; then began softly to unlace the
       poor child's corsage, and disarranged her tucker to such an
       extent that the panting priest beheld the gypsy's beautiful
       shoulder emerge from the gauze, as round and brown as the
       moon rising through the mists of the horizon.
       The young girl allowed Phoebus to have his way. She did
       not appear to perceive it. The eye of the bold captain flashed.
       Suddenly she turned towards him,--
       "Phoebus," she said, with an expression of infinite love,
       "instruct me in thy religion."
       "My religion!" exclaimed the captain, bursting with laughter,
       "I instruct you in my religion! ~Corne et tonnerre~! What
       do you want with my religion?"
       "In order that we may be married," she replied.
       The captain's face assumed an expression of mingled surprise
       and disdain, of carelessness and libertine passion.
       "Ah, bah!" said he, "do people marry?"
       The Bohemian turned pale, and her head drooped sadly on
       her breast.
       "My beautiful love," resumed Phoebus, tenderly, "what
       nonsense is this? A great thing is marriage, truly! one
       is none the less loving for not having spit Latin into a
       priest's shop!"
       While speaking thus in his softest voice, he approached
       extremely near the gypsy; his caressing hands resumed
       their place around her supple and delicate waist, his eye
       flashed more and more, and everything announced that Monsieur
       Phoebus was on the verge of one of those moments when
       Jupiter himself commits so many follies that Homer is
       obliged to summon a cloud to his rescue.
       But Dom Claude saw everything. The door was made of
       thoroughly rotten cask staves, which left large apertures for
       the passage of his hawklike gaze. This brown-skinned, broad-
       shouldered priest, hitherto condemned to the austere virginity
       of the cloister, was quivering and boiling in the presence of
       this night scene of love and voluptuousness. This young and
       beautiful girl given over in disarray to the ardent young man,
       made melted lead flow in his-veins; his eyes darted with
       sensual jealousy beneath all those loosened pins. Any one who
       could, at that moment, have seen the face of the unhappy man
       glued to the wormeaten bars, would have thought that he
       beheld the face of a tiger glaring from the depths of a cage
       at some jackal devouring a gazelle. His eye shone like a
       candle through the cracks of the door.
       All at once, Phoebus, with a rapid gesture, removed the
       gypsy's gorgerette. The poor child, who had remained pale
       and dreamy, awoke with a start; she recoiled hastily from the
       enterprising officer, and, casting a glance at her bare neck
       and shoulders, red, confused, mute with shame, she crossed
       her two beautiful arms on her breast to conceal it. Had it
       not been for the flame which burned in her cheeks, at the
       sight of her so silent and motionless, one would have.
       declared her a statue of Modesty. Her eyes were lowered.
       But the captain's gesture had revealed the mysterious amulet
       which she wore about her neck.
       "What is that?" he said, seizing this pretext to approach
       once more the beautiful creature whom he had just alarmed.
       "Don't touch it!" she replied, quickly, "'tis my guardian.
       It will make me find my family again, if I remain worthy
       to do so. Oh, leave me, monsieur le capitaine! My mother!
       My poor mother! My mother! Where art thou? Come to
       my rescue! Have pity, Monsieur Phoebus, give me back my
       gorgerette!"
       Phoebus retreated amid said in a cold tone,--
       "Oh, mademoiselle! I see plainly that you do not love me!"
       "I do not love him!" exclaimed the unhappy child, and at
       the same time she clung to the captain, whom she drew to a
       seat beside her. "I do not love thee, my Phoebus? What
       art thou saying, wicked man, to break my heart? Oh, take
       me! take all! do what you will with me, I am thine. What
       matters to me the amulet! What matters to me my mother!
       'Tis thou who art my mother since I love thee! Phoebus,
       my beloved Phoebus, dost thou see me? 'Tis I. Look at me;
       'tis the little one whom thou wilt surely not repulse, who
       comes, who comes herself to seek thee. My soul, my life, my
       body, my person, all is one thing--which is thine, my captain.
