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Cymbeline
act ii   Scene II.
William Shakespeare
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       Britain. IMOGEN'S bedchamber in CYMBELINE'S palace; a trunk in
       one corner
       Enter IMOGEN in her bed, and a LADY attending
       IMOGEN
       Who's there? My woman? Helen?
       LADY
       Please you, madam.
       IMOGEN
       What hour is it?
       LADY
       Almost midnight, madam.
       IMOGEN
       I have read three hours then. Mine eyes are weak;
       Fold down the leaf where I have left. To bed.
       Take not away the taper, leave it burning;
       And if thou canst awake by four o' th' clock,
       I prithee call me. Sleep hath seiz'd me wholly.
       Exit LADY
       To your protection I commend me, gods.
       From fairies and the tempters of the night
       Guard me, beseech ye!
       [Sleeps. IACHIMO comes from the trunk]
       IACHIMO
       The crickets sing, and man's o'er-labour'd sense
       Repairs itself by rest. Our Tarquin thus
       Did softly press the rushes ere he waken'd
       The chastity he wounded. Cytherea,
       How bravely thou becom'st thy bed! fresh lily,
       And whiter than the sheets! That I might touch!
       But kiss; one kiss! Rubies unparagon'd,
       How dearly they do't! 'Tis her breathing that
       Perfumes the chamber thus. The flame o' th' taper
       Bows toward her and would under-peep her lids
       To see th' enclosed lights, now canopied
       Under these windows white and azure, lac'd
       With blue of heaven's own tinct. But my design
       To note the chamber. I will write all down:
       Such and such pictures; there the window; such
       Th' adornment of her bed; the arras, figures-
       Why, such and such; and the contents o' th' story.
       Ah, but some natural notes about her body
       Above ten thousand meaner movables
       Would testify, t' enrich mine inventory.
       O sleep, thou ape of death, lie dull upon her!
       And be her sense but as a monument,
       Thus in a chapel lying! Come off, come off;
       [Taking off her bracelet]
       As slippery as the Gordian knot was hard!
       'Tis mine; and this will witness outwardly,
       As strongly as the conscience does within,
       To th' madding of her lord. On her left breast
       A mole cinque-spotted, like the crimson drops
       I' th' bottom of a cowslip. Here's a voucher
       Stronger than ever law could make; this secret
       Will force him think I have pick'd the lock and ta'en
       The treasure of her honour. No more. To what end?
       Why should I write this down that's riveted,
       Screw'd to my memory? She hath been reading late
       The tale of Tereus; here the leaf's turn'd down
       Where Philomel gave up. I have enough.
       To th' trunk again, and shut the spring of it.
       Swift, swift, you dragons of the night, that dawning
       May bare the raven's eye! I lodge in fear;
       Though this a heavenly angel, hell is here.
       [Clock strikes]
       One, two, three. Time, time!
       Exit into the trunk
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Dramatis Personae
act i
   Scene I.
   Scene II.
   Scene III.
   Scene IV.
   Scene V.
   Scene VI.
act ii
   Scene I.
   Scene II.
   Scene III.
   Scene IV.
   Scene V.
act iii
   Scene I.
   Scene II.
   Scene III.
   Scene IV.
   Scene V.
   Scene VI.
   Scene VII.
act iv
   Scene I.
   Scene II.
   Scene III.
   Scene IV.
act v
   Scene I.
   Scene II.
   Scene III.
   Scene IV.
   Scene V.