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Awkward Age, The
BOOK FOURTH - MR. CASHMORE   BOOK FOURTH - MR. CASHMORE - CHAPTER III
Henry James
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       BOOK FOURTH - MR. CASHMORE#CHAPTER III
       Their hostess's account of Mr. Cashmore's motive for his staying on was
       so far justified as that Vanderbank, while Mr. Longdon came over to Mrs.
       Brook, appeared without difficulty further to engage him. The lady in
       question meanwhile had drawn her old friend down, and her present method
       of approach would have interested an observer aware of the unhappy
       conviction she had just privately expressed. Some trace indeed of the
       glimpse of it enjoyed by Mr. Cashmere's present interlocutor might have
       been detected in the restlessness that Vanderbank's desire to keep the
       other pair uninterrupted was still not able to banish from his attitude.
       Not, however, that Mrs. Brook took the smallest account of it as she
       quickly broke out: "How can we thank you enough, my dear man, for your
       extraordinary kindness?" The reference was vivid, yet Mr. Longdon looked
       so blank about it that she had immediately to explain. "I mean to dear
       Van, who has told us of your giving him the great happiness--unless he's
       too dreadfully mistaken--of letting him really know you. He's such a
       tremendous friend of ours that nothing so delightful can befall him
       without its affecting us in the same way." She had proceeded with
       confidence, but suddenly she pulled up. "Don't tell me he IS mistaken--I
       shouldn't be able to bear it." She challenged the pale old man with a
       loveliness that was for the moment absolutely juvenile. "Aren't you
       letting him--really?"
       Mr. Longdon's smile was queer. "I can't prevent him. I'm not a great
       house--to give orders to go over me. The kindness is Mr. Vanderbank's
       own, and I've taken up, I'm afraid, a great deal of his precious time."
       "You have indeed." Mrs. Brook was undiscouraged. "He has been talking
       with me just now of nothing else. You may say," she went on, "that it's
       I who have kept him at it. So I have, for his pleasure's a joy to us. If
       you can't prevent what he feels, you know, you can't prevent either what
       WE feel."
       Mr. Longdon's face reflected for a minute something he could scarcely
       have supposed her acute enough to make out, the struggle between his
       real mistrust of her, founded on the unconscious violence offered by her
       nature to his every memory of her mother, and his sense on the other
       hand of the high propriety of his liking her; to which latter force his
       interest in Vanderbank was a contribution, inasmuch as he was obliged to
       recognise on the part of the pair an alliance it would have been
       difficult to explain at Beccles. "Perhaps I don't quite see the value of
       what your husband and you and I are in a position to do for him."
       "Do you mean because he's himself so clever?"
       "Well," said Mr. Longdon, "I dare say that's at the bottom of my feeling
       so proud to be taken up by him. I think of the young men of MY time and
       see that he takes in more. But that's what you all do," he rather
       helplessly sighed. "You're very, very wonderful!"
       She met him with an almost extravagant eagerness that the meeting should
       be just where he wished. "I don't take in everything, but I take in all
       I can. That's a great affair in London to-day, and I often feel as if I
       were a circus-woman, in pink tights and no particular skirts, riding
       half a dozen horses at once. We're all in the troupe now, I suppose,"
       she smiled, "and we must travel with the show. But when you say we're
       different," she added, "think, after all, of mamma."
       Mr. Longdon stared. "It's from her you ARE different."
       "Ah but she had an awfully fine mind. We're not cleverer than she."
       His conscious honest eyes looked away an instant. "It's perhaps enough
       for the present that you're cleverer than I! I was very glad the other
       day," he continued, "to make the acquaintance of your daughter. I hoped
       I should find her with you."
       If Mrs. Brook cast about it was but for a few seconds. "If she had known
       you were coming she would certainly have been here. She wanted so to
       please you." Then as her visitor took no further notice of this speech
       than to ask if Nanda were out of the house she had to admit it as an
       aggravation of failure; but she pursued in the next breath: "Of course
       you won't care, but she raves about you."
