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Old Wives’ Tale, The
BOOK III SOPHIA - CHAPTER III - AN AMBITION SATISFIED - PART IV
Arnold Bennett
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       _ There was a tremendous opening of doors in the Hotel de Vezelay,
       and much whispering on thresholds, as the executioner and his band
       entered solemnly. Sophia heard them tramp upstairs; they seemed to
       hesitate, and then apparently went into a room on the same landing
       as hers. A door banged. But Sophia could hear the regular sound of
       new voices talking, and then the rattling of glasses on a tray.
       The conversation which came to her from the windows of the hotel
       now showed a great increase of excitement. She could not see the
       people at these neighbouring windows without showing her own head,
       and this she would not do. The boom of a heavy bell striking the
       hour vibrated over the roofs of the square; she supposed that it
       might be the cathedral clock. In a corner of the square she saw
       Gerald talking vivaciously alone with one of the two girls who had
       been together. She wondered vaguely how such a girl had been
       brought up, and what her parents thought--or knew! And she was
       conscious of an intense pride in herself, of a measureless haughty
       feeling of superiority.
       Her eye caught the guillotine again, and was held by it. Guarded
       by gendarmes, that tall and simple object did most menacingly
       dominate the square with its crude red columns. Tools and a large
       open box lay on the ground beside it. The enfeebled horse in the
       waggon had an air of dozing on his twisted legs. Then the first
       rays of the sun shot lengthwise across the square at the level of
       the chimneys; and Sophia noticed that nearly all the lamps and
       candles had been extinguished. Many people at the windows were
       yawning; they laughed foolishly after they had yawned. Some were
       eating and drinking. Some were shouting conversations from one
       house to another. The mounted gendarmes were still pressing back
       the feverish crowds that growled at all the inlets to the square.
       She saw Chirac walking to and fro alone. But she could not find
       Gerald. He could not have left the square. Perhaps he had returned
       to the hotel and would come up to see if she was comfortable or if
       she needed anything. Guiltily she sprang back into bed. When last
       she had surveyed the room it had been dark; now it was bright and
       every detail stood clear. Yet she had the sensation of having been
       at the window only a few minutes.
       She waited. But Gerald did not come. She could hear chiefly the
       steady hum of the voices of the executioner and his aids. She
       reflected that the room in which they were must be at the back.
       The other sounds in the hotel grew less noticeable. Then, after an
       age, she heard a door open, and a low voice say something
       commandingly in French, and then a 'Oui, monsieur,' and a general
       descent of the stairs. The executioner and his aids were leaving.
       "You," cried a drunken English voice from an upper floor--it was
       the middle-aged Englishman translating what the executioner had
       said--"you, you will take the head." Then a rough laugh, and the
       repeating voice of the Englishman's girl, still pursuing her
       studies in English: "You will take ze 'ead. Yess, sair." And
       another laugh. At length quiet reigned in the hotel. Sophia said
       to herself: "I won't stir from this bed till it's all over and
       Gerald comes back!"
       She dozed, under the sheet, and was awakened by a tremendous
       shrieking, growling, and yelling: a phenomenon of human bestiality
       that far surpassed Sophia's narrow experiences. Shut up though she
       was in a room, perfectly secure, the mad fury of that crowd,
       balked at the inlets to the square, thrilled and intimidated her.
       It sounded as if they would be capable of tearing the very horses
       to pieces. "I must stay where I am," she murmured. And even while
       saying it she rose and went to the window again and peeped out.
       The torture involved was extreme, but she had not sufficient force
       within her to resist the fascination. She stared greedily into the
       bright square. The first thing she saw was Gerald coming out of a
       house opposite, followed after a few seconds by the girl with whom
       he had previously been talking. Gerald glanced hastily up at the
       facade of the hotel, and then approached as near as he could to
       the red columns, in front of which were now drawn a line of
       gendarmes with naked swords. A second and larger waggon, with two
       horses, waited by the side of the other one. The racket beyond the
       square continued and even grew louder. But the couple of hundred
       persons within the cordons, and all the inhabitants of the
       windows, drunk and sober, gazed in a fixed and sinister
       enchantment at the region of the guillotine, as Sophia gazed. "I
       cannot stand this!" she told herself in horror, but she could not
       move; she could not move even her eyes.
       At intervals the crowd would burst out in a violent staccato--
       "Le voila! Nicholas! Ah! Ah! Ah!"
       And the final 'Ah' was devilish.