       Well, no! We will not marry, since that displeases thee; and
       then, what am I? a miserable girl of the gutters; whilst
       thou, my Phoebus, art a gentleman. A fine thing, truly! A
       dancer wed an officer! I was mad. No, Phoebus, no; I will be
       thy mistress, thy amusement, thy pleasure, when thou wilt;
       a girl who shall belong to thee. I was only made for that,
       soiled, despised, dishonored, but what matters it?--beloved.
       I shall be the proudest and the most joyous of women. And
       when I grow old or ugly, Phoebus, when I am no longer good
       to love you, you will suffer me to serve you still. Others
       will embroider scarfs for you; 'tis I, the servant, who will
       care for them. You will let me polish your spurs, brush your
       doublet, dust your riding-boots. You will have that pity,
       will you not, Phoebus? Meanwhile, take me! here, Phoebus,
       all this belongs to thee, only love me! We gypsies need only
       air and love."
       So saying, she threw her arms round the officer's neck; she
       looked up at him, supplicatingly, with a beautiful smile, and
       all in tears. Her delicate neck rubbed against his cloth
       doublet with its rough embroideries. She writhed on her
       knees, her beautiful body half naked. The intoxicated captain
       pressed his ardent lips to those lovely African shoulders.
       The young girl, her eyes bent on the ceiling, as she leaned
       backwards, quivered, all palpitating, beneath this kiss.
       All at once, above Phoebus's head she beheld another head;
       a green, livid, convulsed face, with the look of a lost soul;
       near this face was a hand grasping a poniard.--It was the
       face and hand of the priest; he had broken the door and he
       was there. Phoebus could not see him. The young girl
       remained motionless, frozen with terror, dumb, beneath that
       terrible apparition, like a dove which should raise its head
       at the moment when the hawk is gazing into her nest with its
       round eyes.
       She could not even utter a cry. She saw the poniard descend
       upon Phoebus, and rise again, reeking.
       "Maledictions!" said the captain, and fell.
       She fainted.
       At the moment when her eyes closed, when all feeling vanished
       in her, she thought that she felt a touch of fire imprinted
       upon her lips, a kiss more burning than the red-hot iron of
       the executioner.
       When she recovered her senses, she was surrounded by
       soldiers of the watch they were carrying away the captain,
       bathed in his blood the priest had disappeared; the window
       at the back of the room which opened on the river was
       wide open; they picked up a cloak which they supposed to
       belong to the officer and she heard them saying around her,
       "'Tis a sorceress who has stabbed a captain." _
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Preface
Volume 1 - Book 1 - Chapter 1. The Grand Hall
Volume 1 - Book 1 - Chapter 2. Pierre Gringoire
Volume 1 - Book 1 - Chapter 3. Monsieur The Cardinal
Volume 1 - Book 1 - Chapter 4. Master Jacques Coppenole
Volume 1 - Book 1 - Chapter 5. Quasimodo
Volume 1 - Book 1 - Chapter 6. Esmeralda
Volume 1 - Book 2 - Chapter 1. From Charybdis To Scylla
