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Two Gentlemen of Verona
act i   Scene II.
William Shakespeare
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       Verona. The garden Of JULIA'S house
       Enter JULIA and LUCETTA
       JULIA
       But say, Lucetta, now we are alone,
       Wouldst thou then counsel me to fall in love?
       LUCETTA
       Ay, madam; so you stumble not unheedfully.
       JULIA
       Of all the fair resort of gentlemen
       That every day with parle encounter me,
       In thy opinion which is worthiest love?
       LUCETTA
       Please you, repeat their names; I'll show my mind
       According to my shallow simple skill.
       JULIA
       What think'st thou of the fair Sir Eglamour?
       LUCETTA
       As of a knight well-spoken, neat, and fine;
       But, were I you, he never should be mine.
       JULIA
       What think'st thou of the rich Mercatio?
       LUCETTA
       Well of his wealth; but of himself, so so.
       JULIA
       What think'st thou of the gentle Proteus?
       LUCETTA
       Lord, Lord! to see what folly reigns in us!
       JULIA
       How now! what means this passion at his name?
       LUCETTA
       Pardon, dear madam; 'tis a passing shame
       That I, unworthy body as I am,
       Should censure thus on lovely gentlemen.
       JULIA
       Why not on Proteus, as of all the rest?
       LUCETTA
       Then thus: of many good I think him best.
       JULIA
       Your reason?
       LUCETTA
       I have no other but a woman's reason:
       I think him so, because I think him so.
       JULIA
       And wouldst thou have me cast my love on him?
       LUCETTA
       Ay, if you thought your love not cast away.
       JULIA
       Why, he, of all the rest, hath never mov'd me.
       LUCETTA
       Yet he, of all the rest, I think, best loves ye.
       JULIA
       His little speaking shows his love but small.
       LUCETTA
       Fire that's closest kept burns most of all.
       JULIA
       They do not love that do not show their love.
       LUCETTA
       O, they love least that let men know their love.
       JULIA
       I would I knew his mind.
       LUCETTA
       Peruse this paper, madam.
       JULIA
       'To Julia'- Say, from whom?
       LUCETTA
       That the contents will show.
       JULIA
       Say, say, who gave it thee?
       LUCETTA
       Sir Valentine's page; and sent, I think, from Proteus.
       He would have given it you; but I, being in the way,
       Did in your name receive it; pardon the fault, I pray.
       JULIA
       Now, by my modesty, a goodly broker!
       Dare you presume to harbour wanton lines?
       To whisper and conspire against my youth?
       Now, trust me, 'tis an office of great worth,
       And you an officer fit for the place.
       There, take the paper; see it be return'd;
       Or else return no more into my sight.
       LUCETTA
       To plead for love deserves more fee than hate.
       JULIA
       Will ye be gone?
       LUCETTA
       That you may ruminate.
       Exit
       JULIA
       And yet, I would I had o'erlook'd the letter.
       It were a shame to call her back again,
       And pray her to a fault for which I chid her.
       What fool is she, that knows I am a maid
       And would not force the letter to my view!
       Since maids, in modesty, say 'No' to that
       Which they would have the profferer construe 'Ay.'
       Fie, fie, how wayward is this foolish love,
       That like a testy babe will scratch the nurse,
       And presently, all humbled, kiss the rod!
       How churlishly I chid Lucetta hence,
       When willingly I would have had her here!
       How angerly I taught my brow to frown,
       When inward joy enforc'd my heart to smile!
       My penance is to call Lucetta back
       And ask remission for my folly past.
       What ho! Lucetta!
       Re-enter LUCETTA
       LUCETTA
       What would your ladyship?
       JULIA
       Is't near dinner time?
       LUCETTA
       I would it were,
       That you might kill your stomach on your meat
       And not upon your maid.
       JULIA
       What is't that you took up so gingerly?
       LUCETTA
       Nothing.
       JULIA
       Why didst thou stoop then?
       LUCETTA
       To take a paper up that I let fall.
