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My Reminiscences
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Rabindranath Tagore
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       FOOTNOTES - Footnotes
       [1] A jingling sentence in the Bengali Child's Primer.
       [2] Exercises in two-syllables.
       [3] Roofed colonnade or balcony. The writer's family house is an irregular three-storied mass of buildings, which had grown with the joint family it sheltered, built round several courtyards or quadrangles, with long colonnades along the outer faces, and narrower galleries running round each quadrangle, giving access to the single rows of rooms.
       [4] The men's portion of the house is the outer; and the women's the inner.
       [5] These Bustees or settlements consisting of tumbledown hovels, existing side by side with palatial buildings, are still one of the anomalies of Calcutta. _Tr._
       [6] Corresponding to "Wonderland."
       [7] There are innumerable renderings of the Ramayana in the Indian languages.
       [8] A kind of crisp unsweetened pancake taken like bread along with the other courses.
       [9] Food while being eaten, and utensils or anything else touched by the hand engaged in conveying food to the mouth, are considered ceremonially unclean.
       [10] The writer is the youngest of seven brothers. The sixth brother is here meant.
       [11] Obsolete word meaning bee.
       [12] The lane, a blind one, leads, at right angles to the front verandah, from the public main road to the grounds round the house.
       [13] God of Death.
       [14] Goddess of Learning.
       [15] The Jupiter Pluvius of Hindu Mythology.
       [16] The King of the Yakshas is the Pluto of Hindu Mythology.
       [17] Corresponding to Lethe.
       [18] Krishna's playground.
       [19] Correspondence clerk.
       [20] Spices wrapped in betel leaf.
       [21] It is considered sinful for non-brahmins to cast glances on neophytes during the process of their sacred-thread investiture, before the ceremony is complete.
       [22] Two novices in the hermitage of the sage Kanva, mentioned in the Sanskrit drama, Sakuntala.
       [23] The text for self-realisation.
       [24] Bards or reciters.
       [25] The Cow and the Brahmin are watchwords of modern Hindu Orthodoxy.
       [26] An instrument on which the keynote is strummed to accompany singing.
       [27] A large proportion of words in the literary Bengali are derived unchanged from the Sanskrit.
       [28] Servants call the master and mistress father, and mother, and the children brothers and sisters.
       [29] Name of Vishnu in his aspect of slayer of the proud demon, Madhu.
       [30] Nirada is a Sanscrit word meaning _cloud_, being a compound of _nira_ = water and _da_ = giver. In Bengali it is pronounced _nirode_.
       [31] Betel-leaf and spices.
       [32] Father of the well-known artists Gaganendra and Abanindra. _Ed._
       [33] In Bengali this word has come to mean an informal uninvited gathering.
       [34] Systems of notation were not then in use. One of the most popular of the present-day systems was subsequently devised by the writer's brother here mentioned. _Tr._
       [35] The new bride of the house, wife of the writer's fourth brother, above-mentioned. _Tr._
       [36] It may be helpful to the foreign reader to explain that the expert singer of Indian music improvises more or less on the tune outline made over to him by the original composer, so that the latter need not necessarily do more than give a correct idea of such outline. _Tr._
       [37] This would mean "the genius of Bhubanmohini" if that be taken as the author's name.
       [38] Gifts of cloth for use as wearing apparel are customary by way of ceremonial offerings of affection, respect or seasonable greeting.
       [39] The old Vaishnava poets used to bring their name into the last stanza of the poem, this serving as their signature. Bhanu and Rabi both mean the Sun. _Tr._
       [40] The dried and stripped centre-vein of a cocoanut leaf gives a long tapering stick of the average thickness of a match stick, and a bundle of these goes to make the common Bengal household broom which in the hands of the housewife is popularly supposed to be useful in keeping the whole household in order from husband downwards. Its effect on a bare back is here alluded to.--_Tr._
       [41] There was a craze for phrenology at the time. _Tr._
       [42] Latterly Sir Tarak Palit, a life-long friend of the writer's second brother. _Tr._
       [43] Saraswati, the goddess of learning, is depicted in Bengal as clad in white and seated among a mass of lotus flowers. _Tr._
       [44] With Indian music it is not a mere question of correctly rendering a melody exactly as composed, but the theme of the original composition is the subject of an improvised interpretative elaboration by the expounding Artist. _Tr._
       [45] Valmiki Pratibha means the genius of Valmiki. The plot is based on the story of Valmiki, the robber chief, being moved to pity and breaking out into a metrical lament on witnessing the grief of one of a pair of cranes whose mate was killed by a hunter. In the metre which so came to him he afterwards composed his _Ramayana_. _Tr._
       [46] Some Indian classic melodic compositions are designed on a scheme of accentuation, for which purpose the music is set, not to words, but to unmeaning notation-sounds representing drum-beats or plectrum-impacts which in Indian music are of a considerable variety of tone, each having its own sound-symbol. The _Telena_ is one such style of composition. _Tr._
       [47] Reciters of Puranic legendary lore. _Tr._
       [48] The Goddess of Wealth.
