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Old Wives’ Tale, The
BOOK IV WHAT LIFE IS - CHAPTER IV END OF SOPHIA - PART III
Arnold Bennett
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       _ Dick Povey kept his word. At a quarter-past five he drew up in
       front of No. 49, Deansgate, Manchester. "There you are!" he said,
       not without pride. "Now, we'll come back in about a couple of
       hours or so, just to take your orders, whatever they are." He was
       very comforting, with his suggestion that in him Sophia had a sure
       support in the background.
       Without many words Sophia went straight into the shop. It looked
       like a jeweller's shop, and a shop for bargains generally. Only
       the conventional sign over a side-entrance showed that at heart it
       was a pawnbroker's. Mr. Till Boldero did a nice business in the
       Five Towns, and in other centres near Manchester, by selling
       silver-ware second-hand, or nominally second hand, to persons who
       wished to make presents to other persons or to themselves. He
       would send anything by post on approval. Occasionally he came to
       the Five Towns, and he had once, several years before, met
       Constance. They had talked. He was the son of a cousin of the late
       great and wealthy Boldero, sleeping partner in Birkinshaws, and
       Gerald's uncle. It was from Constance that he had learnt of
       Sophia's return to Bursley. Constance had often remarked to Sophia
       what a superior man Mr. Till Boldero was.
       The shop was narrow and lofty. It seemed like a menagerie for
       trapped silver-ware. In glass cases right up to the dark ceiling
       silver vessels and instruments of all kinds lay confined. The top
       of the counter was a glass prison containing dozens of gold
       watches, together with snuff-boxes, enamels, and other
       antiquities. The front of the counter was also glazed, showing
       vases and large pieces of porcelain. A few pictures in heavy gold
       frames were perched about. There was a case of umbrellas with
       elaborate handles and rich tassels. There were a couple of
       statuettes. The counter, on the customers' side, ended in a glass
       screen on which were the words 'Private Office.' On the seller's
       side the prospect was closed by a vast safe. A tall young man was
       fumbling in this safe. Two women sat on customers' chairs, leaning
       against the crystal counter. The young man came towards them from
       the safe, bearing a tray.
       "How much is that goblet?" asked one of the women, raising her
       parasol dangerously among such fragility and pointing to one
       object among many in a case high up from the ground.
       "That, madam?"
       "Yes."
       "Thirty-five pounds."
       The young man disposed his tray on the counter. It was packed with
       more gold watches, adding to the extraordinary glitter and shimmer
       of the shop. He chose a small watch from the regiment.
       "Now, this is something I can recommend," he said. "It's made by
       Cuthbert Butler of Blackburn. I can guarantee you that for five
       years." He spoke as though he were the accredited representative
       of the Bank of England, with calm and absolute assurance.
       The effect upon Sophia was mysteriously soothing. She felt that
       she was among honest men. The young man raised his head towards
       her with a questioning, deferential gesture.
       "Can I see Mr. Boldero?" she asked. "Mrs. Scales."
       The young man's face changed instantly to a sympathetic
       comprehension.
       "Yes, madam. I'll fetch him at once," said he, and he disappeared
       behind the safe. The two customers discussed the watch. Then the
       door opened in the glass screen, and a portly, middle-aged man
       showed himself. He was dressed in blue broad-cloth, with a turned-
       down collar and a small black tie. His waistcoat displayed a plain
       but heavy gold watch-chain, and his cuff-links were of plain gold.
       His eye-glasses were gold-rimmed. He had grey hair, beard and
       moustache, but on the backs of his hands grew a light brown hair.
       His appearance was strangely mild, dignified, and confidence-
       inspiring. He was, in fact, one of the most respected tradesmen in
       Manchester.
       He peered forward, looking over his eye-glasses, which he then
       took off, holding them up in the air by their short handle. Sophia
       had approached him.
       "Mrs. Scales?" he said, in a very quiet, very benevolent voice.
       Sophia nodded. "Please come this way." He took her hand, squeezing
       it commiseratingly, and drew her into the sanctum. "I didn't
       expect you so soon," he said. "I looked up th' trains, and I
       didn't see how you could get here before six."
       Sophia explained.
       He led her further, through the private office, into a sort of
       parlour, and asked her to sit down. And he too sat down. Sophia
       waited, as it were, like a suitor.
       "I'm afraid I've got bad news for you, Mrs. Scales," he said,
       still in that mild, benevolent voice.
       "He's dead?" Sophia asked.
