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The Merchant of Venice
act iii   Scene 2
William Shakespeare
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       Belmont. PORTIA'S house
       Enter BASSANIO, PORTIA, GRATIANO, NERISSA, and all their trains
       PORTIA
       I pray you tarry; pause a day or two
       Before you hazard; for, in choosing wrong,
       I lose your company; therefore forbear a while.
       There's something tells me- but it is not love-
       I would not lose you; and you know yourself
       Hate counsels not in such a quality.
       But lest you should not understand me well-
       And yet a maiden hath no tongue but thought-
       I would detain you here some month or two
       Before you venture for me. I could teach you
       How to choose right, but then I am forsworn;
       So will I never be; so may you miss me;
       But if you do, you'll make me wish a sin,
       That I had been forsworn. Beshrew your eyes!
       They have o'erlook'd me and divided me;
       One half of me is yours, the other half yours-
       Mine own, I would say; but if mine, then yours,
       And so all yours. O! these naughty times
       Puts bars between the owners and their rights;
       And so, though yours, not yours. Prove it so,
       Let fortune go to hell for it, not I.
       I speak too long, but 'tis to peize the time,
       To eke it, and to draw it out in length,
       To stay you from election.
       BASSANIO
       Let me choose;
       For as I am, I live upon the rack.
       PORTIA
       Upon the rack, Bassanio? Then confess
       What treason there is mingled with your love.
       BASSANIO
       None but that ugly treason of mistrust
       Which makes me fear th' enjoying of my love;
       There may as well be amity and life
       'Tween snow and fire as treason and my love.
       PORTIA
       Ay, but I fear you speak upon the rack,
       Where men enforced do speak anything.
       BASSANIO
       Promise me life, and I'll confess the truth.
       PORTIA
       Well then, confess and live.
       BASSANIO
       'Confess' and 'love'
       Had been the very sum of my confession.
       O happy torment, when my torturer
       Doth teach me answers for deliverance!
       But let me to my fortune and the caskets.
       PORTIA
       Away, then; I am lock'd in one of them.
       If you do love me, you will find me out.
       Nerissa and the rest, stand all aloof;
       Let music sound while he doth make his choice;
       Then, if he lose, he makes a swan-like end,
       Fading in music. That the comparison
       May stand more proper, my eye shall be the stream
       And wat'ry death-bed for him. He may win;
       And what is music then? Then music is
       Even as the flourish when true subjects bow
       To a new-crowned monarch; such it is
       As are those dulcet sounds in break of day
       That creep into the dreaming bridegroom's ear
       And summon him to marriage. Now he goes,
       With no less presence, but with much more love,
       Than young Alcides when he did redeem
       The virgin tribute paid by howling Troy
       To the sea-monster. I stand for sacrifice;
       The rest aloof are the Dardanian wives,
       With bleared visages come forth to view
       The issue of th' exploit. Go, Hercules!
       Live thou, I live. With much much more dismay
       I view the fight than thou that mak'st the fray.
       A SONG
       the whilst BASSANIO comments on the caskets to himself
       Tell me where is fancy bred,
       Or in the heart or in the head,
       How begot, how nourished?
       Reply, reply.
       It is engend'red in the eyes,
       With gazing fed; and fancy dies
       In the cradle where it lies.
       Let us all ring fancy's knell:
       I'll begin it- Ding, dong, bell.
       ALL
       Ding, dong, bell.
       BASSANIO
       So may the outward shows be least themselves;
       The world is still deceiv'd with ornament.
       In law, what plea so tainted and corrupt
       But, being season'd with a gracious voice,
       Obscures the show of evil? In religion,
       What damned error but some sober brow
       Will bless it, and approve it with a text,
       Hiding the grossness with fair ornament?
       There is no vice so simple but assumes
       Some mark of virtue on his outward parts.
       How many cowards, whose hearts are all as false
       As stairs of sand, wear yet upon their chins
       The beards of Hercules and frowning Mars;
       Who, inward search'd, have livers white as milk!
       And these assume but valour's excrement
       To render them redoubted. Look on beauty
       And you shall see 'tis purchas'd by the weight,
       Which therein works a miracle in nature,
       Making them lightest that wear most of it;
       So are those crisped snaky golden locks
       Which make such wanton gambols with the wind
       Upon supposed fairness often known
       To be the dowry of a second head-
       The skull that bred them in the sepulchre.
       Thus ornament is but the guiled shore
       To a most dangerous sea; the beauteous scarf
       Veiling an Indian beauty; in a word,
       The seeming truth which cunning times put on
       To entrap the wisest. Therefore, thou gaudy gold,
       Hard food for Midas, I will none of thee;
       Nor none of thee, thou pale and common drudge
       'Tween man and man; but thou, thou meagre lead,
       Which rather threaten'st than dost promise aught,
       Thy plainness moves me more than eloquence,
       And here choose I. Joy be the consequence!
       PORTIA
       [Aside] How all the other passions fleet to air,
       As doubtful thoughts, and rash-embrac'd despair,
       And shudd'ring fear, and green-ey'd jealousy!
       O love, be moderate, allay thy ecstasy,
       In measure rain thy joy, scant this excess!