       [49] As distinguished generally from different provincial styles, but chiefly from the Dravidian style prevalent in the South. _Tr._
       [50] Many of the Hindustani classic modes are supposed to be best in keeping with particular seasons of the year, or times of the day. _Tr._
       [51] The world, as the Indian boy knows it from fairy tale and folklore, has seven seas and thirteen rivers. _Tr._
       [52] This is addressed to Yashoda, mother of Krishna, by his playmates. Yashoda would dress up her darling every morning in his yellow garment with a peacock plume in his hair. But when it came to the point, she was nervous about allowing him, young as he was, to join the other cowherd boys at the pasturage. So it often required a great deal of persuasion before they would be allowed to take charge of him. This is part of the _Vaishnava_ parable of the child aspect of Krishna's play with the world. _Tr._
       [53] A Busti is an area thickly packed with shabby tiled huts, with narrow pathways running through, and connecting it with the main street. These are inhabited by domestic servants, the poorer class of artisans and the like. Such settlements were formerly scattered throughout the town even in the best localities, but are now gradually disappearing from the latter. _Tr._
       [54] One of Bankim Babu's brothers.
       [55] The month corresponding to July-August, the height of the rainy season.
       [56] The month of Aswin corresponds to September-October, the long vacation time for Bengal.
       [57] Referring to his marriage with the writer's niece, Pratibha. _Tr._
       [The end]
       Rabindranath Tagore's book: My Reminiscences
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本书目录

Translator's Preface
PART I
   PART I - 1. My Reminiscences
   PART I - 2. Teaching Begins
   PART I - 3. Within and Without
PART II
   PART II - 4. Servocracy
   PART II - 5. The Normal School
   PART II - 6. Versification
   PART II - 7. Various Learning
   PART II - 8. My First Outing
   PART II - 9. Practising Poetry
Part III
   Part III - 10. Srikantha Babu
   Part III - 11. Our Bengali Course Ends
   Part III - 12. The Professor
   Part III - 13. My Father
   Part III - 14. A journey with my Father
   Part III - 15. At the Himalayas
Part IV
   Part IV - 16. My Return
   Part IV - 17. Home Studies
   Part IV - 18. My Home Environment
   Part IV - 19. Literary Companions
   Part IV - 20. Publishing
   Part IV - 21. Bhanu Singha
   Part IV - 22. Patriotism
   Part IV - 23. The Bharati
PART V
   PART V - 24. Ahmedabad
   PART V - 25. England
   PART V - 26. Loken Palit
   PART V - 27. The Broken Heart
PART VI
   PART VI - 28. European Music
   PART VI - 29. Valmiki Pratibha
   PART VI - 30. Evening Songs
   PART VI - 31. An Essay on Music
   PART VI - 32. The River-side
   PART VI - 33. More About the Evening Songs_
   PART VI - 34. Morning Songs
PART VII
   PART VII - 35. Rajendrahal Mitra
   PART VII - 36. Karwar
   PART VII - 37. Nature's Revenge
   PART VII - 38. Pictures and Songs
   PART VII - 39. An Intervening Period
   PART VII - 40. Bankim Chandra
PART VIII
   PART VIII - 41. The Steamer Hulk
   PART VIII - 42. Bereavements
   PART VIII - 43. The Rains and Autumn
   PART VIII - 44. Sharps and Flats
FOOTNOTES
   FOOTNOTES - Footnotes