       Mr. Till Boldero nodded. "He's dead. I may as well tell you that
       he had passed away before I telegraphed. It all happened very,
       very suddenly." He paused. "Very, very suddenly!"
       "Yes," said Sophia, weakly. She was conscious of a profound
       sadness which was not grief, though it resembled grief. And she
       had also a feeling that she was responsible to Mr. Till Boldero
       for anything untoward that might have occurred to him by reason of
       Gerald.
       "Yes," said Mr. Till Boldero, deliberately and softly. "He came in
       last night just as we were closing. We had very heavy rain here. I
       don't know how it was with you. He was wet, in a dreadful state,
       simply dreadful. Of course, I didn't recognize him. I'd never seen
       him before, so far as my recollection goes. He asked me if I was
       the son of Mr. Till Boldero that had this shop in 1866. I said I
       was. 'Well,' he says, 'you're the only connection I've got. My
       name's Gerald Scales. My mother was your father's cousin. Can you
       do anything for me?' he says. I could see he was ill. I had him in
       here. When I found he couldn't eat nor drink I thought I'd happen
       better send for th' doctor. The doctor got him to bed. He passed
       away at one o'clock this afternoon. I was very sorry my wife
       wasn't here to look after things a bit better. But she's at
       Southport, not well at all."
       "What was it?" Sophia asked briefly.
       Mr. Boldero indicated the enigmatic. "Exhaustion, I suppose," he
       replied.
       "He's here?" demanded Sophia, lifting her eyes to possible
       bedrooms.
       "Yes," said Mr. Boldero. "I suppose you would wish to see him?"
       "Yes," said Sophia.
       "You haven't seen him for a long time, your sister told me?" Mr.
       Boldero murmured, sympathetically.
       "Not since 'seventy," said Sophia.
       "Eh, dear! Eh, dear!" ejaculated Mr. Boldero. "I fear it's been a
       sad business for ye, Mrs. Scales. Not since 'seventy!" He sighed.
       "You must take it as well as you can. I'm not one as talks much,
       but I sympathize, with you. I do that! I wish my wife had been
       here to receive you."
       Tears came into Sophia's eyes.
       "Nay, nay!" he said. "You must bear up now!"
       "It's you that make me cry," said Sophia, gratefully. "You were
       very good to take him in. It must have been exceedingly trying for
       you."
       "Oh," he protested, "you mustn't talk like that. I couldn't leave
       a Boldero on the pavement, and an old man at that! . . . Oh, to
       think that if he'd only managed to please his uncle he might ha'
       been one of the richest men in Lancashire. But then there'd ha'
       been no Boldero Institute at Strangeways!" he added.
       They both sat silent a moment.
       "Will you come now? Or will you wait a bit?" asked Mr. Boldero,
       gently. "Just as you wish. I'm sorry as my wife's away, that I
       am!"
       "I'll come now," said Sophia, firmly. But she was stricken.
       He conducted her up a short, dark flight of stairs, which gave on
       a passage, and at the end of the passage was a door ajar. He
       pushed the door open. "I'll leave you for a moment," he said,
       always in the same very restrained tone. "You'll find me
       downstairs, there, if you want me." And he moved away with hushed,
       deliberate tread.
       Sophia went into the room, of which the white blind was drawn. She
       appreciated Mr. Boldero's consideration in leaving her. She was
       trembling. But when she saw, in the pale gloom, the face of an
       aged man peeping out from under a white sheet on a naked mattress,
       she started back, trembling no more--rather transfixed into an
       absolute rigidity. That was no conventional, expected shock that
       she had received. It was a genuine unforeseen shock, the most
       violent that she had ever had. In her mind she had not pictured
       Gerald as a very old man. She knew that he was old; she had said
       to herself that he must be very old, well over seventy. But she
       had not pictured him. This face on the bed was painfully, pitiably
       old. A withered face, with the shiny skin all drawn into wrinkles!
       The stretched skin under the jaw was like the skin of a plucked
       fowl. The cheek-bones stood up, and below them were deep hollows,
       almost like egg-cups. A short, scraggy white beard covered the
       lower part of the face. The hair was scanty, irregular, and quite
       white; a little white hair grew in the ears. The shut mouth
       obviously hid toothless gums, for the lips were sucked in. The
       eyelids were as if pasted down over the eyes, fitting them like
       kid. All the skin was extremely pallid; it seemed brittle. The
       body, whose outlines were clear under the sheet, was very small,
       thin, shrunk, pitiable as the face. And on the face was a general
       expression of final fatigue, of tragic and acute exhaustion; such
       as made Sophia pleased that the fatigue and exhaustion had been
       assuaged in rest, while all the time she kept thinking to herself
       horribly: "Oh! how tired he must have been!"
