_ PART I. THE PLANT-LORE OF SHAKESPEARE
CROWN IMPERIAL, CUCKOO-BUDS AND FLOWERS, CURRANTS
CROWN IMPERIAL.
Perdita.
Bold Oxlips, and
The Crown Imperial.
Winter's Tale, act iv, sc. 4 (125).
The Crown Imperial is a Fritillary (
F. imperialis). It is a native of Persia, Afghanistan, and Cashmere, but it was very early introduced into England from Constantinople, and at once became a favourite. Chapman, in 1595, spoke of it as--
"Fair Crown Imperial, Emperor of Flowers."
--- OVID'S
Banquet of Sense.
Gerard had it plentifully in his garden, and Parkinson gave it the foremost place in his "Paradisus Terrestris." "The Crown Imperial," he says, "for its stately beautifulnesse deserveth the first place in this our garden of delight, to be here entreated of before all other Lillies." George Herbert evidently admired it much--
"Then went I to a garden, and did spy
A gallant flower,
The Crown Imperial."
---
Peace (13).
And if not in Shakespeare's time, yet certainly very soon after, there were as many varieties as there are now. The plant, as a florist's flower, has stood still in a very remarkable way. Though it is apparently a plant that invites the attention of the hybridizing gardener, yet we still have but the two colours, the red and the yellow (a pure white would be a great acquisition), with single and double flowers, flowers in tiers, and with variegated leaves. And all these varieties have existed for more than two hundred years.
As a stately garden plant it should be in every garden. It flowers early, and then dies down. But it should be planted rather in the background, as the whole plant has an evil smell, especially in sunshine. Yet it should have a close attention, if only to study and admire the beautiful interior of the flower. I know of no other flower that is similarly formed, and it cannot be better described than in Gerard's words: "In the bottome of each of the bells there is placed six drops of most cleere shining sweet water, in taste like sugar, resembling in shew faire Orient pearles, the which drops if you take away, there do immediately appeare the like; notwithstanding, if they may be suffered to stand still in the floure according to his owne nature, they wil never fall away, no, not if you strike the plant untill it be broken." How these drops are formed, and what service they perform in the economy of the flower, has not been explained, as far as I am aware; but there is a pretty German legend which tells how the flower was originally white and erect, and grew in its full beauty in the garden of Gethsemane, where it was often noticed and admired by our Lord; but in the night of the agony, as our Lord passed through the garden, all the other flowers bowed their head in sorrowful adoration, the Crown Imperial alone remaining with its head unbowed, but not for long--sorrow and shame took the place of pride, she bent her proud[69:1] head, and blushes of shame, and tears of sorrow soon followed, and so she has ever continued, with bent head, blushing colour, and ever-flowing tears. It is a pretty legend, and may be found at full length in "Good Words for the Young," August, 1870.
FOOTNOTES:
[69:1] The bent head of the Crown Imperial could not well escape notice--
"The Polyanthus, and with prudent head,
The Crown Imperial, ever bent on earth,
Favouring her secret rites, and pearly sweets."--FORSTER.
CUCKOO-BUDS AND FLOWERS.
(1) Song of Spring.
When Daisies pied, and Violets blue,
And Lady-smocks all silver-white,
And Cuckoo-buds of yellow hue,
Do paint the meadows with delight.
--- Love's Labour's Lost, act v, sc. 2 (904).
(2) Cordelia.
He was met even now
As mad as the vex'd sea; singing aloud;
Crown'd with rank Fumiter and Furrow-weeds,
With Burdocks, Hemlock, Nettles, Cuckoo-flowers,
Darnel, and all the idle weeds that grow
In our sustaining Corn.
--- King Lear, act iv, sc. 4 (1).
There is a difficulty in deciding what flower Shakespeare meant by Cuckoo-buds. We now always give the name to the Meadow Cress (
Cardamine pratensis), but it cannot be that in either of these passages, because that flower is mentioned under its other name of Lady-smocks in the previous line (No. 1), nor is it "of yellow hue;" nor does it grow among Corn, as described in No. 2. Many plants have been suggested, and the choice seems to me to lie between two. Mr. Swinfen Jervis[70:1] decides without hesitation in favour of Cowslips, and the yellow hue painting the meadows in spring time gives much force to the decision; Schmidt gives the same interpretation; but I think the Buttercup, as suggested by Dr. Prior, will still better meet the requirements.
FOOTNOTES:
[70:1] "Dictionary of the Language of Shakespeare," 1868.
CUPID'S FLOWER,
see PANSIES.
CURRANTS.
(1) Clown.
What am I to buy for our sheep-shearing feast? Three pound of
Sugar, five pound of Currants.
--- Winter's Tale, act iv, sc. 3 (39).
(2) Theseus.
I stamp this kisse upon thy Currant lippe.
--- Two Noble Kinsmen, act i, sc. 1 (241).
The Currants of (1) are the Currants of commerce, the fruit of the Vitis Corinthiaca, whence the fruit has derived its name of Corans, or Currants.
The English Currants are of an entirely different family; and are closely allied to the Gooseberry. The Currants--black, white, and red--are natives of the northern parts of Europe, and are probably wild in Britain. They do not seem to have been much grown as garden fruit till the early part of the sixteenth century, and are not mentioned by the earlier writers; but that they were known in Shakespeare's time we have the authority of Gerard, who, speaking of Gooseberries, says: "We have also in our London gardens another sort altogether without prickes, whose fruit is very small, lesser by muche than the common kinde, but of a perfect red colour." This "perfect red colour" explains the "currant lip" of No. 2.
CYME, see SENNA. _