       Then a gigantic passionate roar, the culmination of the mob's
       fierce savagery, crashed against the skies. The line of maddened
       horses swerved and reared, and seemed to fall on the furious
       multitude while the statue-like gendarmes rocked over them. It was
       a last effort to break the cordon, and it failed.
       From the little street at the rear of the guillotine appeared a
       priest, walking backwards, and holding a crucifix high in his
       right hand, and behind him came the handsome hero, his body all
       crossed with cords, between two warders, who pressed against him
       and supported him on either side. He was certainly very young. He
       lifted his chin gallantly, but his face was incredibly white.
       Sophia discerned that the priest was trying to hide the sight of
       the guillotine from the prisoner with his body, just as in the
       story which she had heard at dinner.
       Except the voice of the priest, indistinctly rising and falling in
       the prayer for the dying, there was no sound in the square or its
       environs. The windows were now occupied by groups turned to stone
       with distended eyes fixed on the little procession. Sophia had a
       tightening of the throat, and the hand trembled by which she held
       the curtain. The central figure did not seem to her to be alive;
       but rather a doll, a marionette wound up to imitate the action of
       a tragedy. She saw the priest offer the crucifix to the mouth of
       the marionette, which with a clumsy unhuman shoving of its corded
       shoulders butted the thing away. And as the procession turned and
       stopped she could plainly see that the marionette's nape and
       shoulders were bare, his shirt having been slit. It was horrible.
       "Why do I stay here?" she asked herself hysterically. But she did
       not stir. The victim had disappeared now in the midst of a group
       of men. Then she perceived him prone under the red column, between
       the grooves. The silence was now broken only by the tinkling of
       the horses' bits in the corners of the square. The line of
       gendarmes in front of the scaffold held their swords tightly and
       looked over their noses, ignoring the privileged groups that
       peered almost between their shoulders.
       And Sophia waited, horror-struck. She saw nothing but the gleaming
       triangle of metal that was suspended high above the prone,
       attendant victim. She felt like a lost soul, torn too soon from
       shelter, and exposed for ever to the worst hazards of destiny. Why
       was she in this strange, incomprehensible town, foreign and
       inimical to her, watching with agonized glance this cruel, obscene
       spectacle? Her sensibilities were all a bleeding mass of wounds.
       Why? Only yesterday, and she had been, an innocent, timid creature
       in Bursley, in Axe, a foolish creature who deemed the concealment
       of letters a supreme excitement. Either that day or this day was
       not real. Why was she imprisoned alone in that odious,
       indescribably odious hotel, with no one to soothe and comfort her,
       and carry her away?
       The distant bell boomed once. Then a monosyllabic voice sounded,
       sharp, low, nervous; she recognized the voice of the executioner,
       whose name she had heard but could not remember. There was a
       clicking noise.
       She shrank down to the floor in terror and loathing, and hid her
       face, and shuddered. Shriek after shriek, from various windows,
       rang on her ears in a fusillade; and then the mad yell of the
       penned crowd, which, like herself, had not seen but had heard,
       extinguished all other noise. Justice was done. The great ambition
       of Gerald's life was at last satisfied.
       Later, amid the stir of the hotel, there came a knock at her door,
       impatient and nervous. Forgetting, in her tribulation, that she
       was without her bodice, she got up from the floor in a kind of
       miserable dream, and opened. Chirac stood on the landing, and he
       had Gerald by the arm. Chirac looked worn out, curiously fragile
       and pathetic; but Gerald was the very image of death. The
       attainment of ambition had utterly destroyed his equilibrium; his
       curiosity had proved itself stronger than his stomach. Sophia
       would have pitied him had she in that moment been capable of pity.
       Gerald staggered past her into the room, and sank with a groan on
       to the bed. Not long since he had been proudly conversing with
       impudent women. Now, in swift collapse, he was as flaccid as a
       sick hound and as disgusting as an aged drunkard.
       "He is some little souffrant," said Chirac, weakly.
       Sophia perceived in Chirac's tone the assumption that of course
       her present duty was to devote herself to the task of restoring
       her shamed husband to his manly pride.
       "And what about me?" she thought bitterly.
       The fat woman ascended the stairs like a tottering blancmange, and
       began to gabble to Sophia, who understood nothing whatever.
       "She wants sixty francs," Chirac said, and in answer to Sophia's
       startled question, he explained that Gerald had agreed to pay a
       hundred francs for the room, which was the landlady's own--fifty
       francs in advance and the fifty after the execution. The other ten
       was for the dinner. The landlady, distrusting the whole of her
       clientele, was collecting her accounts instantly on the completion
       of the spectacle.