       Sophia then experienced a pure and primitive emotion, uncoloured
       by any moral or religious quality. She was not sorry that Gerald
       had wasted his life, nor that he was a shame to his years and to
       her. The manner of his life was of no importance. What affected
       her was that he had once been young, and that he had grown old,
       and was now dead. That was all. Youth and vigour had come to that.
       Youth and vigour always came to that. Everything came to that. He
       had ill-treated her; he had abandoned her; he had been a devious
       rascal; but how trivial were such accusations against him! The
       whole of her huge and bitter grievance against him fell to pieces
       and crumbled. She saw him young, and proud, and strong, as for
       instance when he had kissed her lying on the bed in that London
       hotel--she forgot the name--in 1866; and now he was old, and worn,
       and horrible, and dead. It was the riddle of life that was
       puzzling and killing her. By the corner of her eye, reflected in
       the mirror of a wardrobe near the bed, she glimpsed a tall,
       forlorn woman, who had once been young and now was old; who had
       once exulted in abundant strength, and trodden proudly on the neck
       of circumstance, and now was old. He and she had once loved and
       burned and quarrelled in the glittering and scornful pride of
       youth. But time had worn them out. "Yet a little while," she
       thought, "and I shall be lying on a bed like that! And what shall
       I have lived for? What is the meaning of it?" The riddle of life
       itself was killing her, and she seemed to drown in a sea of
       inexpressible sorrow.
       Her memory wandered hopelessly among those past years. She saw
       Chirac with his wistful smile. She saw him whipped over the roof
       of the Gare du Nord at the tail of a balloon. She saw old Niepce.
       She felt his lecherous arm round her. She was as old now as Niepce
       had been then. Could she excite lust now? Ah! the irony of such a
       question! To be young and seductive, to be able to kindle a man's
       eye--that seemed to her the sole thing desirable. Once she had
       been so! ... Niepce must certainly have been dead for years.
       Niepce, the obstinate and hopeful voluptuary, was nothing but a
       few bones in a coffin now!
       She was acquainted with affliction in that hour. All that she had
       previously suffered sank into insignificance by the side of that
       suffering.
       She turned to the veiled window and idly pulled the blind and
       looked out. Huge red and yellow cars were swimming in thunder
       along Deansgate; lorries jolted and rattled; the people of
       Manchester hurried along the pavements, apparently unconscious
       that all their doings were vain. Yesterday he too had been in
       Deansgate, hungry for life, hating the idea of death! What a
       figure he must have made! Her heart dissolved in pity for him. She
       dropped the blind.
       "My life has been too terrible!" she thought. "I wish I was dead.
       I have been through too much. It is monstrous, and I cannot stand
       it. I do not want to die, but I wish I was dead."
       There was a discreet knock on the door.
       "Come in," she said, in a calm, resigned, cheerful voice. The
       sound had recalled her with the swiftness of a miracle to the
       unconquerable dignity of human pride.
       Mr. Till Boldero entered.
       "I should like you to come downstairs and drink a cup of tea," he
       said. He was a marvel of tact and good nature. "My wife is
       unfortunately not here, and the house is rather at sixes and
       sevens; but I have sent out for some tea."
       She followed him downstairs into the parlour. He poured out a cup
       of tea.
       "I was forgetting," she said. "I am forbidden tea. I mustn't drink
       it."
       She looked at the cup, tremendously tempted. She longed for tea.
       An occasional transgression could not harm her. But no! She would
       not drink it.
       "Then what can I get you?"
       "If I could have just milk and water," she said meekly.
       Mr. Boldero emptied the cup into the slop basin, and began to fill
       it again.
       "Did he tell you anything?" she asked, after a considerable
       silence.
       "Nothing," said Mr. Boldero in his low, soothing tones. "Nothing
       except that he had come from Liverpool. Judging from his shoes I
       should say he must have walked a good bit of the way."
       "At his age!" murmured Sophia, touched.
       "Yes," sighed Mr. Boldero. "He must have been in great straits.
       You know, he could scarcely talk at all. By the way, here are his
       clothes. I have had them put aside."
       Sophia saw a small pile of clothes on a chair. She examined the
       suit, which was still damp, and its woeful shabbiness pained her.