       He appeared indeed at first not to care. "Isn't she eighteen?"--it was
       oddly abrupt.
       "I have to think. Wouldn't it be nearer twenty?" Mrs. Brook audaciously
       returned. She tried again. "She told me all about your interview. I
       stayed away on purpose--I had my idea."
       "And what WAS your idea?"
       "I thought she'd remind you more of mamma if I wasn't there. But she's a
       little person who sees. Perhaps you didn't think it, but she knew."
       "And what did she know?" asked Mr. Longdon, who was unable, however, to
       keep from his tone a certain coldness which really deprived the question
       of its proper curiosity.
       Mrs. Brook just showed the chill of it, but she had always her courage.
       "Why that you don't like her." She had the courage of carrying off as
       well as of backing out. "She too has her little place with the circus--
       it's the way we earn our living."
       Mr. Longdon said nothing for a moment and when he at last spoke it was
       almost with an air of contradiction. "She's your mother to the life."
       His hostess, for three seconds, looked at him hard. "Ah but with such
       differences! You'll lose it," she added with a headshake of pity.
       He had his eyes only on Vanderbank. "Well, my losses are my own affair."
       Then his face came back. "Did she tell you I didn't like her?"
       The indulgence in Mrs. Brook's view of his simplicity was marked. "You
       thought you succeeded so in hiding it? No matter--she bears up. I think
       she really feels a great deal as I do--that it's no matter how many of
       us you hate if you'll only go on feeling as you do about mamma. Show us
       THAT--that's what we want."
       Nothing could have expressed more the balm of reassurance, but the mild
       drops had fallen short of the spot to which they were directed. "'Show'
       you?"
       Oh how he had sounded the word! "I see--you DON'T show. That's just what
       Nanda saw you thought! But you can't keep us from knowing it--can't keep
       it in fact, I think, from affecting your own behaviour. You'd be much
       worse to us if it wasn't for the still warm ashes of your old passion."
       It was an immense pity for Vanderbank's amusement that he was at this
       moment too far off to fit to the expression of his old friend's face so
       much of the cause of it as had sprung from the deeply informed tone of
       Mrs. Brook's allusion. To what degree the speaker herself made the
       connexion will never be known to history, nor whether as she went on she
       thought she bettered her case or she simply lost her head. "The great
       thing for us is that we can never be for you quite like other ordinary
       people."
       "And what's the great thing for ME?"
       "Oh for you, there's nothing, I'm afraid, but small things--so small
       that they can scarcely be worth the trouble of your making them out. Our
       being so happy that you've come back to us--if only just for a glimpse
       and to leave us again, in no matter what horror, for ever; our positive
       delight in your being exactly so different; the pleasure we have in
       talking about you, and shall still have--or indeed all the more--even if
       we've seen you only to lose you: whatever all this represents for
       ourselves it's for none of us to pretend to say how much or how little
       YOU may pick out of it. And yet," Mrs. Brook wandered on, "however much
       we may disappoint you some little spark of the past can't help being in
       us--for the past is the one thing beyond all spoiling: there it is,
       don't you think?--to speak for itself and, if need be, only OF itself."
       She pulled up, but she appeared to have destroyed all power of speech in
       him, so that while she waited she had time for a fresh inspiration. It
       might perhaps frankly have been mentioned as on the whole her finest.
       "Don't you think it possible that if you once get the point of view of
       realising that I KNOW--?"
       She held the note so long that he at last supplied a sound. "That you
       know what?"
       "Why that compared with her I'm a poor creeping thing. I mean"--she
       hastened to forestall any protest of mere decency that would spoil her
       idea--"that of course I ache in every limb with the certainty of my
       dreadful difference. It isn't as if I DIDN'T know it, don't you see?