       Sophia made no remark as to Gerald's lie to her. Indeed, Chirac
       had heard it. She knew Gerald for a glib liar to others, but she
       was naively surprised when he practised upon herself.
       "Gerald! Do you hear?" she said coldly.
       The amateur of severed heads only groaned.
       With a movement of irritation she went to him and felt in his
       pockets for his purse; he acquiesced, still groaning. Chirac
       helped her to choose and count the coins.
       The fat woman, appeased, pursued her way.
       "Good-bye, madame!" said Chirac, with his customary courtliness,
       transforming the landing of the hideous hotel into some imperial
       antechamber.
       "Are you going away?" she asked, in surprise. Her distress was so
       obvious that it tremendously flattered him. He would have stayed
       if he could. But he had to return to Paris to write and deliver
       his article.
       "To-morrow, I hope!" he murmured sympathetically, kissing her
       hand. The gesture atoned somewhat for the sordidness of her
       situation, and even corrected the faults of her attire. Always
       afterwards it seemed to her that Chirac was an old and intimate
       friend; he had successfully passed through the ordeal of seeing
       'the wrong side' of the stuff of her life.
       She shut the door on him with a lingering glance, and reconciled
       herself to her predicament.
       Gerald slept. Just as he was, he slept heavily.
       This was what he had brought her to, then! The horrors of the
       night, of the dawn, and of the morning! Ineffable suffering and
       humiliation; anguish and torture that could never be forgotten!
       And after a fatuous vigil of unguessed license, he had tottered
       back, an offensive beast, to sleep the day away in that filthy
       chamber! He did not possess even enough spirit to play the role of
       roysterer to the end. And she was bound to him; far, far from any
       other human aid; cut off irrevocably by her pride from those who
       perhaps would have protected her from his dangerous folly. The
       deep conviction henceforward formed a permanent part of her
       general consciousness that he was simply an irresponsible and
       thoughtless fool! He was without sense. Such was her brilliant and
       godlike husband, the man who had given her the right to call
       herself a married woman! He was a fool. With all her ignorance of
       the world she could see that nobody but an arrant imbecile could
       have brought her to the present pass. Her native sagacity
       revolted. Gusts of feeling came over her in which she could have
       thrashed him into the realization of his responsibilities.
       Sticking out of the breast-pocket of his soiled coat was the
       packet which he had received on the previous day. If he had not
       already lost it, he could only thank his luck. She took it. There
       were English bank-notes in it for two hundred pounds, a letter
       from a banker, and other papers. With precautions against noise
       she tore the envelope and the letter and papers into small pieces,
       and then looked about for a place to hide them. A cupboard
       suggested itself. She got on a chair, and pushed the fragments out
       of sight on the topmost shelf, where they may well be to this day.
       She finished dressing, and then sewed the notes into the lining of
       her skirt. She had no silly, delicate notions about stealing. She
       obscurely felt that, in the care of a man like Gerald, she might
       find herself in the most monstrous, the most impossible dilemmas.
       Those notes, safe and secret in her skirt, gave her confidence,
       reassured her against the perils of the future, and endowed her
       with independence. The act was characteristic of her enterprise
       and of her fundamental prudence. It approached the heroic. And her
       conscience hotly defended its righteousness.
       She decided that when he discovered his loss, she would merely
       deny all knowledge of the envelope, for he had not spoken a word
       to her about it. He never mentioned the details of money; he had a
       fortune. However, the necessity for this untruth did not occur. He
       made no reference whatever to his loss. The fact was, he thought
       he had been careless enough to let the envelope be filched from
       him during the excesses of the night.
       All day till evening Sophia sat on a dirty chair, without food,
       while Gerald slept. She kept repeating to herself, in amazed
       resentment: "A hundred francs for this room! A hundred francs! And
       he hadn't the pluck to tell me!" She could not have expressed her
       contempt.
       Long before sheer ennui forced her to look out of the window
       again, every sign of justice had been removed from the square.