       The linen collar was nearly black, its stud of bone. As for the
       boots, she had noticed such boots on the feet of tramps. She wept
       now. These were the clothes of him who had once been a dandy
       living at the rate of fifty pounds a week.
       "No luggage or anything, of course?" she muttered.
       "No," said Mr. Boldero. "In the pockets there was nothing whatever
       but this."
       He went to the mantelpiece and picked up a cheap, cracked letter
       case, which Sophia opened. In it were a visiting card--'Senorita
       Clemenzia Borja'--and a bill-head of the Hotel of the Holy Spirit,
       Concepcion del Uruguay, on the back of which a lot of figures had
       been scrawled.
       "One would suppose," said Mr. Boldero, "that he had come from
       South America."
       "Nothing else?"
       "Nothing."
       Gerald's soul had not been compelled to abandon much in the haste
       of its flight.
       A servant announced that Mrs. Scales's friends were waiting for
       her outside in the motor-car. Sophia glanced at Mr. Till Boldero
       with an exacerbated anxiety on her face.
       "Surely they don't expect me to go back with them tonight!" she
       said. "And look at all there is to be done!"
       Mr. Till Boldero's kindness was then redoubled. "You can do
       nothing for HIM now," he said. "Tell me your wishes about the
       funeral. I will arrange everything. Go back to your sister to-
       night. She will be nervous about you. And return tomorrow or the
       day after. ... No! It's no trouble, I assure you!"
       She yielded.
       Thus towards eight o'clock, when Sophia had eaten a little under
       Mr. Boldero's superintendence, and the pawnshop was shut up, the
       motor-car started again for Bursley, Lily Holl being beside her
       lover and Sophia alone in the body of the car. Sophia had told
       them nothing of the nature of her mission. She was incapable of
       talking to them. They saw that she was in a condition of serious
       mental disturbance. Under cover of the noise of the car, Lily said
       to Dick that she was sure Mrs. Scales was ill, and Dick, putting
       his lips together, replied that he meant to be in King Street at
       nine-thirty at the latest. From time to time Lily surreptitiously
       glanced at Sophia--a glance of apprehensive inspection, or smiled
       at her silently; and Sophia vaguely responded to the smile.
       In half an hour they had escaped from the ring of Manchester and
       were on the county roads of Cheshire, polished, flat, sinuous. It
       was the season of the year when there is no night--only daylight
       and twilight; when the last silver of dusk remains obstinately
       visible for hours. And in the open country, under the melancholy
       arch of evening, the sadness of the earth seemed to possess Sophia
       anew. Only then did she realize the intensity of the ordeal
       through which she was passing.
       To the south of Congleton one of the tyres softened, immediately
       after Dick had lighted his lamps. He stopped the car and got down
       again. They were two miles Astbury, the nearest village. He had
       just, with the resignation of experience, reached for the tool-
       bag, when Lily exclaimed: "Is she asleep, or what?" Sophia was not
       asleep, but she was apparently not conscious.
       It was a difficult and a trying situation for two lovers. Their
       voices changed momentarily to the tone of alarm and consternation,
       and then grew firm again. Sophia showed life but not reason. Lily
       could feel the poor old lady's heart.
       "Well, there's nothing for it!" said Dick, briefly, when all their
       efforts failed to rouse her.
       "What--shall you do?"
       "Go straight home as quick as I can on three tyres. We must get
       her over to this side, and you must hold her. Like that we shall
       keep the weight off the other side."
       He pitched back the tool-bag into its box. Lily admired his
       decision.
       It was in this order, no longer under the spell of the changing
       beauty of nocturnal landscapes, that they finished the journey.
       Constance had opened the door before the car came to a stop in the
       gloom of King Street. The young people considered that she bore
       the shock well, though the carrying into the house of Sophia's
       inert, twitching body, with its hat forlornly awry, was a sight to
       harrow a soul sturdier than Constance.
       When that was done, Dick said curtly: "I'm off. You stay here, of
       course."
       "Where are you going?" asked Lily.
