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Cymbeline
act ii   Scene III.
William Shakespeare
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       CYMBELINE'S palace. An ante-chamber adjoining IMOGEN'S apartments
       Enter CLOTEN and LORDS
       FIRST LORD
       Your lordship is the most patient man in loss, the most
       coldest that ever turn'd up ace.
       CLOTEN
       It would make any man cold to lose.
       FIRST LORD
       But not every man patient after the noble temper of
       your lordship. You are most hot and furious when you win.
       CLOTEN
       Winning will put any man into courage. If I could get this
       foolish Imogen, I should have gold enough. It's almost morning,
       is't not?
       FIRST LORD
       Day, my lord.
       CLOTEN
       I would this music would come. I am advised to give her
       music a mornings; they say it will penetrate.
       Enter musicians
       Come on, tune. If you can penetrate her with your fingering, so.
       We'll try with tongue too. If none will do, let her remain; but
       I'll never give o'er. First, a very excellent good-conceited
       thing; after, a wonderful sweet air, with admirable rich words to
       it- and then let her consider.
       

       SONG
       

       Hark, hark! the lark at heaven's gate sings,
           And Phoebus 'gins arise,
       His steeds to water at those springs
           On chalic'd flow'rs that lies;
       And winking Mary-buds begin
           To ope their golden eyes.
       With everything that pretty bin,
           My lady sweet, arise;
               Arise, arise!
       So, get you gone. If this penetrate, I will consider your music
       the better; if it do not, it is a vice in her ears which
       horsehairs and calves' guts, nor the voice of unpaved eunuch to
       boot, can never amend.
       Exeunt musicians
       Enter CYMBELINE and QUEEN
       SECOND LORD
       Here comes the King.
       CLOTEN
       I am glad I was up so late, for that's the reason I was up
       so early. He cannot choose but take this service I have done
       fatherly.- Good morrow to your Majesty and to my gracious mother.
       CYMBELINE
       Attend you here the door of our stern daughter?
       Will she not forth?
       CLOTEN
       I have assail'd her with musics, but she vouchsafes no
       notice.
       CYMBELINE
       The exile of her minion is too new;
       She hath not yet forgot him; some more time
       Must wear the print of his remembrance out,
       And then she's yours.
       QUEEN
       You are most bound to th' King,
       Who lets go by no vantages that may
       Prefer you to his daughter. Frame yourself
       To orderly soliciting, and be friended
       With aptness of the season; make denials
       Increase your services; so seem as if
       You were inspir'd to do those duties which
       You tender to her; that you in all obey her,
       Save when command to your dismission tends,
       And therein you are senseless.
       CLOTEN
       Senseless? Not so.
       Enter a MESSENGER
       MESSENGER
       So like you, sir, ambassadors from Rome;
       The one is Caius Lucius.
       CYMBELINE
       A worthy fellow,
       Albeit he comes on angry purpose now;
       But that's no fault of his. We must receive him
       According to the honour of his sender;
       And towards himself, his goodness forespent on us,
       We must extend our notice. Our dear son,
       When you have given good morning to your mistress,
       Attend the Queen and us; we shall have need
       T' employ you towards this Roman. Come, our queen.
       Exeunt all but CLOTEN
       CLOTEN
       If she be up, I'll speak with her; if not,
       Let her lie still and dream. By your leave, ho!
       [Knocks]
       I know her women are about her; what
       If I do line one of their hands? 'Tis gold
       Which buys admittance; oft it doth-yea, and makes
       Diana's rangers false themselves, yield up
       Their deer to th' stand o' th' stealer; and 'tis gold
       Which makes the true man kill'd and saves the thief;
       Nay, sometime hangs both thief and true man. What
       Can it not do and undo? I will make
       One of her women lawyer to me, for
       I yet not understand the case myself.
       By your leave.
       [Knocks]
       Enter a LADY
       LADY
       Who's there that knocks?
       CLOTEN
       A gentleman.
       LADY
       No more?
       CLOTEN
       Yes, and a gentlewoman's son.
       LADY
       That's more
       Than some whose tailors are as dear as yours
       Can justly boast of. What's your lordship's pleasure?
       CLOTEN
       Your lady's person; is she ready?