       JULIA
       And is that paper nothing?
       LUCETTA
       Nothing concerning me.
       JULIA
       Then let it lie for those that it concerns.
       LUCETTA
       Madam, it will not lie where it concerns,
       Unless it have a false interpreter.
       JULIA
       Some love of yours hath writ to you in rhyme.
       LUCETTA
       That I might sing it, madam, to a tune.
       Give me a note; your ladyship can set.
       JULIA
       As little by such toys as may be possible.
       Best sing it to the tune of 'Light o' Love.'
       LUCETTA
       It is too heavy for so light a tune.
       JULIA
       Heavy! belike it hath some burden then.
       LUCETTA
       Ay; and melodious were it, would you sing it.
       JULIA
       And why not you?
       LUCETTA
       I cannot reach so high.
       JULIA
       Let's see your song.
       [LUCETTA withholds the letter]
       How now, minion!
       LUCETTA
       Keep tune there still, so you will sing it out.
       And yet methinks I do not like this tune.
       JULIA
       You do not!
       LUCETTA
       No, madam; 'tis too sharp.
       JULIA
       You, minion, are too saucy.
       LUCETTA
       Nay, now you are too flat
       And mar the concord with too harsh a descant;
       There wanteth but a mean to fill your song.
       JULIA
       The mean is drown'd with your unruly bass.
       LUCETTA
       Indeed, I bid the base for Proteus.
       JULIA
       This babble shall not henceforth trouble me.
       Here is a coil with protestation!
       [Tears the letter]
       Go, get you gone; and let the papers lie.
       You would be fing'ring them, to anger me.
       LUCETTA
       She makes it strange; but she would be best pleas'd
       To be so ang'red with another letter.
       Exit
       JULIA
       Nay, would I were so ang'red with the same!
       O hateful hands, to tear such loving words!
       Injurious wasps, to feed on such sweet honey
       And kill the bees that yield it with your stings!
       I'll kiss each several paper for amends.
       Look, here is writ 'kind Julia.' Unkind Julia,
       As in revenge of thy ingratitude,
       I throw thy name against the bruising stones,
       Trampling contemptuously on thy disdain.
       And here is writ 'love-wounded Proteus.'
       Poor wounded name! my bosom,,as a bed,
       Shall lodge thee till thy wound be throughly heal'd;
       And thus I search it with a sovereign kiss.
       But twice or thrice was 'Proteus' written down.
       Be calm, good wind, blow not a word away
       Till I have found each letter in the letter-
       Except mine own name; that some whirlwind bear
       Unto a ragged, fearful, hanging rock,
       And throw it thence into the raging sea.
       Lo, here in one line is his name twice writ:
       'Poor forlorn Proteus, passionate Proteus,
       To the sweet Julia.' That I'll tear away;
       And yet I will not, sith so prettily
       He couples it to his complaining names.
       Thus will I fold them one upon another;
       Now kiss, embrace, contend, do what you will.
       Re-enter LUCETTA
       LUCETTA
       Madam,
       Dinner is ready, and your father stays.
       JULIA
       Well, let us go.
       LUCETTA
       What, shall these papers lie like tell-tales here?
       JULIA
       If you respect them, best to take them up.
       LUCETTA
       Nay, I was taken up for laying them down;
       Yet here they shall not lie for catching cold.
       JULIA
       I see you have a month's mind to them.
       LUCETTA
       Ay, madam, you may say what sights you see;
       I see things too, although you judge I wink.
       JULIA
       Come, come; will't please you go?
       Exeunt
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Dramatis Personae
act i
   Scene I.
   Scene II.
   Scene III.
act ii
   Scene I.
   Scene II.
   Scene III.
   Scene IV.
   Scene V.
   Scene VI.
   Scene VII.
act iii
   Scene I.
   Scene II.
act iv
   Scene I.
   Scene II.
   Scene III.
   Scene IV.
act v
   Scene I.
   Scene II.
   Scene III.
   Scene IV.