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Awkward Age, The
BOOK FIFTH - THE DUCHESS   BOOK FIFTH - THE DUCHESS - CHAPTER IV
Henry James
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       BOOK FIFTH - THE DUCHESS#CHAPTER IV
       Many things at Mertle were strange for her interlocutor, but nothing
       perhaps as yet had been so strange as the sight of this arrangement for
       little Aggie's protection; an arrangement made in the interest of her
       remaining as a young person of her age and her monde--so her aunt would
       have put it--should remain. The strangest part of the impression too was
       that the provision might really have its happy side and his lordship
       understand definitely better than any one else his noble friend's whole
       theory of perils and precautions. The child herself, the spectator of
       the incident was sure enough, understood nothing; but the understandings
       that surrounded her, filling all the air, made it a heavier compound to
       breathe than any Mr. Longdon had yet tasted. This heaviness had grown
       for him through the long sweet summer day, and there was something in
       his at last finding himself ensconced with the Duchess that made it
       supremely oppressive. The contact was one that, none the less, he would
       not have availed himself of a decent pretext to avoid. With so many fine
       mysteries playing about him there was relief, at the point he had
       reached, rather than alarm, in the thought of knowing the worst; which
       it pressed upon him somehow that the Duchess must not only altogether
       know but must in any relation quite naturally communicate. It fluttered
       him rather that a person who had an understanding with Lord Petherton
       should so single him out as to wish for one also with himself; such a
       person must either have great variety of mind or have a wonderful idea
       of HIS variety. It was true indeed that Mr. Mitchett must have the most
       extraordinary understanding, and yet with Mr. Mitchett he now found
       himself quite pleasantly at his ease. Their host, however, was a person
       sui generis, whom he had accepted, once for all, the inconsequence of
       liking in conformity with the need he occasionally felt to put it on
       record that he was not narrow-minded. Perhaps at bottom he most liked
       Mitchy because Mitchy most liked Nanda; there hung about him still
       moreover the faded fragrance of the superstition that hospitality not
       declined is one of the things that "oblige." It obliged the thoughts,
       for Mr. Longdon, as well as the manners, and in the especial form in
       which he was now committed to it would have made him, had he really
       thought any ill, ask himself what the deuce then he was doing in the
       man's house. All of which didn't prevent some of Mitchy's queer
       condonations--if condonations in fact they were--from not wholly, by
       themselves, soothing his vague unrest, an unrest which never had been so
       great as at the moment he heard the Duchess abruptly say to him: "Do you
       know my idea about Nanda? It's my particular desire you should--the
       reason, really, why I've thus laid violent hands on you. Nanda, my dear
       man, should marry at the very first moment."
       This was more interesting than he had expected, and the effect produced
       by his interlocutress, as well as doubtless not lost on her, was shown
       in his suppressed start. "There has been no reason why I should
       attribute to you any judgement of the matter; but I've had one myself,
       and I don't see why I shouldn't say frankly that it's very much the one
       you express. It would be a very good thing."
       "A very good thing, but none of my business?"--the Duchess's vivacity
       was not unamiable.
       It was on this circumstance that her companion for an instant perhaps
       meditated. "It's probably not in my interest to say that. I should give
       you too easy a retort. It would strike any one as quite as much your
       business as mine."
       "Well, it ought to be somebody's, you know. One would suppose it to be
       her mother's--her father's; but in this country the parents are even
       more emancipated than the children. Suppose, really, since it appears to
       be nobody's affair, that you and I do make it ours. We needn't either of
       us," she continued, "be concerned for the other's reasons, though I'm
       perfectly ready, I assure you, to put my cards on the table. You've your
       feelings--we know they're beautiful. I, on my side, have mine--for which
       I don't pretend anything but that they're strong. They can dispense with
       being beautiful when they're so perfectly settled. Besides, I may
       mention, they're rather nice than otherwise. Edward and I have a
       cousinage, though for all he does to keep it up--! If he leaves his
       children to play in the street I take it seriously enough to make an
       occasional dash for them before they're run over. And I want for Nanda
       simply the man she herself wants--it isn't as if I wanted for her a
       dwarf or a hunchback or a coureur or a drunkard. Vanderbank's a man whom
       any woman, don't you think? might be--whom more than one woman IS--glad
       of for herself: beau comme le jour, awfully conceited and awfully
       patronising, but clever and successful and yet liked, and without, so
       far as I know, any of the terrific appendages which in this country so
       often diminish the value of even the pleasantest people. He hasn't five
       horrible unmarried sisters for his wife to have always on a visit. The
       way your women don't marry is the ruin here of society, and I've been
       assured in good quarters--though I don't know so much about that--the
       ruin also of conversation and of literature. Isn't it precisely just a
       little to keep Nanda herself from becoming that kind of appendage--say
       to poor Harold, say, one of these days, to her younger brother and
       sister--that friends like you and me feel the importance of bestirring
       ourselves in time? Of course she's supposedly young, but she's really
       any age you like: your London world so fearfully batters and bruises
       them." She had gone fast and far, but it had given Mr. Longdon time to
       feel himself well afloat. There were so many things in it all to take up
       that he laid his hand--of which, he was not unconscious, the feebleness
       exposed him--on the nearest. "Why I'm sure her mother--after twenty
       years of it--is fresh enough."