       Nothing whatever remained in the heavy August sunshine save
       gathered heaps of filth where the horses had reared and caracoled. _
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Preface
Book 1. Mrs. Baines - Chapter 1. The Square - Part 1
Book 1. Mrs. Baines - Chapter 1. The Square - Part 2
Book 1. Mrs. Baines - Chapter 1. The Square - Part 3
Book 1. Mrs. Baines - Chapter 2. The Tooth - Part 1
Book 1. Mrs. Baines - Chapter 2. The Tooth - Part 2
Book 1. Mrs. Baines - Chapter 2. The Tooth - Part 3
Book 1. Mrs. Baines - Chapter 3. A Battle - Part 1
Book 1. Mrs. Baines - Chapter 3. A Battle - Part 2
Book 1. Mrs. Baines - Chapter 3. A Battle - Part 3
Book 1. Mrs. Baines - Chapter 3. A Battle - Part 4
Book 1. Mrs. Baines - Chapter 3. A Battle - Part 5
BOOK I MRS. BAINES - CHAPTER IV - ELEPHANT - PART I
BOOK I MRS. BAINES - CHAPTER IV - ELEPHANT - PART II
BOOK I MRS. BAINES - CHAPTER IV - ELEPHANT - PART III
BOOK I MRS. BAINES - CHAPTER IV - ELEPHANT - PART IV
BOOK I MRS. BAINES - CHAPTER V - THE TRAVELLER - PART I
BOOK I MRS. BAINES - CHAPTER V - THE TRAVELLER - PART II
BOOK I MRS. BAINES - CHAPTER V - THE TRAVELLER - PART III
BOOK I MRS. BAINES - CHAPTER V - THE TRAVELLER - PART IV
BOOK I MRS. BAINES - CHAPTER VI - ESCAPADE - PART I
BOOK I MRS. BAINES - CHAPTER VI - ESCAPADE - PART II
BOOK I MRS. BAINES - CHAPTER VI - ESCAPADE - PART III
BOOK I MRS. BAINES - CHAPTER VI - ESCAPADE - PART IV
BOOK I MRS. BAINES - CHAPTER VII - A DEFEAT - PART I
BOOK I MRS. BAINES - CHAPTER VII - A DEFEAT - PART II
BOOK I MRS. BAINES - CHAPTER VII - A DEFEAT - PART III
BOOK II CONSTANCE - CHAPTER I - REVOLUTION - PART I
BOOK II CONSTANCE - CHAPTER I - REVOLUTION - PART II
BOOK II CONSTANCE - CHAPTER I - REVOLUTION - PART III
BOOK II CONSTANCE - CHAPTER I - REVOLUTION - PART IV
BOOK II CONSTANCE - CHAPTER II - CHRISTMAS AND THE FUTURE - PART I
BOOK II CONSTANCE - CHAPTER II - CHRISTMAS AND THE FUTURE - PART II
BOOK II CONSTANCE - CHAPTER II - CHRISTMAS AND THE FUTURE - PART III
BOOK II CONSTANCE - CHAPTER II - CHRISTMAS AND THE FUTURE - PART IV
BOOK II CONSTANCE - CHAPTER III - CYRIL - PART I
BOOK II CONSTANCE - CHAPTER III - CYRIL - PART II
BOOK II CONSTANCE - CHAPTER IV - CRIME - PART I
BOOK II CONSTANCE - CHAPTER IV - CRIME - PART II
BOOK II CONSTANCE - CHAPTER IV - CRIME - PART III
BOOK II CONSTANCE - CHAPTER V - ANOTHER CRIME - PART I
BOOK II CONSTANCE - CHAPTER V - ANOTHER CRIME - PART II
BOOK II CONSTANCE - CHAPTER V - ANOTHER CRIME - PART III
BOOK II CONSTANCE - CHAPTER V - ANOTHER CRIME - PART IV
BOOK II CONSTANCE - CHAPTER V - ANOTHER CRIME - PART V
BOOK II CONSTANCE - CHAPTER VI - THE WIDOW - PART I
BOOK II CONSTANCE - CHAPTER VI - THE WIDOW - PART II
BOOK II CONSTANCE - CHAPTER VI - THE WIDOW - PART III
BOOK II CONSTANCE - CHAPTER VII - BRICKS AND MORTAR - PART I
BOOK II CONSTANCE - CHAPTER VII - BRICKS AND MORTAR - PART II
BOOK II CONSTANCE - CHAPTER VII - BRICKS AND MORTAR - PART III
