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Two Gentlemen of Verona
act i   Scene I.
William Shakespeare
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       Verona. An open place
       Enter VALENTINE and PROTEUS
       VALENTINE
       Cease to persuade, my loving Proteus:
       Home-keeping youth have ever homely wits.
       Were't not affection chains thy tender days
       To the sweet glances of thy honour'd love,
       I rather would entreat thy company
       To see the wonders of the world abroad,
       Than, living dully sluggardiz'd at home,
       Wear out thy youth with shapeless idleness.
       But since thou lov'st, love still, and thrive therein,
       Even as I would, when I to love begin.
       PROTEUS
       Wilt thou be gone? Sweet Valentine, adieu!
       Think on thy Proteus, when thou haply seest
       Some rare noteworthy object in thy travel.
       Wish me partaker in thy happiness
       When thou dost meet good hap; and in thy danger,
       If ever danger do environ thee,
       Commend thy grievance to my holy prayers,
       For I will be thy headsman, Valentine.
       VALENTINE
       And on a love-book pray for my success?
       PROTEUS
       Upon some book I love I'll pray for thee.
       VALENTINE
       That's on some shallow story of deep love:
       How young Leander cross'd the Hellespont.
       PROTEUS
       That's a deep story of a deeper love;
       For he was more than over shoes in love.
       VALENTINE
       'Tis true; for you are over boots in love,
       And yet you never swum the Hellespont.
       PROTEUS
       Over the boots! Nay, give me not the boots.
       VALENTINE
       No, I will not, for it boots thee not.
       PROTEUS
       What?
       VALENTINE
       To be in love- where scorn is bought with groans,
       Coy looks with heart-sore sighs, one fading moment's mirth
       With twenty watchful, weary, tedious nights;
       If haply won, perhaps a hapless gain;
       If lost, why then a grievous labour won;
       However, but a folly bought with wit,
       Or else a wit by folly vanquished.
       PROTEUS
       So, by your circumstance, you call me fool.
       VALENTINE
       So, by your circumstance, I fear you'll prove.
       PROTEUS
       'Tis love you cavil at; I am not Love.
       VALENTINE
       Love is your master, for he masters you;
       And he that is so yoked by a fool,
       Methinks, should not be chronicled for wise.
       PROTEUS
       Yet writers say, as in the sweetest bud
       The eating canker dwells, so eating love
       Inhabits in the finest wits of all.
       VALENTINE
       And writers say, as the most forward bud
       Is eaten by the canker ere it blow,
       Even so by love the young and tender wit
       Is turn'd to folly, blasting in the bud,
       Losing his verdure even in the prime,
       And all the fair effects of future hopes.
       But wherefore waste I time to counsel the
       That art a votary to fond desire?
       Once more adieu. My father at the road
       Expects my coming, there to see me shipp'd.
       PROTEUS
       And thither will I bring thee, Valentine.
       VALENTINE
       Sweet Proteus, no; now let us take our leave.
       To Milan let me hear from thee by letters
       Of thy success in love, and what news else
       Betideth here in absence of thy friend;
       And I likewise will visit thee with mine.
       PROTEUS
       All happiness bechance to thee in Milan!
       VALENTINE
       As much to you at home; and so farewell!
       Exit VALENTINE
       PROTEUS
       He after honour hunts, I after love;
       He leaves his friends to dignify them more:
       I leave myself, my friends, and all for love.
       Thou, Julia, thou hast metamorphis'd me,
       Made me neglect my studies, lose my time,
       War with good counsel, set the world at nought;
       Made wit with musing weak, heart sick with thought.
       Enter SPEED
       SPEED
       Sir Proteus, save you! Saw you my master?
       PROTEUS
       But now he parted hence to embark for Milan.
       SPEED
       Twenty to one then he is shipp'd already,
       And I have play'd the sheep in losing him.
       PROTEUS
       Indeed a sheep doth very often stray,
       An if the shepherd be awhile away.
       SPEED
       You conclude that my master is a shepherd then, and
       I a sheep?
       PROTEUS
       I do.