       LADY
       Ay,
       To keep her chamber.
       CLOTEN
       There is gold for you; sell me your good report.
       LADY
       How? My good name? or to report of you
       What I shall think is good? The Princess!
       Enter IMOGEN
       CLOTEN
       Good morrow, fairest sister. Your sweet hand.
       Exit LADY
       IMOGEN
       Good morrow, sir. You lay out too much pains
       For purchasing but trouble. The thanks I give
       Is telling you that I am poor of thanks,
       And scarce can spare them.
       CLOTEN
       Still I swear I love you.
       IMOGEN
       If you but said so, 'twere as deep with me.
       If you swear still, your recompense is still
       That I regard it not.
       CLOTEN
       This is no answer.
       IMOGEN
       But that you shall not say I yield, being silent,
       I would not speak. I pray you spare me. Faith,
       I shall unfold equal discourtesy
       To your best kindness; one of your great knowing
       Should learn, being taught, forbearance.
       CLOTEN
       To leave you in your madness 'twere my sin;
       I will not.
       IMOGEN
       Fools are not mad folks.
       CLOTEN
       Do you call me fool?
       IMOGEN
       As I am mad, I do;
       If you'll be patient, I'll no more be mad;
       That cures us both. I am much sorry, sir,
       You put me to forget a lady's manners
       By being so verbal; and learn now, for all,
       That I, which know my heart, do here pronounce,
       By th' very truth of it, I care not for you,
       And am so near the lack of charity
       To accuse myself I hate you; which I had rather
       You felt than make't my boast.
       CLOTEN
       You sin against
       Obedience, which you owe your father. For
       The contract you pretend with that base wretch,
       One bred of alms and foster'd with cold dishes,
       With scraps o' th' court- it is no contract, none.
       And though it be allowed in meaner parties-
       Yet who than he more mean?- to knit their souls-
       On whom there is no more dependency
       But brats and beggary- in self-figur'd knot,
       Yet you are curb'd from that enlargement by
       The consequence o' th' crown, and must not foil
       The precious note of it with a base slave,
       A hilding for a livery, a squire's cloth,
       A pantler- not so eminent!
       IMOGEN
       Profane fellow!
       Wert thou the son of Jupiter, and no more
       But what thou art besides, thou wert too base
       To be his groom. Thou wert dignified enough,
       Even to the point of envy, if 'twere made
       Comparative for your virtues to be styl'd
       The under-hangman of his kingdom, and hated
       For being preferr'd so well.
       CLOTEN
       The south fog rot him!
       IMOGEN
       He never can meet more mischance than come
       To be but nam'd of thee. His mean'st garment
       That ever hath but clipp'd his body is dearer
       In my respect than all the hairs above thee,
       Were they all made such men. How now, Pisanio!
       Enter PISANIO
       CLOTEN
       'His garments'! Now the devil-
       IMOGEN
       To Dorothy my woman hie thee presently.
       CLOTEN
       'His garment'!
       IMOGEN
       I am sprited with a fool;
       Frighted, and ang'red worse. Go bid my woman
       Search for a jewel that too casually
       Hath left mine arm. It was thy master's; shrew me,
       If I would lose it for a revenue
       Of any king's in Europe! I do think
       I saw't this morning; confident I am
       Last night 'twas on mine arm; I kiss'd it.
       I hope it be not gone to tell my lord
       That I kiss aught but he.
       PISANIO
       'Twill not be lost.
       IMOGEN
       I hope so. Go and search.
       Exit PISANIO
       CLOTEN
       You have abus'd me.
       'His meanest garment'!
       IMOGEN
       Ay, I said so, sir.
       If you will make 't an action, call witness to 't.
       CLOTEN
       I will inform your father.
       IMOGEN
       Your mother too.
       She's my good lady and will conceive, I hope,
       But the worst of me. So I leave you, sir,
       To th' worst of discontent.
       Exit
       CLOTEN
       I'll be reveng'd.
       'His mean'st garment'! Well.
       Exit
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本书目录

Dramatis Personae
act i
   Scene I.
   Scene II.
   Scene III.
   Scene IV.
   Scene V.
   Scene VI.
act ii
   Scene I.
   Scene II.
   Scene III.
   Scene IV.
   Scene V.
act iii
   Scene I.
   Scene II.
   Scene III.
   Scene IV.
   Scene V.
   Scene VI.
   Scene VII.
act iv
   Scene I.
   Scene II.
   Scene III.
   Scene IV.
act v
   Scene I.
   Scene II.
   Scene III.
   Scene IV.
   Scene V.