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Hunchback of Notre Dame (Notre-Dame de Paris), The
VOLUME II - BOOK EIGHTH - Chapter 5 - The Mother
Victor Hugo
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       _ I do not believe that there is anything sweeter in the world
       than the ideas which awake in a mother's heart at the sight
       of her child's tiny shoe; especially if it is a shoe for
       festivals, for Sunday, for baptism, the shoe embroidered to the
       very sole, a shoe in which the infant has not yet taken a step.
       That shoe has so much grace and daintiness, it is so impossible
       for it to walk, that it seems to the mother as though she saw her
       child. She smiles upon it, she kisses it, she talks to it; she
       asks herself whether there can actually be a foot so tiny; and
       if the child be absent, the pretty shoe suffices to place the
       sweet and fragile creature before her eyes. She thinks she
       sees it, she does see it, complete, living, joyous, with its
       delicate hands, its round head, its pure lips, its serene eyes
       whose white is blue. If it is in winter, it is yonder, crawling
       on the carpet, it is laboriously climbing upon an ottoman, and the
       mother trembles lest it should approach the fire. If it is summer
       time, it crawls about the yard, in the garden, plucks up the
       grass between the paving-stones, gazes innocently at the big
       dogs, the big horses, without fear, plays with the shells, with
       the flowers, and makes the gardener grumble because he finds
       sand in the flower-beds and earth in the paths. Everything
       laughs, and shines and plays around it, like it, even the breath
       of air and the ray of sun which vie with each other in disporting
       among the silky ringlets of its hair. The shoe shows all this
       to the mother, and makes her heart melt as fire melts wax.
       But when the child is lost, these thousand images of joy,
       of charms, of tenderness, which throng around the little shoe,
       become so many horrible things. The pretty broidered shoe
       is no longer anything but an instrument of torture which
       eternally crushes the heart of the mother. It is always the
       same fibre which vibrates, the tenderest and most sensitive;
       but instead of an angel caressing it, it is a demon who is
       wrenching at it.
       One May morning, when the sun was rising on one of those
       dark blue skies against which Garofolo loves to place his
       Descents from the Cross, the recluse of the Tour-Roland heard
       a sound of wheels, of horses and irons in the Place de Grève.
       She was somewhat aroused by it, knotted her hair upon her
       ears in order to deafen herself, and resumed her contemplation,
       on her knees, of the inanimate object which she had
       adored for fifteen years. This little shoe was the universe
       to her, as we have already said. Her thought was shut up in
       it, and was destined never more to quit it except at death.
       The sombre cave of the Tour-Roland alone knew how many bitter
       imprecations, touching complaints, prayers and sobs she had
       wafted to heaven in connection with that charming bauble of
       rose-colored satin. Never was more despair bestowed upon a
       prettier and more graceful thing.
       It seemed as though her grief were breaking forth more
       violently than usual; and she could be heard outside
       lamenting in a loud and monotonous voice which rent the heart.
       "Oh my daughter!" she said, "my daughter, my poor, dear
       little child, so I shall never see thee more! It is over!
       It always seems to me that it happened yesterday! My God!
       my God! it would have been better not to give her to me
       than to take her away so soon. Did you not know that our
       children are part of ourselves, and that a mother who has lost
       her child no longer believes in God? Ah! wretch that I am
       to have gone out that day! Lord! Lord! to have taken her
       from me thus; you could never have looked at me with her,
       when I was joyously warming her at my fire, when she
       laughed as she suckled, when I made her tiny feet creep up
       my breast to my lips? Oh! if you had looked at that, my
       God, you would have taken pity on my joy; you would not
       have taken from me the only love which lingered, in my heart!
       Was I then, Lord, so miserable a creature, that you could not
       look at me before condemning me?--Alas! Alas! here is the
       shoe; where is the foot? where is the rest? Where is the
       child? My daughter! my daughter! what did they do with
       thee? Lord, give her back to me. My knees have been
       worn for fifteen years in praying to thee, my God! Is not
       that enough? Give her back to me one day, one hour, one
       minute; one minute, Lord! and then cast me to the demon for
       all eternity! Oh! if I only knew where the skirt of your
       garment trails, I would cling to it with both hands, and you
       would be obliged to give me back my child! Have you no
       pity on her pretty little shoe? Could you condemn a poor
       mother to this torture for fifteen years? Good Virgin! good
       Virgin of heaven! my infant Jesus has been taken from me,
       has been stolen from me; they devoured her on a heath, they
       drank her blood, they cracked her bones! Good Virgin, have
       pity upon me. My daughter, I want my daughter! What is
       it to me that she is in paradise? I do not want your angel, I
       want my child! I am a lioness, I want my whelp. Oh! I will
       writhe on the earth, I will break the stones with my forehead,
       and I will damn myself, and I will curse you, Lord, if you
       keep my child from me! you see plainly that my arms are all
       bitten, Lord! Has the good God no mercy?--Oh! give me
       only salt and black bread, only let me have my daughter to
       warm me like a sun! Alas! Lord my God. Alas! Lord my
       God, I am only a vile sinner; but my daughter made me pious.