       There it is as a matter of course: I've helplessly but finally and
       completely accepted it. Won't THAT help you?" she so ingeniously
       pleaded. "It isn't as if I tormented you with any recall of her
       whatever. I can quite see how awful it would be for you if, with the
       effect I produce on you, I did have her lovely eyes or her distinguished
       nose or the shape of her forehead or the colour of her hair. Strange as
       it is in a daughter I'm disconnected altogether, and don't you think I
       MAY be a little saved for you by becoming thus simply out of the
       question? Of course," she continued, "your real trial is poor Nanda--
       she's likewise so fearfully out of it and yet she's so fearfully in it.
       And she," said Mrs. Brook for a climax--"SHE doesn't know!"
       A strange faint flush, while she talked, had come into Mr. Longdon's
       face, and, whatever effect, as she put it, she produced on him, it was
       clearly not that of causing his attention to wander. She held him at
       least for weal or woe; his bright eyes grew brighter and opened into a
       stare that finally seemed to offer him as submerged in mere wonder. At
       last, however, he rose to the surface, and he appeared to have lighted
       at the bottom of the sea on the pearl of the particular wisdom he
       needed. "I dare say there may be something in what you so
       extraordinarily suggest."
       She jumped at it as if in pleasant pain. "In just letting me go--?"
       But at this he dropped. "I shall never let you go."
       It renewed her fear. "Not just for what I AM?"
       He rose from his place beside her, but looking away from her and with
       his colour marked. "I shall never let you go," he repeated.
       "Oh you angel!" She sprang up more quickly and the others were by this
       time on their feet. "I've done it, I've done it!" she joyously cried to
       Vanderbank; "he likes me, or at least he can bear me--I've found him the
       way; and now I don't care even if he SAYS I haven't." Then she turned
       again to her old friend. "We can manage about Nanda--you needn't ever
       see her. She's 'down' now, but she can go up again. We can arrange it at
       any rate--c'est la moindre des choses."
       "Upon my honour I protest," Mr. Cashmore exclaimed, "against anything of
       the sort! I defy you to 'arrange' that young lady in any such manner
       without also arranging ME. I'm one of her greatest admirers," he gaily
       announced to Mr. Longdon.
       Vanderbank said nothing, and Mr. Longdon seemed to show he would have
       preferred to do the same: that visitor's eyes might have represented an
       appeal to him somehow to intervene, to show the due acquaintance,
       springing from practice and wanting in himself, with the art of
       conversation developed to the point at which it could thus sustain a
       lady in the upper air. Vanderbank's silence might, without his mere kind
       pacific look, have seemed almost inhuman. Poor Mr. Longdon had finally
       to do his own simple best. "Will you bring your daughter to see me?" he
       asked of Mrs. Brookenham.
       "Oh, oh--that's an idea: will you bring her to see ME?" Mr. Cashmore
       again broke out.
       Mrs. Brook had only fixed Mr. Longdon with the air of unutterable
       things. "You angel, you angel!"--they found expression but in that.
       "I don't need to ask you to bring her, do I?" Vanderbank now said to his
       hostess. "I hope you don't mind my bragging all over the place of the
       great honour she did me the other day in appearing quite by herself."
       "Quite by herself? I say, Mrs. Brook!" Mr. Cashmore flourished on.
       It was only now that she noticed him; which she did indeed but by
       answering Vanderbank. "She didn't go for YOU I'm afraid--though of
       course she might: she went because you had promised her Mr. Longdon. But
       I should have no more feeling about her going to you--and should expect
       her to have no more--than about her taking a pound of tea, as she
       sometimes does, to her old nurse, or her going to read to the old women
       at the workhouse. May you never have less to brag of!"
       "I wish she'd bring ME a pound of tea!" Mr. Cashmore resumed. "Or ain't
       I enough of an old woman for her to come and read to me at home?"
       "Does she habitually visit the workhouse?" Mr. Longdon enquired of Mrs.
       Brook.
       This lady kept him in a moment's suspense, which another contemplation
       might moreover have detected that Vanderbank in some degree shared.
       "Every Friday at three."
       Vanderbank, with a sudden turn, moved straight to one of the windows,
       and Mr. Cashmore had a happy remembrance. "Why, this is Friday--she must
       have gone to-day. But does she stay so late?"