BOOK II CONSTANCE - CHAPTER VIII - THE PROUDEST MOTHER - PART I
BOOK II CONSTANCE - CHAPTER VIII - THE PROUDEST MOTHER - PART II
BOOK II CONSTANCE - CHAPTER VIII - THE PROUDEST MOTHER - PART III
BOOK III SOPHIA - CHAPTER I - THE ELOPEMENT - PART I
BOOK III SOPHIA - CHAPTER I - THE ELOPEMENT - PART II
BOOK III SOPHIA - CHAPTER II - SUPPER - PART I
BOOK III SOPHIA - CHAPTER II - SUPPER - PART II
BOOK III SOPHIA - CHAPTER III - AN AMBITION SATISFIED - PART I
BOOK III SOPHIA - CHAPTER III - AN AMBITION SATISFIED - PART II
BOOK III SOPHIA - CHAPTER III - AN AMBITION SATISFIED - PART III
BOOK III SOPHIA - CHAPTER III - AN AMBITION SATISFIED - PART IV
BOOK III SOPHIA - CHAPTER IV - A CRISIS FOR GERALD - PART I
BOOK III SOPHIA - CHAPTER IV - A CRISIS FOR GERALD - PART II
BOOK III SOPHIA - CHAPTER IV - A CRISIS FOR GERALD - PART III
BOOK III SOPHIA - CHAPTER IV - A CRISIS FOR GERALD - PART IV
BOOK III SOPHIA - CHAPTER IV - A CRISIS FOR GERALD - PART V
BOOK III SOPHIA - CHAPTER V - FEVER - PART I
BOOK III SOPHIA - CHAPTER V - FEVER - PART II
BOOK III SOPHIA - CHAPTER V - FEVER - PART III
BOOK III SOPHIA - CHAPTER V - FEVER - PART IV
BOOK III SOPHIA - CHAPTER V - FEVER - PART V
BOOK III SOPHIA - CHAPTER VI - THE SIEGE - PART I
BOOK III SOPHIA - CHAPTER VI - THE SIEGE - PART II
BOOK III SOPHIA - CHAPTER VI - THE SIEGE - PART III
BOOK III SOPHIA - CHAPTER VI - THE SIEGE - PART IV
BOOK III SOPHIA - CHAPTER VI - THE SIEGE - PART V
BOOK III SOPHIA - CHAPTER VII - SUCCESS - PART I
BOOK III SOPHIA - CHAPTER VII - SUCCESS - PART II
BOOK III SOPHIA - CHAPTER VII - SUCCESS - PART III
BOOK IV WHAT LIFE IS - CHAPTER I - FRENSHAM'S - PART I
BOOK IV WHAT LIFE IS - CHAPTER I - FRENSHAM'S - PART II
BOOK IV WHAT LIFE IS - CHAPTER I - FRENSHAM'S - PART III
BOOK IV WHAT LIFE IS - CHAPTER I - FRENSHAM'S - PART IV
BOOK IV WHAT LIFE IS - CHAPTER I - FRENSHAM'S - PART V
BOOK IV WHAT LIFE IS - CHAPTER II THE MEETING - PART I
BOOK IV WHAT LIFE IS - CHAPTER II THE MEETING - PART II
BOOK IV WHAT LIFE IS - CHAPTER II THE MEETING - PART III
BOOK IV WHAT LIFE IS - CHAPTER III TOWARDS HOTEL LIFE - PART I
BOOK IV WHAT LIFE IS - CHAPTER III TOWARDS HOTEL LIFE - PART II
BOOK IV WHAT LIFE IS - CHAPTER III TOWARDS HOTEL LIFE - PART III
BOOK IV WHAT LIFE IS - CHAPTER III TOWARDS HOTEL LIFE - PART IV
BOOK IV WHAT LIFE IS - CHAPTER III TOWARDS HOTEL LIFE - PART V
BOOK IV WHAT LIFE IS - CHAPTER III TOWARDS HOTEL LIFE - PART VI
BOOK IV WHAT LIFE IS - CHAPTER IV END OF SOPHIA - PART I
BOOK IV WHAT LIFE IS - CHAPTER IV END OF SOPHIA - PART II
BOOK IV WHAT LIFE IS - CHAPTER IV END OF SOPHIA - PART III
BOOK IV WHAT LIFE IS - CHAPTER IV END OF SOPHIA - PART IV
BOOK IV WHAT LIFE IS - CHAPTER V - END OF CONSTANCE - PART I
BOOK IV WHAT LIFE IS - CHAPTER V - END OF CONSTANCE - PART II
BOOK IV WHAT LIFE IS - CHAPTER V - END OF CONSTANCE - PART III
BOOK IV WHAT LIFE IS - CHAPTER V - END OF CONSTANCE - PART IV
BOOK IV WHAT LIFE IS - CHAPTER V - END OF CONSTANCE - PART V