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Essay(s) by G. K. Chesterton
The Wheel
G.K.Chesterton
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       In a quiet and rustic though fairly famous church in my neighbourhood there is a window supposed to represent an Angel on a Bicycle. It does definitely and indisputably represent a nude youth sitting on a wheel; but there is enough complication in the wheel and sanctity (I suppose) in the youth to warrant this working description. It is a thing of florid Renascence outline, and belongs to the highly pagan period which introduced all sorts of objects into ornament: personally I can believe in the bicycle more than in the angel. Men, they say, are now imitating angels; in their flying-machines, that is: not in any other respect that I have heard of. So perhaps the angel on the bicycle (if he is an angel and if it is a bicycle) was avenging himself by imitating man. If so, he showed that high order of intellect which is attributed to angels in the mediaeval books, though not always (perhaps) in the mediaeval pictures.
       For wheels are the mark of a man quite as much as wings are the mark of an angel. Wheels are the things that are as old as mankind and yet are strictly peculiar to man, that are prehistoric but not pre-human.
       A distinguished psychologist, who is well acquainted with physiology, has told me that parts of himself are certainly levers, while other parts are probably pulleys, but that after feeling himself carefully all over, he cannot find a wheel anywhere. The wheel, as a mode of movement, is a purely human thing. On the ancient escutcheon of Adam (which, like much of the rest of his costume, has not yet been discovered) the heraldic emblem was a wheel--passant. As a mode of progress, I say, it is unique. Many modern philosophers, like my friend before mentioned, are ready to find links between man and beast, and to show that man has been in all things the blind slave of his mother earth. Some, of a very different kind, are even eager to show it; especially if it can be twisted to the discredit of religion. But even the most eager scientists have often admitted in my hearing that they would be surprised if some kind of cow approached them moving solemnly on four wheels. Wings, fins, flappers, claws, hoofs, webs, trotters, with all these the fantastic families of the earth come against us and close around us, fluttering and flapping and rustling and galloping and lumbering and thundering; but there is no sound of wheels.
       I remember dimly, if, indeed, I remember aright, that in some of those dark prophetic pages of Scripture, that seem of cloudy purple and dusky gold, there is a passage in which the seer beholds a violent dream of wheels. Perhaps this was indeed the symbolic declaration of the spiritual supremacy of man. Whatever the birds may do above or the fishes beneath his ship, man is the only thing to steer; the only thing to be conceived as steering. He may make the birds his friends, if he can. He may make the fishes his gods, if he chooses. But most certainly he will not believe a bird at the masthead; and it is hardly likely that he will even permit a fish at the helm. He is, as Swinburne says, helmsman and chief: he is literally the Man at the Wheel.
       The wheel is an animal that is always standing on its head; only "it does it so rapidly that no philosopher has ever found out which is its head." Or if the phrase be felt as more exact, it is an animal that is always turning head over heels and progressing by this principle. Some fish, I think, turn head over heels (supposing them, for the sake of argument, to have heels); I have a dog who nearly did it; and I did it once myself when I was very small. It was an accident, and, as delightful novelist, Mr. De Morgan, would say, it never can happen again. Since then no one has accused me of being upside down except mentally: and I rather think that there is something to be said for that; especially as typified by the rotary symbol. A wheel is the sublime paradox; one part of it is always going forward and the other part always going back. Now this, as it happens, is highly similar to the proper condition of any human soul or any political state. Every sane soul or state looks at once backwards and forwards; and even goes backwards to come on.
       For those interested in revolt (as I am) I only say meekly that one cannot have a Revolution without revolving. The wheel, being a logical thing, has reference to what is behind as well as what is before. It has (as every society should have) a part that perpetually leaps helplessly at the sky and a part that perpetually bows down its head into the dust. Why should people be so scornful of us who stand on our heads? Bowing down one's head in the dust is a very good thing, the humble beginning of all happiness. When we have bowed our heads in the dust for a little time the happiness comes; and then (leaving our heads' in the humble and reverent position) we kick up our heels behind in the air. That is the true origin of standing on one's head; and the ultimate defence of paradox. The wheel humbles itself to be exalted; only it does it a little quicker than I do.
       [The end]
       G K Chesterton's essay: The Wheel
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The "Eatanswill Gazette"
An Accident
The Advantages Of Having One Leg
The Amnesty For Aggression
The Anarchist
Anonymity And Further Counsels
The Appetite Of Earth
The Art Of Missing The Point
The Ballade Of A Strange Town
The Boy
A Cab Ride Across Country
The Case For The Ephemeral
Cheese
The Chorus
Christmas
Cockneys And Their Jokes
Conceit And Caricature
A Criminal Head
A Dead Poet
A Defence Of Nonsense
Demagogues And Mystagogues
The Diabolist
The Dickensian
The Dragon's Grandmother
A Drama Of Dolls
The Dregs Of Puritanism
Dukes
Edward VII. And Scotland
The Empire Of The Ignorant
The End Of The World
The Error Of Impartiality
An Essay On Two Cities
Ethandune
The Extraordinary Cabman
Fairy Tales
The Fallacy Of Success
The Fatigue Of Fleet Street
The Field of Blood
Five Hundred And Fifty-Five
The Flat Freak
French And English
The French Revolution And The Irish
The Furrows
The Futurists
The Garden Of The Sea
The Giant
A Glimpse Of My Country
The Glory Of Grey
The Gold Of Glastonbury
A Great Man
The High Plains
How I Found The Superman
How I Met The President
Humanitarianism And Strength
Humanity: An Interlude
In The Place De La Bastille
In Topsy-Turvy Land
Introductory: On Gargoyles
Liberalism: A Sample
Limericks And Counsels Of Perfection
The Little Birds Who Won't Sing
The Long Bow
The Maid Of Orleans
The Man And His Newspaper
The Methuselahite
The Modern Martyr
The Modern Scrooge
The Mystery Of A Pageant
The New House
The New Name
The New Raid
The Nightmare
On Lying In Bed
On Political Secrecy
On Running After One's Hat
On The Cryptic And The Elliptic
The Orthodox Barber
Oxford From Without
Patriotism And Sport
The Perfect Game
The Philosophy Of Sight-Seeing
Phonetic Spelling
A Piece Of Chalk
The Poetry Of The Revolution
The Prehistoric Railway Station
A Real Danger
The Red Angel
The Red Town
Revive The Court Jester
The Riddle Of The Ivy
A Romance Of The Marshes
Science And Religion
The Secret Of A Train
The Sentimentalist
The Servile State Again
The Shop Of Ghosts
Simmons And The Social Tie
Some Policemen And A Moral
Spiritualism
The Steward Of The Chiltern Hundreds
The Strangeness Of Luxury
The Surrender Of A Cockney
The Symbolism Of Krupp
The Telegraph Poles
Thoughts Around Koepenick
The Three Kinds Of Men
Tom Jones And Morality
The Tower
The Tower Of Bebel
The Toy Theatre
A Tragedy Of Twopence
The Travellers In State
Tremendous Trifles
The Triumph Of The Donkey
The Twelve Men
The Two Noises
The Tyranny Of Bad Journalism
The Vote And The House
What I Found In My Pocket
The Wheel
The White Horses
The Wind And The Trees
Wine When It Is Red
The Wings Of Stone
Woman
A Workman's History Of England
The Worship Of The Wealthy
The Wrath Of The Roses
The Zola Controversy