       "She was to go afterwards to little Aggie: I'm trying so, in spite of
       difficulties," Mrs. Brook explained, "to keep them on together." She
       addressed herself with a new thought to Mr. Longdon. "You must know
       little Aggie--the niece of the Duchess: I forget if you've met the
       Duchess, but you must know HER too--there are so many things on which
       I'm sure she'll feel with you. Little Aggie's the one," she continued;
       "you'll delight in her; SHE ought to have been mamma's grandchild."
       "Dearest lady, how can you pretend or for a moment compare her--?" Mr.
       Cashmore broke in. "She says nothing to me at all."
       "She says nothing to any one," Mrs. Brook serenely replied; "that's just
       her type and her charm--just above all her education." Then she appealed
       to Vanderbank. "Won't Mr. Longdon be struck with little Aggie and won't
       he find it interesting to talk about all that sort of thing with the
       Duchess?"
       Vanderbank came back laughing, but Mr. Longdon anticipated his reply.
       "What sort of thing do you mean?"
       "Oh," said Mrs. Brook, "the whole question, don't you know? of bringing
       girls forward or not. The question of--well, what do you call it?--their
       exposure. It's THE question, it appears--the question--of the future;
       it's awfully interesting and the Duchess at any rate is great on it.
       Nanda of course is exposed," Mrs. Brook pursued--"fearfully."
       "And what on earth is she exposed to?" Mr. Cashmore gaily demanded.
       "She's exposed to YOU, it would seem, my dear fellow!" Vanderbank spoke
       with a certain discernible impatience not so much of the fact he
       mentioned as of the turn of their talk.
       It might have been in almost compassionate deprecation of this weak note
       that Mrs. Brookenham looked at him. Her own reply to Mr. Cashmere's
       question, however, was uttered at Mr. Longdon. "She's exposed--it's much
       worse--to ME. But Aggie isn't exposed to anything--never has been and
       never is to be; and we're watching to see if the Duchess can carry it
       through."
       "Why not," asked Mr. Cashmore, "if there's nothing she CAN be exposed to
       but the Duchess herself?"
       He had appealed to his companions impartially, but Mr. Longdon, whose
       attention was now all for his hostess, appeared unconscious. "If you're
       all watching is it your idea that I should watch WITH you?"
       The enquiry, on his lips, was a waft of cold air, the sense of which
       clearly led Mrs. Brook to put her invitation on the right ground. "Not
       of course on the chance of anything's happening to the dear child--to
       whom nothing obviously CAN happen but that her aunt will marry her off
       in the shortest possible time and in the best possible conditions. No,
       the interest is much more in the way the Duchess herself steers."
       "Ah, she's in a boat," Mr. Cashmore fully concurred, "that will take a
       good bit of that."
       It is not for Mr. Longdon's historian to overlook that if he was, not
       unnaturally, mystified he was yet also visibly interested. "What boat is
       she in?"
       He had addressed his curiosity, with politeness, to Mr. Cashmore, but
       they were all arrested by the wonderful way in which Mrs. Brook managed
       to smile at once very dimly, very darkly, and yet make it take them all
       in. "I think YOU must tell him, Van."
       "Heaven forbid!"--and Van again retreated.
       "I'LL tell him like a shot--if you really give me leave," said Mr.
       Cashmore, for whom any scruple referred itself manifestly not to the
       subject of the information but to the presence of a lady.
       "I DON'T give you leave and I beg you'll hold your tongue," Mrs.
       Brookenham returned. "You handle such matters with a minuteness--! In
       short," she broke off to Mr. Longdon, "he would tell you a good deal
       more than you'll care to know. She IS in a boat--but she's an
       experienced mariner. Basta, as she would say. Do you know Mitchy?" Mrs.
       Brook suddenly asked.
       "Oh yes, he knows Mitchy"--Vanderbank had approached again.
       "Then make HIM tell him"--she put it before the young man as a charming
       turn for them all. "Mitchy CAN be refined when he tries."
