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Essay(s) by G. K. Chesterton
Conceit And Caricature
G.K.Chesterton
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       If a man must needs be conceited, it is certainly better that he should be conceited about some merits or talents that he does not really possess. For then his vanity remains more or less superficial; it remains a mere mistake of fact, like that of a man who thinks he inherits the royal blood or thinks he has an infallible system for Monte Carlo. Because the merit is an unreal merit, it does not corrupt or sophisticate his real merits. He is vain about the virtue he has not got; but he may be humble about the virtues that he has got. His truly honourable qualities remain in their primordial innocence; he cannot see them and he cannot spoil them. If a man's mind is erroneously possessed with the idea that he is a great violinist, that need not prevent his being a gentleman and an honest man. But if once his mind is possessed in any strong degree with the knowledge that he is a gentleman, he will soon cease to be one.
       But there is a third kind of satisfaction of which I have noticed one or two examples lately--another kind of satisfaction which is neither a pleasure in the virtues that we do possess nor a pleasure in the virtues we do not possess. It is the pleasure which a man takes in the presence or absence of certain things in himself without ever adequately asking himself whether in his case they constitute virtues at all. A man will plume himself because he is not bad in some particular way, when the truth is that he is not good enough to be bad in that particular way. Some priggish little clerk will say, "I have reason to congratulate myself that I am a civilised person, and not so bloodthirsty as the Mad Mullah." Somebody ought to say to him, "A really good man would be less bloodthirsty than the Mullah. But you are less bloodthirsty, not because you are more of a good man, but because you are a great deal less of a man. You are not bloodthirsty, not because you would spare your enemy, but because you would run away from him." Or again, some Puritan with a sullen type of piety would say, "I have reason to congratulate myself that I do not worship graven images like the old heathen Greeks." And again somebody ought to say to him, "The best religion may not worship graven images, because it may see beyond them. But if you do not worship graven images, it is only because you are mentally and morally quite incapable of graving them. True religion, perhaps, is above idolatry. But you are below idolatry. You are not holy enough yet to worship a lump of stone."
       Mr. F. C. Gould, the brilliant and felicitous caricaturist, recently delivered a most interesting speech upon the nature and atmosphere of our modern English caricature. I think there is really very little to congratulate oneself about in the condition of English caricature. There are few causes for pride; probably the greatest cause for pride is Mr. F. C. Gould. But Mr. F. C. Gould, forbidden by modesty to adduce this excellent ground for optimism, fell back upon saying a thing which is said by numbers of other people, but has not perhaps been said lately with the full authority of an eminent cartoonist. He said that he thought "that they might congratulate themselves that the style of caricature which found acceptation nowadays was very different from the lampoon of the old days." Continuing, he said, according to the newspaper report, "On looking back to the political lampoons of Rowlandson's and Gilray's time they would find them coarse and brutal. In some countries abroad still, 'even in America,' the method of political caricature was of the bludgeon kind. The fact was we had passed the bludgeon stage. If they were brutal in attacking a man, even for political reasons, they roused sympathy for the man who was attacked. What they had to do was to rub in the point they wanted to emphasise as gently as they could." (Laughter and applause.)
       Anybody reading these words, and anybody who heard them, will certainly feel that there is in them a great deal of truth, as well as a great deal of geniality. But along with that truth and with that geniality there is a streak of that erroneous type of optimism which is founded on the fallacy of which I have spoken above. Before we congratulate ourselves upon the absence of certain faults from our nation or society, we ought to ask ourselves why it is that these faults are absent. Are we without the fault because we have the opposite virtue? Or are we without the fault because we have the opposite fault? It is a good thing assuredly, to be innocent of any excess; but let us be sure that we are not innocent of excess merely by being guilty of defect. Is it really true that our English political satire is so moderate because it is so magnanimous, so forgiving, so saintly? Is it penetrated through and through with a mystical charity, with a psychological tenderness? Do we spare the feelings of the Cabinet Minister because we pierce through all his apparent crimes and follies down to the dark virtues of which his own soul is unaware? Do we temper the wind to the Leader of the Opposition because in our all-embracing heart we pity and cherish the struggling spirit of the Leader of the Opposition? Briefly, have we left off being brutal because we are too grand and generous to be brutal? Is it really true that we are _better_ than brutality? Is it really true that we have _passed_ the bludgeon stage?
       I fear that there is, to say the least of it, another side to the matter. Is it not only too probable that the mildness of our political satire, when compared with the political satire of our fathers, arises simply from the profound unreality of our current politics? Rowlandson and Gilray did not fight merely because they were naturally pothouse pugilists; they fought because they had something to fight about. It is easy enough to be refined about things that do not matter; but men kicked and plunged a little in that portentous wrestle in which swung to and fro, alike dizzy with danger, the independence of England, the independence of Ireland, the independence of France. If we wish for a proof of this fact that the lack of refinement did not come from mere brutality, the proof is easy. The proof is that in that struggle no personalities were more brutal than the really refined personalities. None were more violent and intolerant than those who were by nature polished and sensitive. Nelson, for instance, had the nerves and good manners of a woman: nobody in his senses, I suppose, would call Nelson "brutal." But when he was touched upon the national matter, there sprang out of him a spout of oaths, and he could only tell men to "Kill! kill! kill the d----d Frenchmen." It would be as easy to take examples on the other side. Camille Desmoulins was a man of much the same type, not only elegant and sweet in temper, but almost tremulously tender and humanitarian. But he was ready, he said, "to embrace Liberty upon a pile of corpses." In Ireland there were even more instances. Robert Emmet was only one famous example of a whole family of men at once sensitive and savage. I think that Mr. F.C. Gould is altogether wrong in talking of this political ferocity as if it were some sort of survival from ruder conditions, like a flint axe or a hairy man. Cruelty is, perhaps, the worst kind of sin. Intellectual cruelty is certainly the worst kind of cruelty. But there is nothing in the least barbaric or ignorant about intellectual cruelty. The great Renaissance artists who mixed colours exquisitely mixed poisons equally exquisitely; the great Renaissance princes who designed instruments of music also designed instruments of torture. Barbarity, malignity, the desire to hurt men, are the evil things generated in atmospheres of intense reality when great nations or great causes are at war. We may, perhaps, be glad that we have not got them: but it is somewhat dangerous to be proud that we have not got them. Perhaps we are hardly great enough to have them. Perhaps some great virtues have to be generated, as in men like Nelson or Emmet, before we can have these vices at all, even as temptations. I, for one, believe that if our caricaturists do not hate their enemies, it is not because they are too big to hate them, but because their enemies are not big enough to hate. I do not think we have passed the bludgeon stage. I believe we have not come to the bludgeon stage. We must be better, braver, and purer men than we are before we come to the bludgeon stage.