Volume 1 - Book 2 - Chapter 2. The Place De Gr& - 232;ve
Volume 1 - Book 2 - Chapter 3. Kisses For Blows
Volume 1 - Book 2 - Chapter 4. The Inconveniences Of Following A Pretty Woman
Volume 1 - Book 2 - Chapter 5. Result Of The Dangers
Volume 1 - Book 2 - Chapter 6. The Broken Jug
Volume 1 - Book 2 - Chapter 7. A Bridal Night
VOLUME I - BOOK THIRD - Chapter 1 - Notre-Dame
VOLUME I - BOOK THIRD - Chapter 2 - A Bird's-eye View of Paris
VOLUME I - BOOK FOURTH - Chapter 1 - Good Souls
VOLUME I - BOOK FOURTH - Chapter 2 - Claude Frollo
VOLUME I - BOOK FOURTH - Chapter 3 - Immanis Pecoris Custos, Immanior Ipse
VOLUME I - BOOR FOURTH - Chapter 4 - The Dog and his Master
VOLUME I - BOOK FOURTH - Chapter 5 - More about Claude Frollo
VOLUME I - BOOK FOURTH - Chapter 6 - Unpopularity
VOLUME I - BOOK FIFTH - Chapter 1 - Abbas Beati Martini
VOLUME I - BOOK FIFTH - Chapter 2 - This will Kill That
VOLUME I - BOOK SIXTH - Chapter 1 - An Impartial Glance at the Ancient Magistracy
VOLUME I - BOOK SIXTH - Chapter 2 - The Rat-hole
VOLUME I - BOOK SIXTH - Chapter 3 - History of a Leavened Cake of Maize
VOLUME I - BOOK SIXTH - Chapter 4 - A Tear for a Drop of Water
VOLUME I - BOOK SIXTH - Chapter 5 - End of the Story of the Cake
VOLUME II - BOOK SEVENTH - Chapter 1 - The Danger of Confiding One's Secret to a Goat
VOLUME II - BOOK SEVENTH - Chapter 2 - A Priest and a Philosopher are two Different Things
VOLUME II - BOOK SEVENTH - Chapter 3 - The Bells
VOLUME II - BOOK SEVENTH - Chapter 4 - ~ANArKH~
VOLUME II - BOOK SEVENTH - Chapter 5 - The Two Men Clothed in Black
VOLUME II - BOOK SEVENTH - Chapter 6 - The Effect which Seven Oaths in the Open Air can Produce
VOLUME II - BOOK SEVENTH - Chapter 7 - The Mysterious Monk
VOLUME II - BOOK SEVENTH - Chapter 8 - The Utility of Windows which Open on the River
VOLUME II - BOOK EIGHTH - Chapter 1 - The Crown Changed into a Dry Leaf
VOLUME II - BOOK EIGHTH - Chapter 2 - Continuation of the Crown which was Changed into a Dry Leaf
VOLUME II - BOOK EIGHTH - Chapter 3 - End of the Crown which was Changed into a Dry Leaf
VOLUME II - BOOK EIGHTH - Chapter 4 - ~Lasciate Ogni Speranza~--Leave all hope behind, ye who Enter here
VOLUME II - BOOK EIGHTH - Chapter 5 - The Mother
VOLUME II - BOOK EIGHTH - Chapter 6 - Three Human Hearts differently Constructed
VOLUME II - BOOK NINTH - Chapter 1 - Delirium
VOLUME II - BOOK NINTH - Chapter 2 - Hunchbacked, One Eyed, Lame
VOLUME II - BOOK NINTH - Chapter 3 - Deaf
VOLUME II - BOOK NINTH - Chapter 4 - Earthenware and Crystal
VOLUME II - BOOK NINTH - Chapter 5 - The Key to the Red Door
VOLUME II - BOOK NINTH - Chapter 6 - Continuation of the Key to the Red Door
VOLUME II - BOOK TENTH - Chapter 1 - Gringoire has Many Good Ideas in Succession.--Rue des Bernardins
VOLUME II - BOOK TENTH - Chapter 2 - Turn Vagabond
VOLUME II - BOOK TENTH - Chapter 3 - Long Live Mirth
VOLUME II - BOOK TENTH - Chapter 4 - An Awkward Friend
VOLUME II - BOOK TENTH - Chapter 5 - The Retreat in which Monsieur Louis of France says his Prayers
VOLUME II - BOOK TENTH - Chapter 6 - Little Sword in Pocket
VOLUME II - BOOK TENTH - Chapter 7 - Chateaupers to the Rescue
VOLUME II - BOOK ELEVENTH - Chapter 1 - The Little Shoe
VOLUME II - BOOK ELEVENTH - Chapter 2 - The Beautiful Creature Clad in White
VOLUME II - BOOK ELEVENTH - Chapter 3 - The Marriage of Pinnbus
VOLUME II - BOOK ELEVENTH - Chapter 4 - The Marriage of Quasimodo