       "Fresh? You find Mrs. Brook fresh?" The Duchess had a manner that, in
       its all-knowingness, rather humiliated than encouraged; but he was all
       the more resolute for being conscious of his own reserves. "It seems to
       me it's fresh to look about thirty."
       "That indeed would be perfect. But she doesn't--she looks about three.
       She simply looks a baby."
       "Oh Duchess, you're really too particular!" he retorted, feeling that,
       as the trodden worm will turn, anxiety itself may sometimes tend to wit.
       She met him in her own way. "I know what I mean. My niece is a person
       _I_ call fresh. It's warranted, as they say in the shops. Besides," she
       went on, "if a married woman has been knocked about that's only a part
       of her condition. Elle l'a lien voulu, and if you're married you're
       married; it's the smoke--or call it the soot!--of the fire. You know,
       yourself," she roundly pursued, "that Nanda's situation appals you."
       "Oh 'appals'!" he restrictively murmured.
       It even tried a little his companion's patience. "There you are, you
       English--you'll never face your own music. It's amazing what you'd
       rather do with a thing--anything not to shoot at or to make money with--
       than look at its meaning. If I wished to save the girl as YOU wish it I
       should know exactly from what. But why differ about reasons," she asked,
       "when we're at one about the fact? I don't mention the greatest of
       Vanderbank's merits," she added--"his having so delicious a friend. By
       whom, let me hasten to assure you," she laughed, "I don't in the least
       mean Mrs. Brook! She IS delicious if you like, but believe me when I
       tell you, caro mio--if you need to be told--that for effective action on
       him you're worth twenty of her."
       What was most visible in Mr. Longdon was that, however it came to him,
       he had rarely before, all at once, had so much given him to think about.
       Again the only way to manage was to take what came uppermost. "By
       effective action you mean action on the matter of his proposing for
       Nanda?"
       The Duchess's assent was noble. "You can make him propose--you can make,
       I mean, a sure thing of it. You can doter the bride." Then as with the
       impulse to meet benevolently and more than halfway her companion's
       imperfect apprehension: "You can settle on her something that will make
       her a parti." His apprehension was perhaps imperfect, but it could still
       lead somehow to his flushing all over, and this demonstration the
       Duchess as quickly took into account. "Poor Edward, you know, won't give
       her a penny."
       Decidedly she went fast, but Mr. Longdon in a moment had caught up. "Mr.
       Vanderbank--your idea is--would require on the part of his wife
       something of that sort?"
       "Pray who wouldn't--in the world we all move in--require it quite as
       much? Mr. Vanderbank, I'm assured, has no means of his own at all, and
       if he doesn't believe in impecunious marriages it's not I who shall be
       shocked at him. For myself I simply despise them. He has nothing but a
       poor official salary. If it's enough for one it would be little for two,
       and would be still less for half a dozen. They're just the people to
       have, that blessed pair, a fine old English family."
       Mr. Longdon was now fairly abreast of it. "What it comes to then, the
       idea you're so good as to put before me, is to bribe him to take her."
       The Duchess remained bland, but she fixed him. "You say that as if you
       were scandalised, but if you try Mr. Van with it I don't think he'll be.
       And you won't persuade me," she went on finely, "that you haven't
       yourself thought of it." She kept her eyes on him, and the effect of
       them, soon enough visible in his face, was such as presently to make her
       exult at her felicity. "You're of a limpidity, dear man--you've only to
       be said 'bo!' to and you confess. Consciously or unconsciously--the
       former, really, I'm inclined to think--you've wanted him for her." She
       paused an instant to enjoy her triumph, after which she continued: "And
       you've wanted her for him. I make you out, you'll say--for I see you
       coming--one of those horrible benevolent busy-bodies who are the worst
       of the class, but you've only to think a little--if I may go so far--to
       see that no 'making' at all is required. You've only one link with the
       Brooks, but that link is golden. How can we, all of us, by this time,
       not have grasped and admired the beauty of your feeling for Lady Julia?
