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Othello
act i   Scene 1
William Shakespeare
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       Venice. A street.
       Enter Roderigo and Iago.
       RODERIGO
       Tush, never tell me! I take it much unkindly
       That thou, Iago, who hast had my purse
       As if the strings were thine, shouldst know of this.
       IAGO
       'Sblood, but you will not hear me.
       If ever I did dream of such a matter,
       Abhor me.
       RODERIGO
       Thou told'st me thou didst hold him in thy hate.
       IAGO
       Despise me, if I do not. Three great ones of the city,
       In personal suit to make me his lieutenant,
       Off--capp'd to him; and, by the faith of man,
       I know my price, I am worth no worse a place.
       But he, as loving his own pride and purposes,
       Evades them, with a bumbast circumstance
       Horribly stuff'd with epithets of war,
       And, in conclusion,
       Nonsuits my mediators; for, "Certes," says he,
       "I have already chose my officer."
       And what was he?
       Forsooth, a great arithmetician,
       One Michael Cassio, a Florentine
       (A fellow almost damn'd in a fair wife)
       That never set a squadron in the field,
       Nor the division of a battle knows
       More than a spinster; unless the bookish theoric,
       Wherein the toged consuls can propose
       As masterly as he. Mere prattle without practice
       Is all his soldiership. But he, sir, had the election;
       And I, of whom his eyes had seen the proof
       At Rhodes, at Cyprus, and on other grounds
       Christian and heathen, must be belee'd and calm'd
       By debitor and creditor. This counter--caster,
       He, in good time, must his lieutenant be,
       And I--God bless the mark!--his Moorship's ancient.
       RODERIGO
       By heaven, I rather would have been his hangman.
       IAGO
       Why, there's no remedy. 'Tis the curse of service,
       Preferment goes by letter and affection,
       And not by old gradation, where each second
       Stood heir to the first. Now, sir, be judge yourself
       Whether I in any just term am affined
       To love the Moor.
       RODERIGO
       I would not follow him then.
       IAGO
       O, sir, content you.
       I follow him to serve my turn upon him:
       We cannot all be masters, nor all masters
       Cannot be truly follow'd. You shall mark
       Many a duteous and knee--crooking knave,
       That doting on his own obsequious bondage
       Wears out his time, much like his master's ass,
       For nought but provender, and when he's old, cashier'd.
       Whip me such honest knaves. Others there are
       Who, trimm'd in forms and visages of duty,
       Keep yet their hearts attending on themselves,
       And throwing but shows of service on their lords
       Do well thrive by them; and when they have lined their coats
       Do themselves homage. These fellows have some soul,
       And such a one do I profess myself.
       For, sir,
       It is as sure as you are Roderigo,
       Were I the Moor, I would not be Iago.
       In following him, I follow but myself;
       Heaven is my judge, not I for love and duty,
       But seeming so, for my peculiar end.
       For when my outward action doth demonstrate
       The native act and figure of my heart
       In complement extern, 'tis not long after
       But I will wear my heart upon my sleeve
       For daws to peck at: I am not what I am.
       RODERIGO
       What a full fortune does the thick--lips owe,
       If he can carry't thus!
       IAGO
       Call up her father,
       Rouse him, make after him, poison his delight,
       Proclaim him in the streets, incense her kinsmen,
       And, though he in a fertile climate dwell,
       Plague him with flies. Though that his joy be joy,
       Yet throw such changes of vexation on't
       As it may lose some color.
       RODERIGO
       Here is her father's house; I'll call aloud.
       IAGO
       Do, with like timorous accent and dire yell
       As when, by night and negligence, the fire
       Is spied in populous cities.
       RODERIGO
       What, ho, Brabantio! Signior Brabantio, ho!
       IAGO
       Awake! What, ho, Brabantio! Thieves! Thieves! Thieves!
       Look to your house, your daughter, and your bags!
       Thieves! Thieves!
       Brabantio appears above, at a window.
       BRABANTIO
       What is the reason of this terrible summons?
       What is the matter there?
       RODERIGO
       Signior, is all your family within?
       IAGO
       Are your doors lock'd?
       BRABANTIO
       Why? Wherefore ask you this?
       IAGO
       'Zounds, sir, you're robb'd! For shame, put on your gown;
       Your heart is burst, you have lost half your soul;
       Even now, now, very now, an old black ram
       Is tupping your white ewe. Arise, arise!
       Awake the snorting citizens with the bell,
       Or else the devil will make a grandsire of you.
       Arise, I say!
       BRABANTIO
       What, have you lost your wits?
       RODERIGO
       Most reverend signior, do you know my voice?
       BRABANTIO
       Not I. What are you?
       RODERIGO
       My name is Roderigo.