       I was full of religion for the love of her, and I beheld you
       through her smile as through an opening into heaven. Oh!
       if I could only once, just once more, a single time, put this
       shoe on her pretty little pink foot, I would die blessing you,
       good Virgin. Ah! fifteen years! she will be grown up now!
       --Unhappy child! what! it is really true then I shall never
       see her more, not even in heaven, for I shall not go there
       myself. Oh! what misery to think that here is her shoe,
       and that that is all!"
       The unhappy woman flung herself upon that shoe; her
       consolation and her despair for so many years, and her vitals
       were rent with sobs as on the first day; because, for a mother
       who has lost her child, it is always the first day. That grief
       never grows old. The mourning garments may grow white and
       threadbare, the heart remains dark.
       At that moment, the fresh and joyous cries of children
       passed in front of the cell. Every time that children crossed
       her vision or struck her ear, the poor mother flung herself into
       the darkest corner of her sepulchre, and one would have said,
       that she sought to plunge her head into the stone in order not
       to hear them. This time, on the contrary, she drew herself
       upright with a start, and listened eagerly. One of the little
       boys had just said,--
       "They are going to hang a gypsy to-day."
       With the abrupt leap of that spider which we have seen
       fling itself upon a fly at the trembling of its web, she rushed
       to her air-hole, which opened as the reader knows, on the
       Place de Grève. A ladder had, in fact, been raised up against
       the permanent gibbet, and the hangman's assistant was busying
       himself with adjusting the chains which had been rusted
       by the rain. There were some people standing about.
       The laughing group of children was already far away. The
       sacked nun sought with her eyes some passer-by whom she
       might question. All at once, beside her cell, she perceived a
       priest making a pretext of reading the public breviary, but
       who was much less occupied with the "lectern of latticed
       iron," than with the gallows, toward which he cast a fierce
       and gloomy glance from time to time. She recognized monsieur
       the archdeacon of Josas, a holy man.
       "Father," she inquired, "whom are they about to hang yonder?"
       The priest looked at her and made no reply; she repeated
       her question. Then he said,--
       "I know not."
       "Some children said that it was a gypsy," went on the recluse.
       "I believe so," said the priest.
       Then Paquette la Chantefleurie burst into hyena-like laughter.
       "Sister," said the archdeacon, "do you then hate the
       gypsies heartily?"
       "Do I hate them!" exclaimed the recluse, " they are vampires,
       stealers of children! They devoured my little daughter,
       my child, my only child! I have no longer any heart,
       they devoured it!"
       She was frightful. The priest looked at her coldly.
       "There is one in particular whom I hate, and whom I have
       cursed," she resumed; "it is a young one, of the age which
       my daughter would be if her mother had not eaten my daughter.
       Every time that that young viper passes in front of my cell,
       she sets my blood in a ferment."
       "Well, sister, rejoice," said the priest, icy as a sepulchral
       statue; "that is the one whom you are about to see die."
       His head fell upon his bosom and he moved slowly away.
       The recluse writhed her arms with joy.
       "I predicted it for her, that she would ascend thither!
       Thanks, priest!" she cried.