       "Oh dear--when Mitchy 'tries'!" Vanderbank laughed. "I think I should
       rather, for the job, offer him to Mr. Longdon abandoned to his native
       wild impulse."
       "I LIKE Mr. Mitchett," the old man said, endeavouring to look his
       hostess straight in the eye and speaking as if somewhat to defy her to
       convict him, even from the point of view of Beccles, of a mistake.
       Mrs. Brookenham took it with a wonderful bright emotion. "My dear
       friend, vous me rendez la vie! If you can stand Mitchy you can stand any
       of us!"
       "Upon my honour I should think so!" Mr. Cashmore was eager to remark.
       "What on earth do you mean," he demanded of Mrs. Brook, "by saying that
       I'm more 'minute' than he?"
       She turned her beauty an instant on this critic. "I don't say you're
       more minute--I say he's more brilliant. Besides, as I've told you
       before, you're not one of us." With which, as a check to further
       discussion, she went straight on to Mr. Longdon: "The point about
       Aggie's conservative education is the wonderful sincerity with which the
       Duchess feels that one's girl may so perfectly and consistently be
       hedged in without one's really ever (for it comes to that) depriving
       one's own self--"
       "Well, of what?" Mr. Longdon boldly demanded while his hostess appeared
       thoughtfully to falter.
       She addressed herself mutely to Vanderbank, in whom the movement
       produced a laugh. "I defy you," he exclaimed, "to say!"
       "Well, you don't defy ME!" Mr. Cashmore cried as Mrs. Brook failed to
       take up the challenge. "If you know Mitchy," he went on to Mr. Longdon,
       "you must know Petherton."
       The elder man remained vague and not imperceptibly cold. "Petherton?"
       "My brother-in-law--whom, God knows why, Mitchy runs."
       "Runs?" Mr. Longdon again echoed.
       Mrs. Brook appealed afresh to Vanderbank. "I think we ought to spare
       him. I may not remind you of mamma," she continued to their companion,
       "but I hope you don't mind my saying how much you remind me.
       Explanations, after all, spoil things, and if you CAN make anything of
       us and will sometimes come back you'll find everything in its native
       freshness. You'll see, you'll feel for yourself."
       Mr. Longdon stood before her and raised to Vanderbank, when she had
       ceased, the eyes he had attached to the carpet while she talked. "And
       must I go now?" Explanations, she had said, spoiled things, but he might
       have been a stranger at an Eastern court--comically helpless without
       his interpreter.
       "If Mrs. Brook desires to 'spare' you," Vanderbank kindly replied, "the
       best way to make sure of it would perhaps indeed be to remove you. But
       hadn't we a hope of Nanda?"
       "It might be of use for us to wait for her?"--it was still to his young
       friend that Mr. Longdon put it.
       "Ah when she's once on the loose--!" Mrs. Brookenham sighed.
       "Unless la voila," she said as a hand was heard at the door-latch. It
       was only, however, a footman who entered with a little tray that, on his
       approaching his mistress, offered to sight the brown envelope of a
       telegram. She immediately took leave to open this missive, after the
       quick perusal of which she had another vision of them all. "It IS she--
       the modern daughter. 'Tishy keeps me dinner and opera; clothes all
       right; return uncertain, but if before morning have latch-key.' She
       won't come home till morning!" said Mrs. Brook.
       "But think of the comfort of the latch-key!" Vanderbank laughed. "You
       might go to the opera," he said to Mr. Longdon.
       "Hanged if _I_ don't!" Mr. Cashmore exclaimed.
       Mr. Longdon appeared to have caught from Nanda's message an obscure
       agitation; he met his young friend's suggestion at all events with a
       visible intensity. "Will you go with me?"
       Vanderbank had just debated, recalling engagements; which gave Mrs.
       Brook time to intervene. "Can't you live without him?" she asked of her
       elder friend.
       Vanderbank had looked at her an instant. "I think I can get there late,"
       he then replied to Mr. Longdon.