       There it is--I make you wince: to speak of it is to profane it. Let us
       by all means not speak of it then, but let us act on it." He had at last
       turned his face from her, and it now took in, from the vantage of his
       high position, only the loveliness of the place and the hour, which
       included a glimpse of Lord Petherton and little Aggie, who, down in the
       garden, slowly strolled in familiar union. Each had a hand in the
       other's, swinging easily as they went; their talk was evidently of
       flowers and fruits and birds; it was quite like father and daughter. One
       could see half a mile off in short that THEY weren't flirting. Our
       friend's bewilderment came in odd cold gusts: these were unreasoned and
       capricious; one of them, at all events, during his companion's pause,
       must have roared in his ears. Was it not therefore through some
       continuance of the sound that he heard her go on speaking? "Of course
       you know the poor child's own condition."
       It took him a good while to answer. "Do YOU know it?" he asked with his
       eyes still away.
       "If your question's ironical," she laughed, "your irony's perfectly
       wasted. I should be ashamed of myself if, with my relationship and my
       interest, I hadn't made sure. Nanda's fairly sick--as sick as a little
       cat--with her passion." It was with an intensity of silence that he
       appeared to accept this; he was even so dumb for a minute that the
       oddity of the image could draw from him no natural sound. The Duchess
       once more, accordingly, recognised an occasion. "It has doubtless
       already occurred to you that, since your sentiment for the living is the
       charming fruit of your sentiment for the dead, there would be a
       sacrifice to Lady Julia's memory more exquisite than any other."
       At this finally Mr. Longdon turned. "The effort--on the lines you speak
       of--for Nanda's happiness?"
       She fairly glowed with hope. "And by the same token such a piece of
       poetic justice! Quite the loveliest it would be, I think, one had ever
       heard of."
       So, for some time more, they sat confronted. "I don't quite see your
       difficulty," he said at last. "I do happen to know, I confess, that
       Nanda herself extremely desires the execution of your project."
       His friend's smile betrayed no surprise at this effect of her eloquence.
       "You're bad at dodging. Nanda's desire is inevitably to stop off for
       herself every question of any one but Vanderbank. If she wants me to
       succeed in arranging with Mr. Mitchett can you ask for a plainer sign of
       her private predicament? But you've signs enough, I see"--she caught
       herself up: "we may take them all for granted. I've known perfectly from
       the first that the only difficulty would come from her mother--but also
       that that would be stiff."
       The movement with which Mr. Longdon removed his glasses might have
       denoted a certain fear to participate in too much of what the Duchess
       had known. "I've not been ignorant that Mrs. Brookenham favours Mr.
       Mitchett."
       But he was not to be let off with that. "Then you've not been blind, I
       suppose, to her reason for doing so." He might not have been blind, but
       his vision, at this, scarce showed sharpness, and it determined in his
       interlocutress the shortest of short cuts. "She favours Mr. Mitchett
       because she wants 'old Van' herself."
       He was evidently conscious of looking at her hard. "In what sense--
       herself?"
       "Ah you must supply the sense; I can give you only the fact--and it's
       the fact that concerns us. Voyons" she almost impatiently broke out;
       "don't try to create unnecessary obscurities by being unnecessarily
       modest. Besides, I'm not touching your modesty. Supply any sense
       whatever that may miraculously satisfy your fond English imagination: I
       don't insist in the least on a bad one. She does want him herself--
       that's all I say. 'Pourquoi faires' you ask--or rather, being too shy,
       don't ask, but would like to if you dared or didn't fear I'd be shocked.
       I CAN'T be shocked, but frankly I can't tell you either. The situation
       belongs, I think, to an order I don't understand. I understand either
       one thing or the other--I understand taking a man up or letting him
       alone. But I don't really get at Mrs. Brook. You must judge at any rate
       for yourself. Vanderbank could of course tell you if he would--but it
       wouldn't be right that he should. So the one thing we have to do with is
       that she's in fact against us. I can only work Mitchy through Petherton,
       but Mrs. Brook can work him straight. On the other hand that's the way
       you, my dear man, can work Vanderbank."
