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Two Gentlemen of Verona
act ii   Scene I.
William Shakespeare
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       Milan. The DUKE'S palace
       Enter VALENTINE and SPEED
       SPEED
       Sir, your glove.
       VALENTINE
       Not mine: my gloves are on.
       SPEED
       Why, then, this may be yours; for this is but one.
       VALENTINE
       Ha! let me see; ay, give it me, it's mine;
       Sweet ornament that decks a thing divine!
       Ah, Silvia! Silvia!
       SPEED
       [Calling] Madam Silvia! Madam Silvia!
       VALENTINE
       How now, sirrah?
       SPEED
       She is not within hearing, sir.
       VALENTINE
       Why, sir, who bade you call her?
       SPEED
       Your worship, sir; or else I mistook.
       VALENTINE
       Well, you'll still be too forward.
       SPEED
       And yet I was last chidden for being too slow.
       VALENTINE
       Go to, sir; tell me, do you know Madam Silvia?
       SPEED
       She that your worship loves?
       VALENTINE
       Why, how know you that I am in love?
       SPEED
       Marry, by these special marks: first, you have learn'd, like
       Sir Proteus, to wreath your arms like a malcontent; to relish a
       love-song, like a robin redbreast; to walk alone, like one that
       had the pestilence; to sigh, like a school-boy that had lost his
       A B C; to weep, like a young wench that had buried her grandam;
       to fast, like one that takes diet; to watch, like one that fears
       robbing; to speak puling, like a beggar at Hallowmas. You were
       wont, when you laughed, to crow like a cock; when you walk'd, to
       walk like one of the lions; when you fasted, it was presently
       after dinner; when you look'd sadly, it was for want of money.
       And now you are metamorphis'd with a mistress, that, when I look
       on you, I can hardly think you my master.
       VALENTINE
       Are all these things perceiv'd in me?
       SPEED
       They are all perceiv'd without ye.
       VALENTINE
       Without me? They cannot.
       SPEED
       Without you! Nay, that's certain; for, without you were so
       simple, none else would; but you are so without these follies
       that these follies are within you, and shine through you like the
       water in an urinal, that not an eye that sees you but is a
       physician to comment on your malady.
       VALENTINE
       But tell me, dost thou know my lady Silvia?
       SPEED
       She that you gaze on so, as she sits at supper?
       VALENTINE
       Hast thou observ'd that? Even she, I mean.
       SPEED
       Why, sir, I know her not.
       VALENTINE
       Dost thou know her by my gazing on her, and yet know'st
       her not?
       SPEED
       Is she not hard-favour'd, sir?
       VALENTINE
       Not so fair, boy, as well-favour'd.
       SPEED
       Sir, I know that well enough.
       VALENTINE
       What dost thou know?
       SPEED
       That she is not so fair as, of you, well-favour'd.
       VALENTINE
       I mean that her beauty is exquisite, but her favour
       infinite.
       SPEED
       That's because the one is painted, and the other out of all
       count.
       VALENTINE
       How painted? and how out of count?
       SPEED
       Marry, sir, so painted, to make her fair, that no man counts
       of her beauty.
       VALENTINE
       How esteem'st thou me? I account of her beauty.
       SPEED
       You never saw her since she was deform'd.
       VALENTINE
       How long hath she been deform'd?
       SPEED
       Ever since you lov'd her.
       VALENTINE
       I have lov'd her ever since I saw her, and still
       I see her beautiful.
       SPEED
       If you love her, you cannot see her.
       VALENTINE
       Why?
       SPEED
       Because Love is blind. O that you had mine eyes; or your own
       eyes had the lights they were wont to have when you chid at Sir
       Proteus for going ungarter'd!
       VALENTINE
       What should I see then?
       SPEED
       Your own present folly and her passing deformity; for he,
       being in love, could not see to garter his hose; and you, being
       in love, cannot see to put on your hose.
       VALENTINE
       Belike, boy, then you are in love; for last morning you
       could not see to wipe my shoes.
       SPEED
       True, sir; I was in love with my bed. I thank you, you
       swing'd me for my love, which makes me the bolder to chide you
       for yours.
       VALENTINE
       In conclusion, I stand affected to her.
       SPEED
       I would you were set, so your affection would cease.
       VALENTINE
       Last night she enjoin'd me to write some lines to one
       she loves.
       SPEED
       And have you?
       VALENTINE
       I have.
       SPEED
       Are they not lamely writ?
