_ CHAPTER LXII. THE LOOK OUT
Oliva went to bed, and slept better. She admired the count, whom she did not in the least understand. She could no longer think him timid; she did not suspect that he was only cold and insensible. She felt pleased at the perfect safety in which he assured her she was; and in the morning she examined her new rooms, and found them nobly and luxuriously furnished, and enjoyed immensely her privilege of going out into the balcony, filled with flowers, and where she got sunshine and fresh air, although she drew back whenever she saw any one approaching, or heard a carriage coming. There were not many, however, in the Rue St. Claude. She could see the chateau of Menilmontant, the great trees in the cemetery, myriads of houses of all colors; and she could see the fields beyond, full of children at play, and the peasants trotting along the roads on their donkeys. All this charmed Oliva, who had always a heart of love for the country, since she had left Taverney Maison-Rouge. At last, getting tired of this distant view, she began to examine the houses opposite to her. In some, she saw birds in cages; and in one, hung with yellow silk curtains, and ornamented with flowers, she thought she could distinguish a figure moving about. She called her femme-de-chambre to make inquiries about them; but the woman could only show her mistress all the churches, and tell her the names of the streets; she knew nothing of the neighbors. Oliva therefore sent her away again, and determined to watch for herself.
She saw some open their doors, and come out for a walk, and others variously occupied. At last she saw the figure of a woman seat herself in an armchair, in the room with the yellow curtains, and abandon her head for an hour and a half to a hair-dresser, while he built up one of those immense edifices worn at that time, in which minerals, vegetables, and even animals, were introduced. At last, it was complete: Oliva thought she looked pretty, and admired her little foot, encased in a rose-colored slipper, which rested on another chair. She began to construct all sorts of romances about this lady, and made various movements to attract her attention, but she never turned her eyes that way, as that room had never before been occupied, and she began to despair. The lady was, of course, Jeanne de Valois, who was deeply absorbed in devising some scheme for preventing the queen and the cardinal from meeting. At last, Oliva, turning suddenly round, knocked over a flower-pot which fell from the balcony with a crash: at the sound the lady turned and saw her, and clasping her hands she called out, "The Queen;" but looking again, she murmured, "Oh! I sought for a means to gain my end, and I have found one." Then, hearing a sound behind her, Oliva turned and saw Cagliostro, and came in directly. _