       One thing evidently beyond the rest, as a result of this vivid
       demonstration, disengaged itself to our old friend's undismayed sense,
       but his consternation needed a minute or two to produce it. "I can
       absolutely assure you that Mr. Vanderbank entertains no sentiment for
       Mrs. Brookenham--!"
       "That he may not keep under by just setting his teeth and holding on? I
       never dreamed he does, and have nothing so alarming in store for you--
       rassurez-vous bien!--as to propose that he shall be invited to sink a
       feeling for the mother in order to take one up for the child. Don't,
       please, flutter out of the whole question by a premature scare. I never
       supposed it's he who wants to keep HER. He's not in love with her--be
       comforted! But she's amusing--highly amusing. I do her perfect justice.
       As your women go she's rare. If she were French she'd be a femme
       d'esprit. She has invented a nuance of her own and she has done it all
       by herself, for Edward figures in her drawing-room only as one of those
       queer extinguishers of fire in the corridors of hotels. He's just a
       bucket on a peg. The men, the young and the clever ones, find it a
       house--and heaven knows they're right--with intellectual elbow-room,
       with freedom of talk. Most English talk is a quadrille in a sentry-box.
       You'll tell me we go further in Italy, and I won't deny it, but in Italy
       we have the common sense not to have little girls in the room. The young
       men hang about Mrs. Brook, and the clever ones ply her with the
       uproarious appreciation that keeps her up to the mark. She's in a
       prodigious fix--she must sacrifice either her daughter or what she once
       called to me her intellectual habits. Mr. Vanderbank, you've seen for
       yourself, is of these one of the most cherished, the most confirmed.
       Three months ago--it couldn't be any longer kept off--Nanda began
       definitely to 'sit'; to be there and look, by the tea-table, modestly
       and conveniently abstracted."
       "I beg your pardon--I don't think she looks that, Duchess," Mr. Longdon
       lucidly broke in. How much she had carried him with her in spite of
       himself was betrayed by the very terms of his dissent. "I don't think it
       would strike any one that she looks 'convenient.'"
       His companion, laughing, gave a shrug. "Try her and perhaps you'll find
       her so!" But his objection had none the less pulled her up a little. "I
       don't say she's a hypocrite, for it would certainly be less decent for
       her to giggle and wink. It's Mrs. Brook's theory moreover, isn't it?
       that she has, from five to seven at least, lowered the pitch. Doesn't
       she pretend that she bears in mind every moment the tiresome difference
       made by the presence of sweet virginal eighteen?"
       "I haven't, I'm afraid, a notion of what she pretends!"
       Mr. Longdon had spoken with a curtness to which his friend's particular
       manner of overlooking it only added significance. "They've become," she
       pursued, "superficial or insincere or frivolous, but at least they've
       become, with the way the drag's put on, quite as dull as other people."
       He showed no sign of taking this up; instead of it he said abruptly:
       "But if it isn't Mr. Mitchett's own idea?"
       His fellow visitor barely hesitated. "It would be his own if he were
       free--and it would be Lord Petherton's FOR him. I mean by his being free
       Nanda's becoming definitely lost to him. Then it would be impossible for
       Mrs. Brook to continue to persuade him, as she does now, that by a
       waiting game he'll come to his chance. His chance will cease to exist,
       and he wants so, poor darling, to marry. You've really now seen my
       niece," she went on. "That's another reason why I hold you can help me."
       "Yes--I've seen her."
       "Well, there she is." It was as if in the pause that followed this they
       sat looking at little absent Aggie with a wonder that was almost equal.
       "The good God has given her to me," the Duchess said at last.
       "It seems to me then that she herself is, in her remarkable loveliness,
       really your help."
       "She'll be doubly so if you give me proofs that you believe in her." And
       the Duchess, appearing to consider that with this she had made herself
       clear and her interlocutor plastic, rose in confident majesty. "I leave
       it to you."
       Mr. Longdon did the same, but with more consideration now. "Is it your
       expectation that I shall speak to Mr. Mitchett?"
       "Don't flatter yourself he won't speak to YOU!"
       Mr. Longdon made it out. "As supposing me, you mean, an interested
       party?"
       She clapped her gloved hands for joy. "It's a delight to hear you
       practically admit that you ARE one! Mr. Mitchett will take anything from
       you--above all perfect candour. It isn't every day one meets YOUR kind,
       and he's a connoisseur. I leave it to you--I leave it to you."