       "Doctor!" snapped Dick, hobbling rapidly down the steps. _
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Preface
Book 1. Mrs. Baines - Chapter 1. The Square - Part 1
Book 1. Mrs. Baines - Chapter 1. The Square - Part 2
Book 1. Mrs. Baines - Chapter 1. The Square - Part 3
Book 1. Mrs. Baines - Chapter 2. The Tooth - Part 1
Book 1. Mrs. Baines - Chapter 2. The Tooth - Part 2
Book 1. Mrs. Baines - Chapter 2. The Tooth - Part 3
Book 1. Mrs. Baines - Chapter 3. A Battle - Part 1
Book 1. Mrs. Baines - Chapter 3. A Battle - Part 2
Book 1. Mrs. Baines - Chapter 3. A Battle - Part 3
Book 1. Mrs. Baines - Chapter 3. A Battle - Part 4
Book 1. Mrs. Baines - Chapter 3. A Battle - Part 5
BOOK I MRS. BAINES - CHAPTER IV - ELEPHANT - PART I
BOOK I MRS. BAINES - CHAPTER IV - ELEPHANT - PART II
BOOK I MRS. BAINES - CHAPTER IV - ELEPHANT - PART III
BOOK I MRS. BAINES - CHAPTER IV - ELEPHANT - PART IV
BOOK I MRS. BAINES - CHAPTER V - THE TRAVELLER - PART I
BOOK I MRS. BAINES - CHAPTER V - THE TRAVELLER - PART II
BOOK I MRS. BAINES - CHAPTER V - THE TRAVELLER - PART III
BOOK I MRS. BAINES - CHAPTER V - THE TRAVELLER - PART IV
BOOK I MRS. BAINES - CHAPTER VI - ESCAPADE - PART I
BOOK I MRS. BAINES - CHAPTER VI - ESCAPADE - PART II
BOOK I MRS. BAINES - CHAPTER VI - ESCAPADE - PART III
BOOK I MRS. BAINES - CHAPTER VI - ESCAPADE - PART IV
BOOK I MRS. BAINES - CHAPTER VII - A DEFEAT - PART I
BOOK I MRS. BAINES - CHAPTER VII - A DEFEAT - PART II
BOOK I MRS. BAINES - CHAPTER VII - A DEFEAT - PART III
BOOK II CONSTANCE - CHAPTER I - REVOLUTION - PART I
BOOK II CONSTANCE - CHAPTER I - REVOLUTION - PART II
BOOK II CONSTANCE - CHAPTER I - REVOLUTION - PART III
BOOK II CONSTANCE - CHAPTER I - REVOLUTION - PART IV
BOOK II CONSTANCE - CHAPTER II - CHRISTMAS AND THE FUTURE - PART I
BOOK II CONSTANCE - CHAPTER II - CHRISTMAS AND THE FUTURE - PART II
BOOK II CONSTANCE - CHAPTER II - CHRISTMAS AND THE FUTURE - PART III
BOOK II CONSTANCE - CHAPTER II - CHRISTMAS AND THE FUTURE - PART IV
BOOK II CONSTANCE - CHAPTER III - CYRIL - PART I
BOOK II CONSTANCE - CHAPTER III - CYRIL - PART II
BOOK II CONSTANCE - CHAPTER IV - CRIME - PART I
BOOK II CONSTANCE - CHAPTER IV - CRIME - PART II
BOOK II CONSTANCE - CHAPTER IV - CRIME - PART III
BOOK II CONSTANCE - CHAPTER V - ANOTHER CRIME - PART I
BOOK II CONSTANCE - CHAPTER V - ANOTHER CRIME - PART II
BOOK II CONSTANCE - CHAPTER V - ANOTHER CRIME - PART III
BOOK II CONSTANCE - CHAPTER V - ANOTHER CRIME - PART IV
BOOK II CONSTANCE - CHAPTER V - ANOTHER CRIME - PART V
BOOK II CONSTANCE - CHAPTER VI - THE WIDOW - PART I
BOOK II CONSTANCE - CHAPTER VI - THE WIDOW - PART II
BOOK II CONSTANCE - CHAPTER VI - THE WIDOW - PART III
BOOK II CONSTANCE - CHAPTER VII - BRICKS AND MORTAR - PART I
BOOK II CONSTANCE - CHAPTER VII - BRICKS AND MORTAR - PART II
BOOK II CONSTANCE - CHAPTER VII - BRICKS AND MORTAR - PART III
BOOK II CONSTANCE - CHAPTER VIII - THE PROUDEST MOTHER - PART I