       "I think _I_ can get there early," Mr. Cashmore declared. "Mrs. Grendon
       must have a box; in fact I know which, and THEY don't," he jocosely
       continued to his hostess.
       Mrs. Brook meanwhile had given Mr. Longdon her hand. "Well, in any case
       the child SHALL soon come to you. And oh alone," she insisted: "you
       needn't make phrases--I know too well what I'm about."
       "One hopes really you do," pursued the unquenched Mr. Cashmore.
       "If that's what one gets by having known your mother--!"
       "It wouldn't have helped YOU" Mrs. Brook retorted. "And won't you have
       to say it's ALL you were to get?" she pityingly murmured to her other
       visitor.
       He turned to Vanderbank with a strange gasp, and that comforter said
       "Come!"
       Content of BOOK FOURTH - MR. CASHMORE: CHAPTER III [Henry James' novel: The Awkward Age]
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PREFACE
BOOK FIRST - LADY JULIA
   BOOK FIRST - LADY JULIA - CHAPTER I
   BOOK FIRST - LADY JULIA - CHAPTER II
   BOOK FIRST - LADY JULIA - CHAPTER III
BOOK SECOND - LITTLE AGGIE
   BOOK SECOND - LITTLE AGGIE - CHAPTER I
   BOOK SECOND - LITTLE AGGIE - CHAPTER II
   BOOK SECOND - LITTLE AGGIE - CHAPTER III
   BOOK SECOND - LITTLE AGGIE - CHAPTER IV
   BOOK SECOND - LITTLE AGGIE - CHAPTER V
   BOOK SECOND - LITTLE AGGIE - CHAPTER VI
BOOK THIRD - MR. LONGDON
   BOOK THIRD - MR. LONGDON - CHAPTER I
   BOOK THIRD - MR. LONGDON - CHAPTER II
   BOOK THIRD - MR. LONGDON - CHAPTER III
BOOK FOURTH - MR. CASHMORE
   BOOK FOURTH - MR. CASHMORE - CHAPTER I
   BOOK FOURTH - MR. CASHMORE - CHAPTER II
   BOOK FOURTH - MR. CASHMORE - CHAPTER III
BOOK FIFTH - THE DUCHESS
   BOOK FIFTH - THE DUCHESS - CHAPTER I
   BOOK FIFTH - THE DUCHESS - CHAPTER II
   BOOK FIFTH - THE DUCHESS - CHAPTER III
   BOOK FIFTH - THE DUCHESS - CHAPTER IV
   BOOK FIFTH - THE DUCHESS - CHAPTER V
BOOK SIXTH - MRS. BROOK
   BOOK SIXTH - MRS. BROOK - CHAPTER I
   BOOK SIXTH - MRS. BROOK - CHAPTER II
   BOOK SIXTH - MRS. BROOK - CHAPTER III
BOOK SEVENTH - MITCHY
   BOOK SEVENTH - MITCHY - CHAPTER I
   BOOK SEVENTH - MITCHY - CHAPTER II
   BOOK SEVENTH - MITCHY - CHAPTER III
BOOK EIGHTH - TISHY GRENDON
   BOOK EIGHTH - TISHY GRENDON - CHAPTER I
   BOOK EIGHTH - TISHY GRENDON - CHAPTER II
   BOOK EIGHTH - TISHY GRENDON - CHAPTER III
   BOOK EIGHTH - TISHY GRENDON - CHAPTER IV
BOOK NINTH - VANDERBANK
   BOOK NINTH - VANDERBANK - CHAPTER I
   BOOK NINTH - VANDERBANK - CHAPTER II
   BOOK NINTH - VANDERBANK - CHAPTER III
   BOOK NINTH - VANDERBANK - CHAPTER IV
BOOK TENTH - NANDA
   BOOK TENTH - NANDA - CHAPTER I
   BOOK TENTH - NANDA - CHAPTER II
   BOOK TENTH - NANDA - CHAPTER III
   BOOK TENTH - NANDA - CHAPTER IV