       She spoke as if it were something she had thrust bodily into his hands
       and wished to hurry away from. He put his hands behind him--
       straightening himself a little, half-kindled, still half-confused.
       "You're all extraordinary people!"
       She gave a toss of her head that showed her as not so dazzled. "You're
       the best of us, caro mio--you and Aggie: for Aggie's as good as you.
       Mitchy's good too, however--Mitchy's beautiful. You see it's not only
       his money. He's a gentleman. So are you. There aren't so many. But we
       must move fast," she added more sharply.
       "What do you mean by fast?"
       "What should I mean but what I say? If Nanda doesn't get a husband early
       in the business--"
       "Well?" said Mr. Longdon, as she appeared to pause with the weight of
       her idea.
       "Why she won't get one late--she won't get one at all. One, I mean, of
       the kind she'll take. She'll have been in it over-long for THEIR taste."
       She had moved, looking off and about her--little Aggie always on her
       mind--to the flight of steps, where she again hung fire; and had really
       ended by producing in him the manner of keeping up with her to challenge
       her. "Been in what?"
       She went down a few steps while he stood with his face full of
       perceptions strained and scattered. "Why in the air they themselves have
       infected for her!"
       Content of BOOK FIFTH - THE DUCHESS: CHAPTER IV [Henry James' novel: The Awkward Age]
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PREFACE
BOOK FIRST - LADY JULIA
   BOOK FIRST - LADY JULIA - CHAPTER I
   BOOK FIRST - LADY JULIA - CHAPTER II
   BOOK FIRST - LADY JULIA - CHAPTER III
BOOK SECOND - LITTLE AGGIE
   BOOK SECOND - LITTLE AGGIE - CHAPTER I
   BOOK SECOND - LITTLE AGGIE - CHAPTER II
   BOOK SECOND - LITTLE AGGIE - CHAPTER III
   BOOK SECOND - LITTLE AGGIE - CHAPTER IV
   BOOK SECOND - LITTLE AGGIE - CHAPTER V
   BOOK SECOND - LITTLE AGGIE - CHAPTER VI
BOOK THIRD - MR. LONGDON
   BOOK THIRD - MR. LONGDON - CHAPTER I
   BOOK THIRD - MR. LONGDON - CHAPTER II
   BOOK THIRD - MR. LONGDON - CHAPTER III
BOOK FOURTH - MR. CASHMORE
   BOOK FOURTH - MR. CASHMORE - CHAPTER I
   BOOK FOURTH - MR. CASHMORE - CHAPTER II
   BOOK FOURTH - MR. CASHMORE - CHAPTER III
BOOK FIFTH - THE DUCHESS
   BOOK FIFTH - THE DUCHESS - CHAPTER I
   BOOK FIFTH - THE DUCHESS - CHAPTER II
   BOOK FIFTH - THE DUCHESS - CHAPTER III
   BOOK FIFTH - THE DUCHESS - CHAPTER IV
   BOOK FIFTH - THE DUCHESS - CHAPTER V
BOOK SIXTH - MRS. BROOK
   BOOK SIXTH - MRS. BROOK - CHAPTER I
   BOOK SIXTH - MRS. BROOK - CHAPTER II
   BOOK SIXTH - MRS. BROOK - CHAPTER III
BOOK SEVENTH - MITCHY
   BOOK SEVENTH - MITCHY - CHAPTER I
   BOOK SEVENTH - MITCHY - CHAPTER II
   BOOK SEVENTH - MITCHY - CHAPTER III
BOOK EIGHTH - TISHY GRENDON
   BOOK EIGHTH - TISHY GRENDON - CHAPTER I
   BOOK EIGHTH - TISHY GRENDON - CHAPTER II
   BOOK EIGHTH - TISHY GRENDON - CHAPTER III
   BOOK EIGHTH - TISHY GRENDON - CHAPTER IV
BOOK NINTH - VANDERBANK
   BOOK NINTH - VANDERBANK - CHAPTER I
   BOOK NINTH - VANDERBANK - CHAPTER II
   BOOK NINTH - VANDERBANK - CHAPTER III
   BOOK NINTH - VANDERBANK - CHAPTER IV
BOOK TENTH - NANDA
   BOOK TENTH - NANDA - CHAPTER I
   BOOK TENTH - NANDA - CHAPTER II
   BOOK TENTH - NANDA - CHAPTER III
   BOOK TENTH - NANDA - CHAPTER IV