       Let us then, by all means, be proud of the virtues that we have not got; but let us not be too arrogant about the virtues that we cannot help having. It may be that a man living on a desert island has a right to congratulate himself upon the fact that he can meditate at his ease. But he must not congratulate himself on the fact that he is on a desert island, and at the same time congratulate himself on the self-restraint he shows in not going to a ball every night. Similarly our England may have a right to congratulate itself upon the fact that her politics are very quiet, amicable, and humdrum. But she must not congratulate herself upon that fact and also congratulate herself upon the self-restraint she shows in not tearing herself and her citizens into rags. Between two English Privy Councillors polite language is a mark of civilisation, but really not a mark of magnanimity.
       Allied to this question is the kindred question on which we so often hear an innocent British boast--the fact that our statesmen are privately on very friendly relations, although in Parliament they sit on opposite sides of the House. Here, again, it is as well to have no illusions. Our statesmen are not monsters of mystical generosity or insane logic, who are really able to hate a man from three to twelve and to love him from twelve to three. If our social relations are more peaceful than those of France or America or the England of a hundred years ago, it is simply because our politics are more peaceful; not improbably because our politics are more fictitious. If our statesmen agree more in private, it is for the very simple reason that they agree more in public. And the reason they agree so much in both cases is really that they belong to one social class; and therefore the dining life is the real life. Tory and Liberal statesmen like each other, but it is not because they are both expansive; it is because they are both exclusive.
       [The end]
       G K Chesterton's essay: Conceit And Caricature
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The "Eatanswill Gazette"
An Accident
The Advantages Of Having One Leg
The Amnesty For Aggression
The Anarchist
Anonymity And Further Counsels
The Appetite Of Earth
The Art Of Missing The Point
The Ballade Of A Strange Town
The Boy
A Cab Ride Across Country
The Case For The Ephemeral
Cheese
The Chorus
Christmas
Cockneys And Their Jokes
Conceit And Caricature
A Criminal Head
A Dead Poet
A Defence Of Nonsense
Demagogues And Mystagogues
The Diabolist
The Dickensian
The Dragon's Grandmother
A Drama Of Dolls
The Dregs Of Puritanism
Dukes
Edward VII. And Scotland
The Empire Of The Ignorant
The End Of The World
The Error Of Impartiality
An Essay On Two Cities
Ethandune
The Extraordinary Cabman
Fairy Tales
The Fallacy Of Success
The Fatigue Of Fleet Street
The Field of Blood
Five Hundred And Fifty-Five
The Flat Freak
French And English
The French Revolution And The Irish
The Furrows
The Futurists
The Garden Of The Sea
The Giant
A Glimpse Of My Country
The Glory Of Grey
The Gold Of Glastonbury
A Great Man
The High Plains
How I Found The Superman
How I Met The President
Humanitarianism And Strength
Humanity: An Interlude
In The Place De La Bastille
In Topsy-Turvy Land
Introductory: On Gargoyles
Liberalism: A Sample
Limericks And Counsels Of Perfection
The Little Birds Who Won't Sing
The Long Bow
The Maid Of Orleans
The Man And His Newspaper
The Methuselahite
The Modern Martyr
The Modern Scrooge
The Mystery Of A Pageant
The New House
The New Name
The New Raid
The Nightmare
On Lying In Bed
On Political Secrecy
On Running After One's Hat
On The Cryptic And The Elliptic
The Orthodox Barber
Oxford From Without
Patriotism And Sport
The Perfect Game
The Philosophy Of Sight-Seeing
Phonetic Spelling
A Piece Of Chalk
The Poetry Of The Revolution
The Prehistoric Railway Station
A Real Danger
The Red Angel
The Red Town
Revive The Court Jester
The Riddle Of The Ivy
A Romance Of The Marshes
Science And Religion
The Secret Of A Train
The Sentimentalist
The Servile State Again
The Shop Of Ghosts
Simmons And The Social Tie
Some Policemen And A Moral
Spiritualism
The Steward Of The Chiltern Hundreds
The Strangeness Of Luxury
The Surrender Of A Cockney
The Symbolism Of Krupp
The Telegraph Poles
Thoughts Around Koepenick
The Three Kinds Of Men
Tom Jones And Morality
The Tower
The Tower Of Bebel
The Toy Theatre
A Tragedy Of Twopence
The Travellers In State
Tremendous Trifles
The Triumph Of The Donkey
The Twelve Men
The Two Noises
The Tyranny Of Bad Journalism
The Vote And The House
What I Found In My Pocket
The Wheel
The White Horses
The Wind And The Trees
Wine When It Is Red
The Wings Of Stone
Woman
A Workman's History Of England
The Worship Of The Wealthy
The Wrath Of The Roses
The Zola Controversy