       And she began to pace up and down with long strides
       before the grating of her window, her hair dishevelled, her
       eyes flashing, with her shoulder striking against the wall,
       with the wild air of a female wolf in a cage, who has long
       been famished, and who feels the hour for her repast drawing near. _
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Preface
Volume 1 - Book 1 - Chapter 1. The Grand Hall
Volume 1 - Book 1 - Chapter 2. Pierre Gringoire
Volume 1 - Book 1 - Chapter 3. Monsieur The Cardinal
Volume 1 - Book 1 - Chapter 4. Master Jacques Coppenole
Volume 1 - Book 1 - Chapter 5. Quasimodo
Volume 1 - Book 1 - Chapter 6. Esmeralda
Volume 1 - Book 2 - Chapter 1. From Charybdis To Scylla
Volume 1 - Book 2 - Chapter 2. The Place De Gr& - 232;ve
Volume 1 - Book 2 - Chapter 3. Kisses For Blows
Volume 1 - Book 2 - Chapter 4. The Inconveniences Of Following A Pretty Woman
Volume 1 - Book 2 - Chapter 5. Result Of The Dangers
Volume 1 - Book 2 - Chapter 6. The Broken Jug
Volume 1 - Book 2 - Chapter 7. A Bridal Night
VOLUME I - BOOK THIRD - Chapter 1 - Notre-Dame
VOLUME I - BOOK THIRD - Chapter 2 - A Bird's-eye View of Paris
VOLUME I - BOOK FOURTH - Chapter 1 - Good Souls
VOLUME I - BOOK FOURTH - Chapter 2 - Claude Frollo
VOLUME I - BOOK FOURTH - Chapter 3 - Immanis Pecoris Custos, Immanior Ipse
VOLUME I - BOOR FOURTH - Chapter 4 - The Dog and his Master
VOLUME I - BOOK FOURTH - Chapter 5 - More about Claude Frollo
VOLUME I - BOOK FOURTH - Chapter 6 - Unpopularity
VOLUME I - BOOK FIFTH - Chapter 1 - Abbas Beati Martini
VOLUME I - BOOK FIFTH - Chapter 2 - This will Kill That
VOLUME I - BOOK SIXTH - Chapter 1 - An Impartial Glance at the Ancient Magistracy
VOLUME I - BOOK SIXTH - Chapter 2 - The Rat-hole
VOLUME I - BOOK SIXTH - Chapter 3 - History of a Leavened Cake of Maize
VOLUME I - BOOK SIXTH - Chapter 4 - A Tear for a Drop of Water
VOLUME I - BOOK SIXTH - Chapter 5 - End of the Story of the Cake
VOLUME II - BOOK SEVENTH - Chapter 1 - The Danger of Confiding One's Secret to a Goat
VOLUME II - BOOK SEVENTH - Chapter 2 - A Priest and a Philosopher are two Different Things
VOLUME II - BOOK SEVENTH - Chapter 3 - The Bells
VOLUME II - BOOK SEVENTH - Chapter 4 - ~ANArKH~
VOLUME II - BOOK SEVENTH - Chapter 5 - The Two Men Clothed in Black
VOLUME II - BOOK SEVENTH - Chapter 6 - The Effect which Seven Oaths in the Open Air can Produce
VOLUME II - BOOK SEVENTH - Chapter 7 - The Mysterious Monk
VOLUME II - BOOK SEVENTH - Chapter 8 - The Utility of Windows which Open on the River
VOLUME II - BOOK EIGHTH - Chapter 1 - The Crown Changed into a Dry Leaf
VOLUME II - BOOK EIGHTH - Chapter 2 - Continuation of the Crown which was Changed into a Dry Leaf
VOLUME II - BOOK EIGHTH - Chapter 3 - End of the Crown which was Changed into a Dry Leaf
VOLUME II - BOOK EIGHTH - Chapter 4 - ~Lasciate Ogni Speranza~--Leave all hope behind, ye who Enter here
VOLUME II - BOOK EIGHTH - Chapter 5 - The Mother
VOLUME II - BOOK EIGHTH - Chapter 6 - Three Human Hearts differently Constructed
VOLUME II - BOOK NINTH - Chapter 1 - Delirium
VOLUME II - BOOK NINTH - Chapter 2 - Hunchbacked, One Eyed, Lame
VOLUME II - BOOK NINTH - Chapter 3 - Deaf
VOLUME II - BOOK NINTH - Chapter 4 - Earthenware and Crystal
VOLUME II - BOOK NINTH - Chapter 5 - The Key to the Red Door
VOLUME II - BOOK NINTH - Chapter 6 - Continuation of the Key to the Red Door
VOLUME II - BOOK TENTH - Chapter 1 - Gringoire has Many Good Ideas in Succession.--Rue des Bernardins
VOLUME II - BOOK TENTH - Chapter 2 - Turn Vagabond
VOLUME II - BOOK TENTH - Chapter 3 - Long Live Mirth
VOLUME II - BOOK TENTH - Chapter 4 - An Awkward Friend
VOLUME II - BOOK TENTH - Chapter 5 - The Retreat in which Monsieur Louis of France says his Prayers
VOLUME II - BOOK TENTH - Chapter 6 - Little Sword in Pocket
VOLUME II - BOOK TENTH - Chapter 7 - Chateaupers to the Rescue
VOLUME II - BOOK ELEVENTH - Chapter 1 - The Little Shoe
VOLUME II - BOOK ELEVENTH - Chapter 2 - The Beautiful Creature Clad in White
VOLUME II - BOOK ELEVENTH - Chapter 3 - The Marriage of Pinnbus
VOLUME II - BOOK ELEVENTH - Chapter 4 - The Marriage of Quasimodo