       VALENTINE
       No, boy, but as well as I can do them.
       Enter SILVIA
       Peace! here she comes.
       SPEED
       [Aside] O excellent motion! O exceeding puppet!
       Now will he interpret to her.
       VALENTINE
       Madam and mistress, a thousand good morrows.
       SPEED
       [Aside] O, give ye good ev'n!
       Here's a million of manners.
       SILVIA
       Sir Valentine and servant, to you two thousand.
       SPEED
       [Aside] He should give her interest, and she gives it him.
       VALENTINE
       As you enjoin'd me, I have writ your letter
       Unto the secret nameless friend of yours;
       Which I was much unwilling to proceed in,
       But for my duty to your ladyship.
       SILVIA
       I thank you, gentle servant. 'Tis very clerkly done.
       VALENTINE
       Now trust me, madam, it came hardly off;
       For, being ignorant to whom it goes,
       I writ at random, very doubtfully.
       SILVIA
       Perchance you think too much of so much pains?
       VALENTINE
       No, madam; so it stead you, I will write,
       Please you command, a thousand times as much;
       And yet-
       SILVIA
       A pretty period! Well, I guess the sequel;
       And yet I will not name it- and yet I care not.
       And yet take this again- and yet I thank you-
       Meaning henceforth to trouble you no more.
       SPEED
       [Aside] And yet you will; and yet another' yet.'
       VALENTINE
       What means your ladyship? Do you not like it?
       SILVIA
       Yes, yes; the lines are very quaintly writ;
       But, since unwillingly, take them again.
       Nay, take them.
       [Gives hack the letter]
       VALENTINE
       Madam, they are for you.
       SILVIA
       Ay, ay, you writ them, sir, at my request;
       But I will none of them; they are for you:
       I would have had them writ more movingly.
       VALENTINE
       Please you, I'll write your ladyship another.
       SILVIA
       And when it's writ, for my sake read it over;
       And if it please you, so; if not, why, so.
       VALENTINE
       If it please me, madam, what then?
       SILVIA
       Why, if it please you, take it for your labour.
       And so good morrow, servant.
       Exit SILVIA
       SPEED
       O jest unseen, inscrutable, invisible,
       As a nose on a man's face, or a weathercock on a steeple!
       My master sues to her; and she hath taught her suitor,
       He being her pupil, to become her tutor.
       O excellent device! Was there ever heard a better,
       That my master, being scribe, to himself should write the letter?
       VALENTINE
       How now, sir! What are you reasoning with yourself?
       SPEED
       Nay, I was rhyming: 'tis you that have the reason.
       VALENTINE
       To do what?
       SPEED
       To be a spokesman from Madam Silvia?
       VALENTINE
       To whom?
       SPEED
       To yourself; why, she woos you by a figure.
       VALENTINE
       What figure?
       SPEED
       By a letter, I should say.
       VALENTINE
       Why, she hath not writ to me.
       SPEED
       What need she, when she hath made you write to yourself?
       Why, do you not perceive the jest?
       VALENTINE
       No, believe me.
       SPEED
       No believing you indeed, sir. But did you perceive her
       earnest?
       VALENTINE
       She gave me none except an angry word.
       SPEED
       Why, she hath given you a letter.
       VALENTINE
       That's the letter I writ to her friend.
       SPEED
       And that letter hath she deliver'd, and there an end.
       VALENTINE
       I would it were no worse.
       SPEED
       I'll warrant you 'tis as well.
       'For often have you writ to her; and she, in modesty,
       Or else for want of idle time, could not again reply;
       Or fearing else some messenger that might her mind discover,
       Herself hath taught her love himself to write unto her lover.'
       All this I speak in print, for in print I found it. Why muse you,
       sir? 'Tis dinner time.
       VALENTINE
       I have din'd.
       SPEED
       Ay, but hearken, sir; though the chameleon Love can feed on
       the air, I am one that am nourish'd by my victuals, and would
       fain have meat. O, be not like your mistress! Be moved, be moved.
       Exeunt
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Dramatis Personae
act i
   Scene I.
   Scene II.
   Scene III.
act ii
   Scene I.
   Scene II.
   Scene III.
   Scene IV.
   Scene V.
   Scene VI.
   Scene VII.
act iii
   Scene I.
   Scene II.
act iv
   Scene I.
   Scene II.
   Scene III.
   Scene IV.
act v
   Scene I.
   Scene II.
   Scene III.
   Scene IV.