BOOK II CONSTANCE - CHAPTER VIII - THE PROUDEST MOTHER - PART II
BOOK II CONSTANCE - CHAPTER VIII - THE PROUDEST MOTHER - PART III
BOOK III SOPHIA - CHAPTER I - THE ELOPEMENT - PART I
BOOK III SOPHIA - CHAPTER I - THE ELOPEMENT - PART II
BOOK III SOPHIA - CHAPTER II - SUPPER - PART I
BOOK III SOPHIA - CHAPTER II - SUPPER - PART II
BOOK III SOPHIA - CHAPTER III - AN AMBITION SATISFIED - PART I
BOOK III SOPHIA - CHAPTER III - AN AMBITION SATISFIED - PART II
BOOK III SOPHIA - CHAPTER III - AN AMBITION SATISFIED - PART III
BOOK III SOPHIA - CHAPTER III - AN AMBITION SATISFIED - PART IV
BOOK III SOPHIA - CHAPTER IV - A CRISIS FOR GERALD - PART I
BOOK III SOPHIA - CHAPTER IV - A CRISIS FOR GERALD - PART II
BOOK III SOPHIA - CHAPTER IV - A CRISIS FOR GERALD - PART III
BOOK III SOPHIA - CHAPTER IV - A CRISIS FOR GERALD - PART IV
BOOK III SOPHIA - CHAPTER IV - A CRISIS FOR GERALD - PART V
BOOK III SOPHIA - CHAPTER V - FEVER - PART I
BOOK III SOPHIA - CHAPTER V - FEVER - PART II
BOOK III SOPHIA - CHAPTER V - FEVER - PART III
BOOK III SOPHIA - CHAPTER V - FEVER - PART IV
BOOK III SOPHIA - CHAPTER V - FEVER - PART V
BOOK III SOPHIA - CHAPTER VI - THE SIEGE - PART I
BOOK III SOPHIA - CHAPTER VI - THE SIEGE - PART II
BOOK III SOPHIA - CHAPTER VI - THE SIEGE - PART III
BOOK III SOPHIA - CHAPTER VI - THE SIEGE - PART IV
BOOK III SOPHIA - CHAPTER VI - THE SIEGE - PART V
BOOK III SOPHIA - CHAPTER VII - SUCCESS - PART I
BOOK III SOPHIA - CHAPTER VII - SUCCESS - PART II
BOOK III SOPHIA - CHAPTER VII - SUCCESS - PART III
BOOK IV WHAT LIFE IS - CHAPTER I - FRENSHAM'S - PART I
BOOK IV WHAT LIFE IS - CHAPTER I - FRENSHAM'S - PART II
BOOK IV WHAT LIFE IS - CHAPTER I - FRENSHAM'S - PART III
BOOK IV WHAT LIFE IS - CHAPTER I - FRENSHAM'S - PART IV
BOOK IV WHAT LIFE IS - CHAPTER I - FRENSHAM'S - PART V
BOOK IV WHAT LIFE IS - CHAPTER II THE MEETING - PART I
BOOK IV WHAT LIFE IS - CHAPTER II THE MEETING - PART II
BOOK IV WHAT LIFE IS - CHAPTER II THE MEETING - PART III
BOOK IV WHAT LIFE IS - CHAPTER III TOWARDS HOTEL LIFE - PART I
BOOK IV WHAT LIFE IS - CHAPTER III TOWARDS HOTEL LIFE - PART II
BOOK IV WHAT LIFE IS - CHAPTER III TOWARDS HOTEL LIFE - PART III
BOOK IV WHAT LIFE IS - CHAPTER III TOWARDS HOTEL LIFE - PART IV
BOOK IV WHAT LIFE IS - CHAPTER III TOWARDS HOTEL LIFE - PART V
BOOK IV WHAT LIFE IS - CHAPTER III TOWARDS HOTEL LIFE - PART VI
BOOK IV WHAT LIFE IS - CHAPTER IV END OF SOPHIA - PART I
BOOK IV WHAT LIFE IS - CHAPTER IV END OF SOPHIA - PART II
BOOK IV WHAT LIFE IS - CHAPTER IV END OF SOPHIA - PART III
BOOK IV WHAT LIFE IS - CHAPTER IV END OF SOPHIA - PART IV
BOOK IV WHAT LIFE IS - CHAPTER V - END OF CONSTANCE - PART I
BOOK IV WHAT LIFE IS - CHAPTER V - END OF CONSTANCE - PART II
BOOK IV WHAT LIFE IS - CHAPTER V - END OF CONSTANCE - PART III
BOOK IV WHAT LIFE IS - CHAPTER V - END OF CONSTANCE - PART IV
BOOK IV WHAT LIFE IS - CHAPTER V - END OF CONSTANCE - PART V