       BRABANTIO
       The worser welcome.
       I have charged thee not to haunt about my doors.
       In honest plainness thou hast heard me say
       My daughter is not for thee; and now, in madness,
       Being full of supper and distempering draughts,
       Upon malicious bravery, dost thou come
       To start my quiet.
       RODERIGO
       Sir, sir, sir--
       BRABANTIO
       But thou must needs be sure
       My spirit and my place have in them power
       To make this bitter to thee.
       RODERIGO
       Patience, good sir.
       BRABANTIO
       What tell'st thou me of robbing? This is Venice;
       My house is not a grange.
       RODERIGO
       Most grave Brabantio,
       In simple and pure soul I come to you.
       IAGO
       'Zounds, sir, you are one of those that will not serve God,
       if the devil bid you. Because we come to do you service and you
       think we are ruffians, you'll have your daughter covered with a
       Barbary horse; you'll have your nephews neigh to you; you'll have
       coursers for cousins, and gennets for germans.
       BRABANTIO
       What profane wretch art thou?
       IAGO
       I am one, sir, that comes to tell you your daughter and the
       Moor are now making the beast with two backs.
       BRABANTIO
       Thou are a villain.
       IAGO
       You are--a senator.
       BRABANTIO
       This thou shalt answer; I know thee, Roderigo.
       RODERIGO
       Sir, I will answer anything. But, I beseech you,
       If't be your pleasure and most wise consent,
       As partly I find it is, that your fair daughter,
       At this odd--even and dull watch o' the night,
       Transported with no worse nor better guard
       But with a knave of common hire, a gondolier,
       To the gross clasps of a lascivious Moor--
       If this be known to you, and your allowance,
       We then have done you bold and saucy wrongs;
       But if you know not this, my manners tell me
       We have your wrong rebuke. Do not believe
       That, from the sense of all civility,
       I thus would play and trifle with your reverence.
       Your daughter, if you have not given her leave,
       I say again, hath made a gross revolt,
       Tying her duty, beauty, wit, and fortunes
       In an extravagant and wheeling stranger
       Of here and everywhere. Straight satisfy yourself:
       If she be in her chamber or your house,
       Let loose on me the justice of the state
       For thus deluding you.
       BRABANTIO
       Strike on the tinder, ho!
       Give me a taper! Call up all my people!
       This accident is not unlike my dream;
       Belief of it oppresses me already.
       Light, I say, light!
       Exit above.
       IAGO
       Farewell, for I must leave you.
       It seems not meet, nor wholesome to my place,
       To be produced--as, if I stay, I shall--
       Against the Moor; for I do know, the state,
       However this may gall him with some check,
       Cannot with safety cast him, for he's embark'd
       With such loud reason to the Cyprus wars,
       Which even now stands in act, that, for their souls,
       Another of his fathom they have none
       To lead their business; in which regard,
       Though I do hate him as I do hell pains,
       Yet for necessity of present life,
       I must show out a flag and sign of love,
       Which is indeed but sign. That you shall surely find him,
       Lead to the Sagittary the raised search,
       And there will I be with him. So farewell.
       Exit
       Enter, below, Brabantio, in his nightgown, and Servants with torches.
       BRABANTIO
       It is too true an evil: gone she is,
       And what's to come of my despised time
       Is nought but bitterness. Now, Roderigo,
       Where didst thou see her? O unhappy girl!
       With the Moor, say'st thou? Who would be a father!
       How didst thou know 'twas she? O, she deceives me
       Past thought! What said she to you? Get more tapers.
       Raise all my kindred. Are they married, think you?
       RODERIGO
       Truly, I think they are.
       BRABANTIO
       O heaven! How got she out? O treason of the blood!
       Fathers, from hence trust not your daughters' minds
       By what you see them act. Is there not charms
       By which the property of youth and maidhood
       May be abused? Have you not read, Roderigo,
       Of some such thing?
       RODERIGO
       Yes, sir, I have indeed.
       BRABANTIO
       Call up my brother. O, would you had had her!
       Some one way, some another. Do you know
       Where we may apprehend her and the Moor?
       RODERIGO
       I think I can discover him, if you please
       To get good guard and go along with me.
       BRABANTIO
       Pray you, lead on. At every house I'll call;
       I may command at most. Get weapons, ho!
       And raise some special officers of night.
       On, good Roderigo, I'll deserve your pains.
       Exeunt.
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Dramatis Personae
act i
   Scene 1
   Scene 2
   Scene 3
act ii
   Scene 1
   Scene 2
   Scene 3
act iii
   Scene 1
   Scene 2
   Scene 3
   Scene 4
act iv
   Scene 1
   Scene 2
   Scene 3
act v
   Scene 1
   Scene 2