       I feel too much thy blessing. Make it less,
       For fear I surfeit.
       BASSANIO
       [Opening the leaden casket] What find I here?
       Fair Portia's counterfeit! What demi-god
       Hath come so near creation? Move these eyes?
       Or whether riding on the balls of mine
       Seem they in motion? Here are sever'd lips,
       Parted with sugar breath; so sweet a bar
       Should sunder such sweet friends. Here in her hairs
       The painter plays the spider, and hath woven
       A golden mesh t' entrap the hearts of men
       Faster than gnats in cobwebs. But her eyes-
       How could he see to do them? Having made one,
       Methinks it should have power to steal both his,
       And leave itself unfurnish'd. Yet look how far
       The substance of my praise doth wrong this shadow
       In underprizing it, so far this shadow
       Doth limp behind the substance. Here's the scroll,
       The continent and summary of my fortune.
       'You that choose not by the view,
       Chance as fair and choose as true!
       Since this fortune falls to you,
       Be content and seek no new.
       If you be well pleas'd with this,
       And hold your fortune for your bliss,
       Turn to where your lady is
       And claim her with a loving kiss.'
       A gentle scroll. Fair lady, by your leave;
       I come by note, to give and to receive.
       Like one of two contending in a prize,
       That thinks he hath done well in people's eyes,
       Hearing applause and universal shout,
       Giddy in spirit, still gazing in a doubt
       Whether those peals of praise be his or no;
       So, thrice-fair lady, stand I even so,
       As doubtful whether what I see be true,
       Until confirm'd, sign'd, ratified by you.
       PORTIA
       You see me, Lord Bassanio, where I stand,
       Such as I am. Though for myself alone
       I would not be ambitious in my wish
       To wish myself much better, yet for you
       I would be trebled twenty times myself,
       A thousand times more fair, ten thousand times more rich,
       That only to stand high in your account
       I might in virtues, beauties, livings, friends,
       Exceed account. But the full sum of me
       Is sum of something which, to term in gross,
       Is an unlesson'd girl, unschool'd, unpractis'd;
       Happy in this, she is not yet so old
       But she may learn; happier than this,
       She is not bred so dull but she can learn;
       Happiest of all is that her gentle spirit
       Commits itself to yours to be directed,
       As from her lord, her governor, her king.
       Myself and what is mine to you and yours
       Is now converted. But now I was the lord
       Of this fair mansion, master of my servants,
       Queen o'er myself; and even now, but now,
       This house, these servants, and this same myself,
       Are yours- my lord's. I give them with this ring,
       Which when you part from, lose, or give away,
       Let it presage the ruin of your love,
       And be my vantage to exclaim on you.
       BASSANIO
       Madam, you have bereft me of all words;
       Only my blood speaks to you in my veins;
       And there is such confusion in my powers
       As, after some oration fairly spoke
       By a beloved prince, there doth appear
       Among the buzzing pleased multitude,
       Where every something, being blent together,
       Turns to a wild of nothing, save of joy
       Express'd and not express'd. But when this ring
       Parts from this finger, then parts life from hence;
       O, then be bold to say Bassanio's dead!
       NERISSA
       My lord and lady, it is now our time
       That have stood by and seen our wishes prosper
       To cry 'Good joy.' Good joy, my lord and lady!
       GRATIANO
       My Lord Bassanio, and my gentle lady,
       I wish you all the joy that you can wish,
       For I am sure you can wish none from me;
       And, when your honours mean to solemnize
       The bargain of your faith, I do beseech you
       Even at that time I may be married too.
       BASSANIO
       With all my heart, so thou canst get a wife.
       GRATIANO
       I thank your lordship, you have got me one.
       My eyes, my lord, can look as swift as yours:
       You saw the mistress, I beheld the maid;
       You lov'd, I lov'd; for intermission
       No more pertains to me, my lord, than you.
       Your fortune stood upon the caskets there,
       And so did mine too, as the matter falls;
       For wooing here until I sweat again,
       And swearing till my very roof was dry
       With oaths of love, at last- if promise last-
       I got a promise of this fair one here
       To have her love, provided that your fortune
       Achiev'd her mistress.
       PORTIA
       Is this true, Nerissa?
       NERISSA
       Madam, it is, so you stand pleas'd withal.
       BASSANIO
       And do you, Gratiano, mean good faith?
       GRATIANO
       Yes, faith, my lord.
       BASSANIO
       Our feast shall be much honoured in your marriage.
       GRATIANO
       We'll play with them: the first boy for a thousand
       ducats.
       NERISSA
       What, and stake down?
       GRATIANO
       No; we shall ne'er win at that sport, and stake down-
       But who comes here? Lorenzo and his infidel?
       What, and my old Venetian friend, Salerio!
       Enter LORENZO, JESSICA, and SALERIO, a messenger from Venice
       BASSANIO
       Lorenzo and Salerio, welcome hither,
       If that the youth of my new int'rest here
       Have power to bid you welcome. By your leave,
       I bid my very friends and countrymen,
       Sweet Portia, welcome.
       PORTIA
       So do I, my lord;
       They are entirely welcome.