       SPEED
       Why then, my horns are his horns, whether I wake or sleep.
       PROTEUS
       A silly answer, and fitting well a sheep.
       SPEED
       This proves me still a sheep.
       PROTEUS
       True; and thy master a shepherd.
       SPEED
       Nay, that I can deny by a circumstance.
       PROTEUS
       It shall go hard but I'll prove it by another.
       SPEED
       The shepherd seeks the sheep, and not the sheep the
       shepherd; but I seek my master, and my master seeks not me;
       therefore, I am no sheep.
       PROTEUS
       The sheep for fodder follow the shepherd; the shepherd for
       food follows not the sheep: thou for wages followest thy master;
       thy master for wages follows not thee. Therefore, thou art a
       sheep.
       SPEED
       Such another proof will make me cry 'baa.'
       PROTEUS
       But dost thou hear? Gav'st thou my letter to Julia?
       SPEED
       Ay, sir; I, a lost mutton, gave your letter to her, a lac'd
       mutton; and she, a lac'd mutton, gave me, a lost mutton, nothing
       for my labour.
       PROTEUS
       Here's too small a pasture for such store of muttons.
       SPEED
       If the ground be overcharg'd, you were best stick her.
       PROTEUS
       Nay, in that you are astray: 'twere best pound you.
       SPEED
       Nay, sir, less than a pound shall serve me for carrying your
       letter.
       PROTEUS
       You mistake; I mean the pound- a pinfold.
       SPEED
       From a pound to a pin? Fold it over and over,
       'Tis threefold too little for carrying a letter to your lover.
       PROTEUS
       But what said she?
       SPEED
       [Nodding] Ay.
       PROTEUS
       Nod- ay. Why, that's 'noddy.'
       SPEED
       You mistook, sir; I say she did nod; and you ask me if she
       did nod; and I say 'Ay.'
       PROTEUS
       And that set together is 'noddy.'
       SPEED
       Now you have taken the pains to set it together, take it for
       your pains.
       PROTEUS
       No, no; you shall have it for bearing the letter.
       SPEED
       Well, I perceive I must be fain to bear with you.
       PROTEUS
       Why, sir, how do you bear with me?
       SPEED
       Marry, sir, the letter, very orderly; having nothing but the
       word 'noddy' for my pains.
       PROTEUS
       Beshrew me, but you have a quick wit.
       SPEED
       And yet it cannot overtake your slow purse.
       PROTEUS
       Come, come, open the matter; in brief, what said she?
       SPEED
       Open your purse, that the money and the matter may be both
       at once delivered.
       PROTEUS
       Well, sir, here is for your pains. What said she?
       SPEED
       Truly, sir, I think you'll hardly win her.
       PROTEUS
       Why, couldst thou perceive so much from her?
       SPEED
       Sir, I could perceive nothing at all from her; no, not so
       much as a ducat for delivering your letter; and being so hard to
       me that brought your mind, I fear she'll prove as hard to you in
       telling your mind. Give her no token but stones, for she's as
       hard as steel.
       PROTEUS
       What said she? Nothing?
       SPEED
       No, not so much as 'Take this for thy pains.' To testify
       your bounty, I thank you, you have testern'd me; in requital
       whereof, henceforth carry your letters yourself; and so, sir,
       I'll commend you to my master.
       PROTEUS
       Go, go, be gone, to save your ship from wreck,
       Which cannot perish, having thee aboard,
       Being destin'd to a drier death on shore.
       Exit SPEED
       I must go send some better messenger.
       I fear my Julia would not deign my lines,
       Receiving them from such a worthless post.
       Exit
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本书目录

Dramatis Personae
act i
   Scene I.
   Scene II.
   Scene III.
act ii
   Scene I.
   Scene II.
   Scene III.
   Scene IV.
   Scene V.
   Scene VI.
   Scene VII.
act iii
   Scene I.
   Scene II.
act iv
   Scene I.
   Scene II.
   Scene III.
   Scene IV.
act v
   Scene I.
   Scene II.
   Scene III.
   Scene IV.