       LORENZO
       I thank your honour. For my part, my lord,
       My purpose was not to have seen you here;
       But meeting with Salerio by the way,
       He did entreat me, past all saying nay,
       To come with him along.
       SALERIO
       I did, my lord,
       And I have reason for it. Signior Antonio
       Commends him to you.
       [Gives BASSANIO a letter]
       BASSANIO
       Ere I ope his letter,
       I pray you tell me how my good friend doth.
       SALERIO
       Not sick, my lord, unless it be in mind;
       Nor well, unless in mind; his letter there
       Will show you his estate.
       [BASSANIO opens the letter]
       GRATIANO
       Nerissa, cheer yond stranger; bid her welcome.
       Your hand, Salerio. What's the news from Venice?
       How doth that royal merchant, good Antonio?
       I know he will be glad of our success:
       We are the Jasons, we have won the fleece.
       SALERIO
       I would you had won the fleece that he hath lost.
       PORTIA
       There are some shrewd contents in yond same paper
       That steals the colour from Bassanio's cheek:
       Some dear friend dead, else nothing in the world
       Could turn so much the constitution
       Of any constant man. What, worse and worse!
       With leave, Bassanio: I am half yourself,
       And I must freely have the half of anything
       That this same paper brings you.
       BASSANIO
       O sweet Portia,
       Here are a few of the unpleasant'st words
       That ever blotted paper! Gentle lady,
       When I did first impart my love to you,
       I freely told you all the wealth I had
       Ran in my veins- I was a gentleman;
       And then I told you true. And yet, dear lady,
       Rating myself at nothing, you shall see
       How much I was a braggart. When I told you
       My state was nothing, I should then have told you
       That I was worse than nothing; for indeed
       I have engag'd myself to a dear friend,
       Engag'd my friend to his mere enemy,
       To feed my means. Here is a letter, lady,
       The paper as the body of my friend,
       And every word in it a gaping wound
       Issuing life-blood. But is it true, Salerio?
       Hath all his ventures fail'd? What, not one hit?
       From Tripolis, from Mexico, and England,
       From Lisbon, Barbary, and India,
       And not one vessel scape the dreadful touch
       Of merchant-marring rocks?
       SALERIO
       Not one, my lord.
       Besides, it should appear that, if he had
       The present money to discharge the Jew,
       He would not take it. Never did I know
       A creature that did bear the shape of man
       So keen and greedy to confound a man.
       He plies the Duke at morning and at night,
       And doth impeach the freedom of the state,
       If they deny him justice. Twenty merchants,
       The Duke himself, and the magnificoes
       Of greatest port, have all persuaded with him;
       But none can drive him from the envious plea
       Of forfeiture, of justice, and his bond.
       JESSICA
       When I was with him, I have heard him swear
       To Tubal and to Chus, his countrymen,
       That he would rather have Antonio's flesh
       Than twenty times the value of the sum
       That he did owe him; and I know, my lord,
       If law, authority, and power, deny not,
       It will go hard with poor Antonio.
       PORTIA
       Is it your dear friend that is thus in trouble?
       BASSANIO
       The dearest friend to me, the kindest man,
       The best condition'd and unwearied spirit
       In doing courtesies; and one in whom
       The ancient Roman honour more appears
       Than any that draws breath in Italy.
       PORTIA
       What sum owes he the Jew?
       BASSANIO
       For me, three thousand ducats.
       PORTIA
       What! no more?
       Pay him six thousand, and deface the bond;
       Double six thousand, and then treble that,
       Before a friend of this description
       Shall lose a hair through Bassanio's fault.
       First go with me to church and call me wife,
       And then away to Venice to your friend;
       For never shall you lie by Portia's side
       With an unquiet soul. You shall have gold
       To pay the petty debt twenty times over.
       When it is paid, bring your true friend along.
       My maid Nerissa and myself meantime
       Will live as maids and widows. Come, away;
       For you shall hence upon your wedding day.
       Bid your friends welcome, show a merry cheer;
       Since you are dear bought, I will love you dear.
       But let me hear the letter of your friend.
       BASSANIO
       [Reads] 'Sweet Bassanio, my ships have all miscarried,
       my creditors grow cruel, my estate is very low, my bond to the
       Jew is forfeit; and since, in paying it, it is impossible I
       should live, all debts are clear'd between you and I, if I might
       but see you at my death. Notwithstanding, use your pleasure; if
       your love do not persuade you to come, let not my letter.'
       PORTIA
       O love, dispatch all business and be gone!
       BASSANIO
       Since I have your good leave to go away,
       I will make haste; but, till I come again,
       No bed shall e'er be guilty of my stay,
       Nor rest be interposer 'twixt us twain.
       Exeunt
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Dramatis Personae
act i
   Scene 1
   Scene 2
   Scene 3
act ii
   Scene 1
   Scene 2
   Scene 3
   Scene 4
   Scene 5
   Scene 6
   Scene 7
   Scene 8
   Scene 9
act iii
   Scene 1
   Scene 2
   Scene 3
   Scene 4
   Scene 5
act iv
   Scene 1
   Scene 2
act v
   Scene 1